Arts & Entertainment
Longtime LGBTQ+ Ally Betty White has died at 99
BREAKING: The beloved actress who was set to celebrate her 100th birthday on January 17, 2022 died overnight in Los Angeles

Betty White, the beloved actress and animal rights advocate who stood by the LGBTQ+ community as a strong ally died overnight at her home in Brentwood, in West Los Angeles, her friend and agent Jeff Witjas told the Washington Post Friday. She was 99.
White, who was due to celebrate her 100th birthday on January 17 had tweeted on Tuesday, December 28:
“My 100th birthday… I cannot believe it is coming up, and People Magazine is celebrating with me! The new issue of @people is available on newsstands nationwide tomorrow.
My 100th birthday… I cannot believe it is coming up, and People Magazine is celebrating with me! The new issue of @people is available on newsstands nationwide tomorrow. https://t.co/kTQnsbMDGK
— Betty White (@BettyMWhite) December 28, 2021
Reacting to the news about White’s death from their home in Wilmington, Delaware, when asked by reporters during an informal press gaggle, President Joe Biden said, “That’s a shame. She was a lovely lady.” The First Lady, Dr. Jill Biden said, “Who didn’t love Betty White? We’re so sad.”
California Governor Gavin Newsom issued a statement Friday saying:
“Betty was a trailblazer, and easily one of the most beloved and lasting figures in television. She co-founded her own production company in the 1950s, one of two women at the time wielding creative control on both sides of the camera. Her 80-year career is the longest for any woman in television, and her work on Golden Girls created a cultural touchstone that remains relevant almost 40 years after its premiere.
“But above all else, she was a beacon of hope throughout her career, bringing joy and humor to everything she did. Although she may not have been born here, she was a timeless Californian treasure, through and through, and was inducted into the California Hall of Fame in 2010. Betty happily shared her talents with the world, and her spark will live on, inspiring generations to come.”
A new book celebrating White’s life and career by veteran entertainment journalist Ray Richmond provides a narrative to the Emmy award winning actress’s journey in Hollywood, including hosting an early variety-talk show.
White became a TV sitcom star in “The Mary Tyler Moore Show” and “The Golden Girls.” Her appearance on “Saturday Night Live” in 2010 earned her a new generation of admirers.
A nationwide theatrical event of “Betty White: 100 Years Young — A Birthday Celebration,” was scheduled for Jan. 17, which would have been her 100th birthday, the Associated Press reported.
The one-day-only movie event is set to highlight moments the actress had during her career with appearances by Ryan Reynolds, Tina Fey, Robert Redford, and Morgan Freeman. The AP notes that in light of White’s death it is unknown if the event will proceed.

In an interview with Frontiers LA magazine Features Editor Jeremy Kinser, a portion of which was published in The Advocate on October 10, 2011, White attributed her huge following in the LGBTQ+ community to her racy characters and her love of animals.
“Throughout my career, I’ve always portrayed characters that were humorous, but also weren’t afraid to speak their minds, especially when it came to racy or controversial topics,” says White, whose résumé includes The Mary Tyler Moore Show‘s sardonic Sue Ann Niven and The Golden Girls‘ naïve Rose Nyland. “I think this struck a chord with the LGBT community. We both also share a very strong love for animals. When you combine the two, it’s a very strong match.”
White was also an early supporter of same-sex marriage telling Parade magazine in 2010 –”I don’t care who anybody sleeps with,” she said . “If a couple has been together all that time – and there are gay relationships that are more solid than some heterosexual ones – I think it’s fine if they want to get married. I don’t know how people can get so anti-something. Mind your own business, take care of your affairs, and don’t worry about other people so much.”
We are heartbroken over the death of Betty White, who died today at 99. We have lost a truly magnificent performer and humanitarian. White was the 46th recipient of the SAG Life Achievement award, given for career achievement and humanitarian accomplishment, in 2009. pic.twitter.com/ohWdQVVC5h
— SAG-AFTRA (@sagaftra) December 31, 2021
Photos
PHOTOS: Independence Day Weekend in Rehoboth
Wicked Green Pool Party, fireworks among festivities

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.
(Washington Blade photos by Daniel Truitt)













Music & Concerts
Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July
The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.
The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album “Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.
Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.
The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:
“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”
Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.
The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.
One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.
A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.
It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With “Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.
a&e features
From Prohibition to Pride: Queering the District podcast reveals local LGBTQ history
The new podcast explores the hidden history and enduring impact of queer spaces in Washington, D.C.

On June 25, as Pride month inched toward its end, three queer creators launched an ambitious project to honor the spaces that built D.C.’s LGBTQ community—and connect them to today’s queer life. The first episode of their podcast, Queering the District, hit streaming platforms that day, aiming to spotlight what host and co-creator Abby Stuckrath calls “third places”: bars, clubs, and gathering spots that have served as hubs for queer life across the city.
Each episode of the 10-part series delves into a different piece of D.C.’s queer past—from landmark clubs to untold personal stories—told through the voices of drag legends, activists, DJs, historians, and patrons who lived it. The show also threads together personal experiences from today’s community, bringing the listener on an auditory journey from Prohibition-era speakeasies to contemporary nights out at places like As You Are or Saints & Sinners.
Abby Stuckrath, alongside her sibling Ellie Stuckrath, and producer Mads Reagan, make up the podcast’s creative team. A recent journalism graduate of American University, Abby told the Blade that her passion for queer storytelling began during college—and that D.C. itself played a defining role in shaping her queer identity.
“I went to American University. I graduated last year and studied journalism. When I was in school, I always wanted to focus on queer stories – especially in D.C., because I’m from Denver, Colorado, I’ve never lived in a place like this before. D.C. has always just kind of been a place I call home when it comes to my queer identity.”
But breaking into the media to tell those stories wasn’t easy. Stuckrath quickly learned that editorial support—and funding—for queer-focused projects is limited. So she decided to do it her own way.
“I kind of found out that if you want to tell stories, you kind of have to do it on your own– especially when it comes to queer stories. There’s not a lot of people begging for us to talk about queer people and to pay you for it. So I was like, ‘Okay, let’s just do it on my own.’”
The idea for the podcast first took root in conversations with Ellie, Abby’s sibling and biggest supporter. Ellie had also moved to D.C. to find more space to explore and express their queer and gender identities. Together, the two began shaping a vision that would combine storytelling, sound design, and grassroots community input.
“I was like, ‘I don’t know what exactly I want to do yet, but I want it to be queer, and I want it to be about D.C., and it’s going to be called Queering the District, and we’re going to find out what that means.’ And Ellie is my biggest supporter, and my best friend. And they were like, ‘Hell yeah. Like, let’s do this.’ And so we decided to just do it together.”
The name stuck—and so did the mission. The team began researching queer D.C. history and found a city overflowing with stories that had rarely been documented, especially in mainstream archives.
“We started looking up the history of queer culture in D.C., and it kind of just clicked from there,” Stuckrath said. “I did not know anything about how rich our history is in the city until one Google search, and then I just kept learning more and more. I was kind of pissed because I studied gender studies in school in D.C. and didn’t learn shit about this.”
Season one focuses on the role of third places—non-work, non-home spaces where queer people could gather, exist fully, and build community.
“Third places have always been the epicenter of queer life… places outside of just your own personal home, because sometimes that isn’t a safe place. And of course, the work most commonly in the past and still today, isn’t a safe place for queer people to be full of themselves. So like, bars were the first place for queer people to really thrive and meet each other.”
To make the show participatory, Queering the District includes a twist: a voicemail line where anyone can call in and share a memory or question. The team calls the phone “Fifi”—a nod to the kind of retro guestbooks often used at weddings, but reimagined for queer nightlife and history.
“We wanted to find a way for people to share their stories with us anonymously… so even though we start in Prohibition, we wanted to connect it to now—like, those people who were singing jazz to each other in a white queer bar are connected to you singing karaoke on a Sunday night at your favorite gay bar. We’re all interconnected by this third place of queer bars in D.C.”
Those connections are emotional as well as historical. While building the series, one realization hit Stuckrath particularly hard: the immense loss of queer spaces in D.C., especially in neighborhoods that have since been heavily redeveloped.
“Every time I go to a Nats game, I think about, well, this just replaced five gay bars that used to be here. It used to be the home of Ziegfeld’s… Tracks, which was almost 2,000 square feet, with a volleyball court in the back, a fire pit, and iconic light show. I just didn’t know that we had that, and it made me sad for the queer elders that are in our city now who walk the streets and don’t see all those places they used to call home.”
That sense of loss—alongside the joy and resilience of queer community—is what the show aims to capture. As the podcast continues, Abby hopes it serves as both a celebration and an educational tool, especially for young LGBTQ people arriving in D.C. without realizing the queer foundations they’re walking on.
“D.C. is a unique city, and specifically young queer people who are hoping to move to the city—to know that you’ve got to know your history to be here. I hope this serves as an easier way for you to consume and learn about queer history, because queer history defines how we move in life.”
And for all the voices still left out, Abby is clear: this podcast is an open door, not a final word.
“This is a perfectly imperfect podcast. We should just be a starting point. We shouldn’t be the ending point.”
New episodes of Queering the District drop every Wednesday on all major platforms.
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