Arts & Entertainment
Baltimore arts preview: John Waters, Tina Turner, and more
Busy season in Charm City with ‘Hamilton,’ Randy Rainbow among standouts

What sort of art does gay writer and filmmaker John Waters collect? Does it reflect his subversive sense of humor and empathy for outsiders? How did he get to be such a savvy art collector?
Fans will get some answers from “Coming Attractions: The John Waters Collection,” an exhibit opening Nov. 20 at the Baltimore Museum of Art. It’s one of many shows and exhibits coming to Baltimore this fall, including the national touring productions of “Hamilton,” “Jagged Little Pill” and “Tina: The Tina Turner Musical,” and appearances by Randy Rainbow, Trixie Mattel, Chelsea Handler and others.
“Coming Attractions” will feature about 90 works of art selected from 372 works that Waters, a BMA trustee, plans to leave to the museum upon his death. When his donation was announced in 2020, representatives promised the museum would have a preview of what’s to come while Waters was still alive, and this show is it.
Although Waters’s donation to the museum includes works by himself and others, “Coming Attractions” will focus on art he has collected and displayed at his homes in Baltimore, New York City, and San Francisco.
The guest curators are photographer Catherine Opie and artist Jack Pierson, both of whom have been friends with Waters for years and are represented in his collection. The exhibit is organized by Leila Grothe, the museum’s Associate Curator of Contemporary Art.
Among the featured works are paintings, sculptures, photographs, and prints by Diane Arbus; Nan Goldin; Mike Kelley; Richard Prince; Cindy Sherman; Gary Simmons; Cy Twombly; Andy Warhol; Christopher Wool and others.
Part of the exhibit is a grouping of works that represent Waters’s relationships with people in the art and film worlds, such as Brigid Berlin; Colin de Land; Cookie Mueller and Warhol. There’s also the first work of art by a non-human that the BMA has ever agreed to display (or add to its collection) – a painting by Betsy the Chimpanzee, who lived and painted at the Maryland Zoo in Baltimore in the 1950s.
“We have both known John Waters for years as an auteur filmmaker, a writer, an artist, an art collector, and a friend. We are honored to have the opportunity to curate a presentation of his collection, which so richly reflects his personality and imagination,” Opie and Pierson, who both identify as queer, said in a statement.
“Our hope is to share with audiences another aspect of John’s creative vision by offering a glimpse into what he values: artists who are unafraid to take risks, who do not compromise, and who create their art on the margins.”
Waters’s last major show at the BMA was “John Waters: Indecent Exposure,” a retrospective of his own work as a visual artist, which ran from Oct. 7, 2018 to Jan. 6, 2019. “Coming Attractions” will be on view until April 16, 2023.
Other major shows opening this fall at the Baltimore Museum of Art, 10 Art Museum Drive, include:
“Darrell Ellis: Regeneration,” from Nov. 20, 2022 to April 23, 2023. This is the first comprehensive museum exhibition devoted to the work of a multi-faceted artist who died of AIDS-related causes in 1992 at the age of 33. The show is co-organized with The Bronx Museum of the Arts.
“A Movement in Every Direction: Legacies of the Great Migration,” from Oct. 30, 2022 to Jan. 23, 2023. For this exhibition about Black Americans moving from the South to other parts of the United States starting around 1900 and continuing into the 1970s, the BMA and the Mississippi Museum of Art co-commissioned 12 artists to create works that examine the impact of the Great Migration on the social and cultural life in the United States. Participating artists include: Akea Brionne; Mark Bradford; Zoe Charlton; Larry W. Cook; Torkwase Dyson; Theaster Gates Jr.; Allison Janae Hamilton; Leslie Hewitt; Steffani Jemison; Robert Pruitt; James Richmond Edwards and Carrie Mae Weems.
“Baltimore, Addressed: Baker Artist Awards,” from Nov. 13, 2022 to March 12, 2023. Five past winners of the coveted Baker Artist Award — Laura Amussen; David Page; Ernest Shaw; Susan Waters-Eller and Pamela Woolford — respond to “the past, present and imagined future of the city.”
“Omar Ba: Political Animals,” from Nov. 20, 2022 to April 2, 2023. This is the first U.S. museum exhibition of the work of painter Omar Ba, a leading contemporary African artist.
“Stanley Whitney: Dance with Me Henri,” from Nov. 20, 2022 to April 23, 2023. Works on paper by a Philadelphia-born artist whose compositions and use of color and light have strong parallels to the work of Henri Matisse.
More visual arts events:
American Visionary Art Museum: The next “mega exhibit” at the American Visionary Art Museum, 800 Key Highway, is “ABUNDANCE: Too Much, Too Little, Just Right (Championing good, honest work from the hand and the heart),” from Oct. 8, 2022 to Sept. 2023. The curator is AVAM curatorial and development curator Gage Branda. It’s the first major exhibit at AVAM under new director Jenenne Whitfield, who this month succeeded founding director Rebecca Alban Hoffberger, who retired in April.
Walters Art Museum, 600 North Charles St. After cancelling its fall gala last year, the Walters has scheduled its 2022 celebration and fundraiser, An Evening at the Walters, for Oct. 15 from 6 p.m. to midnight. More information about that event and others is on the museum’s website, thewalters.org. Its current blockbuster, “Activating the Renaissance,” opened in April and continues until February 26, 2023.
The Peale, 225 Holliday St. After a five-year, $5.5 million renovation, Baltimore’s historic Peale Museum reopened in August as The Peale, Baltimore’s Community Museum. Inaugural exhibits include “Spark: New Light,” a collaboration between Towson University and the University of Maryland Baltimore County, featuring the work of more than 20 faculty members and MFA student artists celebrating the building’s reopening with “illuminated and illuminating works of art, until Sept. 25, and Peale Faces, until Aug. 13, 2023, featuring artist and “participatory history specialist” Lauren Muney’s hand-cut silhouette portraits of city residents. More information about Peale events is at ThePealeCenter.org.
Maryland Center for History and Culture: 610 Park Ave. On Nov. 5, the Mount Vernon history center will open “Claire/McCardell,” a yearlong exhibit about Claire McCardell, an influential designer of women’s clothing from the 1930s to the 1950s and beyond. More information about the history center and its collections is on its website, mdhistory.org.
Performing arts events:
Hippodrome Theatre, 12 S. Eutaw St.: Fall shows include Hamilton, October 11 to 30; State Ballet of Ukraine – Swan Lake, November 5; Randy Rainbow: The Pink Glasses Tour, November 11; Tina: The Tina Turner Musical, November 15 to 20; Nutcracker! Magic of Christmas Ballet, December 7 and 8; Paw Patrol Live! The Great Pirate Adventure, December 10 and 11; Little Jagged Pill, December 13 to 18.
Lyric Baltimore, 140 West Mount Royal Avenue: CoComelon Live!, September 16; Trixie and Katya Live, featuring drag stars Trixie Mattel and Katya Zamolodchikova, September 19; Michael Blackson and Jess Hilarious, September 24; The Price is Right Live, October 7; Baltimore Soul Jam; October 15; Disney Junior Live on Tour, October 21; and Whose Live Anyway?, featuring Ryan Stiles, Greg Proops, Jeff B. Davis and Joel Murray, October 29.
Also Joe Gatto Night of Comedy, November 4; Taylor Tomlinson, The Have It All Tour, November 5; New Jack City Live On Stage, November 6; Spy Ninjas Live, November 18; Alton Brown Live: Beyond the Eats – the Holiday Variant, November 19; Disney Princess Concert, November 25; Cameo Featuring the Rolex Band, November 26; Steve-O (from Jackass) The Bucket List Tour, November 30; Steven Crowder and Dave Landau’s Rebel with a Cause Tour, December 3; Mannheim Steamroller Christmas by Chip Davis, December 4, Chelsea Handler, December 15; Eddie B. Teachers Only Comedy Tour, December 16.
Creative Alliance, 3134 Eastern Avenue: On October 6, drag performer Betty O’Hellno and friends will host two singalong presentations of a 1975 cult classic, The Rocky Horror Picture Show, at 7 p.m. and 10 p.m. Costumes are encouraged. The following two nights, October 7 and 8, Creative Alliance will present “Chocolate Covered Rocky Horror,” a musical performance that promises to take the Rocky Horror experience to “a whole different dimension.” A full calendar of events, including Sidewalk Serenades, Dr. Sketchy’s classes in “life drawing with a twist,” and the popular Art to Dine For series, is at creativealliance.org.
Baltimore Center Stage, 700 North Calvert Street: Our Town, September 15 to October 9; Kulu Mele African Dance and Drum Ensemble and the Osagyefo Dance Company, September 17; Baltimore Butterfly Sessions, September 19, November 7 and December 5; BCS Sound Check with Michelle J. Rodriquez in Concert, October 21; Ain’t No Mo’ (in association with Woolly Mammoth Theatre Company), October 27 to November 20; The Rocky Horror Picture Show, featuring EarlOrrin Productions’ Chocolate Covered Rocky Horror, in partnership with Creative Alliance, October 28 and 29; and BCS Sound Check with Eze Jackson in Concert, November 18.
Everyman Theatre, 315 West Fayette Street: Dinner and Cake, September 6 to October 2; The Lion in Winter, October 18 to November 13; Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, December 6 to January 1, 2023.
Doors Open Baltimore: A popular annual program that allows participants to tour places that aren’t usually open to the public returns on October 1 and 2, with more than 40 sites open this year. Examples include the Arabber Preservation Society; the Bromo Seltzer Arts Tower; Chesapeake Shakespeare Theater; the H. L. Mencken House and Humanim at American Brewery. The complete list is at doorsopenbaltimore.org.
Baltimore Symphony Orchestra: One highlight of the BSO’s fall series is a celebration of the 40th anniversary of the opening of the Joseph Meyerhoff Symphony Hall in Baltimore on September 16, 1982. To mark the occasion, the BSO has planned a 40th Anniversary Season Opening Celebration for September 17, with Jack Everly as conductor and Ledisi as vocalist. More information about the symphony’s fall schedule is on its website at bsomusic.org.
Baltimore Soundstage, 124 Market Place: Madonna Gaga Britney Dance Party!, September 16; Shrek Rave, September 17; Old 97’s with Vandoliers, September 18; Pusha T, September 20; Wednesday 13, Bag of Humans, Space Lumberjacks, September 22; Dead Like Disco with Brothers Clair, September 23; Maddie & Tae with Sacha and Abbey Cone, September 24; The Get Up Kids, September 27; Nine Inch Naans Tour with Bloodywood, A Killer’s Confession and Iris Divine, September 29; and Japanese Breakfast, September 30.

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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