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Margaret Cho is ‘Live and Livid’ on new comedy tour

‘Children are way safer at a drag show than they are in church’

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Margaret Cho performs March 10 at the Warner Theater. (Photo by Sergio Garcia)

It’s been a few years since queer comedian, actor, and activist Margaret Cho has done a stand-up comedy tour. In the interim, she’s been acting in a variety of well-received movies (including “Fire Island”) and TV shows (such as “Hacks” and “The Flight Attendant”). In other words, she’s never far from our sight. That’s a good thing! For 2023, Cho embarked on a multi-city comedy tour, “Live and Livid,” and it promises to be the live performance event of the year (sorry Madonna). Margaret was kind enough to answer a few questions before heading out on the road.

BLADE: Margaret, I interviewed you last spring just before the movie “Fire Island” premiered. Since that time, the movie won the Gotham Awards’ Ensemble Tribute, and was named on several end-of-the-year “best of” lists. Additionally, “Fire Island” is Certified Fresh on RottenTomatoes.com with a 94% rating. What does it mean to you to have been associated with such a well-received project?

MARGARET CHO: I love it! I loved making it. I love the cast. I love Joel’s (Kim Booster) vision. I love Andrew’s (Ahn) directing. We are a family, and we’ve got to make sequels, prequels, a whole cinematic universe. I think that would be so valuable. Hopefully, we’ll get to see that. I love them, they’re my babies. I knew that everybody would love this movie. I loved this movie so much. I’m very proud of it and proud of everybody that worked on it.

BLADE: The Lifetime sitcom “Drop Dead Diva,” on which you played Terri Lee, has been brought back and is airing on the Hallmark Channel. How do you feel about the possibility of a whole new generation of viewers getting to see the show?

CHO: I’m very proud of the work that I got to do on that show. It’s really exciting that everybody gets to discover it again. I love that we get to show everybody what we did. It’s so fun and it’s a triumph.

BLADE: Do you have any favorite memories to share from “Drop Dead Diva”?

CHO: I loved working with Liza Minnelli. My very favorite episode was all the stuff I got to do with Patty Duke. She was a legend. I kept trying to get her to come to a screening of “Valley of the Dolls” where we would interview her. She was like, “Oh, nobody wants to see that movie!” I’m like, “What? Are you crazy [laughs]? Everybody loves that movie.” She was such a person to get to know and to work with. What an incredible actor and a lovely woman.

BLADE: You play Nurse Nina in the Apple TV+ educational children’s series “Helpsters.” What do you like best about that?

CHO: The creatures. All of the puppets are so cute. I love working with puppeteers because they’re actually very animated people. They’re so charming and beautiful and fun, and fun to be with. I love (out actor) Rebecca Henderson (who plays Farmer Flynn). We played girlfriends, and now we’re married on the show, we’re married on “Helpsters.” When I see her, I’m like, “We’re doing so good in our relationship!” She was my girlfriend in the (2022) movie “Sex Appeal” on Hulu, and she and I are married on “Helpsters.” She’s my most successful relationship.

BLADE: “Helpsters” is from the makers of “Sesame Street,” and being someone who was in her formative years when “Sesame Street” first started airing, would you say that it was a show that had an impact on you?

CHO: Absolutely! In the ‘90s, I got to work with Kermit the Frog. I mean, talk about an NDA! If you work with a Muppet, like Kermit the Frog, in particular, you have to sign so many NDAs. I’m probably breaking an NDA right now. We had gone to this thing, and Kermit was my partner. We were doing shots with Gorbachev, Mikhail and Raisa Gorbachev were in the United States and they were being hosted by Jane Fonda and Ted Turner, to whom she was married at the time. I had not drunk alcohol in a long time, and they forced us to do shots. Kermit was like (in Kermit’s voice), “Drink it! Drink it!” I couldn’t not do a shot if Kermit’s right there telling me to drink it. I’ve worked with a lot of Muppets, and I’ve had a lot of Muppet drama [laughs].

BLADE: Your 2023 North American tour is titled “Live & Livid.” We certainly have a lot to be livid about, especially in the years following the 45th president, as well as the events of Jan. 6, and the deadly rise of white nationalism. Were these sources of inspiration, and what else are you livid about?

CHO: Yes! Also the attacks on drag queens, the attacks on queerness, the attacks on trans folks, the continual attacking of different parts of our community who are so important to us. Whether it’s our athletes, like Brittney Griner. Whether it’s trans kids. Drag queens, to me, who are front and center, the heart and joy of our community. It’s where we celebrate, with drag. That’s the most heartbreaking part of this is. They’re taking down the really important part of community. The cheerful ones, the ones that we need. Well, not Bianca Del Rio [laughs]. Bianca’s my favorite! They should be scared of drag queens! They will get read to filth. They should be afraid! Children are way safer at a drag show than they are in church!

BLADE: As of now, when we’re talking, “Live & Livid” is scheduled to run through September with stops in 20 cities, including San Francisco. What does it mean to you when you get to perform for the hometown crowd?

CHO: Oh, I love it. It’s sort of still my hometown in a lot of ways. I have deep roots there. I spent so much time there, so it’s still home in a lot of ways. It’s meaningful and a cherished thing. But, also, I think I’m a citizen of everywhere. I’ve been everywhere, so it’s all my home.

BLADE: It’s been six years since you launched your previous tour, “Fresh Off the Bloat.” What are you most looking forward to about returning to performing live again?

CHO: I think we had a really difficult time throughout the pandemic and through this resetting of this idea of what the world is. It’ll be great to greet people again in this new space. The gratitude that I have for live performance, and going to live shows and performances as it is, is a really special thing. I’m very excited.

BLADE: Are there any upcoming projects about which you’re excited that you’d like to mention?

CHO: Nothing that I can mention, as yet. But I’m really looking forward to this year. I have things that I’m working on that I’m really thrilled about. Things that are starting to come up that I’ll be able to talk about soon. I’m working a lot, so I’m really happy about that.

BLADE: This interview is taking place on Friday the 13th. Are you superstitious, and if so, what superstitions do you observe?

CHO: I love Friday the 13th! I love black cats. I love this whole notion of the cursed film or cursed TV show. There’s something about it. Whether it’s “The Exorcist” or “Poltergeist.” Any of these ideas of things being ill-willed or bad omens. “The Omen!” I love horror, so to me it’s a very special day.  It’s my happy day, my holiday.

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Arts & Entertainment

The very few queer highlights of the Oscars

Streisand’s live performance, a shocking tie, and more

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(Photo courtesy of AMAS)

LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.

During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”

Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.

One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.

When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”

“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”

Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.

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Photos

PHOTOS: Awesome Con

George Takei speaks on the main stage

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George Takei was among the featured guests at Awesome Con on March 14. (Washington Blade photos by Michael Key)

The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.

(Washington Blade photos by Michael Key)

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Theater

A season of renewal for D.C. theater

‘Streetcar,’ ‘Hamnet,’ ‘Hamlet,’ and many more

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Ismenia Mendes plays Ana in ‘Jonah’ at Studio Theatre. (Photo by Krystena Patton)

Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen. 

At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon). 

Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan.  Arenastage.org 

La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram 

Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org

Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu 

As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org 

In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org 

The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com 

At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org 

At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.

Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play.  Jason Loewith directs. 

Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org 

British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.

And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org 

Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.

Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net

Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org 

In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org 

Exciting stuff ahead. 

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