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Margaret Cho is ‘Live and Livid’ on new comedy tour

‘Children are way safer at a drag show than they are in church’

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Margaret Cho performs March 10 at the Warner Theater. (Photo by Sergio Garcia)

It’s been a few years since queer comedian, actor, and activist Margaret Cho has done a stand-up comedy tour. In the interim, she’s been acting in a variety of well-received movies (including “Fire Island”) and TV shows (such as “Hacks” and “The Flight Attendant”). In other words, she’s never far from our sight. That’s a good thing! For 2023, Cho embarked on a multi-city comedy tour, “Live and Livid,” and it promises to be the live performance event of the year (sorry Madonna). Margaret was kind enough to answer a few questions before heading out on the road.

BLADE: Margaret, I interviewed you last spring just before the movie “Fire Island” premiered. Since that time, the movie won the Gotham Awards’ Ensemble Tribute, and was named on several end-of-the-year “best of” lists. Additionally, “Fire Island” is Certified Fresh on RottenTomatoes.com with a 94% rating. What does it mean to you to have been associated with such a well-received project?

MARGARET CHO: I love it! I loved making it. I love the cast. I love Joel’s (Kim Booster) vision. I love Andrew’s (Ahn) directing. We are a family, and we’ve got to make sequels, prequels, a whole cinematic universe. I think that would be so valuable. Hopefully, we’ll get to see that. I love them, they’re my babies. I knew that everybody would love this movie. I loved this movie so much. I’m very proud of it and proud of everybody that worked on it.

BLADE: The Lifetime sitcom “Drop Dead Diva,” on which you played Terri Lee, has been brought back and is airing on the Hallmark Channel. How do you feel about the possibility of a whole new generation of viewers getting to see the show?

CHO: I’m very proud of the work that I got to do on that show. It’s really exciting that everybody gets to discover it again. I love that we get to show everybody what we did. It’s so fun and it’s a triumph.

BLADE: Do you have any favorite memories to share from “Drop Dead Diva”?

CHO: I loved working with Liza Minnelli. My very favorite episode was all the stuff I got to do with Patty Duke. She was a legend. I kept trying to get her to come to a screening of “Valley of the Dolls” where we would interview her. She was like, “Oh, nobody wants to see that movie!” I’m like, “What? Are you crazy [laughs]? Everybody loves that movie.” She was such a person to get to know and to work with. What an incredible actor and a lovely woman.

BLADE: You play Nurse Nina in the Apple TV+ educational children’s series “Helpsters.” What do you like best about that?

CHO: The creatures. All of the puppets are so cute. I love working with puppeteers because they’re actually very animated people. They’re so charming and beautiful and fun, and fun to be with. I love (out actor) Rebecca Henderson (who plays Farmer Flynn). We played girlfriends, and now we’re married on the show, we’re married on “Helpsters.” When I see her, I’m like, “We’re doing so good in our relationship!” She was my girlfriend in the (2022) movie “Sex Appeal” on Hulu, and she and I are married on “Helpsters.” She’s my most successful relationship.

BLADE: “Helpsters” is from the makers of “Sesame Street,” and being someone who was in her formative years when “Sesame Street” first started airing, would you say that it was a show that had an impact on you?

CHO: Absolutely! In the ‘90s, I got to work with Kermit the Frog. I mean, talk about an NDA! If you work with a Muppet, like Kermit the Frog, in particular, you have to sign so many NDAs. I’m probably breaking an NDA right now. We had gone to this thing, and Kermit was my partner. We were doing shots with Gorbachev, Mikhail and Raisa Gorbachev were in the United States and they were being hosted by Jane Fonda and Ted Turner, to whom she was married at the time. I had not drunk alcohol in a long time, and they forced us to do shots. Kermit was like (in Kermit’s voice), “Drink it! Drink it!” I couldn’t not do a shot if Kermit’s right there telling me to drink it. I’ve worked with a lot of Muppets, and I’ve had a lot of Muppet drama [laughs].

BLADE: Your 2023 North American tour is titled “Live & Livid.” We certainly have a lot to be livid about, especially in the years following the 45th president, as well as the events of Jan. 6, and the deadly rise of white nationalism. Were these sources of inspiration, and what else are you livid about?

CHO: Yes! Also the attacks on drag queens, the attacks on queerness, the attacks on trans folks, the continual attacking of different parts of our community who are so important to us. Whether it’s our athletes, like Brittney Griner. Whether it’s trans kids. Drag queens, to me, who are front and center, the heart and joy of our community. It’s where we celebrate, with drag. That’s the most heartbreaking part of this is. They’re taking down the really important part of community. The cheerful ones, the ones that we need. Well, not Bianca Del Rio [laughs]. Bianca’s my favorite! They should be scared of drag queens! They will get read to filth. They should be afraid! Children are way safer at a drag show than they are in church!

BLADE: As of now, when we’re talking, “Live & Livid” is scheduled to run through September with stops in 20 cities, including San Francisco. What does it mean to you when you get to perform for the hometown crowd?

CHO: Oh, I love it. It’s sort of still my hometown in a lot of ways. I have deep roots there. I spent so much time there, so it’s still home in a lot of ways. It’s meaningful and a cherished thing. But, also, I think I’m a citizen of everywhere. I’ve been everywhere, so it’s all my home.

BLADE: It’s been six years since you launched your previous tour, “Fresh Off the Bloat.” What are you most looking forward to about returning to performing live again?

CHO: I think we had a really difficult time throughout the pandemic and through this resetting of this idea of what the world is. It’ll be great to greet people again in this new space. The gratitude that I have for live performance, and going to live shows and performances as it is, is a really special thing. I’m very excited.

BLADE: Are there any upcoming projects about which you’re excited that you’d like to mention?

CHO: Nothing that I can mention, as yet. But I’m really looking forward to this year. I have things that I’m working on that I’m really thrilled about. Things that are starting to come up that I’ll be able to talk about soon. I’m working a lot, so I’m really happy about that.

BLADE: This interview is taking place on Friday the 13th. Are you superstitious, and if so, what superstitions do you observe?

CHO: I love Friday the 13th! I love black cats. I love this whole notion of the cursed film or cursed TV show. There’s something about it. Whether it’s “The Exorcist” or “Poltergeist.” Any of these ideas of things being ill-willed or bad omens. “The Omen!” I love horror, so to me it’s a very special day.  It’s my happy day, my holiday.

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PHOTOS: Montgomery County Pride in the Plaza

LGBTQ celebration held in downtown Silver Spring

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Montgomery County Pride in the Plaza included the live 'LIYT Nights & Drag Duels!' season finale. (Washington Blade photo by Michael Key)

Montgomery County Pride in the Plaza was held on Sunday, June 29 at Veterans Plaza in Silver Spring, Md.

(Washington Blade photos by Michael Key)

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PHOTOS: Fredericksburg Pride

Fifth annual festival held at Riverfront Park

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The Fredericksburg Pride March wound through downtown Fredericksburg, Va. and ended at Riverfront Park on Saturday, June 28. (Washington Blade photo by Michael Key)

The fifth annual Fredericksburg Pride march and festival was held on Saturday, June 28. A march through the streets of downtown Fredericksburg, Va. was followed by a festival at Riverfront Park.

(Washington Blade photos by Michael Key)

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India

Anaya Bangar challenges ban on trans women in female cricket teams

Former Indian cricketer Sanjay Bangar’s daughter has received support

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Anaya Bangar (Photo courtesy of Anaya Bangar's Instagram page)

Anaya Bangar, the daughter of former Indian cricketer Sanjay Bangar, has partnered with the Manchester Metropolitan University Institute of Sport in the U.K. to assess her physiological profile following her gender-affirming surgery and undergoing hormone replacement therapy. 

From January to March 2025, the 23-year-old underwent an eight-week research project that measured her glucose levels, oxygen uptake, muscle mass, strength, and endurance after extensive training. 

The results, shared via Instagram, revealed her metrics align with those of cisgender female athletes, positioning her as eligible for women’s cricket under current scientific standards. Bangar’s findings challenge the International Cricket Council’s 2023 ban on transgender athletes in women’s cricket, prompting her to call for a science-based dialogue with the Board of Control for Cricket in India and the ICC to reform policies for transgender inclusion.

“I am talking with scientific evidence in my hand,” Bangar said in an interview posted to her Instagram page. “So, I hope, this makes an impact and I will be hoping to BCCI and ICC talking with me and discussing this further.” 

On Nov. 21, 2023, the ICC enacted a controversial policy barring trans women from international women’s cricket. Finalized after a board meeting in Ahmedabad, India, the regulation prohibits any trans player who has experienced male puberty from competing, irrespective of gender-affirming surgery or hormone therapy. Developed through a 9-month consultation led by the ICC’s Medical Advisory Committee, the rule aims to safeguard the “integrity, safety, and fairness” of women’s cricket but has drawn criticism for excluding athletes like Canada’s Danielle McGahey, the first trans woman to play internationally. The policy, which allows domestic boards to set their own rules, is slated for review by November 2025.

Bangar shared a document on social media verifying her participation in a physiological study at the Manchester Metropolitan University Institute of Sport, conducted from Jan. 20 to March 3, 2025, focused on cricket performance. The report confirmed that her vital metrics — including haemoglobin, blood glucose, peak power, and mean power — aligned with those of cisgender female athletes. Initially, her fasting blood glucose measured 6.1 mmol/L, slightly above the typical non-diabetic range of 4.0–5.9 mmol/L, but subsequent tests showed it normalized, reinforcing the study’s findings that her physical profile meets female athletic standards.

“I am submitting this to the BCCI and ICC, with full transparency and hope,” said Bangar. “My only intention is to start a conversation based on facts not fear. To build space, not divide it.”

In a letter to the BCCI and the ICC, Bangar emphasized her test results from the Manchester Metropolitan University study. She explained that the research aimed to assess how hormone therapy had influenced her strength, stamina, haemoglobin, glucose levels, and overall performance, benchmarked directly against cisgender female athletic standards.

Bangar’s letter to the BCCI and the ICC clarified the Manchester study was not intended as a political statement but as a catalyst for a science-driven dialogue on fairness and inclusion in cricket. She emphasized the importance of prioritizing empirical data over assumptions to shape equitable policies for trans athletes in the sport.

Bangar urged the BCCI, the world’s most influential cricket authority, to initiate a formal dialogue on trans women’s inclusion in women’s cricket, rooted in medical science, performance metrics, and ethical fairness. She called for the exploration of eligibility pathways based on sport-specific criteria, such as haemoglobin thresholds, testosterone suppression timelines, and standardized performance testing. Additionally, she advocated for collaboration with experts, athletes, and legal advisors to develop policies that balance inclusivity with competitive integrity.

“I am releasing my report and story publicly not for sympathy, but for truth. Because inclusion does not mean ignoring fairness, it means measuring it, transparently and responsibly,” said Bangar in a letter to the BCCI. “I would deeply appreciate the opportunity to meet with you or a representative of the BCCI or ICC to present my findings, discuss possible policy pathways, and work towards a future where every athlete is evaluated based on real data, not outdated perceptions.”

Before her transition, Bangar competed for Islam Gymkhana in Mumbai and Hinckley Cricket Club in the U.K., showcasing her talent in domestic cricket circuits. Her father, Sanjay Bangar, was a dependable all-rounder for the Indian national cricket team from 2001 to 2004, playing 12 test matches and 15 One Day Internationals. He later served as a batting coach for the Indian team from 2014 to 2019, contributing to its strategic development.

Cricket in India is a cultural phenomenon, commanding a fanbase of more than 1 billion, with more than 80 percent of global cricket viewership originating from the country. 

The International Cricket Council, the sport’s governing body, oversees 12 full member nations and more than 90 associate members, with the U.S. recently gaining associate member status in 2019 and co-hosting the 2024 ICC Men’s T20 World Cup. The BCCI generated approximately $2.25 billion in revenue in the 2023–24 financial year, primarily from the Indian Premier League, bilateral series, and ICC revenue sharing. The ICC earns over $3 billion from media rights in India alone for the 2024–27 cycle, contributing nearly 90 percent of its global media rights revenue, with the BCCI receiving 38.5 percent of the ICC’s annual earnings, approximately $231 million per year.

Women’s cricket in India enjoys a growing fanbase, with over 300 million viewers for the Women’s Premier League in 2024, making it a significant driver of the sport’s global popularity. The International Cricket Council oversees women’s cricket in 12 full member nations and over 90 associate members, with the U.S. fielding a women’s team since gaining associate status in 2019 and competing in ICC events like the 2024 Women’s T20 World Cup qualifiers. The BCCI invests heavily in women’s cricket, allocating approximately $60 million annually to the WPL and domestic programs in 2024–25, while contributing to the ICC’s $20 million budget for women’s cricket development globally. India’s media market for women’s cricket, including WPL broadcasting rights, generated $120 million in 2024, accounting for over 50 percent of the ICC’s women’s cricket media revenue.

“As a woman, I feel when someone says that they are women, then they are, be trans or cis. A trans woman is definitely the same as a cis woman emotionally and in vitals, and specially, when someone is on hormone replacement therapy. Stopping Anaya Bangar from playing is discrimination and violation of her rights. It is really sad and painful that every transwoman need to fight and prove their identity everywhere,” said Indrani Chakraborty, an LGBTQ rights activist and a mother of a trans woman. “If ICC and BCCI is stopping her from playing for being transgender, then I will say this to be their lack of awareness and of course the social mindsets which deny acceptance.”

Chakraborty told the Blade that Bangar is an asset, no matter what. She said that the women’s cricket team will only benefit by participation, but the discriminating policies are the hindrance. 

“Actually the transgender community face such discrimination in every sphere. In spite of being potent, they face rejection. This is highly inhuman. These attitudes is regressive and will never let to prosper. Are we really in 2025?,” said Chakraborty. “We, our mindset and the society are the issues. We, as a whole, need to get aware and have to come together for getting justice for Anaya. If today, we remain silent, the entire community will be oppressed. Proper knowledge of gender issues need to be understood.”

The BCCI and the International Cricket Council have not responded to the Blade’s repeated requests for comment.

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