Arts & Entertainment
Margaret Cho is ‘Live and Livid’ on new comedy tour
‘Children are way safer at a drag show than they are in church’
It’s been a few years since queer comedian, actor, and activist Margaret Cho has done a stand-up comedy tour. In the interim, she’s been acting in a variety of well-received movies (including “Fire Island”) and TV shows (such as “Hacks” and “The Flight Attendant”). In other words, she’s never far from our sight. That’s a good thing! For 2023, Cho embarked on a multi-city comedy tour, “Live and Livid,” and it promises to be the live performance event of the year (sorry Madonna). Margaret was kind enough to answer a few questions before heading out on the road.
BLADE: Margaret, I interviewed you last spring just before the movie “Fire Island” premiered. Since that time, the movie won the Gotham Awards’ Ensemble Tribute, and was named on several end-of-the-year “best of” lists. Additionally, “Fire Island” is Certified Fresh on RottenTomatoes.com with a 94% rating. What does it mean to you to have been associated with such a well-received project?
MARGARET CHO: I love it! I loved making it. I love the cast. I love Joel’s (Kim Booster) vision. I love Andrew’s (Ahn) directing. We are a family, and we’ve got to make sequels, prequels, a whole cinematic universe. I think that would be so valuable. Hopefully, we’ll get to see that. I love them, they’re my babies. I knew that everybody would love this movie. I loved this movie so much. I’m very proud of it and proud of everybody that worked on it.
BLADE: The Lifetime sitcom “Drop Dead Diva,” on which you played Terri Lee, has been brought back and is airing on the Hallmark Channel. How do you feel about the possibility of a whole new generation of viewers getting to see the show?
CHO: I’m very proud of the work that I got to do on that show. It’s really exciting that everybody gets to discover it again. I love that we get to show everybody what we did. It’s so fun and it’s a triumph.
BLADE: Do you have any favorite memories to share from “Drop Dead Diva”?
CHO: I loved working with Liza Minnelli. My very favorite episode was all the stuff I got to do with Patty Duke. She was a legend. I kept trying to get her to come to a screening of “Valley of the Dolls” where we would interview her. She was like, “Oh, nobody wants to see that movie!” I’m like, “What? Are you crazy [laughs]? Everybody loves that movie.” She was such a person to get to know and to work with. What an incredible actor and a lovely woman.
BLADE: You play Nurse Nina in the Apple TV+ educational children’s series “Helpsters.” What do you like best about that?
CHO: The creatures. All of the puppets are so cute. I love working with puppeteers because they’re actually very animated people. They’re so charming and beautiful and fun, and fun to be with. I love (out actor) Rebecca Henderson (who plays Farmer Flynn). We played girlfriends, and now we’re married on the show, we’re married on “Helpsters.” When I see her, I’m like, “We’re doing so good in our relationship!” She was my girlfriend in the (2022) movie “Sex Appeal” on Hulu, and she and I are married on “Helpsters.” She’s my most successful relationship.
BLADE: “Helpsters” is from the makers of “Sesame Street,” and being someone who was in her formative years when “Sesame Street” first started airing, would you say that it was a show that had an impact on you?
CHO: Absolutely! In the ‘90s, I got to work with Kermit the Frog. I mean, talk about an NDA! If you work with a Muppet, like Kermit the Frog, in particular, you have to sign so many NDAs. I’m probably breaking an NDA right now. We had gone to this thing, and Kermit was my partner. We were doing shots with Gorbachev, Mikhail and Raisa Gorbachev were in the United States and they were being hosted by Jane Fonda and Ted Turner, to whom she was married at the time. I had not drunk alcohol in a long time, and they forced us to do shots. Kermit was like (in Kermit’s voice), “Drink it! Drink it!” I couldn’t not do a shot if Kermit’s right there telling me to drink it. I’ve worked with a lot of Muppets, and I’ve had a lot of Muppet drama [laughs].
BLADE: Your 2023 North American tour is titled “Live & Livid.” We certainly have a lot to be livid about, especially in the years following the 45th president, as well as the events of Jan. 6, and the deadly rise of white nationalism. Were these sources of inspiration, and what else are you livid about?
CHO: Yes! Also the attacks on drag queens, the attacks on queerness, the attacks on trans folks, the continual attacking of different parts of our community who are so important to us. Whether it’s our athletes, like Brittney Griner. Whether it’s trans kids. Drag queens, to me, who are front and center, the heart and joy of our community. It’s where we celebrate, with drag. That’s the most heartbreaking part of this is. They’re taking down the really important part of community. The cheerful ones, the ones that we need. Well, not Bianca Del Rio [laughs]. Bianca’s my favorite! They should be scared of drag queens! They will get read to filth. They should be afraid! Children are way safer at a drag show than they are in church!
BLADE: As of now, when we’re talking, “Live & Livid” is scheduled to run through September with stops in 20 cities, including San Francisco. What does it mean to you when you get to perform for the hometown crowd?
CHO: Oh, I love it. It’s sort of still my hometown in a lot of ways. I have deep roots there. I spent so much time there, so it’s still home in a lot of ways. It’s meaningful and a cherished thing. But, also, I think I’m a citizen of everywhere. I’ve been everywhere, so it’s all my home.
BLADE: It’s been six years since you launched your previous tour, “Fresh Off the Bloat.” What are you most looking forward to about returning to performing live again?
CHO: I think we had a really difficult time throughout the pandemic and through this resetting of this idea of what the world is. It’ll be great to greet people again in this new space. The gratitude that I have for live performance, and going to live shows and performances as it is, is a really special thing. I’m very excited.
BLADE: Are there any upcoming projects about which you’re excited that you’d like to mention?
CHO: Nothing that I can mention, as yet. But I’m really looking forward to this year. I have things that I’m working on that I’m really thrilled about. Things that are starting to come up that I’ll be able to talk about soon. I’m working a lot, so I’m really happy about that.
BLADE: This interview is taking place on Friday the 13th. Are you superstitious, and if so, what superstitions do you observe?
CHO: I love Friday the 13th! I love black cats. I love this whole notion of the cursed film or cursed TV show. There’s something about it. Whether it’s “The Exorcist” or “Poltergeist.” Any of these ideas of things being ill-willed or bad omens. “The Omen!” I love horror, so to me it’s a very special day. It’s my happy day, my holiday.
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
Saturday, March 21
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, March 22
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 23
Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website.
Tuesday, March 24
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.
Wednesday, March 25
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Thursday, March 26
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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