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Margaret Cho is ‘Live and Livid’ on new comedy tour

‘Children are way safer at a drag show than they are in church’

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Margaret Cho performs March 10 at the Warner Theater. (Photo by Sergio Garcia)

It’s been a few years since queer comedian, actor, and activist Margaret Cho has done a stand-up comedy tour. In the interim, she’s been acting in a variety of well-received movies (including “Fire Island”) and TV shows (such as “Hacks” and “The Flight Attendant”). In other words, she’s never far from our sight. That’s a good thing! For 2023, Cho embarked on a multi-city comedy tour, “Live and Livid,” and it promises to be the live performance event of the year (sorry Madonna). Margaret was kind enough to answer a few questions before heading out on the road.

BLADE: Margaret, I interviewed you last spring just before the movie “Fire Island” premiered. Since that time, the movie won the Gotham Awards’ Ensemble Tribute, and was named on several end-of-the-year “best of” lists. Additionally, “Fire Island” is Certified Fresh on RottenTomatoes.com with a 94% rating. What does it mean to you to have been associated with such a well-received project?

MARGARET CHO: I love it! I loved making it. I love the cast. I love Joel’s (Kim Booster) vision. I love Andrew’s (Ahn) directing. We are a family, and we’ve got to make sequels, prequels, a whole cinematic universe. I think that would be so valuable. Hopefully, we’ll get to see that. I love them, they’re my babies. I knew that everybody would love this movie. I loved this movie so much. I’m very proud of it and proud of everybody that worked on it.

BLADE: The Lifetime sitcom “Drop Dead Diva,” on which you played Terri Lee, has been brought back and is airing on the Hallmark Channel. How do you feel about the possibility of a whole new generation of viewers getting to see the show?

CHO: I’m very proud of the work that I got to do on that show. It’s really exciting that everybody gets to discover it again. I love that we get to show everybody what we did. It’s so fun and it’s a triumph.

BLADE: Do you have any favorite memories to share from “Drop Dead Diva”?

CHO: I loved working with Liza Minnelli. My very favorite episode was all the stuff I got to do with Patty Duke. She was a legend. I kept trying to get her to come to a screening of “Valley of the Dolls” where we would interview her. She was like, “Oh, nobody wants to see that movie!” I’m like, “What? Are you crazy [laughs]? Everybody loves that movie.” She was such a person to get to know and to work with. What an incredible actor and a lovely woman.

BLADE: You play Nurse Nina in the Apple TV+ educational children’s series “Helpsters.” What do you like best about that?

CHO: The creatures. All of the puppets are so cute. I love working with puppeteers because they’re actually very animated people. They’re so charming and beautiful and fun, and fun to be with. I love (out actor) Rebecca Henderson (who plays Farmer Flynn). We played girlfriends, and now we’re married on the show, we’re married on “Helpsters.” When I see her, I’m like, “We’re doing so good in our relationship!” She was my girlfriend in the (2022) movie “Sex Appeal” on Hulu, and she and I are married on “Helpsters.” She’s my most successful relationship.

BLADE: “Helpsters” is from the makers of “Sesame Street,” and being someone who was in her formative years when “Sesame Street” first started airing, would you say that it was a show that had an impact on you?

CHO: Absolutely! In the ‘90s, I got to work with Kermit the Frog. I mean, talk about an NDA! If you work with a Muppet, like Kermit the Frog, in particular, you have to sign so many NDAs. I’m probably breaking an NDA right now. We had gone to this thing, and Kermit was my partner. We were doing shots with Gorbachev, Mikhail and Raisa Gorbachev were in the United States and they were being hosted by Jane Fonda and Ted Turner, to whom she was married at the time. I had not drunk alcohol in a long time, and they forced us to do shots. Kermit was like (in Kermit’s voice), “Drink it! Drink it!” I couldn’t not do a shot if Kermit’s right there telling me to drink it. I’ve worked with a lot of Muppets, and I’ve had a lot of Muppet drama [laughs].

BLADE: Your 2023 North American tour is titled “Live & Livid.” We certainly have a lot to be livid about, especially in the years following the 45th president, as well as the events of Jan. 6, and the deadly rise of white nationalism. Were these sources of inspiration, and what else are you livid about?

CHO: Yes! Also the attacks on drag queens, the attacks on queerness, the attacks on trans folks, the continual attacking of different parts of our community who are so important to us. Whether it’s our athletes, like Brittney Griner. Whether it’s trans kids. Drag queens, to me, who are front and center, the heart and joy of our community. It’s where we celebrate, with drag. That’s the most heartbreaking part of this is. They’re taking down the really important part of community. The cheerful ones, the ones that we need. Well, not Bianca Del Rio [laughs]. Bianca’s my favorite! They should be scared of drag queens! They will get read to filth. They should be afraid! Children are way safer at a drag show than they are in church!

BLADE: As of now, when we’re talking, “Live & Livid” is scheduled to run through September with stops in 20 cities, including San Francisco. What does it mean to you when you get to perform for the hometown crowd?

CHO: Oh, I love it. It’s sort of still my hometown in a lot of ways. I have deep roots there. I spent so much time there, so it’s still home in a lot of ways. It’s meaningful and a cherished thing. But, also, I think I’m a citizen of everywhere. I’ve been everywhere, so it’s all my home.

BLADE: It’s been six years since you launched your previous tour, “Fresh Off the Bloat.” What are you most looking forward to about returning to performing live again?

CHO: I think we had a really difficult time throughout the pandemic and through this resetting of this idea of what the world is. It’ll be great to greet people again in this new space. The gratitude that I have for live performance, and going to live shows and performances as it is, is a really special thing. I’m very excited.

BLADE: Are there any upcoming projects about which you’re excited that you’d like to mention?

CHO: Nothing that I can mention, as yet. But I’m really looking forward to this year. I have things that I’m working on that I’m really thrilled about. Things that are starting to come up that I’ll be able to talk about soon. I’m working a lot, so I’m really happy about that.

BLADE: This interview is taking place on Friday the 13th. Are you superstitious, and if so, what superstitions do you observe?

CHO: I love Friday the 13th! I love black cats. I love this whole notion of the cursed film or cursed TV show. There’s something about it. Whether it’s “The Exorcist” or “Poltergeist.” Any of these ideas of things being ill-willed or bad omens. “The Omen!” I love horror, so to me it’s a very special day.  It’s my happy day, my holiday.

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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PHOTOS: WorldPride Boat Parade

Blade’s inaugural event held at The Wharf

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The WorldPride 2025 Boat Parade (Washington Blade photo by Michael Key)

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.

(Washington Blade photos by Michael Key)

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PHOTOS: Capital Pride Honors

Annual awards ceremony held at National Building Museum

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From left, Raven-Symoné presents Kriston Pumphrey with the Capital Pride Breaking Barriers Award at the 2025 Capital Pride Honors on Thursday, June 5. (Washington Blade photo by Michael Key)

The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.

(Washington Blade photos by Michael Key)

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