Celebrity News
Why Wayne Brady coming out as pansexual is a big deal
‘Let’s Make A Deal’ host spoke exclusively with People magazine
Someday it won’t matter when a celebrity comes out as LGBTQ, but until that day comes, when every orientation and identity is embraced, accepted and respected equally, this is how it goes: Wayne Brady told TikTok and Instagram followers that he is pansexual, and People magazine told the world.
“I am pansexual,” he told the magazine’s Jason Sheeler in an exclusive interview. “Bisexual — with an open mind!” Brady added.
Sheeler explained to People readers that this means he is “attracted to persons regardless of their sex or gender.” In its wide-ranging media guide, GLAAD defines “pansexual” as “an adjective used to describe a person who has the capacity to form enduring physical, romantic, and/ or emotional attractions to any person, regardless of gender identity. This is one of several terms under the bi+ umbrella.”
As the most mainstream television personality to come out so far, Brady is a standout among other pan celebrities, including Miley Cyrus, Demi Lovato, Janelle Monáe, Cara Delevingne, Asia Kate Dillion, Jazz Jennings and JoJo Siwa.
View this post on Instagram
@tubbynugget Surely I’ll be functional after another nap…SURELY 🥹 Be right back friends!! 🥰
Brady, 51, shot to stardom in 1998 on “Whose Line Is It Anyway?” the TV show that showcased his enormous talent at improvisation, a program that’s still on the air with Brady now serving as an executive producer. The Georgia native is also an actor with dozens of credits to his name, in movies, on Broadway and on television, and served as the host of the rebooted “Let’s Make A Deal.”
The first person Brady came out to was his ex-wife, Mandie Taketa. “I just said, ‘Great.’ As I knew coming out would help him be happier,” she said.
Taketa is co-parenting a toddler with both Brady and her partner, Jason Fordham. Brady and Taketa, 47, also have a daughter, Maile, 20. The blended family of four are currently filming a reality show for Hulu, according to the magazine.
“I love all people equally, and now that includes myself,” said Brady. That’s a turnaround from a bitter time more than 20 years ago, when the actor had a falling out with a writer on “The Chappelle Show.” It was over a joke that Brady insisted as recently as 2021 offended him mostly because it wasn’t funny: “White people love Wayne Brady because he makes Bryant Gumbel look like Malcolm X,” the late Paul Mooney said on Dave Chappelle’s sketch comedy show.
Brady was later invited to appear on the show in a hilarious and memorable sketch that portrayed him in an entirely different light.
For People magazine, Brady wrote his own coming out story, which appears below in full:
“I’m pansexual.
In doing my research, both with myself and just with the world, I couldn’t say if I was bisexual, because I had to really see what that was, especially because I really have not gotten a chance to act on anything. So, I came to pansexual because — and I know that I’m completely messing up the dictionary meaning — but to me, pan means being able to be attracted to anyone who identifies as gay, straight, bi, transsexual or nonbinary. Being able to be attracted across the board. And, I think, at least for me for right now, that is the proper place. I took pan to mean that not only can I be attracted to any of these people or types physically, but I could be attracted to the person that is there.
People think they really know me. That has its advantages and disadvantages.
Like with any blessing, I’m like, “How cool.” It’s cool that people like me, especially doing a show, like Let’s Make a Deal, or when various companies or networks think, “I want Wayne Brady to host this,” what a blessing! What a blessing to be in people’s homes every day and connect with them. I love that piece of it. But there are days that I’m not a fan of it. Because, really, I’m an actor. I don’t want to lead personality-first.
There’s a reason why I live in a canyon in Malibu and not in the middle of Hollywood. I’m an introvert. Shy. I always have been. I had a very thick stutter at one point during my childhood, growing up in Orlando, brought on by anxiety and bullying and stress. I couldn’t communicate the way that I wanted to until I started acting, singing and performing.
As characters. I was Tigger and Goofy and a Toy Soldier in the Disney Christmas parade. I loved that because you see the work. You don’t necessarily see me. I love bringing joy, which is why I love being a character: If I can do that as a character, so maybe the character is Wayne Brady. There’s a lot of therapy that I’m doing right now. I wish I didn’t care what people think of me, but the fact of the matter is, I do care. It’s a weird dichotomy, going from a screaming audience to sitting in a house, just chilling all by yourself.
Robin Williams’ death in 2014 really impacted me — and set me on my path to self-discovery.
After Robin’s death, I got involved in certain groups, like Glenn Close’s group, Bring Change to Mind, being very vocal about mental health. And not just the buzzword of mental health, but really what do I have to do to function in this big world and still be okay with yourself and more importantly, to love yourself so that you don’t hurt yourself? Not even just physically hurting yourself, but not taking care of yourself because you are depressed and frightened and weighed down.
Once I opened that door to myself though, I had to start learning about myself, and I had to start owning up to things that maybe I’d either repressed, suppressed, or just didn’t wanna deal with. I’ve done a lot of work on a lot of other things until now, one of the last things on that checklist was, what’s one of the last things that you need to be really happy and to be truly, authentically yourself? I gave joy at work. But the pity is then I come home, and I don’t have that joy. I have joy because I love my daughter and I love my family. I love being a dad more than chocolate ice cream. But that can’t be my only joy. I have to love myself. And that’s when I realized that I had a problem because if I can spend everything on stage and on camera but then I come home and there is a love deficit, what is going on? That was my rock bottom.
I was never suicidal, but I have empathy for those who face those thoughts.
I understand it now. I got to a point where I thought, ‘I’m not here, then whatever this pain is, whatever this loneliness is, this soul-crushing loneliness, I could stop it. I could be absolutely pain-free of whatever this is inside of me.’ And when I felt that, I went, ‘Oh, s–t. Okay. let’s get to the bottom of it. Let’s do it now.’
I did all the therapy I could do. I was treated for love addiction. It’s a part of my journey. I had to start examining why I was looking for myself and happiness in a slew of people. If I marry this person, then everything will be fine. If I date this person, everything will be fine. I’ll be good. I’ll be fixed. That is obviously a problem. And so, in doing that work, I now know absolutely that love addiction is borne of trauma. I can’t feel any shame around that, just like I wouldn’t shame somebody if they said they were addicted to meth or cocaine. That’s a sickness.
What am I looking for in these people that I can’t find in myself? And then leaving a wake of people and never being satisfied and then going back to being lonely. Fast forward to recently asking myself the question: ‘Wayne, um, are you gay?’ And the answer was no because despite having been in all of these unsuccessful relationships and now dealing with what I know can be diagnosed as love addiction, I started to go, ‘Okay, I’m feeling something, but I just don’t know how to get there.’ And then I felt like a fraud.
I’ve been attracted to men at times in my life. But I have never dated a man.
Let’s be really honest: I’ve also been attracted to certain men in my life, but I’ve always pushed that aside because of how I was raised, and because I live in today’s world, and it’s scary as s–t. What’s the fastest way to hurt another man? I’m gonna call you out of your name. I’m gonna call you gay. I’m gonna emasculate you. I’m gonna use the F-word. I learned that very early from the people around me, they’re like, ‘Oh, so those are bad things? Yeah. You, you don’t wanna be that.’
So, what does it mean if I feel something? I don’t think I’m gay, but what if I feel something for another [man] … That’s still gay. I was already bullied about a bunch of other s–t. I didn’t wanna add a top hat on top of that suit.
I’ve dealt with the shame.
A shame cake, just eating it every single day — and then worried about … people finding out. I’ve always had a wonderful community of friends who are in the LGBTQ+ community, people that I’ve grown up with in shows, gays and lesbians, and, later in life, my trans relatives and my niece. I’ve always had that community, but I’ve always felt like a sham because I wasn’t being forthcoming with myself. I could speak out about Black issues because I can’t hide that. And you can play at being an ally, but until the day that you can truly say, ‘This is who I am, and I wanna stand next to you,’ that’s not … I always wanted that day to come.
I’ve told myself in the past, also, nobody needs to know my personal business. The world can absolutely go without knowing that Wayne identifies as pan. But that gave me license to still live in the shadows and to be secretive. What does that feel like to actually not be shameful, to not feel like, ‘Oh, I can’t be part of this conversation because I’m lying?’ I had to break that behavior.
I’m now trying to be the most Wayne Brady I can be.
I don’t know about most, actually. I’m still coming together. But If I’m healthy, then I can go onstage at Let’s Make A Deal and be the best Wayne Brady that everybody wants and expects. I can be the best dad that Maile needs. I can be the best friend to Mandie, the best son to my mother, and one day, the best partner to someone, because I’m doing this for me. Not dating yet though! [Laughs] I am single, but it’s not about being with someone right now. I’ve got some work to do still. Then, Wayne as a single, open-minded pansexual can make a decision and be free and open to other people.”
Follow Wayne Brady on Instagram at @mrbradybaby and on TikTok at @waynebrady
Celebrity News
Fashion icon Bob Mackie dead at 87
Designing legend to all the divas, gone but not forgotten
To those still reeling from the loss of Dolly Parton and Tim Curry, we have another queer icon to add to the In Memoriam of 2026: Bob Mackie. A designer known for being extra, before that was even a thing, has left us with a legacy of looks and an indelible mark on fashion.
The news broke on his Instagram account Monday, Sept. 14, with the message:
“It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today. He lived his 87 years to the fullest, fulfilling his dream of being a fashion and costume designer, which is all he ever wanted to do. His genius and extraordinary designs will live on forever, continuing to bring beauty into this world.” According to People magazine, he passed away in Palm Springs, Calif., due to pneumonia.
At 87, Mackie was the definitive designer for divas. Mackie has literally dressed them all, including Diana Ross, Whitney Houston, Barbra Streisand, Dolly Parton, Tina Turner, Bette Midler, Bernadette Peters, and even RuPaul. He’s dressed film and television icons like Raquel Welch, Lynda Carter, Goldie Hawn, and Jennifer Lopez. It’s not just female divas; he’s also done many of Elton John’s famous costumes as well as David Bowie’s.
His first major mark was drawing the first design of Marilyn Monroe’s famous “Happy Birthday, Mr. President” dress. Next, he was an assistant to costume designer Ray Aghayan on “The Judy Garland Show.” The two would carry on a professional and romantic partnership for 50 years until Aghayan’s passing in 2011.
Mackie then went on to do all of the costumes for “The Carol Burnett Show,” creating an estimated 17,000 costumes for her show’s 11-year run. This gave him much critical acclaim and notoriety, making him a permanent fixture in the variety show market.
He became a frequent collaborator of Cher, having made her famous midriff-revealing Oscar gown, her “If I Could Turn Back Time” costume, and being her designer for her various television shows, including “The Sonny and Cher Show.” He even designed costumes for her Farewell Tour. The two are synonymous with him having lent his artistic sensibilities to give her a distinct look. Cher even said in 2024, “He helped me create a different me.”
Mackie has left his mark on fashion with a distinct style of glamorous, over-the-top looks. He received the monikers the “Sultan of Sequins,” the “Rajah of Rhinestones,” and the “Guru of Glitter” for challenging the line between costume and fashion with lots of fringe, flash, and over-the-top eye-catching elements. He’s managed to retain a presence not just in entertainment but in the fashion industry for decades. Most recently, one of his outfits was a major plot point for the final season of “Hacks.”
Mackie has received his share of awards and acknowledgments. In addition to dressing many people for the Oscars, he received three nominations, including dressing Diana Ross for “Lady Sings the Blues.” He won a Tony Award for “The Cher Show.” He won nine Emmy Awards and received 30 nominations for his prolific television work.
Luckily, Mackie’s life was celebrated before his passing, receiving various Lifetime achievement awards including the Geoffrey Beene CFDA Lifetime Achievement Award, being honored by the Television Hall of Fame, and receiving “RuPaul’s Drag Race”‘s Giving Us Life-time Achievement Award. He was the first guest judge on the popular series.
It’s clear that not only was Mackie talented, he was magical. He gave a bit of stardust to countless celebrities, luminaries, and public figures with looks that not only defied expectations but managed to be truly spectacular. He’s part of the glitz we think of when we think of Hollywood, and while often elaborate costumes, the shrewd fashion sense and elegance cannot be denied. Mackie will be missed, but his work lives on in the countless pieces still in circulation and forever captured on film and in media.
Gloria Steinem, writer, activist, and a leading voice of the feminist movement in the 1970s, died on Wednesday in Manhattan. Her death was announced on Instagram by her official foundation, Gloria’s Foundation, which shared that Steinem “passed away peacefully at her home, surrounded by some of the many who loved her.” She was 92.
A leading figure and spokesperson for the second-wave feminist movement, running from the 1960s through the ’80s — the earlier women’s rights suffrage movement being considered the first — Gloria Steinem campaigned for workplace equality, equality in the home and reproductive freedom, seeing those struggles as inseparable from the wider causes of social and racial equality.
She also championed LGBTQ rights, supporting lesbian visibility within the larger women’s liberation movement, and standing in opposition to the idea that lesbians posed a “lavender menace” to the cause of feminism.
In her vision of the future, marriage equality was a given: “Lesbians or homosexuals will no longer be denied legally binding marriages, complete with mutual-support agreements and inheritance rights.”
GLAAD President Sarah Kate Ellis said in a statement following Steinem’s death: “Gloria Steinem was a trailblazing titan of civil rights whose vision for liberation bridged the movements for gender equality, bodily autonomy, and LGBTQ rights. She recognized that feminist progress is incomplete without full inclusion and stood as an ally to transgender people’s fight for equality. Gloria rejected rigid binaries, choosing instead to build bridges of empathy and coalition across all marginalized identities. Gloria’s life was a masterclass in coalition-building, courage, and unconditional empathy.”
Among her many trailblazing milestones, Steinem was widely known for co-founding the National Women’s Political Caucus in 1971 alongside foundational feminist figures Bella Abzug, Shirley Chisholm, Betty Friedan, Fannie Lou Hamer, LaDonna Harris, Mildred Jeffrey, and Jill Ruckelshaus.
The mandate: get women into political office and positions of power — “women who are committed to the causes of other women — not women who are going to just imitate the male politics as it has been practiced all these years complete with elitism, racism and prejudice against women,” she said, “but women who really care about their sisters and will work for social reform.”
“This is no simple reform. It really is a revolution.”
Liz Abzug, daughter of Bella Abzug, remembers Steinem as “a lifelong activist and a humanist with lots of love to give,” as well as “a very, very close and dear friend of my mother’s,” as the two “worked side by side to change the American landscape for women.”
“It’s hard for me and all of her other supporters and admirers to imagine a world without Gloria leading the charge and fighting for women’s rights and full gender equality,” Abzug shared.
Indeed, there was much about that American landscape in need of change. Steinem came up during a time when discrimination against women was the legal and societal norm.
A married woman, for instance, often required her husband’s signature to obtain a credit card, a form of gender discrimination remedied in 1974 with the Equal Credit Opportunity Act. Women were often unable to get jobs. Life turned Steinem down, saying “We don’t want a pretty girl, we want a writer. Get out of here.” If women did land a job, in 1973, they would have likely made 56.6 cents to every dollar that men earned.
The law’s failure to support women’s autonomy was especially visible on the matter of reproductive rights.
For many women in America, legal abortion remained unavailable until 1973, when Roe v. Wade established a constitutional right to abortion nationwide. Steinem spent years speaking out for women’s safety, and promoted the idea that “decision-making power over our own physical selves” was intertwined with equal regard for women as citizens.
“The vast majority of women support safe and legal abortion. My response is if those legislators were half women, this wouldn’t happen,” she said in a 2022 interview with Katie Couric. “If we actually had a democracy, if those legislators looked like the country from a gender, racial, and class perspective, this probably would not be happening…”
Gloria Marie Steinem was born on March 25, 1934, in Toledo, Ohio, the daughter of Leo and Ruth (Nuneviller) Steinem. Her father was an antiques salesman; her mother had worked for a newspaper before she got married, but suffered what was called at the time a “nervous breakdown” and spent time in an institution. Following a divorce, her mother was left largely in the care of 11-year-old Gloria Steinem in a house that has been described as infested by vermin.
“I didn’t go to school a full year until I was 11 or 12, so I lived in books. I really was an observer of life,” Steinem said in a 2011 interview.
After moving to D.C. to live with her older sister, Susanne, Steinem graduated from Western High School in 1952. She followed Susanne to Smith College where she studied government and wrote for the student newspaper, graduating in 1956.
Upon moving to New York in 1960, she worked for Help! magazine and wrote freelance for publications that included Life, Esquire, and Glamour. According to Smith College Libraries, she co-founded New York magazine in 1968 and served as political columnist until 1972. In the 1960s and ’70s, Steinem was active in causes that included United Farmworkers, Vietnam War Tax Protest, and Committee for the Legal Defense of Angela Davis. She also participated in the political campaigns of Adlai Stevenson, Robert Kennedy, Shirley Chisholm, and others.
Steinem is said to have found her way to the Women’s Movement in 1969, following an abortion “speak-out” meeting of the Redstockings. She was inspired to begin speaking to audiences across the country, alongside activist Dorothy Pitman Hughes, and later Florynce Kennedy and Margaret Sloan.
Among Steinem’s most enduring legacies, and still in publication today, is Ms. magazine, which she co-founded. Widely considered the first national American feminist magazine (and owned, operated, and written by women!), it first appeared as a preview insert in New York Magazine in December 1971 with a tagline, “The New Magazine for Women.” Ms. earned status as a full-on publication in July 1972 with a cover image depicting a modern pregnant Hindu goddess Kali holding a clock, skillet, typewriter, rake, mirror, telephone, steering wheel, and an iron.
Ms. is credited with raising cultural awareness on policy issues, like the Equal Rights Amendment, taking on taboo topics and putting women’s issues front and center.
Steinem’s long list of published work includes the 1983 bestselling book Outrageous Acts and Everyday Rebellions, a collection of her Ms. articles and other pieces. The book includes the feminist’s essay on her undercover exposé of the Playboy Club, for which she donned bunny ears, collar, and bow to covertly report on working conditions for women.
In 1986, she published “Marilyn: Norma Jeane,” which explored the life of Marilyn Monroe and the idea of women as vulnerable and at the disposal of society — men in particular.
Steinem also wrote “Revolution from Within” (1992); “Moving Beyond Words” (1994); and “Doing Sixty & Seventy” (2006). She was awarded the Presidential Medal of Freedom in 2013 by President Barack Obama.
Steinem’s relationships over the years included Ted Sorensen, counselor to President John F. Kennedy; Stanley Pottinger, a Justice Department official; and publisher and real-estate businessman Mort Zuckerman. In 2000, she married South African businessman David Bale, who died in 2003.
Steinem was predeceased by her mother and her sister, Susanne Steinem Patch, who died in 2007. On multiple occasions, she spoke of a community that extended beyond birth family — people whom she chose, and who chose her.
“[Feminism is] about friends and sisters and community,” Steinem said in an interview with bell hooks. “The good part and the great part is that it’s about chosen family. We have each other’s backs and that is so precious.
In announcing Steinem’s passing, her foundation offered this reflection: “Gloria’s greatest gift was her ability to listen to others, to make others feel seen and heard. Her words, actions, and example gave people permission to be their truest selves. Gloria lived true to her independent spirit, always with curiosity and a great sense of humor.
“She spent her recent years doing the two things she loved most: being in community with others and writing … Gloria loved the tradition of lighting signal fires on hills to light the way to the other side of the mountain.”
Dolly Parton died on Tuesday at a Nashville hospital. She was 80.
Her publicist, Marcel Pariseau, said Parton passed away at the Vanderbilt-Ingram Cancer Center “after bravely facing a brief battle with cancer.” Parton’s nephew, Bryan Seaver, announced his aunt’s death in a video posted to her Instagram page.
Born in Sevier County, Tenn., on Jan. 19, 1946, Parton was one of 12 children who grew up in poverty.
She moved to Nashville in 1964 and later became known as the “Queen of Country Music” with hits that include “Jolene” and “I Will Always Love You.” Parton also starred in “9 to 5” and “Steel Magnolias.”
Parton in 1995 created the Imagination Library, which sends free books to children. Parton, among other things, donated $1 million to Vanderbilt University Medical Center that helped fund research that paved the way for Moderna’s COVID-19 vaccine, and gave another $1 million for Hurricane Helene relief efforts in Tennessee and North Carolina.
Parton was also a long-time LGBTQ ally.
She spoke in support of marriage equality and wrote “Travelin’ Thru,” a song that was part of the soundtrack for “Transamerica,” a 2005 film that documented a transgender woman’s trip across the country with her son. Parton in 2011 also appeared at the GLAAD Media Awards.
“Parton’s warm spirit, kindheartedness, and joie de vivre deeply resonated with the LGBTQ community, cementing her as a global queer icon whose art always held space for outsiders, no matter the risk,” said GLAAD on Tuesday. “Parton’s entire career was built on love and respect for all, and her unwavering allyship is a legacy that will last forever.”
Human Rights Campaign President Kelley Robinson in a statement said HRC is “heartbroken by Dolly’s passing.”
“She showed the world what it looks like to lead with love and stood with our community long before others in entertainment, using her voice and platform to create a world where LGBTQ+ people feel seen and celebrated,” she said. “Her music and her spirit touched millions; and her generosity, especially toward children, will be felt for generations. We will miss her dearly, and we will carry forward the light she shared with all of us.”
Lambda Legal CEO Kevin Jennings also mourned Parton.
“Long before it was easy or popular, Dolly Parton told our community that we belonged, and she meant it. She championed children’s literacy through her Imagination Library, lent her voice and resources to the fight against HIV and AIDS, and stood up, time and again, for the community she embraced as her own, all with the humor, warmth, and grace that made the whole world fall for her,” said Jennings.
The Congressional Equality Caucus and U.S. Rep. Sarah McBride (D-Del.), who is the first openly trans person elected to Congress, are among those who also celebrated Parton’s life.
-
a&e features5 days agoAcclaimed Chef Patrick O’Connell’s memoir reveals the arc of a life well lived
-
Arts & Entertainment5 days ago78th annual Emmy Awards recapped
-
2026 Midterm Elections5 days agoLGBTQ issues, attacks on Democrats dominate unusual RNC midterm convention
-
District of Columbia5 days agoHands Off the Arts to form ‘human chain’ around Kennedy Center
