Uncloseted Media originally published this article on May 26.

By SPENCER MACNAUGHTON, BELLA SAYEGH, and LAURY PEYSSONNERIE | You may know Peppermint as a runner-up on season 9 of “RuPaul’s Drag Race.” Or for her stint as the first trans competitor on the runaway hit “The Traitors.” Or for her relentless activism at a time when the Trump administration is waging an unprecedented attack on the LGBTQ community.

Now, Peppermint is getting set to be one of New York City Pride’s official grand marshals. And she’s doing that while upholding the legacy of the trans women of color who were at the Stonewall Uprising in 1969.

In this episode of “UNCLOSETED, with Spencer Macnaughton,” Spencer sits down with Peppermint to hear about what it means to be a Black trans woman at the forefront of the LGBTQ movement during the second Trump administration.

(Uncloseted Media video)

SPENCER MACNAUGHTON: Hi everyone, welcome back to UNCLOSETED with me, Spencer Macnaughton. Today, I have the great pleasure of speaking with Miss Peppermint. She was a runner-up on “RuPaul’s Drag Race,” she was the first trans contestant on the runaway hit, “The Traitors,” and now she is the grand marshal for this year’s New York City Pride. Peppermint, thanks so much for speaking with me and Uncloseted Media today.

PEPPERMINT: Hello, I’m so happy to finally be with you. This is great! Hello, Uncloseted!

SM: Yes, we’ve done many collabs and you’ve definitely amplified our work, and you’re just such a huge advocate in the community so we’re thrilled to connect with you formally in this way. So, you were recently named the grand marshal for New York City Pride. How did that come about and what does that exactly mean? What is your duty if you’re grand marshal?

P: You know, I’m still trying to figure it out, but don’t tell them. Obviously, most parades and marches, and probably all of them traditionally, have a grand marshal who’s somebody that they honor who’s like one of the people at the very front of the parade as it goes through. And so I’ll be joined by some other fabulous grand marshals as well. I’m sharing the spotlight with Dominique Jackson, with Bernie Wagenblast, who New Yorkers will know as one of the voices of the subway system, and also Bowen Yang. And Gays Against Guns was just announced, and I’m so excited to share the spotlight with them.

SM: Yes, and you wrote, or you mentioned in a recent interview that you said, “Being named a grand marshal for New York City Pride is deeply meaningful, not just as an artist, but as a Black trans woman standing in the legacy of those who fought for us to be here.” That’s Marsha P. Johnson, that’s Sylvia Rivera. And through history, those voices, the voices of trans women of color have, for many parts since 1969, been erased from that conversation, right? So how meaningful is that to you as a Black trans woman to be in this space now in 2026, especially given the political climate we’re experiencing?

P: I am continuously dedicated to using whatever platform I have, whether it’s before I was on TV, since I’ve been on TV, still using my platform to advocate for the LGBT community, including, obviously, trans folks. As someone who is trans, it does feel good to know that they are, “they” meaning the New York City Pride, they hold some reverence for the legacy of trans women of color, of trans people in general and their contribution and to the legacy of Pride. The march is a sort of recreation of the very first time that the community marched to commemorate what happened in 1969 at the Stonewall Uprising, where, you know, the police came to raid the bar, Stonewall, the legendary gay bar Stonewall in the Village, and the community fighting back.

But, I think what a lot of people didn’t realize is that, yes, trans people, trans women were there on the forefront, but it wasn’t just an attack on the bar. This was an attack on sex workers, people who were homeless and on the street, many of which were femme presenting people, drag queens, trans women. These were the street kids who were working, who were sometimes cast out of their apartment, or kicked out of their homes from their families, and the only places that they could gather were, besides the bar, were also down at the pier and on the street, wherever, and they were, some of them were engaging in survival sex work. And the police, the NYPD, were attacking, constantly harassing, and throwing in jail, and just like targeting trans sex workers, essentially. These were the people who were, and are often, the most vulnerable when it comes to interactions with the police, and those were the people who said, “We are done, we are tired of it.” That story has been whitewashed over time in many ways. One of the very first movies, one of the mainstream movies about Stonewall that we’ve seen, is a bunch of blonde kids from Iowa as the ones fighting back when we know that it wasn’t. Again, it was the street kids, it was the people who were vulnerable. And so their legacy had been erased. And so while we’re hearing voices like Marsha P. Johnson and Sylvia Rivera being mentioned so much, especially in recent years, is because it hadn’t been included so much in the past. And it had been essentially erased. And It’s been restored, and then since then, this administration has tried to erase trans folks from that legacy, taking down the mention of trans from the official website for the Stonewall National Monument, removing trans women, you know, biology, gender, whatever, all these words from all federal government documents and websites. So, I know that was a long answer, but I think it was important for people to know that that’s why it’s important for me and that’s so important to be included in Pride, because it feels like this year in 2026, the same year that the flag came down and went back up, thank goodness, it feels it’s a good time to remind people that trans folks are a very important part of the community.

SM: A hundred percent. And when I hear you speak all that, you are at the end of the day a very brave person, a very courageous person. You have Trump erasing all references to gender identity from all government documents, taking down the pride flag for what reason? And then his administration unveiled a new counterterrorism strategy that maybe you’ve seen that talks about the biggest concern, which is not at all reflected in the evidence, is left-wing extremists and pro-radical transgender people, whatever that means. I just interviewed two extremism experts for a different episode, who talked about there’s not even one mention of white supremacy, even though all of the evidence points to that being the biggest threat. So I wanna know, you’re an advocate, but you’re also a Black trans woman, triple, quadruple jeopardy as it relates to who this administration’s attacking. How does that make you feel going into this Pride month as grand marshal?

P: It really just kind of solidified what I already knew, the absence of white supremacist groups and organizations, and white supremacy as a notion in terms of being a threat, domestic terrorism threat. It’s like the weakest part of that evidence because the biggest part of it was when they removed the proof that the federal government stated in multiple reports that white supremacy was the largest domestic terrorism threat in the United States since the ‘80s.

SM: And just so the listeners know, the Department of Homeland Security quietly removed that threat from documents so the public would not be privy to it.

P: So the absence is just an echo of that, right? Their action of removing that is what really was like, what? I clutched my pearls. So, this latest sort of act is just sort of confirmation of that, and it is terrifying. I want to leave the country.

SM: You want to leave the country? You do?

P: Yeah, part of me wants — of course. I want to continue to use my platform to advocate for what I feel is right. And part me wants to leave, part of me wants to stay and fight. You know, and I, I think like, what am I, what is this country that I want to fight for? I envision like, am I going to stay and fight and want to risk my life for like a bunch of other people that are just like, “Oh well, that’s what happened to the trans people.” Or are we all going to fight? Like, I can’t just fight by myself. We have to fight for each other. Sometimes when we see not only the government putting out documents, official documents on government letterhead that say, “We’re going to name trans people as terrorists.” But then at the end it’s saying, “We will find you and we will kill you.” That’s the part that’s like, well, do I need to wait for them to kill me?

SM: And just to be clear to the people who haven’t read this document, that is a verbatim quote. They essentially list the terror threats, which include, quote, “pro-transgender radicals,” and then they say, make no mistake, quote, “We will find you and we will kill you.” I mean, that’s insane.

P: That’s in the document.

SM: That’s in the document. You mentioned you can’t do this alone. If people are listening to this and they aren’t trans but are concerned and are seeing the stats, what can they do? What can we do to really be there for our trans siblings?

P: When I say, “I don’t want to do it alone,” it’s not so much, I need you to defend me, which would be nice; it’s more that I need you to defend yourself by defending me, is what I want people to know. Like the cis community, people who are cisgender, people who’re not trans, and also people who are outside of the queer community, need to know that if rights are what we have, if equal rights are what a democracy gives you and what you have, an attack on those and removal of those rights for who someone is, who they love or their political beliefs, then it is an attack on that very democracy and an attack on the people of that democracy and the people who value those rights. And so, going after people for who they are and removing their passports, naming them as terrorists, threatening to kill them, banning them from all types of government buildings and bathrooms and holding a job and da-da-da, and healthcare, all these things. The only way they can do that to me is if they change the rules to make it possible to do. Now we have a government that can remove people from all these things. So now that means all they have to do is include, you know, let’s include Mormons as terrorists. You know what? I mean, it took them how long to put out this document. Vegans, whatever, I don’t know. Like they can target anyone. It sounds absurd and preposterous because it is, but it won’t take long for them to widen that group to who they want to focus on next.

SM: And I know you’ve been outspoken in all different places, including mainstream media. You’ve gone on CNN a few times. I’ve seen you on there. And I worked in mainstream media, “60 Minutes,” the Wall Street Journal. And a big reason I left was because I didn’t feel like the coverage was rigorous enough, was fair enough, was frequent enough. How do you think the mainstream media is doing characterizing the issues plaguing the trans and LGBTQ community right now?

P: What is this question? They get an F, for fuck off. They get a terrible F because —

SM: Tell me why.

P: It’s so wild. Yeah, hello. We know that they’re interested because they talk about it on the daily. Every other day, there is mentions of trans people in some way, shape or form, and queer people in general. And so they’re constantly evoking us, talking about us, blaming us, bringing us up, attaching us, associating us, constantly. It is wild that they have so much to say about us and they don’t want to talk to us in general, the mainstream media. They don’t wanna include us. They don’t wanna hear. And I wonder why that is because with many other situations, they would want to go to, sort of like, the subject and speak with them about what it is, or the people who are involved in the story. You want to get their side of the story, except when it’s a situation like this, when it’s the political scapegoat. When it’s the political scapegoat, it actually is imperative that you don’t hear from them, that you just hear about them, because then you can create who they are for other people to sign off on.

SM: I have a friend, Alaina Kupec, and she’s a trans military veteran and she went on Abby Phillip’s CNN “NewsNight,” the 10 p.m. slot, after Trump passed the trans military ban. She was the only trans person on the panel. Other panelists include Scott Jennings, who is a Trump loyalist who has zero expertise in trans issues, but it created this false equivalency debate between Alaina, who was a military person and is trans, and Scott Jennings, as though both of those opinions should be considered equal from a journalistic perspective. How damaging are those kinds of conversations that are airing on shows like Abby Phillip’s that are, you know, sure we say “Americans don’t talk but they talk here,” but the majority of Americans perceive that as news still.

P: Yeah, it’s not news. It’s obviously just entertainment. And, you know, I really was upset with, I mean, I was really grateful to be on the show and have appeared there with another trans person, particularly, I got a chance to go on there.

SM: On Abby’s show?

P: On Abby’s show, pardon me, yes. But I do think that CNN has always served to launder the reputation, to launder the impact, and soften the perception of the very, very, real impact that sort of centrist politics that CNN holds. It really just exists to protect, sort of like capital and protect big business and sort of corporate, the corporate flow of politics that controls policy. And so I’m not surprised, but I think you’re 100 percent right. There is an epidemic, a habit, a vibe that this country has to just, like, take somebody off the street who has no knowledge about anything at all, other than their own opinion when they hear something, and that opinion when they hear, like, “What do you think of this concept that you’ve never heard of but we’re going to give it you and tell us what you think. And then here’s an expert in that, go!” And suddenly, you know, Scott Jennings gets to have an opinion on what I’m doing with my body or what rights I have and you know that thinks it’s harmful, it’s damaging and harmful.

SM: And I don’t want to single out, you know, Abby’s show too much because this happens on many different shows across network news, but to hosts like Abby or to producers on these shows — and I’ve worked in these newsrooms — who really care and really want to do it right, but might hit blocks. What’s your advice as a trans woman who’s experiencing this? What’s your advice to them? The people who are actually shaping the news packages we’re watching and actually do have some agency in deciding what gets to air.

P: My ask is, bring trans people on, at least to talk about the trans issues that you mentioned every day. But besides that, bring trans people on to talk about what’s going on with Medicare. Bring trans people on to talk about what’s going on with the war. Whatever. Bring trans people on to talk about more because those things impact us as well. The simplest thing is gender-affirming care. Gender-affirming care and issues of gender-affirming care, the government telling people what decisions they can make medically with their own body, ties directly with reproductive justice and access to abortion, and making your own medical decisions for your own body. That’s something that we can all talk about. That is an intersection that you could bring a trans person on to talk about.

So I would ask of those other creators, bring trans people on to talk about everything that you wanna talk about, Honey. We got lots to say, and we can add something to the conversation because we have a very unique perspective.

And then beyond that, my advice to CNN is you would want to follow what the other podcasters will be doing and having them on because you will be sealing your own demise and become a lot less relevant than you already are if you don’t.

SM: The least surprising thing from this interview is that you’re very interesting. I want to stick on media though for a second because right now you must know that the Ellisons, billionaires, own Paramount, right? And they, who are MAGA loyalists and they have really reshaped the narrative at CBS News, bringing in Bari Weiss, who is an opinion columnist, but Paramount also owns MTV, which airs “RuPaul’s Drag Race,” which you were a finalist on. Ru and the show have been a groundbreaking TV series as the most successful Emmy award-winning reality TV series of all time. They have been progressive trailblazers for many different reasons for LGBTQ rights. There’s been no messaging on the fact that Paramount’s owned by the Ellisons. Should there be? Should they stay with Paramount? What are your thoughts on that?

P: It would be wonderful to see anyone on that show speak out against sort of what is happening in our country with regards to the control over politics and policy and the intersection again of money with politics, especially as related to the Ellisons and the purchase of Paramount. We’ll know when the takeover is complete, when RuPaul is like, “I love Larry Ellison,” cause that’s probably happening. They’re gonna get a script. So let’s just wait for them to get a script and start talking about how great President Trump is, whatever, I don’t know. That’s what I envision happening is they will try to either cut “Drag Race” or use it as a tool to parrot what they want to say. I hope that doesn’t happen, but it’s either one or the other. They’re either gonna get rid of the show, but it’s such a ratings juggernaut that I imagine they’ll probably try to reshape “Drag Race” and take out any political messaging.

SM: That’s what I think about though. Ru has so much money, she doesn’t need any more money, right? And the show is such a ratings juggernaut [that] they could go somewhere else. They have enough power from a ratings perspective that they don’t have to be with Paramount. They’re enough of a product there that they could dip out. Do you think they should dip out given the political climate?

P: I don’t know, I guess I have mixed feelings on it. I certainly see a world where Paramount, CNN, anything under this new umbrella is going to have to follow what their owner and boss wants. Every show, every network that’s been sort of sucked into the umbrella is gonna have to fall in line. That’s what fascism is about. You follow directions. And so I think that’s in the future for the show if they don’t leave. If they don’t leave, then it’s probably going to, just they’ll either be disbanded or we’ll wake up one day and there’s gonna be this weird messaging coming out of drag or something like, where’s the lip sync? Suddenly they’re like forcing us to say the Pledge of Allegiance, but with Donald Trump’s name in it. Like that’s what’s gonna happen. That’s what happens in fascism. Do I think they should? I don’t wanna see a “RuPaul’s Drag Race” that’s teaching us how to march in a certain way. So I don’t know, because by that point, it won’t even matter. But I think if they could just go online and start doing it on YouTube or whatever, I think they could do that. But I think ultimately no linear, traditional television is safe. They own most of it.

SM: It’s so interesting. You know this from being on camera. I know this from being behind the scenes that there are always little things that the viewer might not realize happen. And I wonder over at Paramount, while they’re putting together “All Stars” or the next season, whatever it is, the little decisions that could be being made in the final script. And I think that there might be a lot of silent things to the next season that we don’t realize have been edited out to appease the big bosses who are MAGA loyalists. And those are just the things we’ll never know.

P: We’ll never know. And I would be so surprised if they, it would be smart of them to just leave Drag Race alone. Drag Race is a wonderful thing because it’s, because it features wonderful drag entertainers. That’s what’s so great about “Drag Race,” in my opinion. But I don’t rely on Drag Race to get my political anything.

SM: I hear you. Fascinating conversation about media, I could talk about it forever, but we’re going into Pride 2026, right? And we are now six years after the explosion of the Black Lives Matter movement after George Floyd’s murder that spawned into a submovement, the Black Trans Lives Matter Movement. And I’m curious, a lot of that has faded, at least from national international conversations, right? Where do you think we are now in 2026?

P: I think we are in a state of emergency, for sure. I think this administration has been successful. That’s where I think we are. It’s like a wild sort of, a wild, wild west. Do I think we need another moment? I mean, hopefully not, considering that what galvanized people was the death of an unarmed Black man. No, I don’t want that to happen, but it continues to happen on the daily and that we’re not marching in the street about it means that the sort of news cycle focus isn’t on it. And I’m grateful to see that people were able to become temporarily activated. And so I think we benefited from that, but I do think that it allowed people to sort of revert or to sort of jump to this automatic sort of social media style performative advocacy or reaction, which I think is a natural human response maybe in this situation. So by that matter, people posting a black square and thinking that they’ve done their part, fine, obviously it wasn’t enough. What I would like to see is instead of another sort of mainstream BLM moment is an awareness that yes, racism exists. Yes, transphobia exists. Yes, we have to fight those things, but also organizing and at the community level, connecting in sort of a mutual aid way so that we can’t say, “Oh my god girl, I can’t go out and protest because I’ll lose my job and I won’t be able to pay my rent.” Well, if we can make a way for your rent to be paid, you can go out in protest whether you lose your job or not, and then you don’t care and you’re more likely to challenge the system. And so that is where I want people’s minds to go because it’s gonna be necessary to withstand whatever’s coming.

SM: I want to be respectful of your time. That was great, that was an important answer so thank you.

I think out of all the people we collaborate with, there’s a lot of people who want to amplify our work, but you really are at the top of the list for people who are like I don’t care if this post hasn’t popped or isn’t going to get me more followers or I just want to do this and I can tell your advocacy is absolutely authentic and selfless. How did you get here?

P: That’s a good question. I wonder, I sit around asking myself, why am I doing this, like what in the world, but I’m just like driven to it, you know? And it’s something that I would be doing whether I’m alone, whether I am with people, whether there’s a benefit of it or not, it’s not something that I’ve seen that people can do to make money or things like that, most of what I do now is advocacy and all of it is unpaid. And I do it because I care about it and I will continue to do it. But it also means that I’m extremely vulnerable to not being able to survive because I’m not spending my time doing the things that it’s necessary to do to survive. I just want to make sure that we’re able to live and have basic rights, which means, you know, advocacy. And I think it started along, I mean, it definitely started a long time ago and it evolves over time. You know, I think I got it from my grandmother. She was heavily involved in civil rights and so that’s probably where it came from. I don’t know if it’s genetic or if it was just instilled as I was watching, but it’s here now.

SM: And when you got celebrity from “RuPaul’s Drag Race” and other things like that, how did that affect it? Because the celebrity status would have made you in a whole different ballgame with it, I would imagine.

P: Yeah, I remember thinking when I got on “RuPaul’s Drag Race,” I was basically, yes, my platform sort of multiplied and sort of exploded tenfold, which I’m grateful for. And I remember thinking, well, I’m basically doing exactly what I’ve always been doing the entire time, just on a larger scale. I believe I’m quite the family-friendly entertainer and personality. But I’m sure that there’s people that have been like, “Let’s not hire her because she might say the wrong thing.” I’m sure that I’ve suffered that, but it doesn’t change that if I lose every follower I have, I’m still gonna be doing the same thing. I’ll just be back to where I was before I started this stuff. And so, you know, that’s kind of my thought on it.

SM: I love it, and I feel like that is a beautiful place to stop. I could talk to you for a long time, but Peppermint, so grateful that you’ve given us your time. Thank you so much for speaking with me and Uncloseted Media today. This has been a really rich conversation.

P: Absolutely. I do want to remind people to tune in to the last job I held, which was “Survival of the Thickest” on July 2, right after New York City Pride.

SM: Absolutely, we can plug that also in the show notes. So yes, thank you again, Peppermint. This was fantastic.

P: Awesome, thank you.

Season 3 of “Survival of the Thickest” featuring Peppermint launches July 2 on Netflix.

When people think of Sam Asghari, they often think about his TV career, his long history as a model, or even his love life — but not enough know just how much of an advocate this professional really is. 

Many first met Asghari through his time on reality TV; the man earned acclaim for his hilariously soft-spoken tenure on season three of “The Traitors.” This came after many years as a model — as well as former husband to a certain pop star — with the reality series showing that he could stun as much onscreen as he could on a runway. Yet even though recent years have seen thousands of fans fall in love with Asghari’s quiet charm, far too many of these new supporters still don’t realize how important LGBTQ advocacy is to Sam today. 

Asghari has spent recent years speaking out against queer discrimination in both the United States and his home country of Iran. Yet while he’s never been shy about his support, there hasn’t yet been an opportunity to really use his platform to fight for this community on a larger level. Well, luckily for us all, Asghari’s newest (and possibly sexiest) project will give him the chance to do just that, as Sam was just announced as the newest ambassador for the United States’ largest provider of free online PrEP, MISTR.

“It’s an honor and a pleasure to kick off this allyship with such a great company making such a huge impact!” raved Asghari, as he sat down with the Los Angeles Blade to discuss this new partnership. The interview took place in West Hollywood’s The Abbey, a club that’s become a second home to Sam in recent years; the model was seen at almost every one of the many events that MISTR hosted at the club in 2025. “My best friends, my mentors, and everybody that I adore that make me who I am — [they all] just happen to be [LGBTQ]! [But] where I come from … people within this community don’t get to say it outright.”

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Sam spoke about witnessing queer discrimination early on in his life through the treatment of these communities in Iran, describing, “They have to hide away … they [get punished] just for being themselves.” It’s a prejudice that he has unfortunately seen grow across the U.S. in recent years, which is what made him realize that he needed to do more for these groups who’ve helped him become who he is today. “I feel a huge responsibility on my shoulders to not only represent [them], but be the voice of [those facing discrimination] when I can.”

This is why he was thrilled to be the newest addition to the MISTR family, a brand that queer Angelinos will know well; plastered around the city — but especially in West Hollywood — are ads for the service, each ad featuring muscular men in speedos preaching about the importance of PrEP and long-term HIV care. The company has perfected this versatile form of marketing, not only catching people’s attention with the fun on display but underlying it with a serious mission of revolutionizing queer healthcare. It’s proven itself as both a serious provider of health services and a constant stream of scintillating fun — meaning it was just the right opportunity for Sam Asghari. 

“MISTR does such a great job as creating not only awareness, but providing the tools for everybody to have PrEP … they’re trying to raise awareness in the biggest ways possible,” Asghari explained, when discussing what drew him to the company in the first place. “I needed it more than they needed me,” he joked. “Not only do I [get] to have a good time, [but] I also get to make this world a better place.” 

It’s a collaboration that fans are already loving; the first images of Sam donning MISTR’s iconic blue Speedo were met with acclaim from thousands of LGBTQ users online earlier this week. While definitely entertaining on a superficial level, the deeper aspects of these initial photos speak to the style of advocacy that Sam Asghari has spent his entire life building. He is willing to literally bare it all to raise awareness of important issues affecting queer folks around the globe. And while the collaboration does focus around him, he’s pursuing it knowing that his role as an ally means that unaware portions of his usual audience will suddenly get to learn about the vital resources MISTR offers today. “This campaign is going to be something extremely sexy, and it’s going to open a lot of eyes in a good way. So be ready.”

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This is the perfect time for Sam Asghari to use the massive amount of thirst his fans have for him to educate them on the importance of queer healthcare. It’s why he was so honored and thrilled to be named MISTR’s newest ambassador. And it’s why, through his new campaign, Sam Asghari may just help this company uplift more people in need than it ever has before. 

A line of celebrities, “Drag Race” queens, influencers, media, and West Hollywood socialites lined the block around West Hollywood’s The Abbey, all clamoring to get into the invite-only celebration of owner Tristan Schukraft’s birthday. The rumor, which became verified gossip, was that Madonna, the Queen of Pop herself, would be taking the stage. Of course, the Blade had to be there.

With disco balls and Abbey statues covered in pink chiffon, it was clear. This party was a direct tie-in to Madonna’s much-anticipated “Confessions on A Dance Floor” album sequel, “Confessions II.” That night, the Abbey also unveiled its remodeled dance floor, a fitting collaboration.

The club was filled to capacity with a completely open bar, keeping the crowd liquored up. Go-go dancers in black leather collars and thongs lined the room, and celebrities that included Lilly Allen, Bebe Rexha, Tori Spelling, Julia Fox, Sam Asghari, Daniel Frenzese, Cynthia Bailey, Meredith Marks, Tom Daley, and more filled the VIP booths alongside World of Wonder personalities. It was a veritable who’s who of queer folk and allies.

The lights began to dim, the dance floor began to rumble, and Madonna graphics hit the screens. At around 1 am, it was time. Introduced by Addison Rae, Madonna grabbed the mic and started chanting, welcoming her “gays.” The venue resounded in thunderous chants of “freedom,” “mother,” and “bitch.”

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Madonna was not there to perform. She was there to dance. She took the stage for about 15 minutes, keeping the crowd going with her naughty and fun commentary. There is no list that needs to be provided on how Madonna’s career has become part of queer culture. Going back to her dance music roots and going back to her gay fans is smart.

Released in 2005 (yes, it has been that long), “Confessions on a Dance Floor” was an instant hit, with four singles from the album being released. The album’s lead single, “Hung Up,” topped the charts in 41 countries with Billboard calling it the most successful dance song of the decade. The album had hints of 60s and 70s flair, mixed in with dance music prevalent at that time. The music still dominates at queer clubs across the globe.

Madonna knows we need a little queer joy; she also knows that fans miss the Madonna we all knew and loved. With the nation in such turbulence, we all need some comfort, and going back to a time when we felt safer and had more to celebrate just feels good. For the new album release, she has even partnered with Grindr for a limited edition vinyl release and exclusive behind-the-scenes content.

Her night at The Abbey presented snippets of her new music mixed in with some of her classics. The new material sounded good, sounded familiar in an exciting way, and shows that this diva has still got it.

“Confessions II” releases on July 3.