Arts & Entertainment
Fall means Artscape, John Waters, The Wiz, and more in Baltimore
Major concerts, opening of M&T Bank Exchange among highlights
Can Baltimore walk and chew gum at the same time?
The question came up this summer when leaders of several local arts organizations voiced concerns that the fall arts calendar is so full of events that they feared the city wouldn’t be able to handle them all.
The biggest change is that Baltimore’s popular three-day Artscape festival, one of the largest free arts gatherings in the country, is shifting from its usual mid-July date to mid-September for the first time. In the past, it has drawn upwards of 350,000 people over three days.
The dates selected for Artscape this year, Sept. 22-24, coincide with the Baltimore Symphony Orchestra’s Sept. 23 fall gala at the Meyerhoff Symphony Hall, where new music director Jonathon Heyward will begin his tenure, and four comedy shows by Nate Bargatze at Lyric Baltimore – all within the relatively compact Mount Royal Cultural District.
How will the city control all the traffic, the doubters asked. Where will everyone park? And what about the Ravens-Colts football game at Camden Yards the same weekend?
Baltimore Mayor Brandon Scott promised that the city can put on more than one big event at a time.
“We are a major city,” he said last month. “Major cities are going to have multiple events at the same time…Walk and chew gum, as my grandmother would say.”
The concerns about Artscape weekend are a sign of how much Baltimore has rebounded from the lockdowns of the COVID-19 pandemic, which caused festivals and other public gatherings to be cancelled for public health reasons. This month’s event will be the first time Artscape has been held since 2019.
But it’s not just one weekend that has so much going on. Artscape is one of many big festivals, shows, and exhibits that are coming to Baltimore this fall, including the launch of a new national touring production of “The Wiz,” Billy Joel and Stevie Nicks appearing at the M&T Bank Stadium; and another packed lineup at the recently refurbished CFG Bank Arena, including Queen + Adam Lambert; the Jonas Brothers; Kiss and Pentatonix. Just about every weekend this fall has multiple big events scheduled, even without factoring in how the Orioles do in the playoffs.
Here are some of the highlights:
Artscape 2023: Artscape celebrates the visual arts, dance, fashion, music, the culinary arts and other creative endeavors. This year’s musical headliners will be: DJ Pee.Wee (the persona of Anderson .Paak) on Friday night; composer, producer, arranger and guitarist Nile Rodgers & Chic on Saturday afternoon; Angelo Moore of Fishbone performing with his band Dr. Madd Vibe on Saturday night; and the Baltimore Symphony Orchestra on Sunday afternoon.
The festival’s footprint has expanded from the Mount Royal cultural district to include part of the Station North Arts and Entertainment District farther north. A complete list of events is available at Artscape.org.
Fell’s Point Fun Festival: Two weeks after Artscape, from Oct. 6-8, the Fell’s Point Fun Festival will draw crowds to Baltimore’s waterfront (fellspointfest.com) This annual showcase for Baltimore’s art, crafts, food and music typically draws 50,000 visitors, while helping raise funds to support the programs and activities of the Preservation Society of Federal Hill and Fell’s Point, a non-profit that works to protect two of the city’s most historic neighborhoods.
Baltimore native and country music star Brittney Spencer will be the headliner Friday night. The eclectic lineup for the three-day event includes: Better Off Dead, a band that celebrates The Grateful Dead; ilyAIMY (i love you And I Miss You); Shelby Blondell; the Baltimore Symphony Orchestra’s OrchKids; Orquestra Nfuzion from Washington, D. C.; The Cover Up; Old Eastern; DJ Allure; Annapolis’s 8 Ohms Band, Rufus Roundtree & Da B’more Brass Factory; The Trinidad & Tobago Steel Drum Band; Baltimore All-Stars; DJ G-Money, and, in honor of Indigenous People’s Day on October 9, Mark Tayac and the Piscataway Nation Singers and Dancers, a group that educates audiences about Native American history and culture as part of their performances.
Billy Joel and Stevie Nicks concert: On Saturday, Oct. 7, Billy Joel and Stevie Nicks will perform at M&T Bank Stadium, 1101 Russell St., starting at 7 p.m. It will be one of the only times that the Camden Yards sport complex is used for a major concert this year, after Bruce Springsteen and The E Street Band cancelled a Sept. 9 performance at Oriole Park.
More performing arts events:
CFG Bank Arena, 201 West Baltimore St. (cfgbankarena.com): Concerts include: 50 Cent: The Final Lap Tour, September 19; Jonas Brothers: Five Albums. One Night. September 22; SZA – SOS Tour with special guest D4VD, September 28; Queen + Adam Lambert – The Rhapsody Tour, October 4 and 5; Carin Leon – Colmillo De Leche Tour, October 7; Disney on Ice presents Magic in the Stars, October 12-15; John Mayer – Solo, October 20; Lauren Daigle – The Kaleidoscope Tour, Oct 21; Katt Williams, October 27; Baltimore R&B Music Experience: Xscape, Bell Biv DeVoe, 112, October London, Silk, Next, October 28, and Romeo Santos – Formula Vol. 3 Tour, November 2.
Also, The 1975 Still…at their very best, November 8; Bronco – En Vivo y A Todo Color!, November 17; Ringling Bros. and Barnum & Bailey presents The Greatest Show On Earth, November 24 to 26; Kiss – The End of the Road Tour, November 29; Old Dominion – No Bad Vibes Tour, December 2; Pentatonix The Most Wonderful Tour of the Year, December 3; Travis Scott Utopia Tour Presents Circus Maximus, December 6; Billy Strings, December 8 and 9, and Andrea Bocelli, December 10.
Baltimore Symphony Orchestra: The Baltimore Symphony marks the arrival of Jonathon Heyward as its new music director with a gala celebration at Strathmore in North Bethesda on September 22; a gala celebration at the Joseph Meyerhoff Symphony Hall in Baltimore on September 23 and a free public concert at the Meyerhoff during Artscape on September 24. More information about the symphony’s fall schedule at the Meyerhoff, including speakers such as Sonia Sotomayor (September 27); David Sedaris (October 5); Fran Lebowitz (October 6) and Jane Fonda (October 12) is on its website at bsomusic.org.
Hippodrome Theatre, 12 S. Eutaw St., Baltimore.Broadway.com: The fall season starts with an all-new revival of The Wiz, a musical that debuted in Baltimore in 1974, with shows from September 23 to 30. Other shows include: Heilung, October 19; The Rocky Horror Picture Show 48th Anniversary Spectacular Tour with Patricia Quinn, the original Magenta, on October 21; Chris Tucker: The Legend Tour 2023, October 22; Funny Girl, October 24 to 29; the State Ballet Theatre of Ukraine Presents Snow White, November 4; ‘Twas the night before…by Cirque du Soleil, November 24 to December 3; Moulin Rouge! The Musical, December 5 to 17, and Nutcracker! Magical Christmas Ballet, December 18 and 19. A new performing and events venue next to the Hippodrome, called the M&T Bank Exchange, will have its grand opening on October 11.
Lyric Baltimore, 140 West Mount Royal Avenue, lyricbaltimore.com: Justin Willman: Magic for Humans in Person Tour, September 16; Wild Kratt Live 2.0 Activate Creature Power! Starring the Kratt Brothers, September 22; Nate Bargatze — The Be Funny Tour, September 23 and 24; Raphael Saadiq Revisits Tony! Toni! Tone! Just Me and You Tour, September 26; Trey Kennedy Grow Up Comedy Tour, September 28; Buddy Guy — Damn Right Farewell, September 29; Ms. Pat: Ya Girl Done Made It Tour, September 30; Casting Crowns: 20th Anniversary Tour, October 1; Anthony Jeselnik: Bones and All, October 5; Charm City Blues Festival, October 6; Blippi: The Wonderful World tour, Oct 7, and Stavros Halkias: The Fat Rascal Tour, October 12-14;
Also, Nick Offerman: Live! October 26; Steve Martin & Martin Short, October 28; Encanto: the Sing-Along Film Concert, October 29; Maverick City Music, November 2; The Fab Four: The Ultimate Tribute, November 3; Nikki Glaser: The Good Girl Tour, November 4; One Night of Queen, November 9; Shane Gillis Live, November 10; The Princess Bride, November 17; Chris D’Elia: Don’t Push Me, November 18; Brian Culbertson: The Trilogy Tour: November 19; Joe Bonamassa, November 25; A Drag Queen Christmas, November 26; Peppa Pig’s Sing-Along Party1, November 30; David Spade: Catch Me Inside, December 1; The Nutcracker, December 14; A Charlie Brown Christmas: Live On Stage, December 15, and Mark Normand: Ya Don’t Say Tour!, December 16.
Creative Alliance, 3134 Eastern Ave., (creativealliance.org): In the main gallery through September 30 is “God Couldn’t be Everywhere…That’s Why He Made Momma,” an exhibit by Salome Sykes and Lendl Tellington. In the Amalie Rothschild Gallery through October 21 “Taking Space,” an exhibit featuring work by Baltimore based Latino artists, including Tito Rosa; Christina Delgado; Jessy DeSantis; Jaz Erenberg and Edgar Reyes. Other events: Tianquiztli, a Latin American Artisan Market and Festival on September 16; the Alejandro Brittes Quartet, September 23; Walters Art Museum he Charm City Burlesque & Variety Festival September 29 to October 1; and Kavita Shah & The Cape Verdean Blues Project, October 4.
Baltimore Center Stage, 700 North Calvert St. (centerstage.org): In partnership with the Baltimore American Indian Center, the theater recently opened an Indigenous Art Gallery that is free and open during box office hours. Shows include: Lady Day at Emerson’s Bar and Grill, September 14 to October 8; Imprint: Jazz’s Timeless Legacy, September 30; Locally Grown Festival, October 21 to 22; The Rocky Horror Picture Show Interactive Movie Night, featuring Chocolate-Covered Rocky Horror in Partnership with Creative Alliance; October 27-28; Baltimore Butterfly Sessions, part of a civic dialogue series, November 10, and Cinderella (Enchanted Edition, co-produced with Artscentric), November 25 to December 23.
Robert C. Marshall Recreation Center, 1201 Pennsylvania Ave.: Amal Walks Across America, September 16, 4:30 p.m. Little Amal, an internationally celebrated 12-foot-tall puppet of a 10-year-old Syrian refugee girl, will arrive in Baltimore as part of a 6,000-mile journey across the United States.
Everyman Theatre, 315 West Fayette Street (everymantheatre.org): The current production, running through September 29, is A Doll’s House. It will be followed by The Chinese Lady, a Baltimore premiere, October 22 to November 19; and Dial M for Murder, December 3 to 31.
Arena Players, 801 McCulloh Street (arenaplayersinc.com): Celebration A Musical Revue, with shows September 15, 16, 17, 22, 23, 24 and 29 and October 1.
Baltimore Soundstage, 124 Market Place: Writer and filmmaker John Waters returns with: “A John Waters Christmas: Let’s Blow It Up,” on December 21. The complete fall lineup is at Baltimoresoundstage.com.
Visual arts events:
Baltimore Museum of Art, 10 Art Museum Drive, (artbma.org): “Making Her Mark: A History of Women Artists in Europe, 1400-1800,” opens October 1 and runs through January 7, 2024. This blockbuster exhibit will feature more than 200 paintings, sculptures, textiles, works on paper, pieces of furniture and decorative arts that show how women contributed to the visual arts of Europe from the 15th to 18th centuries. Other exhibits opening this fall include: “Tiona Nekkia McClodden: Play Me Home,” September 13, 2023, to May 12, 2024; “Art/Work: Women Printmakers of the WPA,” November 5, 2023, to June 30, 2024; “Eyewinkers, Tumbleturds and Candlebugs: The Art of Elizabeth Talford Scott,” November 12, 2023, to April 28, 2024, and “Raul Nieves: And imagine you are here,” November 19, 2023, to May 1, 2025. Current exhibits closing this fall include: “Recasting Colonialism: Michelle Erickson Ceramics,” and “The Matter of Bark Cloth,” which will end October 1, “Matsumi Kanemitsu: Figure and Fantasy,” which ends October 8, and “Wild Forms: Fauve Woodcuts,” which ends October 15.
American Visionary Art Museum, 800 Key Highway, (avam.org): The next “mega exhibit” at the American Visionary Art Museum is “If You Build It, They Will Come,” a look at visionary artists and their handcrafted environments, from October 7, 2023, to September 1, 2024. Featured artists include: Zebedee Armstrong; Gayleen Aiken; Ruby C. Williams; Leslie Payne; DeVon Smnitha nd Loring Cornish.
Walters Art Museum, 600 North Charles Street, (thewaltersorg.) Opening on December 3 and continuing until March 3, 2024, is “Ethiopia at the Crossroads,” celebrating the artistic traditions of Ethiopia from their origins to the present day. “New on the Bookshelf: Expanded Narratives,” a look at recent additions to the museum’s Rare Books and Manuscripts collection, runs through December 7, 2023.
The Peale, 225 Holliday Street, (thepealeorg.) Exhibits include “The Guardians of Baltimore,” a documentary and storytelling project that celebrates the unrecognized community work of Black female leaders from city neighborhoods, through October 1; “Dark Beauty,” featuring artist Daisy Brown’s portraits, stills and filmed interviews of Baltimore women with dark skin completions, through October 1, and “Soul of a Butterfly,” a look at Chicory, a poetry magazine published by the Enoch Pratt Free Library from 1966 to 1983, through October 8.
Maryland Center for History and Culture: 610 Park Avenue, (mdhistory.org.): “The Jim Henson Exhibition: Imagination Unlimited,” a multi-media tribute to the creator of the Muppets, continues through December 30.
Doors Open Baltimore, citywide, (doorsopenbaltimore.org): A popular annual program that allows participants to tour places that aren’t usually open to the public returns on October 7 and 8, with approximately 50 sites open this year.
Books
Exploring Renée Richards’s life through lens of a trans author
Surprises await in new book about pioneering tennis star
‘Finding Renée Richards’
By Julie Kliegman
c.2026, HarperOne
$28.99/272 pages
Come on in, the water’s fine.
Wade into it up to your ankles, your calves, your waist, you’ll be OK. You’ll adjust to the waves that swirl around you so come on, dive in, it’s all good. As in the new book “Finding Renée Richards” by Julie Kliegman, that goes for swimming, and for controversy.

Assigned to do a story on books written by trans tennis great Renée Richards, Julie Kleigman read the books and became “transfixed by a woman who had fought so hard to simply live as who she had long known she was….”. Their editor had figured that, as a nonbinary and trans individual, Kleigman would have “something incisive to say…” in an article. Instead, once they met and began interviewing Richards, Kliegman was left frustrated.
Born in the late summer of 1934, Richard Henry Raskind seemed to have arrived with a tennis racket in his hand. His mother was a psychiatrist; his father was an orthopedic surgeon who hoped “Dick” would follow his footsteps but Raskind was drawn instead to ophthalmology and tennis. He was also irresistibly drawn to wearing women’s clothing.
His sister knew of this pull and Raskind eventually came out to both parents, but few others on the tennis circuit were aware. When Raskind visited his hometown of New York City, however, he enjoyed furtively going out in women’s clothing but he also tried to squash the desire; in the meantime, he fell in love, married, fathered a son, and eventually learned that it was possible to become the woman he knew he really was.
To continue playing tennis professionally was a bonus.
And right there were the disagreements Kleigman had with Richards.
Richards, “To this day… [makes] a point of describing herself as a woman, period,” says Kleigman, but she firmly acknowledged Richard, almost as a separate individual, insisting that Kleigman use “him/his” pronouns when describing her earlier life.
And as for tennis and trans women’s participation in the sport, Richards had something even more frustrating to say.
Take that as a fair warning: you might be equally surprised at what author Julie Kliegman uncovered in “Finding Renée Richards,” and you may be truly gobsmacked by reading opinions from other women about the topic of trans women in sports.
That’s the main, huge point of interest in this fascinating book; the other is Richards’s life as seen through the lens of a trans individual. Kleigman’s wrestling with the 90-year-old Richards’ firmly dug-in heels is, in itself, worth your time as a study of highly varying viewpoints. That Kleigman and Richards have both lived at least a part of trans history is somewhat of a key to understanding how this book unfolds, as Kleigman offers up Richards’s tale. Readers who are able to read between the lines will be riveted.
If you’re a sports fan and you have opinions, you must read this book – and that goes double if it’s tennis you love. Also check out “Finding Renée Richards” if you just want a raucously good and very fine read.
The Blade may receive commissions from qualifying purchases made via this post.
Movies
Queer team brings girl power to fully baked ‘The Wrong Girls’
Perfect film for anyone who loves stoner comedies
Generally speaking, the “Stoner Comedy” genre is aimed at an audience of “stoners,” and if you’re not one, you probably don’t get the appeal.
If you are, though, you’re likely to enjoy “The Wrong Girls,” the new indie from screenwriter Dylan Meyer in her directorial debut, which began a theatrical release on Aug. 14. The plot is ridiculous, the humor is lowbrow, and you won’t find any substance in it except for the ones that get consumed onscreen – but that’s exactly the reason why it’s pretty much perfect for anybody who loves stoner comedies, and the fact that everyone involved commits to it whole-heartedly might just makes it all the more so.
Starring Kristen Stewart (Meyer’s real-life spouse) opposite Alia Shawkat as a pair of broke, directionless best friends who share an L.A. apartment and spend an impressive amount of effort finding new and elaborate ways of consuming cannabis, it opens with them facing a financial crisis; Frankie (Stewart) is thousands of dollars in debt for a scholarship to Stanford – even though she failed out before graduating – and Molly (Shawkat), who dreams of being a professional chef, channels her creative cooking skills into creating off-the-wall recipes for cannabis-infused snacks. To make matters worse, rent is due, and – as usual – they are short.
Their situation gets a sudden surprise windfall when Frankie (through a freak case of mistaken identity) ends up in possession of a briefcase full of a mysterious liquid they assume is some kind of drug. Thinking they can sell it for rent money, they decide to try it for themselves, first, resulting in a pink-and-bubbly hallucinogenic experience in which they can hear each other’s thoughts (and their cats’ thoughts, too) – an effect that lingers even after the “trip” subsides.
Their plan to sell the substance hits a snag, however, when a cadre of gun-toting Euro-thugs in dark suits show up on the scene trying to get their hands on it. Forced to go on the run, they eventually learn that the substance they took is a top-secret experimental drug, developed by a scientist (Kate McKinnon) researching human consciousness – and that the Europeans work for a dangerous rival who wants the formula for his own nefarious purposes. Can two 20-something stoners successfully elude and overcome a team of international mercenaries on a mission? Probably not, but the superpowers they seem to be developing might improve their chances – if they can figure out how to use them, that is.
Cut from the same cloth as every weed-centric movie farce you’ve ever seen, “The Wrong Girls” leans into most of the genre’s usual formula points, first and foremost of which is that it doubles as a buddy comedy. From Cheech and Chong, through Jay and Silent Bob, to Harold and Kumar, these films have always relied on the goofy chemistry between two friends, and Mayer (who wrote as well as directed) makes a special point of following that blueprint – because it’s also where her film sets itself apart from most of the other examples within a traditionally male-dominated genre by making the buddies female instead.
It’s a simple switch, and it really doesn’t have any significant impact on the general “vibe” of the story; the dynamic is more or less the same familiar back-and-forth banter between two people who have spent years getting high together, and their antics are just as stupid. Even so, in another way, flipping the usual gender of its protagonists makes an essential difference, simply because we’re so accustomed to seeing it the other way around – but women also like to get high, so why shouldn’t we see them doing it in the movies? After all, the now-legendary Comedy Central series “Broad City” (to which “The Wrong Girls” also owes a debt of inspiration) brought a pair of stoner chicks to TV over a decade ago with the epic pairing of Ilana Glazer and Abbi Jacobson, so it’s high time (if you’ll pardon the pun) we see the same on our big screens, too.
There are other twists that spruce up the formula too – a boyfriend (Zack Fox) who sparks girl buddy jealousy by asking Molly to move in with him, the crashing of a party thrown by a corporate douchebag (Tony Hale) and provides a great target for the anti-establishment satire that’s almost obligatory for the genre, and a plot thread about giant squid biochemistry that adds an air of comedic mysticism while tapping into the “cephalopod awareness” trend that has wriggled its way into our cultural discourse around ethical seafood consumption. All of it is written and executed with a cleverness that makes it easy to laugh at all the “dumb” comedy without it feeling too much like a guilty pleasure.
Steward and Shawkat, needless to say, carry the film; they find just the right blend of authentic friendship and “train wreck” energy to make their relationship both wacky and relatable. LaKeith Stanfield brings an admirable seriousness to his role as the guy who delivers the briefcase to the wrong person before becoming a comic foil as he ends up being a reluctant ally; stoner movie veterans Seth Rogan and Kumail Nanjiani amusingly lend their voices to the girls’ two cats; but it’s McKinnon who raises the bar, entering the story late in the game to become the hands-down MVP in a comedy that is only improved by her proven gift for stealing every scene she’s in. It’s worth noting that Geena Davis turns up for a memorable appearance that feels like a nod to that grandmother of all girl-buddy films, “Thelma and Louise.”
It’s also worth mentioning the strong imprint of queer creativity that exudes from “The Wrong Girls,” which casts two queer stars in a queer-written-and-directed comedy that also features several other prominent cast members who are queer (or queer adjacent), despite not having any specifically queer story elements. Maybe it’s the camp sensibility, or the obvious lampooning of overtly toxic heterosexual “types,” or just a general feeling of irreverence and a sharply counter-cultural edge – but somehow, the whole thing comes across as an expression of queer perspective that manages to run circles around the banality that might otherwise easily have turned the movie into an unfunny slog through a territory we’ve all seen plenty of times before.
All that said, it’s important to return to the original point that stoner movies are not necessarily meant for everyone – and fresh as it might feel, “The Wrong Girls” is definitely a stoner movie. There’s a lot of humor (and we mean A LOT) that will fall flat for those who don’t “get it,” and a considerable amount of absurdity and excess which will probably only frustrate viewers without a natural taste for it. Like even the best of the genre, it’s not intended to be deep, or even coherent – it’s all just for the sake of mindless, feel-good fun for those with a taste for it. So be warned by that caveat if you think it applies to you – otherwise, we suggest you grab a pack of edibles and jump on board for the ride.
Out & About
UPDATE: Impulse Group’s ‘PrEP Pool Party’ cancelled
Organizers announce cancellation of event
Impulse Group DC was to host a “PrEP Pool Party” on Thursday, Aug. 27 at 8 p.m. at Vida Fitness: Navy Yard. However, organizers have announced that the event has been cancelled.
Visit @impulsegroupdc on Instagram for information on future events for Impulse Group DC.
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