District of Columbia
From synagogue to Stonewall: LGBTQ Jewish stories in D.C.
Capital Jewish Museum exhibit showcases resiliency of local LGBTQ Jews
From clandestine Shabbat dinners with chosen family in Dupont Circle in the 1950s to proudly marching in the world’s biggest Pride celebration in 2025 under the Bet Mishpachah banner, LGBTQ Jews are deeply intertwined in the queer history of Washington. Despite their consistent presence in the fight for equality, LGBTQ Jews have not, historically speaking, received their flowers.
One museum in Judiciary Square is trying to change that by highlighting the historic contributions LGBTQ Jews have made to D.C. The Capital Jewish Museum officially opened its doors to its “LGBTQ Jews in the Federal City” exhibit in May and has been educating the community — and history fans — since.
The Washington Blade sat down with the two major forces behind bringing the exhibit to life at the Capital Jewish Museum to discuss some often-neglected parts of D.C.’s queer history.
The exhibit begins with a timeline of important moments in both Judaism, like the establishment of the six genders mentioned in ancient rabbinical writings, and in America’s LGBTQ history, like the Stonewall Riots. As you walk further in, the timeline begins to highlight important events for LGBTQ Jews in Washington, spanning from the 1800s to the current day.
When asked why produce an exhibit on LGBTQ Jews, Sarah Leavitt, the director of Curatorial Affairs, was quick with an answer and a smile. Aside from teaching the detailed ways LGBTQ Jewish icons—like Frank Kameny, for example, who led the fight for gay and lesbian people to work openly in the federal government—alongside other spectacular histories, it was clear it was also meant to inspire.
“‘Why not?’” Leavitt said. “This is an important story to tell. We wanted to tell it, so that’s what we did… It encourages people to do the work of the next stage, as whatever that is.”
Jonathan Edelman, collections curator at the Capital Jewish Museum, explained that for him, the exhibit was more than showcasing the revolutionary work of LGBTQ Jews in D.C.—it was also about making the museum’s archives more accurately reflect all colors of the Jewish rainbow.
“My number one responsibility… is to help enhance our archives, so that it’s a collection that more accurately reflects the Jewish community we claim to represent,” Edelman said. “This exhibit helped us start to fill one gap… But we have a lot more work to do.”
That work began at kitchen tables across the DMV — and took off from there.
“I sat at a lot of kitchen tables and listened to people tell their stories,” he said. “When we started collecting, I really got the sense, especially from LGBTQ Jewish elders, that people were just waiting for someone to ask about their story… a button from a protest in 1979 that meant so much to them… was also empowering.”
In addition to the multitude of political buttons that announce “LOUD PUSHY JEW DYKE” and the piece of the AIDS memorial quilt hung on the wall with a square highlighting some of the Jewish people who died alongside a sewn synagogue, there is an astonishing number of artifacts in the exhibit. The two creators of the exhibit shared their favorite artifacts for all to see. Edelman’s favorite is one of the earliest editions of the Washington Blade (known as the Gay Blade back in 1969). Leavitt’s is a copy of meeting minutes from Bet Mishpachah, Washington’s LGBTQ Jewish congregation—both representing queer resilience in Washington.
Jocelyn Kaplan was one of those people who shared their special objects and stories with Edelman and Leavitt. She gave the museum stacks of old “Gay Blade” prints from when they were a single sheet of paper.
“She thought she was the only one who had these feelings,” Edelman explained. “One night she was at a bar or a restaurant, and saw copies of the Blade, and she picked one up, and discovered community for the first time. And so this very ordinary piece of paper may have saved her life. And the power that this publication had in helping people find community before the internet is meaningful.”
Leavitt’s favorite piece, the meeting minutes, was made more special after a member of Bet Mishpachah found herself in the notes.
“Several of the people at the meeting were listed without their last name because it was the early ’90s,” Leavitt said. “They were worried that somehow their boss was gonna get a copy of these meeting minutes from their synagogue… she remembered that fear. … That was a moment from 35 years ago that kind of stabbed her in the heart again.”
The exhibit is eye-opening, to say the least. Touching on cultural icons of D.C. history like Esther Goldberg, a well-known Jewish drag queen—complete with a disco ball and gown—to signs of progress toward a more inclusive space for LGBTQ Jews, like the Hebrew workbook on display without gender-specific pronouns for non-binary Hebrew learners.
While sitting on the couch in the middle of the exhibit, next to rotary phones that have LGBTQ Jewish elders sharing their stories with the spin of the wheel, Leavitt admitted that the exhibit wouldn’t do justice to LGBTQ history if it were a perfect balance of struggle and success. One struggle some Jewish people had internally wrestled with was the inclusion—or rather lack of inclusion—of the history of gay men in the Holocaust. Some wanted these museums and memorials to honor only the Jewish people who suffered the most during the time. Others wanted gay men who died alongside Jewish people to be memorialized and recognized.
“It’s not always a pretty story, but it can be one,” Leavitt said about the twisting of LGBTQ and Jewish histories. “I think grief weaves its way through all of our stories… But we can’t do a show like this without talking about trauma.”
On the opposite side, there are remarkable accounts across the exhibit floor that show the relationship between the LGBTQ community and the Jewish community supporting each other. Bet Mishpachah, for example, has been marching in D.C.’s Pride celebrations since the 1970s.
“Some felt that this was holy work—their activism,” she added.
When asked what they hoped visitors to the museum would take away from the exhibit, they gave different answers, but both put LGBTQ Jews at the center.
“I hope queer Jewish elders feel seen, like their story is finally being told,” he said. “I hope younger queer people learn the history of this movement… and then I hope our non-queer visitors understand that queer history is Jewish history.”
“I hope it shows we can do it, and that the community can trust us with their stories,” she finished. “Hopefully this is just the beginning.”
Admission to the Capital Jewish Museum’s LGBTQ exhibit is $12 for adults, $10 for seniors 65+ and students with valid ID, and free for children 12 and younger.
District of Columbia
D.C. Black Pride theme, performers announced at ‘Speakeasy’
Durand Bernarr to headline 2026 programming
The Center for Black Equity held its 2026 DC Black Pride Theme Reveal event at Union Stage on Monday. The evening, a “Speakeasy Happy Hour,” was hosted by Anthony Oakes and featured performances by Lolita Leopard and Keith Angelo. The Center for Black Equity organizes DC Black Pride.
Kenya Hutton, Center for Black Equity president and CEO, spoke following the performances by Leopard and Angelo. Hutton announced this year’s theme for DC Black Pride: “New Black Renaissance.”
Performers for 2026 DC Black Pride were announced to be Bang Garcon, Be Steadwell, Jay Columbus, Bennu Byrd, Rue Pratt and Akeem Woods.
Singer-songwriter Durand Bernarr was announced as the headliner for the 2026 festivities. Bernerr gave brief remarks through a video played on the screen at the stage.
DC Black Pride is scheduled for May 22-25. For more information on DC Black Pride, visit dcblackpride.org.
In an official statement released at the reveal event Capital Pride Alliance described its just announced 2026 Pride theme of “Exist, Resist, Have the Audacity” as a “bold declaration affirming the presence, resilience, and courage of LGBTQ+ people around the world.”
The statement adds, “Grounded in the undeniable truth that our existence is not up for debate, this year’s theme calls on the community to live loudly and proudly, stand firm against injustice and erasure, and embody the collective strength that has always defined the LGBTQ+ community.”
In a reference to the impact of the hostile political climate, the statement says, “In a time when LGBTQ+ rights and history continue to face challenges, especially in our Nation’s Capital, where policy and public discourse shape the future of our country, together, we must ensure that our voices are visible, heard, and unapologetically centered.”
The statement also quotes Capital Pride Alliance CEO and President Ryan Bos’s message at the Reveal event: “This year’s theme is both a declaration and a demand,” Bos said. “Exist, Resist, Have Audacity! reflects the resilience of our community and our responsibility to protect the progress we’ve made. As we look toward our nation’s 250th anniversary, we affirm that LGBTQ+ people have always been and always will be part of the United States’s history, and we will continue shaping its future with strength and resolve,” he concluded.
District of Columbia
Capital Pride board member resigns, alleges failure to address ‘sexual misconduct’
In startling letter, Taylor Chandler says board’s inaction protected ‘sexual predator’
Taylor Lianne Chandler, a member of the Capital Pride Alliance Board of Directors since 2019 who most recently served as the board’s secretary, submitted a letter of resignation on Feb. 24 that alleges the board has failed to address instances of “sexual misconduct” within the Capital Pride organization.
The Washington Blade received a copy of Chandler’s resignation letter one day after she submitted it from an anonymous source. Chandler, who identifies as transgender and intersex, said in an interview that she did not send the letter to the Blade, but she suspected someone associated with Capital Pride, which organizes D.C.’s annual LGBTQ Pride events, “wants it out in the open.”
“It is with a heavy heart, but with absolute clarity, that I submit my resignation from the Capital Pride Alliance Board of Directors effective immediately,” Chandler states in her letter. “I have devoted nearly ten years of my life to this organization,” she wrote, pointing to her initial involvement as a volunteer and later as a producer of events as chair of the organization’s Transgender, Gender Non-Conforming, and Intersex Committee.
“Capital Pride once meant something profound to me – a space of safety, visibility, and community for people who have often been denied all three,” her letter continues. “That is no longer the organization I am part of today.”
“I, along with other board members, brought forward credible concerns regarding sexual misconduct – a pattern of behavior spanning years – to the attention of this board,” Chandler states in the letter. “What followed was not accountability. What followed was retaliation. Rather than addressing the substance of what was reported, officers and fellow board members chose to chastise those of us who came forward.”
The letter adds, “This board has made its priorities clear through its actions: protecting a sexual predator matters more than protecting the people who had the courage to come forward. … I have been targeted, bullied, and made to feel like an outsider for doing what any person of integrity would do – telling the truth.”
In response to a request from the Blade for comment, Anna Jinkerson, who serves as chair of the Capital Pride board, sent the Blade a statement praising Taylor Chandler’s efforts as a Capital Pride volunteer and board member but did not specifically address the issue of alleged sexual misconduct.
“We’re also aware that her resignation letter has been shared with the media and has listed concerns,” Jinkerson said in her statement. “When concerns are brought to CPA, we act quickly and appropriately to address them,” she said.
“As we continue to grow our organization, we’re proactively strengthening the policies and procedures that shape our systems, our infrastructure, and the support we provide to our team and partners,” Jinkerson said in her statement. “We’re doing this because the community’s experience with CPA must always be safe, affirming, empowering, and inclusive,” she added.
In an interview with the Blade, Chandler said she was not the target of the alleged sexual harassment.
She said a Capital Pride investigation identified one individual implicated in a “pattern” of sexual harassment related behavior over a period of time. But she said she was bound by a Non-Disclosure Agreement (NDA) that applies to all board members and she cannot disclose the name of the person implicated in alleged sexual misconduct or those who came forward to complain about it.
“It was one individual, but there was a pattern and a history,” Chandler said, noting that was the extent of what she can disclose.
“And I’ll say this,” she added. “In my opinion, with gay culture sometimes the touchy feely-ness that goes on seems to be like just part of the culture, not necessarily the same as a sexual assault or whatever. But at the same time, if someone does not want those advances and they’re saying no and trying to push you away and trying to avoid you, then it makes it that way regardless of the culture.”
When asked about when the allegations of sexual harassment first surfaced, Chandler said, “In the past year is when the allegation came forward from one individual. But in the course of this all happening, other individuals came forward and talked about instances – several which showed a pattern.”
Chandler’s resignation comes about five months after Capital Pride Alliance announced in a statement released in October 2025 that its then board president, Ashley Smith, resigned from his position on Oct. 18 after Capital Pride became aware of a “claim” regarding Smith. The statement said the group retained an independent firm to investigate the matter, but it released no further details since that time. Smith has declined to comment on the matter.
When asked by the Blade if the Smith resignation could be linked in some way to allegations of sexual misconduct, Chandler said, “I can’t make a comment one way or the other on that.”
Chandler’s resignation and allegations come after Capital Pride Alliance has been credited with playing the lead role in organizing the World Pride celebration hosted by D.C. in which dozens of LGBTQ-related Pride events were held from May through June of 2025.
The letter of resignation also came just days before Capital Pride Alliance’s annual “Reveal” event scheduled for Feb. 26 at the Hamilton Hotel in which the theme for D.C.’s June 2026 LGBTQ Pride events was to be announced along with other Pride plans.
Man stuck in Lebanon as Iran war escalates
CAMP Rehoboth hires new executive director
Claudia López wins primary in Colombian presidential race
Too afraid to leave home: ICE’s toll on Latino HIV care
Intense doc offers transcendent treatment of queer fetish pioneer
13 HIV/AIDS activists arrested on Capitol Hill
An undeclared war of distraction by the felon
PHOTOS: Sydney Gay and Lesbian Mardi Gras Parade
Fla. Senate passes ‘Anti-Diversity’ bill that could repeal local LGBTQ protections
