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Bold but vague

Out playwright explores political speech in new satire

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Peter Sinn Nachtreib, gay news, Washington Blade
Peter Sinn Nachtreib, gay news, Washington Blade

Playwright Peter Sinn Nachtrieb’s new play is in the midst of a multi-city rollout premiere. (Washington Blade photo by Michael Key)

‘The Totalitarians’
Through June 29
Woolly Mammoth Theatre Company
641 D St., N.W.
$45-75
202-393-3939

In Peter Sinn Nachtrieb’s new political comedy “The Totalitarians,” it takes three words — “freedom from fear” — to turn a lopsided election around.

Former roller derby queen and all-around loose cannon Penelope Easter has political aspirations. Though she has zero knowledge of the issues and stands for nothing, Penny is undeterred. She’s rightfully confident that her big hair and her gay husband’s enormous fortune will open doors. But still, she needs help connecting with voters, low information and otherwise. That’s where Francine Jefferson comes in. Francine is a wannabe political operative with a talent for words. She believes that one killer speech with a catchy slogan repeatedly delivered by an appropriately passionate Penny could put this unlikely candidate on the path to becoming Nebraska’s lieutenant governor.

Meanwhile Francine’s doctor husband Jeffrey wants her to have a baby and stay at home. Besides, he doesn’t trust Penelope — even less when his young terminally ill patient Ben warns him of Penelope’s connection with a nefarious 1 percent cabal seeking to control all American politics.  He joins militant Ben in trying to snuff out Penelope’s campaign.

Nachtrieb is tall (6’6”) and rangy. At 39, the gay playwright retains boyish charm and exudes a quiet intelligence. The inspiration for the “The Totalitarians,” he explains, came from a frustration with the language of politics and rhetoric; and whether anyone is actually saying anything or is it all just sound bites? He felt a need to dive into that.

“Penelope is very seductive cipher,” he says. “Whether she is left or right is uncertain. Seems like she’s fighting for something but you can’t pin down on what she stands for on any issue. Still Francine’s dream gets married to Penny’s. She writes some soaring, beautiful imagery reminiscent of early Obama’s — inspirational but with few specific references.”

And though Nachtrieb purports Penelope is not a commentary on any single party or person, her over-the-top vulgarity definitely come off more like Sarah Palin than Elizabeth Warren. Penelope is so outrageous, says the playwright, that in a different production she could easily be played by a male actor in drag.

“There is an attraction between Francine and Penelope. And the dynamic between Jeffrey and Ben is just shy of being a gay relationship. There are those clandestine meetings in cruisy parks. And the long hernia examination that Jeffrey gives to Ben is interesting.”

Commissioned by the New Play National Network, “The Totalitarians” is currently undergoing a year-long rolling premiere that kicked off at Southern Rep in New Orleans and is now playing at Woolly Mammoth. Later this year it will play at Z Space in San Francisco where Nachtrieb is playwright in residence.

Woolly’s production is staged by talented gay playwright and director Robert O’Hara. The cast features local actors Emily Townley and Dawn Ursula as Penelope and Francine, respectively. Jeffrey is played by Sean Meehan who played Morton in HBO’s production of “The Normal Heart,” gay dramatist Larry Kramer’s seminal AIDS play. Chicago actor Nick Loumos plays Ben. It’s Nachtrieb’s second collaboration with Woolly Mammoth. The first was his dark, apocalyptic comedy, “boom.”

Growing up in affluent Marin County, the suburb across the Golden Gate Bridge from San Francisco, Nachtrieb who’d been bullied in middle school, found a safe haven participating in musical theater. He majored in theater and biology at Brown University. While there, he came out during a production of “West Side Story.” (“All the other Jets were gay. I thought I must be too.”) He returned to the Bay Area where he entered the San Francisco State MFA Playwriting program, and earned his MFA in creative writing in 2005.

Today Nachtrieb lives in San Francisco’s Mission District with his partner of 13 years, Mark Marino, a nurse. Sometimes his relationship and feelings are reflected in his work, sometimes through straight characters: “Francine and Jeffrey talk about having children and the challenges of busy work schedules. Those are discussions my partner and I have, too.

“And for instance, Ben, the young activist, has a monologue that isn’t just about wanting equality but sometimes you want a little vengeance as well for being treated badly.”

Next up, Nachtrieb is working on a new play concerning house tours. “It’s all about shame,” he says, “and the pleasures of hiding things.”

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Television

‘The Pitt’ stars discuss what season two gets right about queer representation

Noah Wyle and Taylor Dearden spoke with Blade in LA

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From left: Executive Producer R. Scott Gimmell, Noah Wyle, and Katherine LaNasa at PaleyFest LA 2026 honoring "The Pitt," presented by the Paley Center for Media, at the DOLBY THEATRE on April 12, 2026, in Hollywood, Calif. (Photo by Brian To)

As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.

“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”

Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”

Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”

Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.

“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”

The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.

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a&e features

Queery: Meet artist, performer John Levengood

Modern creative talks nightlife, coming out, and his personal queer heroes

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John Levengood (Blade photo by Michael Key)

John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.

Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.

“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.

He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”

He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.

How long have you been out and who was the hardest person to tell?

I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.

Whos your LGBTQ hero?

My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.

Whats Washingtons best nightspot, past or present?

Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.

We live in challenging times. How do you cope?

I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.

What streaming show are you binging?

After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.

What do you wish youd known at 18?

At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.

What are your friends messaging about in your most recent group chat?

We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.

Why Washington?

It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.

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a&e features

Project GLOW celebrates LGBTQ acts

D.C.’s electronic music festival set for May 30-31

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A scene from last year’s Project GLOW. (Photo courtesy organizers)

Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.

Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.

President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.

As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.

“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”

The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”

K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.

Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.

K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.

Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.

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