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Out pianist cites Liberace, Alexander McQueen as major influences

Classical pianist Lachlan Glen on his recital with Ben Bliss and his inner diva

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Lachlan Glen, gay news, Washington Blade

Juilliard-trained pianist Lachlan Glen says he enjoys accompanying traditional classical solo singers but is also excited about debuting a more over-the-top old school entertainment show in the tradition of Liberace in Australia next month. (Photo by Dario Acosta)

Vocal Arts D.C. presents

 
Ben Bliss (tenor) and Lachlan Glen (pianist)
 
Tuesday, Nov. 15
 
7:30 p.m.
 
Theatre of the Arts
 
University of the District of Columbia
 
Van Ness Campus
 
4200 Connecticut Ave., N.W.
 
$50
 
202-785-9727
 
washingtonperformingarts.org

Classical pianist Lachlan Glen calls himself a “performing entrepreneur with a passion for challenging the classical music industry’s status quo.”

The 27-year-old Sydney, Australia native, who came to New Jersey in 2008 to study at Rutgers University and then earned a master’s degree at Juilliard, will be in Washington on Tuesday, Nov. 15 for the fourth annual Gerald Perman Fund for Emerging Artists recital with tenor Ben Bliss. It’s also the first concert of Vocal Arts D.C.’s 26th season.

Out, proud and eager to balance traditional recitals with flashier, more show biz-type endeavors, he spoke with the Blade at length by phone from Atlanta (he lives in New York) where he was in rehearsal with Bliss. His comments have been edited for length.

WASHINGTON BLADE: You have no trace of an Australian accent. Why?

LACHLAN GLEN: I chose to let it go when I moved to New York. People usually had no idea what I was saying and … would always bring up stuff like shrimp on the barbie or ask me if I rode a kangaroo to school and all these, you know, kind of cute questions that get annoying when you’re asked them about 600 times. … I knew I’d succeeded when my diction teacher at Juillard had no idea I wasn’t American.

BLADE: How did you meet Ben Bliss?

GLEN: We met at the Metropolitan Opera — we met at the Met, that’s cute. … We kind of entered on the same wavelength of, “Let’s just do this music how we feel it.” So much thought at conservatory is put into thinking about or imagining how someone would have played certain notes 300 years ago and I really like to just be spontaneous and live my life on my terms. Ben and I decided to just have fun doing it and not get caught up with people who try to make it more serious than we believed it was. … I feel super lucky that we met and that he wants me to come and play with him on these shows. It’s a lot of fun.

BLADE: Did this conviction present problems for you at Juilliard?

GLEN: I had a really great experience there. I had a fantastic team of people and my teacher, Brian Zeger, who runs the vocal arts department there, he was one of my most valued mentors. … But I always loved things that sparkle, I love glitz and glamor and even when I was younger, I would perform in these crazy shirts. That kind of evolved into wearing a ton of rings. That kind of thing is just never done on the classical performance stage. … I have this Alexander McQueen bag that I take everywhere that’s gold and sparkly. I wake up in the morning and see it across the room on the floor and it gives me energy to get out of bed.

BLADE: So you’re basically a big unabashed flamer?

GLEN: (laughs) Yeah, I guess so. I just love things that make me happy and I’m not ashamed to embrace those things.

BLADE: So do you mind being more in the background when you’re accompanying Ben?

GLEN: No. I’m accompanying him so I’m helping him tell his story so I really tone down my own personality. I can’t overpower the singer when I’m in that capacity. So I leave the sparkly stuff at home and maybe just wear some rings. I’m working on a one-man show that’s more entertaining in kind of a throwback way, so there I can be as flashy as I want to be.

BLADE: You have all these different projects going on with conducting and offering vocal coaching in addition to what you just said. When and why did you branch out from wanting to be a more straight-up recitalist?

GLEN: I was training as a solo pianist and one day I just almost had a breakdown because I’d been spending like 10 hours a day practicing — and I’m not exaggerating even slightly — for years. I’d take little breaks, but I was essentially practicing all day every day for years and years. I finally said, “You know, I can’t do this for the rest of my life.” I’m a really social person and I need to spend time with people. Not just by myself in a room all day every day.

BLADE: Don’t your rings get in the way when you play?

GLEN: It depends how big they are. I try to find ones that don’t have a lot of weight in any one area. … It’s usually not much of an issue. I’ve definitely played concerts where I’ve had a ring on every finger.

BLADE: How many do you have?

GLEN: Oh, a huge bag. I definitely have more rings than anything else. I have this beautiful everyday topaz ring that my boyfriend gave me for my birthday this year which is from 1908. And many others.

BLADE: Tell me about him. Is it serious?

GLEN: His name is Sam. We’ve only been together since earlier this year though we met a little over three years ago at the Fire Island Opera Festival. But yes, it’s very serious. He’s 11 years older and is British. He’s a finance director at Christie’s in the impressionist and modern art department.

BLADE: How long have you been out?

GLEN: I came out to friends at 19, family at 20. It was a process. I would say I’m a Christian, but my understanding of Christianity is different from my parents. But (my boyfriend is) coming to Australia with me in December and my parents and sisters are very excited to meet him.

BLADE: Were you into classical music growing up or did you have a pop side too?

GLEN: More classical as a kid then in college came more of the pop stuff. I know it sounds strange, but I rarely listen to classical music now. … I have a huge obsession with Pink Floyd and I love Beyonce and Snarky Puppy and some really great jazz. I love Chick Corea.

BLADE: Is classical too close to work stuff to be enjoyable for pleasure listening?

GLEN: That kind of might be it. I have always liked to keep my professional life and home lives very separate, but it was never a conscious thing.

BLADE: Tell us more about your one-man show.

GLEN: I’ve always had a huge love for pianist entertainers and there are so few of them. Several great ones from the past, but the only one who’s even kind of still prominent in that vein is Elton John, but he’s more of a singer. … Liberace is first and foremost. People love to hate on him because he kind of sold this quote-unquote sacred music to a mainstream audience … but I love how he feels the music. He’ll take a Chopin piece and just spontaneously add an octave or something. He really knew how to read his audience. … I also loved Victor Borge and I think that kind of comedy is incredible. … So this will be me as an entertainer just talking and joking with the audience,. Really just me being fully myself without worrying about overshadowing anyone else on stage. Just the most over-the-top thing you could possible imagine playing some of the most beautiful piano music that’s ever been written along with some older pop songs and even jazz standards.

BLADE: Do you hope to tour it in the U.S.?

GLEN: I don’t really have the energy or time to shop it, sell it and book it myself so for this first performance in Australia, we’re going to video it and then hopefully shop it to some booking agents. … It takes quite awhile to develop a whole act like this so at first it won’t be the full finished product but it will be a start. … I cannot wait to get it going and see how it develops.

BLADE: There’s so much hand wringing in classical music as millennials just aren’t investing in our classical institutions the way Boomers and even Gen Xers have. Will they eventually or are some of these outfits just dying a long slow death in your opinion? What do you see happening in the big picture here?

GLEN: Both of those things are happening and the biggest part of the problem is that the classical music industry is using these business models that are in large part really, really old and not something that has come out of American culture. We’ve picked up these models from Europe and tried to transplant them and it doesn’t have the same value here. You can’t just pick up a cactus and try to plant it in Alaska. You need some kind of genetic modification or something if it’s going to thrive. A lot of the big opera companies are just large companies with lots of unions and lots of moving parts. They’re very heavy — opera by its very nature is big. So in an era where we have to adapt and be light on our feet, it’s just impossible for them to change course. … A lot of senior administration people tend to think that young people are too obsessed with their electronic devices to sit and watch an opera when they can just watch one aria on YouTube. … But what they’ve forgotten is that we are humans and we want to be together and we want to communicate and socialize and people will always be going out seeking bonds with other like-minded people. It’s not really the existential issue a lot of people think it is. … There are something like 30 small opera companies in New York alone right now and they’re selling out and people are obsessed with them. It’s just the spotlight shifting and companies that can function financially and artistically are having huge successes.

Lachlan Glen (Photo by Dario Acosta)

Lachlan Glen (Photo by Dario Acosta)

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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