Miscellaneous
Put the blame on Mame
Academy denizen Dennis leads group in golden anniversary

Sting, front left, and Kelly Garrett, the Academy’s current best actor and actress perform at an Academy event last weekend. (Washington Blade photo by Michael Key)
Actress Sally Field, whose much-lampooned “you like me” Oscar acceptance speech has been in the pop culture vernacular for decades now, had a clever retort to those still eager to scorn her earnestness when Entertainment Weekly invited her in 2007 to remember her career.
“You know what,” she said. “I invite you to say what you like when you win your second Oscar, because the chances of that are slim to none.”
Members of Washington’s drag community have known that for eons and in part stung by both familial ostracism and an early ‘60s lack of venue — even in the city’s gay bars of the day — for drag performing and socializing, a handful of gender-bending enthusiasts formed The Academy of Washington and gave each other Oscar-esque statuettes among dozens of other titles and trophies. The annual “best actress” and “best actor” prizes — despite the title, no acting is required to get them — are the group’s highest honors and have gained prominence within the Academy since they were first awarded in 1962, less than a year after the group formalized under the direction of the late Allen Kress, who, in the Academy, was known as Elizabeth Taylor.
Formerly known as The Academy Awards of Washington Inc., — when the group went online about 10 years ago, the Academy of Motion Picture Arts and Sciences insisted they stop using its name — the group is celebrating its 50th anniversary this year. On Saturday, current best actor Sting (Karl La Cour) and his “real life” partner Kelly Garrett (Joey King) will pass the torch to two other members (Ophelia Bottoms and Carlton Stephyns) in an elaborate ceremony that, like many Academy functions, is likely to run several hours.
The awarding of the statuettes — now known safely as “Golden Boys” — is a big deal to members. They gathered Sunday at Ziegfeld’s, as they do most weekends, for a nearly five-hour marathon performance to honor Sting and Garrett with performances lip synced to pop standards like “(I’ve Had) The Time of My Life” and “You Light Up My Life.”
Den mother Mame Dennis (Carl Rizzi) says she’s proud the organization has endured and thrived under her leadership. “The Godfather” (Bill Oates) convinced she and Fanny Brice (the late Alex Carlino) to rejoin after a tumultuous period and lead the group with Taylor in 1973. Taylor was “chairman of the board,” Dennis president and Brice vice president.
“It’s organized and people like that,” Dennis says. “A lot of these newer people like the feeling of belonging to something and not just floundering along on their own. A lot have been ostracized from their families, so it’s a second family.”
The scene Sunday about 40 minutes before show time is both bustling and relaxed. Most who will be on stage today are in the opening number and run through a rehearsal before doors open to the public. Most of the queens have been in full makeup for a half hour or so by now. Destiny B. Childs (Ric Legg) saunters around looking regal in a bright orange, floor-length gown, an elaborate cake featuring figurines representing all the former best actress winners is set up on a table to the side of the stage and folks from all walks of LGBT life — from butch lesbians to Academy members who perform as men — mingle and share laughs and gossip.
Dennis, 70, points to a group of three guys not yet in makeup in their early 20s and are smoking at the front door, and says despite a bounty of outlets, the Academy is thriving and is more popular than ever with about 150 members.
“The young people are just coming out of the woodwork,” she says. “Like those boys right there, they’re all brand new. They see the performers at the bars, they get involved with them, they come to us and they like it and they stay. It’s a credit to us. We must be doing something right.”
The Academy’s history is also Dennis’ story to a large degree. The Milford, N.H., native came here in the Navy in 1959 and first did drag for Halloween 1965, just four years after Taylor started the Academy. She wrote in the program for the group’s 25th anniversary that she “never wanted to be alone” and “strived to mold an elite group of people whose social life would center around drag. By creating parties and activities, I knew that I would always be surrounded by people wanting to attend them.”
Taylor invited Dennis — they’d met at a gay bar — to a party at her house. Even now, though, Dennis is hard pressed to articulate the appeal.
“Oh I don’t know,” she says. “I just don’t know how to explain it. I had seen it at North Beach at the shows on Sundays and it was just something I wanted to do.”
Within a year she was dressing in drag on a regular basis. She remembers a radically different social climate both for drag queens and gays in general.
“Liz had these parties mostly at her home. No bars had shows. Now you can go out every night of the week. These people now, it’s quite available. Then there was just no other place to go so we had these social parties.”
Records are sketchy for the Academy’s early years, though they know 14 statuettes were presented at the first awards in ’62. Queens going by names like Lucille Ball, Marlena Dietrich, Tippi Hedren, Jackie Kennedy and Vivian Leigh were on the executive board. Interest increased and the Academy started hosting pageants, balls and parties, though the Oscars, as they were then known, was always the group’s highest honor, or, as Taylor put it, “the ultimate, the necessary proof that a person was a star … [it was] an open ticket to the numerous parties the Academy held.”
There has been drama over the years — in ’75, a few members attempted to drive a wedge between Brice and Dennis, but weren’t successful.
“Who knows why that stuff happens,” Dennis says. “Just difference of opinion about the direction things should go.”
Today, Dennis is Academy royalty and members practically fall on top of each other in an effort to heap praise on her.
“It’s a tremendous triumph that she’s kept the organization going for so long,” says Sarah Lee Garrett (Michael Folks). “She comes from an era when police would go beat the crap out of people just for fun. They wouldn’t even bother to arrest you, they just beat you for fun. The fact that we have her as our leader to connect us to that history is absolutely important and gives us a sense of being the heirs to a very old tradition and something much larger than ourselves.”
There are several drag enclaves in Washington, widely seen as a drag-rich city. Though Childs has her own show at Freddie’s and Ziegfeld’s legend Ella Fitzgerald (Donnell Robertson) is an Academy member, most Academy regulars don’t perform outside of Academy functions. They say it’s a less rigorous, more welcoming environment that offers nurturing and tutelage.
“It’s an avenue where any queen can go and entertain,” Childs says. “You don’t have to audition, you don’t have to be the best. You get many titles just by virtue of your time and dedication and participation. … not every queen is talented enough to be on the Ziegfeld’s stage, but the Academy allows them to come and be themselves and perform. They don’t really judge and anybody is welcome.”
New members become one of four Academy “families” and have drag mothers, sometimes fathers, siblings and even grandparents.
“That family-oriented network is what appeals to me,” says Cameron Carrington (Cameron Hibshman), a member most famous for the “Queen of Hearts” crown she won in February. “This network of people really do become your family over the course of several years.”
Dennis chooses the Golden Boy winners herself and looks for people who are willing to get involved, stay loyal and help in practical ways, from sharing makeup with young members to running sound. And becoming best actress or actor is a deliberate decision — members are in the running for years and say Dennis’ selections follow a logical line of succession.
“It’s something you look forward to for a long time,” Garrett says. “You sort of get in line, so there’s a lot of anticipation and as it gets closer to your year, you become incredibly excited to get that.”
Despite being a largely social organization, Dennis is proud of the group’s philanthropic efforts. Proceeds — stemming mostly from dues and ticket sales — often go to charitable efforts. Dennis is uber-excited the group just came up with nearly $3,000 for a local LGBT cause she’ll announce soon.
Ultimately, though, the Academy, members say, is about more than make believe, fantasy, awards, pageants and dress up. What it’s done for their sense of self-expression, they say, is priceless.
“Growing up, you’re sort of this ambiguous, androgynous little queen that doesn’t really have a place,” Sarah Lee Garrett says. “Your family doesn’t really know what to do with you, your friends see you being girly and they don’t necessarily even know what to make of you. The Academy has given me a space where someone like myself is something to be celebrated and nurtured and allowed to grow into something greater than what they ever would have had the opportunity to grow into elsewhere … It’s important to get past the horrible treatment so many people have endured and say, ‘Wow, I do have something of value. I can go out into the world and be something.”
Miscellaneous
LA-based TransLatin@ Coalition leads in time of attacks
Members of Congress ‘calling us a radical organization’
As ICE raids intensify across Southern California and anti-immigrant sentiment resurfaces in Orange County, transgender and immigrant communities are once again being targeted. These crackdowns go beyond enforcement — they’re designed to instill fear. At the same time, a coordinated right-wing smear campaign is attempting to discredit the very organizations working to keep these communities safe.
Last month, the TransLatin@ Coalition, a cornerstone in the fight for trans, queer, and immigrant rights in Los Angeles, was publicly named by members of Congress. But this was no recognition. It was a calculated attack.
“They’re calling us a radical organization,” said Bamby Salcedo, president and CEO of the TransLatin@ Coalition. “They’re spreading lies, saying we’re using government funding to abolish ICE and the police and to provide abortion access. We do believe in those things, but the funding we receive is used to serve our people.”
Now, that funding is being stripped away.
In the face of state violence, political backlash, and economic sabotage, TLC is responding the way it always has: by organizing, celebrating, and building a better world. Because when our communities are under attack, we show up — stronger, louder, and more united than ever.
Salcedo, herself a proud trans Latina immigrant, has spent decades fighting for those living at the margins. “I always say I am an intersection walking,” she said with a smile. “Our organization is made up of the people most impacted — and we are the ones leading the work.”
In Los Angeles County, roughly one-third of residents are immigrants, the majority of whom are Latino. Unsurprisingly, trans Latinas represent the largest segment within the local trans community.
Yet even within immigrant justice spaces, trans people are often sidelined.
“It’s a very hetero-centric space,” Salcedo said. “Most of the time, they don’t even consider the lives and experiences of trans and queer immigrants.”
The TransLatin@ Coalition is actively changing that. As a key member of a broad alliance of more than 100 immigrant-serving organizations across Los Angeles, including CHIRLA and the Filipino Workers Center, the TransLatin@ Coalition helped secure over $160 million in American Rescue Plan funds for immigrant housing, internet access, and legal services.
They also co-created the groundbreaking TGIE (Transgender, Gender-Nonconforming, Intersex Empowerment) initiative, which allocates $7 million in Los Angeles County’s annual budget to support trans-led service providers.
“We don’t just want symbolic policies,” said Salcedo. “We fight for resources. We analyze the budget. We make it real.”
Despite these victories, the TransLatin@ Coalition is now confronting devastating federal cuts.
“Our work has been defunded,” Salcedo said bluntly. “Multiple programs are gone. And we’re not alone — trans-led organizations across the country, especially in the South, are facing the same.”
She pointed to a broader backlash against anything associated with diversity, equity, and inclusion (DEI). “The private sector is pulling back. Philanthropy is scared. Even the same corporations that fund us during Pride are investing in our opposition the rest of the year. It’s hypocrisy.”
Rather than retreat, the TransLatin@ Coalition is calling for bold, collective action.
“Now’s the time for people to step up,” said Salcedo. “We have the strategy. We’re doing the work. But we need resources — and we need real solidarity, not just statements.”
To respond to the crisis and raise urgently needed funds, the TransLatin@ Coalition is organizing its Walk for Humanity on Saturday, Aug. 24. The event will begin at 9 a.m. in Silver Lake and march to Sunset and Western, featuring live performances, a resource fair, and a unified call for justice.
And yes — it will be joyful.
“This is a call for all people to stand in solidarity with one another,” said Salcedo. “We want to bring together 1,000 people, each raising $1,000. It’s going to be a beautiful day of community and resistance.”
In a surprise announcement, Salcedo also revealed she will debut her first single — a cumbia track inspired by the movement. “It’s about movement in both senses: our political movement, and moving our bodies,” she laughed. “We can’t let them take away our joy. Joy is how we survive.”
When asked what more local leaders can do, Salcedo didn’t hesitate. “Elected officials are public servants. That means serving all people,” she said. “We may be a small population, but we are deeply impacted — and we contribute so much to this city.”
She pointed to data from LA’s most recent homelessness count, which identified over 2,000 trans and gender-expansive people experiencing homelessness. That number exists thanks in large part to years of advocacy demanding the city count and name trans lives. “We have the data now. There’s no excuse not to invest in our people.”
She also uplifted allies like Los Angeles County Supervisor Lindsey Horvath and newly appointed City Council member Isabel Urado, the first openly LGBTQ person to hold her seat. “They’ve seen our work and are fighting to invest in it,” Salcedo said. “We’re hopeful we’ll see another $10 million in city funding. But we need the community behind us.”
At the end of our conversation, I asked Salcedo what she would say to undocumented, queer, and trans Angelenos who are feeling afraid right now.
Her answer was clear, powerful, and full of love:
“You are a divine creation. You deserve to exist in this world. Walk your path with dignity, love, and respect — for yourself and for others. You belong. You are part of me. You are part of us.”
If standing with trans immigrants, resisting federal rollbacks, and dancing in the streets sounds like your kind of solidarity, join the TransLatin@ Coalition on Aug. 24. Because when we show up together, we protect each other. And when we dance together — we win.
Watch the full interview with Salcedo:
Miscellaneous
LGBTQ cruise ship rescues 11 migrants between Cuba and Mexico
Rescue took place in Yucatán Channel on Wednesday
A cruise ship chartered by an LGBTQ travel company on Wednesday rescued 11 Cubans from a boat that was adrift between their country and Mexico.
Vacaya in a press release said the Royal Caribbean’s Brilliance of the Seas, which had left from New Orleans, discovered the migrants’ boat in the Yucatán Channel, a strait between Mexico and Cuba that connects the Gulf of Mexico (the Trump-Vance administration now refers to the body of water as the Gulf of America) and the Caribbean Sea.
A video that Vacaya provided shows the migrants’ boat before the rescue. Other videos show the rescue taking place.
MTV’s Downtown Julie Brown, who was performing on the ship, described the rescue in a video she posted to social media.
“We are in the middle of a live rescue operation right now,” she said. “The captain of the ship, while we were hauling so fast the other way, thought he saw a boat in distress. So, we looped around … and it was indeed a boat in distress.”
“Nothing speaks more to VACAYA’s values than providing comfort in a moment of need,” said Vacaya CEO Randle Roper in the press release. “I’m so happy we were able to bring these 11 refugees onboard safely and provide medical care, dry clothes, food, and, most importantly, water.”
“It’s sad that some people have to put themselves through such trauma in hopes of finding a better life, but that’s where we are today,” added Roper. “I’m so proud of our LGBT+ guests rallying to collect clothes for these fellow humans in need.”
The ship is scheduled to return to New Orleans on Saturday.
Miscellaneous
The dedicated life and tragic death of gay publisher Troy Masters
‘Always working to bring awareness to causes larger than himself’
Troy Masters was a cheerleader. When my name was called as the Los Angeles Press Club’s Print Journalist of the Year for 2020, Troy leapt out of his seat with a whoop and an almost jazz-hand enthusiasm, thrilled that the mainstream audience attending the Southern California Journalism Awards gala that October night in 2021 recognized the value of the LGBTQ community’s Los Angeles Blade.
That joy has been extinguished. On Wednesday, Dec. 11, after frantic unanswered calls from his sister Tammy late Monday and Tuesday, Troy’s longtime friend and former partner Arturo Jiminez did a wellness check at Troy’s L.A. apartment and found him dead, with his beloved dog Cody quietly alive by his side. The L.A. Coroner determined Troy Masters died by suicide. No note was recovered. He was 63.
Considered smart, charming, committed to LGBTQ people and the LGBTQ press, Troy’s inexplicable suicide shook everyone, even those with whom he sometimes clashed.
Troy’s sister and mother – to whom he was absolutely devoted – are devastated. “We are still trying to navigate our lives without our precious brother/son. I want the world to know that Troy was loved and we always tried to let him know that,” says younger sister Tammy Masters.
Tammy was 16 when she discovered Troy was gay and outed him to their mother. A “busy-body sister,” Tammy picked up the phone at their Tennessee home and heard Troy talking with his college boyfriend. She confronted him and he begged her not to tell.
“Of course, I ran and told Mom,” Tammy says, chuckling during the phone call. “But she – like all mothers – knew it. She knew it from an early age but loved him unconditionally; 1979 was a time [in the Deep South] when this just was not spoken of. But that didn’t stop Mom from being in his corner.”
Mom even marched with Troy in his first Gay Pride Parade in New York City. “Mom said to him, ‘Oh, my! All these handsome men and not one of them has given me a second look! They are too busy checking each other out!” Tammy says, bursting into laughter. “Troy and my mother had that kind of understanding that she would always be there and always have his back!
“As for me,” she continues, “I have lost the brother that I used to fight for in any given situation. And I will continue to honor his cause and lifetime commitment to the rights and freedom for the LGBTQ community!”
Tammy adds: “The outpouring of love has been comforting at this difficult time and we thank all of you!”

No one yet knows why Troy took his life. We may never know. But Troy and I often shared our deeply disturbing bouts with drowning depression. Waves would inexplicitly come upon us, triggered by sadness or an image or a thought we’d let get mangled in our unresolved, inescapable past trauma.
We survived because we shared our pain without judgment or shame. We may have argued – but in this, we trusted each other. We set everything else aside and respectfully, actively listened to the words and the pain within the words.
Listening, Indian philosopher Krishnamurti once said, is an act of love. And we practiced listening. We sought stories that led to laughter. That was the rope ladder out of the dark rabbit hole with its bottomless pit of bullying and endless suffering. Rung by rung, we’d talk and laugh and gripe about our beloved dogs.
I shared my 12 Step mantra when I got clean and sober: I will not drink, use or kill myself one minute at a time. A suicide survivor, I sought help and I urged him to seek help, too, since I was only a loving friend – and sometimes that’s not enough.
(If you need help, please reach out to talk with someone: call or text 988 Suicide and Crisis Lifeline. They also have services in Spanish and for the deaf.)
In 2015, Troy wrote a personal essay for Gay City News about his idyllic childhood in the 1960s with his sister in Nashville, where his stepfather was a prominent musician. The people he met “taught me a lot about having a mission in life.”
During summers, they went to Dothan, Ala., to hang out with his stepfather’s mother, Granny Alabama. But Troy learned about “adult conversation — often filled with derogatory expletives about Blacks and Jews” and felt “my safety there was fragile.”
It was a harsh revelation. “‘Troy is a queer,’ I overheard my stepfather say with energetic disgust to another family member,” Troy wrote. “Even at 13, I understood that my feelings for other boys were supposed to be secret. Now I knew terror. What my stepfather said humiliated me, sending an icy panic through my body that changed my demeanor and ruined my confidence. For the first time in my life, I felt depression and I became painfully shy. Alabama became a place, not of love, not of shelter, not of the magic of family, but of fear.”
At the public pool, “kids would scream, ‘faggot,’ ‘queer,’ ‘chicken,’ ‘homo,’ as they tried to dunk my head under the water. At one point, a big crowd joined in –– including kids I had known all my life –– and I was terrified they were trying to drown me.
“My depression became dangerous and I remember thinking of ways to hurt myself,” Troy wrote.
But Troy Masters — who left home at 17 and graduated from the University of Tennessee at Knoxville — focused on creating a life that prioritized being of service to his own intersectional LGBTQ people. He also practiced compassion and last August, Troy reached out to his dying stepfather. A 45-minute Facetime farewell turned into a lovefest of forgiveness and reconciliation.
Troy discovered his advocacy chops as an ad representative at the daring gay and lesbian activist publication Outweek from 1989 to 1991.
“We had no idea that hiring him would change someone’s life, its trajectory and create a lifelong commitment” to the LGBTQ press, says Outweek’s co-founder and former editor-in-chief Gabriel Rotello, now a TV producer. “He was great – always a pleasure to work with. He had very little drama – and there was a lot of drama at Outweek. It was a tumultuous time and I tended to hire people because of their activism,” including Michelangelo Signorile, Masha Gessen, and Sarah Pettit.
Rotello speculates that because Troy “knew what he was doing” in a difficult profession, he was determined to launch his own publication when Outweek folded. “I’ve always been very happy it happened that way for Troy,” Rotello says. “It was a cool thing.”
Troy and friends launched NYQ, renamed QW, funded by record producer and ACT UP supporter Bill Chafin. QW (QueerWeek) was the first glossy gay and lesbian magazine published in New York City featuring news, culture, and events. It lasted for 18 months until Chafin died of AIDS in 1992 at age 35.
The horrific Second Wave of AIDS was peaking in 1992 but New Yorkers had no gay news source to provide reliable information at the epicenter of the epidemic.
“When my business partner died of AIDS and I had to close shop, I was left hopeless and severely depressed while the epidemic raged around me. I was barely functioning,” Troy told VoyageLA in 2018. “But one day, a friend in Moscow, Masha Gessen, urged me to get off my back and get busy; New York’s LGBT community was suffering an urgent health care crisis, fighting for basic legal rights and against an increase in violence. That, she said, was not nothing and I needed to get back in the game.”
It took Troy about two years to launch the bi-weekly newspaper LGNY (Lesbian and Gay New York) out of his East Village apartment. The newspaper ran from 1994 to 2002 when it was re-launched as Gay City News with Paul Schindler as co-founder and Troy’s editor-in-chief for 20 years.

“We were always in total agreement that the work we were doing was important and that any story we delved into had to be done right,” Schindler wrote in Gay City News.
Though the two “sometimes famously crossed swords,” Troy’s sudden death has special meaning for Schindler. “I will always remember Troy’s sweetness and gentleness. Five days before his death, he texted me birthday wishes with the tag, ‘I hope you get a meaningful spanking today.’ That devilishness stays with me.”
Troy had “very high EI (Emotional Intelligence), Schindler says in a phone call. “He had so much insight into me. It was something he had about a lot of people – what kind of person they were; what they were really saying.”
Troy was also very mischievous. Schindler recounts a time when the two met a very important person in the newspaper business and Troy said something provocative. “I held my breath,” Schindler says. “But it worked. It was an icebreaker. He had the ability to connect quickly.”
The journalistic standard at LGNY and Gay City News was not a question of “objectivity” but fairness. “We’re pro-gay,” Schindler says, quoting Andy Humm. “Our reporting is clear advocacy yet I think we were viewed in New York as an honest broker.”
Schindler thinks Troy’s move to Los Angeles to jump-start his entrepreneurial spirit and reconnect with Arturo, who was already in L.A., was risky. “He was over 50,” Schindler says. “I was surprised and disappointed to lose a colleague – but he was always surprising.”
“In many ways, crossing the continent and starting a print newspaper venture in this digitally obsessed era was a high-wire, counter-intuitive decision,” Troy told VoyageLA. “But I have been relentlessly determined and absolutely confident that my decades of experience make me uniquely positioned to do this.”
Troy launched The Pride L.A. as part of the Mirror Media Group, which publishes the Santa Monica Mirror and other Westside community papers. But on June 12, 2016, the day of the Pulse Nightclub shooting in Orlando, Fla., Troy said he found MAGA paraphernalia in a partner’s office. He immediately plotted his exit. On March 10, 2017, Troy and the “internationally respected” Washington Blade announced the launch of the Los Angeles Blade.

In a March 23, 2017 commentary promising a commitment to journalistic excellence, Troy wrote: “We are living in a paradigm shifting moment in real time. You can feel it. Sometimes it’s overwhelming. Sometimes it’s toxic. Sometimes it’s perplexing, even terrifying. On the other hand, sometimes it’s just downright exhilarating. This moment is a profound opportunity to reexamine our roots and jumpstart our passion for full equality.”
Troy tried hard to keep that commitment, including writing a personal essay to illustrate that LGBTQ people are part of the #MeToo movement. In “Ending a Long Silence,” Troy wrote about being raped at 14 or 15 by an Amtrak employee on “The Floridian” traveling from Dothan, Ala., to Nashville.
“What I thought was innocent and flirtatious affection quickly turned sexual and into a full-fledged rape,” Troy wrote. “I panicked as he undressed me, unable to yell out and frozen by fear. I was falling into a deepening shame that was almost like a dissociation, something I found myself doing in moments of childhood stress from that moment on. Occasionally, even now.”
From the personal to the political, Troy Masters tried to inform and inspire LGBTQ people.
Richard Zaldivar, founder and executive director of The Wall Las Memorias Project, enjoyed seeing Troy at President Biden’s Pride party at the White House.
“Just recently he invited us to participate with the LA Blade and other partners to support the LGBTQ forum on Asylum Seekers and Immigrants. He cared about underserved community. He explored LGBTQ who were ignored and forgotten. He wanted to end HIV; help support people living with HIV but most of all, he fought for justice,” Zaldivar says. “I am saddened by his loss. His voice will never be forgotten. We will remember him as an unsung hero. May he rest in peace in the hands of God.”
Troy often featured Bamby Salcedo, founder, president/CEO of TransLatina Coalition, and scores of other trans folks. In 2018, Bamby and Maria Roman graced the cover of the Transgender Rock the Vote edition.
“It pains me to know that my dear, beautiful and amazing friend Troy is no longer with us … He always gave me and many people light,” Salcedo says. “I know that we are living in dark times right now and we need to understand that our ancestors and transcestors are the one who are going to walk us through these dark times… See you on the other side, my dear and beautiful sibling in the struggle, Troy Masters.”
“Troy was immensely committed to covering stories from the LGBTQ community. Following his move to Los Angeles from New York, he became dedicated to featuring news from the City of West Hollywood in the Los Angeles Blade and we worked with him for many years,” says Joshua Schare, director of Communications for the City of West Hollywood, who knew Troy for 30 years, starting in 1994 as a college intern at OUT Magazine.
“Like so many of us at the City of West Hollywood and in the region’s LGBTQ community, I will miss him and his day-to-day impact on our community.”

(Photo by Richard Settle for the City of West Hollywood)
“Troy Masters was a visionary, mentor, and advocate; however, the title I most associated with him was friend,” says West Hollywood Mayor John Erickson. “Troy was always a sense of light and working to bring awareness to issues and causes larger than himself. He was an advocate for so many and for me personally, not having him in the world makes it a little less bright. Rest in Power, Troy. We will continue to cause good trouble on your behalf.”
Erickson adjourned the WeHo City Council meeting on Monday in his memory.
Masters launched the Los Angeles Blade with his partners from the Washington Blade, Lynne Brown, Kevin Naff, and Brian Pitts, in 2017.

“Troy’s reputation in New York was well known and respected and we were so excited to start this new venture with him,” says Naff. “His passion and dedication to queer LA will be missed by so many. We will carry on the important work of the Los Angeles Blade — it’s part of his legacy and what he would want.”
AIDS Healthcare Foundation President Michael Weinstein, who collaborated with Troy on many projects, says he was “a champion of many things that are near and dear to our heart,” including “being in the forefront of alerting the community to the dangers of Mpox.”
“All of who he was creates a void that we all must try to fill,” Weinstein says. “His death by suicide reminds us that despite the many gains we have made, we’re not all right a lot of the time. The wounds that LGBT people have experienced throughout our lives are yet to be healed even as we face the political storm clouds ahead that will place even greater burdens on our psyches.”
May the memory and legacy of Troy Masters be a blessing.
Veteran LGBTQ journalist Karen Ocamb served as the news editor and reporter for the Los Angeles Blade.
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