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Gay themes at Fringe

Edgy D.C. festival features several LGBT stories, players

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Laura Zam in ‘An Hour with Ken Johnson.’ (Photo courtesy of Fringe)

For this year’s Capital Fringe Festival, Laura Zam is stuffing a sock in her underpants.

Recently she explained: Along with a short wig and the suit and tie that she’ll wear to play the title motivational speaker in her one-woman show “An Hour with Ken Johnson” (at the Goethe Institut), she’s decided to complete the costume by adding a bulge down below.

“It’s fantastic to dress as a man,” says the seasoned performer. “I’ve played men in the past, but Ken is my most sustained male role. As a writer and an actor it’s allowed me to enter an entirely new world. The sock should only make it better.”

“What I’m doing combines comedy, theater and motivational talk,” continues Zam, a Brooklyn transplant who lives with her husband in D.C. “And Ken is part evangelical preacher and a little bit Anthony Robbins. He’s also a recovering Internet porn addict, and though he’s kind of weird and a bit of clown, he delivers a message of optimism and comments on human resilience. Hopefully audiences will have a laugh but also get something out of what he has to say.”

An annual performing arts event, the Capital Fringe Festival features more than 140 performances including theater, dance and music in various venues around town. It draws both accomplished and less experienced artists performing both well known and original, untested works. The results are uneven but rarely dull. Tickets are affordable.

Local African-American historian Anthony Cohen has twice retraced arduous Underground Railroad routes. After completing his second trek, walking from Alabama to Canada, Cohen uncovered an account describing how his runaway slave African-Jewish-Irish-Cherokee ancestor Patrick Sneed had traveled the identical path to freedom in 1849.

Blown away by his discovery, Cohen who is gay, began speaking about his connection to Sneed’s experience. For this year’s Fringe he’s adapted his lecture expressly for theater with a one-man show titled “Patrick & Me” (at Goethe Institut), supplementing the material with visuals and musical montages. “I went searching for the Underground Railroad,” says Cohen, “but the Underground Railroad was searching for me.”

At the Apothecary, Mixrun Productions presents Shakespeare’s “King Lear.” Only this time the tragic tale of betrayal and insanity is played out by present day bikers locked in a violent turf war. And while the company’s take on the classic is heavily abridged, says cast member Katie Wanschura who is gay, the text is otherwise mostly faithful. Because almost one third of the parts have been re-imagined as gay or bisexual, some pronouns have been changed.

A web designer by day, Wanschura is thrilled to be cast wily and wicked Edmund restyled as a flirtatious lesbian bartender at the aptly named Gloucester. “From behind the bar, I get to watch the story unfold,” she says. “Also I hit on the female patrons and interact with the audience. It’s great.”

For several years, Patrick Doneghy has toyed with the idea of doing a revue featuring men singing Broadway songs typically performed by women.  With Dominion Stage’s “That’s What She Sang” at Studio’s Mead Theatre, he’s realized and expanded on the idea by writing, staging and acting in a juke box musical with a connected story.

Comprised of a seven man, mostly gay cast (Doneghy is gay), the show focuses on a queer men’s support group and the problems its members encounter. Songs include women’s tunes like “Gimme Gimme” from “Thoroughly Modern Millie,” and “Maybe This Time” from “Cabaret.”

“We’re exploring romantic mishaps here, not big social issues,” says Doneghy. “It’s a chance to hear music we all know in a new way and to hear some LGBT stories that don’t always get told.”

In “Cecily and Gwendolyn’s Capital Balloon Ride,” Philadelphia improv partners Kelly Jennings and Karen Gertz play a pair of time-traveling Victorian cultural anthropologists. Wherever they land — in this case Mountain at Mount Vernon Church– these curious, slightly loopy ladies take stock of their surroundings and set to work getting to know the locals.

“It’s unlike anything you’ve ever seen,” says Jennings, who is gay. “While our characters kick off the conversation, the audience actually guides the show exploring subjects that are important to them. Participation isn’t mandatory, but once warmed up, almost everyone is willing talk; and people leave feeling they’ve connected with their community in a way that doesn’t happen in any other theater experience.”

For performance schedules and venue locations, go to capfringe.org.

 

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John Waters released from hospital after car accident

Crash took place in Baltimore County

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John Waters (Washington Blade photo by Michael Key)

BY TAJI BURRIS | Baltimore filmmaker John Waters was released from the hospital Tuesday morning following a car accident.

The 78-year-old released a statement saying that although he was hurt in the Baltimore County crash, he did not sustain major injuries.

The rest of this article can be found on the Baltimore Banner’s website.

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Arts & Entertainment

Washington Blade’s Pride on the Pier and fireworks show returning June 8

The annual Pride on the Pier Fireworks Show presented by the Leonard-Litz Foundation will take place on Saturday, June 8 at 9 p.m.

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Pride on the Pier (Photo Courtesy The Wharf)

The Washington Blade, in partnership with LURe DC and The Wharf, is excited to announce the 5th annual Pride on the Pier and fireworks show during D.C. Pride weekend on Saturday, June 8, 2024, from 2-10 p.m.

The event will include the annual Pride on the Pier Fireworks Show presented by the Leonard-Litz Foundation at 9 p.m. 

Pride on the Pier (Photo Courtesy The Wharf)

Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Southwest waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older. Local DJ’s Heat, Eletrox and Honey will perform throughout the event.

3 p.m. – Capital Pride Parade on the Big Screen

3:30 p.m. – Drag Show hosted by Cake Pop!

9 p.m. – Fireworks Show Presented by Leonard-Litz Foundation

Pride on the Pier (Photo Courtesy of The Wharf)

The event is free and open to the public. The Dockmasters Building will be home to a VIP experience. To learn more and to purchase tickets go to www.prideonthepier.com/vip. VIP tickets are limited.

Event sponsors include Absolut, Buying Time, Capital Pride, DC Brau, DC Fray, Burney Wealth ManagementInfinate Legacy, Leonard-Litz FoundationMayor’s Office of LGBTQ Affairs, MISTR, NBC4, The Wharf. More information regarding activities will be released at www.PrideOnThePier.com

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‘RuPaul’s Drag Race: All Stars’ cast visits D.C.

8 queens vie for $200,000 prize for charity in new season, premiering May 17

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The cast of the latest ‘RuPaul’s Drag Race All Stars’ season sashayed on the National Mall to promote the reality show's ninth season on Monday. (Photo by Tasos Katopodis/Getty Images for MTV; used with permission)

Donning sparkling and star-studded red, white, and blue attire on a gloomy, humid D.C. Monday, the cast of the latest “RuPaul’s Drag Race All Stars” season sashayed on the National Mall to promote the reality show’s ninth season.  

This upcoming season is different than those in the past — eight queens are competing for a donation of $200,000 for the charity of their choosing, rather than a personal cash prize. 

Several cast members noted how it felt important to visit the nation’s capital, being authentically themselves and wearing drag. Nina West, who competed in season 11, likened drag to armor. 

“We’re here during a really specific time in history, that’s, I would say, markedly dark,” she told the Blade at the steps of the Lincoln Memorial. “And there’s an opportunity, as drag has always done, which is for our community as specifically LGBTQI+ people, to stand in our truth and be wonderful — like guardians and fighters for our community.” 

She’s competing for the Trevor Project, which is focused on suicide prevention and crisis intervention for young LGBTQ people. This season’s pivot to compete for charity made Nina West want to come back on the show for the All Stars season. She’s been offered the spot two times before this, she said, and this twist aligned with what she wanted to do. 

Several of the other queens mentioned that it’s an honor to be featured in this season, including season 5’s Roxxxy Andrews. She also competed in two subsequent All-Stars seasons. 

She chose the organization Miracle of Love, which provides HIV/AIDS prevention programming and assistance in central Florida. It’s a smaller, more local organization, which is why Roxxxy Andrews chose it. She wants to make its work more nationally known. Also, vying to win during a charity season makes the competition feel more rewarding, she said. 

Plastique Tiara of season 11 also noted it’s different competing for charity. She’s competing for the Asian American Foundation, which launched in 2021 in response to the rise in anti-Asian hate and aims to curb discrimination and violence through education and investments in nonprofits. 

“It’s more competitive because then you’re fighting not just only for yourself, but your ideas and the things that you love,” she said. 

Vanessa Vanjie of seasons 10 and 11 agreed that competing for charity adds a bit more pressure — she chose the ASPCA. And as onlookers near the Lincoln Memorial took pictures of and with the queens, she said she was relieved. 

“I was a little bit worried somebody would yell some slurs at us,” Vanessa Vanjie said. “Nothing happened. Everybody came to take pictures like Santa Claus in the middle of the mall.”

There’s a range of contestants from different seasons for this round of All Stars. Some queens hail from recent seasons, but Shannel competed on the show’s first season. To be a part of this new season is surreal, she said. 

She’s competing for the Anxiety and Depression Association of America, which she has a close tie to. She’s dealt with anxiety her entire life. The association is focused on increasing awareness and improving diagnosis and treatment. 

“I always felt like I just wasn’t normal, sadly,” she said. “And so now being able to be able to do this season and to get back to that organization is like amazing to me.”

Gottmik, from season 13, is competing for Trans Lifeline — a nonprofit providing advocacy, a hotline and grants created by trans people, for trans people. Being able to do drag and give back is the “perfect scenario,” Gottmik said. 

Gottmik was the first openly trans man on Drag Race, which was overwhelming when first on the show. Gottmik felt pressure to be the “perfect example,” but later realized that they didn’t have to worry so much. 

“I just want to show people that trans people are real people. We can express ourselves however we want to express ourselves, through drag, through whatever it may be,” Gottmik said. 

The new season will be available to stream on Paramount+ on May 17. 

The cast of RuPaul’s Drag Race pose with White House Press Secretary Karine Jean-Pierre at The Little Gay Pub on Monday. (Photo by Tasos Katopodis/Getty Images for MTV; used with permission)
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