a&e features
‘Fantastical weight’ lifted
Neon Trees front man Tyler Glenn on fame, making music and finally being out

Tyler Glenn, left, with bandmates Elaine Bradley, Chris Allen and Branden Campbell. (Photo courtesy BB Gun Press)
Neon Trees: Pop Psychology Tour with Smallpools
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Tyler Glenn, lead singer of indie-rock band Neon Trees, revealed to the world he was gay and Mormon via an article in Rolling Stone in March. His decision to be open about who he was came after a string of therapy sessions that led to the creation of Neon Trees’ third album “Pop Psychology.”
Now on the “Pop Psychology” tour, which runs through September and plays our region twice this weekend, Glenn took some time from his busy tour schedule in Los Angeles to talk to us about their new album and how it feels to be out.
WASHINGTON BLADE: You publicly came out in an article in Rolling Stone. But in Time magazine, you wrote in your own words about coming out to your dad. Why did you decide to not publicly come out in your own words?
TYLER GLENN: I guess I wanted to make it music sensitive. It’s about the record, my identity, finding myself in the last years and being comfortable with who I am. I thought it would be better than just Tweeting something. I felt like press would get more reach. I guess there are still people who don’t know I came out which is interesting. I felt like I got to put a lot of my own perspective in the story. I was really pleased with the way it was written.
BLADE: You were pleased with the way it was handled?
GLENN: I guess I was nervous about how the writer was gonna take my words and put them into a story. But I was really pleased. I loved that she came out for a few days and spent real time with me. I wanted to show her I have a real reverence and respect for my life. But at the same time I wasn’t going to live a double life anymore.
BLADE: Has the industry or your fans treated you any differently since coming out?
GLENN: No, maybe in a positive way I’ve noticed those kinds of things. More people have told me their connection to the music and I do sense a more tangible connection at the shows, in the crowd. I feel there’s more of a connection that way.
BLADE: How do you personally feel since coming out?
GLENN: It wasn’t something that I just found out recently. It was a matter of me getting comfortable, figuring out it was something that I needed to do. There were a lot of rough spots and I think being raised religiously that struggle was trying to understand my place in how I feel toward faith and also how I feel sexually. It’s been a fantastical weight that’s been lifted, which is great. I feel so comfortable just existing now. It was never like I was shy about dressing a certain way or dancing a certain way or being myself. But there was always that fear of explaining to people. I think once I got over that hump it’s been a nice comfortable situation. It helped me realize who the people are that are important in my life and the connection to friends and family has grown stronger as well.
BLADE: What does your Mormon family think about you coming out? And your career?
GLENN: They’ve always been positive and interested in my life. Very supportive of my decisions, not that they’ve always completely understood my choice of being in music and how I was going to get to a successful point but they were always along for the ride. I always felt that was an important part of success because I had a great support system. There hasn’t been anything negative from them. I had mixed thoughts because I know their faith was strong and I didn’t want to create that wedge. I was definitely mistaken in feeling that way.
BLADE: How does your Mormon faith affect the way that you view fame?
GLENN: I feel like I have a pretty healthy outlook on fame. I don’t think that has anything to do with my faith.
BLADE: A few songs on “Pop Psychology” are about your struggles with your sexual identity. When you wrote them how did you feel getting so personal when you weren’t publicly out yet?
GLENN: There was something in me that wanted to just be honest. I think I used the music first as a buffer zone. It was kind of like a safe way of coming out. I was never shy about things in songs in the past. I finally reached a point in therapy where I was really happy and confident and that was the last thing that I had left in my life that I had to quote unquote come to terms with. It was just something that I decided to write about openly and honestly at that moment and that’s what came out. I ended up telling my producer what some of the songs were about and he was so supportive and his reaction was very loving and one of excitement for me. I think that caused a reaction in me wanting to come out to more people and eventually come out publicly. So I really consider music that thing that sort of helps me and protected me in a way.
BLADE: What is the significance behind the title “Pop Psychology?”
GLENN: I love the ring it has to it. I think that because I started writing a lot of the songs while I was seeing my therapist I felt like that was an interesting concept for a record. I felt like a lot of songs being about finding love in the modern age and my own identity and what was going on in my mind at the time and trying to fix it, I just felt like visually it came to me as colorful, sleek modern images. Like pop art. I think it all just fits to me.
BLADE: Have you noticed a change in the type of audience you’ve been getting on this tour compared to previous tours?
GLENN: A lot of different age groups and families show up. Different types of people that you wouldn’t expect to like our music. There are really young kids and passionate fan girls who show up super early to the venue. I feel like we’ve always had a passionate fan base but we have seen the result of our hard work over the years. They’re no longer showing up out of curiosity but they’re showing up with T-shirts and signs made and that’s a really fun moment to look out and see that.
a&e features
Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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