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Holiday-themed 2017 albums a mixed bag

Sia, Hanson, Fantasia among pop acts tackling Xmas standards

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Christmas albums, gay news, Washington Blade

This year’s holiday-themed albums are a mixed bag. Kaskade has one of the best; many others will have limited appeal beyond the various acts’ core fan base.

Every holiday season, shoppers are inundated with a seemingly endless choice of festive new musical offerings to add to the family’s traditional repertoire. This year is no exception with multiple new releases that cater to just about every style imaginable. We’ve examined 10 of the most prominent new holiday offerings and ranked them in descending order as most to least essential new additions to your holiday music library. (Christmas albums 2017)

No. 1. Kaskade ‘Kaskade Christmas’

The Chicago-based EDM titan Kaskade might seen an odd choice to create a Christmas album, but he delivered a surefire winner, easily the must-own holiday album of the 2017 season. “Kaskade Christmas” is made for adding to that holiday party mix, elegant, festive and uber-cool. Kaskade’s electronic rhythms are stripped-down and painted with Christmasy touches throughout and the vocalists he brings in keep with the chilly minimalism that is a nice contrast to the often over-the-top boisterousness of a typical holiday album. Two particular standouts are classic ballads: “Silent Night” features a sweet vocal performance by Ilsey, and “Holy Night” is Christmas cool, a seamless blend of the traditional and modern. This album was obviously a labor of love for Kaskade and he’s created the essential holiday soundtrack for those classier and elegant gatherings where you want holiday, but not anything close to the crap that blares over department store speakers.

2. Gwen Stefani ‘You Make it Feel Like Christmas’

Gwen Stefani has managed energetic ska/rock during her earlier days with No Doubt and then managed the transition to Top 40 dance/pop solo star. For her first holiday album, “You Make it Feel Like Christmas,” Stefani takes on the role that she’s always managed to fill no matter what style she’s singing: entertainer. “You Make it Feel Like Christmas” is a a glossy frivolity, all smiles and cheer, with an engaging old-school vibe and sparkling vocals. The songs are mostly standards: “Silent Night,” “Jingle Bells,” “Santa Baby” (well, duh), and “the modern standard, Wham’s “Last Christmas.” Naturally, there’s a duet with her hunky beau Blake Shelton, the upbeat and jubilant “You Make it Feel Like Christmas.” Stefani delivers a knockout of a Christmas album, fun and classy, elegant and bursting with holiday cheer. If you add one Christmas album to your library this year, you could do far worse than “You Make it Feel Like Christmas.”

3. Leslie Odom, Jr. ‘Simply Christmas’

Tony Award-winning star of “Hamilton,” Leslie Odom, Jr. delivers the sweetly soulful “Simply Christmas.” Odom is obviously going for a classic vibe and he achieves this down to the black and white album photo that could have been lifted straight from an earlier generation. Odom’s supple voice shines as he runs through mostly familiar classics, with a few lesser-known gems thrown in for variety. Odom’s take on “The Christmas Song,” a carol that’s been performed and recorded countless times, is particularly reverent and sublime. “Simply Christmas” is heavy on the ballads, so if you’re going for upbeat holiday party music this might not be the best choice, but for a romantic evening in front of the fireplace it couldn’t be more perfect.

4. Cheap Trick ‘Christmas Christmas’

Legendary power-rockers Cheap Trick are the latest rockers to put their stamp on the holidays and they turn in a solid effort on “Christmas Christmas.” The songs are mostly lesser-known tracks, although they do tackle a couple ballads: “Silent Night” doesn’t quite work, but their bluesy take on “Please Come Home for Christmas” is a delight. The rockers are best, though, especially “Run Rudolph Run,” “Merry Christmas Darlings” and the epic “Merry Xmas Everybody.” Cheap Trick’s “Christmas Christmas” will likely never be considered a classic holiday album, but it’s certainly a worthy effort by a venerable band still going strong.

5. Fantasia ‘Christmas After Midnight’

“American Idol” favorite Fantasia goes for the elegant romantic side of the holiday with a sophisticated set of classics and lesser-known tunes that’s pleasant enough, but doesn’t really live up to its full potential given the dynamic power of Fantasia’s voice. It’s a little too smooth and over-produced. Still, it’s far from a disaster and there are moments of pure joy. Fantasia’s jazzy saunter on “The Snow is Falling” is great, and “Merry Christmas, Baby” is the song on which her sparkling personality shines through the brightest. Yeah, we get another dose of “The Christmas Song,” “Silent Night” and “Have Yourself a Merry Little Christmas,” and Fantasia’s renditions are pretty if unmemorable. “Baby, It’s Cold Outside” is performed as a duet with Cee-Lo Green, and while Fantasia nails the pert attitude in her vocal, the song itself never quite gets beyond its usual creepiness. “Christmas After Midnight” feels like it could have been more impactful, but it’s not awful by any means. Fantasia fans will love it; appeal beyond that is limited.

6. Lindsey Stirling ‘Warmer in the Winter’

Violinist Lindsey Stirling offers up her dazzling musical skills on “Warmer in the Winter,” a mostly light-hearted collection heavy on the fun. An early highlight is a cleverly arranged take on “You’re a Mean One, Mr. Grinch” featuring popular teen vocalist Sabrina Carpenter. There are also moments of breathtaking beauty, such as Stirling’s angelic instrumental renditions of “Carol of the Bells” and “What Child is This” (although technically the song was “Greensleeves” before the lyrics were written much later, so if it’s instrumental it shouldn’t really be titled “What Child is This” …. Eh, whatever. It’s beautiful). The shrillness of Stirling’s violin does kinda grate after a while, so this album might be better suited for a shuffle mix rather than listening all the way through.

7. Alabama ‘American Christmas’

Country legends Alabama released their classic “Christmas,” a 1985 collection that has become a standard, thanks in part to the smash “Christmas in Dixie.” For their latest, “American Christmas,” Alabama adds four originals to a mix of standards that also includes a new version of “Christmas in Dixie.” A mix of religious and secular tunes, “American Christmas” is an earnest collection that doesn’t really grab you, but is perfectly fine for background music or as part of a mix to play on Christmas morning. Perhaps, inevitably though, there is one maudlin ballad: “First Christmas Without Daddy.” It’s poignant, but for those of us who quickly flip through “Blue Christmas” and prefer holiday music not drenched in sadness, it’s not likely to be at the top of our holiday playlist. The album as a whole is solid if predictable, which perhaps is the point. With Alabama you know what you’re gonna get and that ain’t necessarily a bad thing.

8. Sia ‘Everyday is Christmas’

It must have seemed like a sure thing: pop phenom Sia, one of the top purveyors of pop gold these days both as a songwriter and performer, teaming up with uber-producer and songwriter Greg Kurstin on a collection of newly written Christmas songs with a modern pop sheen. A holiday album of all new originals is a bit unusual these days, as people are largely traditionalists when it comes to Christmas and like to hear their standards. It can work, though, if this songs are good enough. On “Everyday is “Christmas,” alas, they just aren’t. It’s a bit like tinsel that’s supposed to make your tree all shiny and festive but instead turns it cheap and tacky. “Puppies are Forever” (yeah, really) is about as odious a throwaway as you’ll find, “Ho Ho Ho” tries to be festive but Sia’s overly mannered vocals never convey anything other than an affinity for autotune. The ballad “Underneath the Mistletoe” is nice enough, but by and large “Everyday is Christmas” falls flat.

9. Hanson ‘Finally It’s Christmas’

Two decades ago, back when they were still a teen-pop sensation, Hanson released the now-standard holiday collection “Snowed In.” Now in their 30s, the trio delivers the long-awaiting follow-up, “Finally It’s Christmas” and it’s not quite so quite. It’s overproduced, forced and never transcends its rather bland formula. Not much personality or sincerity to be found. The song selections are uninspired as well: did the world really need another version of the already migraine-inducing “Wonderful Christmas Time”? Sir Paul still has yet to atone for unleashing that atrocity upon the world and Hanson renders it, if anything, even more annoying. Their attempt at a Christmas-rock “Til New Years Night” is limp and the obligatory cover of Mariah Carey’s “All I Want for Christmas” has all the personality of water-down eggnog (without rum). Unless you’re a Hanson aficionado (and apparently they do exist), “Finally It’s Christmas” can safely stay in its shrinkwrap. “Snowed In” is by far the better of the two, with the younger version of the trio actually managing to instill some enthusiasm and holiday spirit, unlike this leaden collection.

10. ‘The Star (Original Motion Picture Soundtrack)’

Sony Pictures’ critically panned animated Christmas film “The Star” has an accompanying soundtrack that is, well, as bad as the firm purportedly is (and I make no claims to having seen it, but the reviews are pretty harsh). Most of the tracks are performed by gospel or contemporary Christian artists and it’s a mixed bag. Casting Crowns perhaps owns the gem of the collection with the beautiful “His Eye is on the Sparrow” and country singer Jake Owen does a nice job on “What Child is This?” Zara Larsson doesn’t quite have the gravitas to pull off a convincing “Mary, Did You Know?” (check out Cee-Lo Green’s definitive version from a few years back instead). The big opening ballad and title song, “The Star” by Mariah Carey, is insipid and dreary. There are a few tracks worth downloaded from your favorite online retailer, but the album as a whole is spotty.

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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Looking back at the 10 biggest A&E stories of 2025

‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more

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Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.

With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:

10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes 

A scene from ‘The Mysterious Gaze of the Flamingo.’ (Image courtesy AFI Fest)

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.

Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”

9. ‘The Last of Us’ returns for an even gayer season 2

While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.

8. ‘Emilia Pérez’ sparks controversy 

Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.

7. ‘Sorry, Baby’ establishes Eva Victor as major talent  

Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.

Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.

6. Paul Reubens comes out in posthumous doc

Paul Reubens came out posthumously in 2025. (Image courtesy of HBO)

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.

The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.

5. Lady Gaga releases ‘Mayhem’ 

Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”

4. Cynthia Erivo, Ariana Grande perform at the Oscars 

Cynthia Erivo performs in the 97th Academy Awards. (Screen capture via ABC)

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.

3. Indya Moore speaks out against Ryan Murphy 

Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.

2. Cole Escola wins Tony for Best Leading Actor 

Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.

The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!

1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’ 

Jonathan Bailey made some sexy history in 2025.

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.

“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.

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Your guide to D.C.’s queer New Year’s Eve parties

Ring in 2026 with drag, leather, Champagne, and more

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Trade leans into a shark motif with its NYE plans. (Washington Blade photo by Michael Key)

With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.

Pitchers

This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.”  There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.

Trade

D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.

Number Nine

While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.

Crush

Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.

Bunker

This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.

District Eagle

This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.

Kiki, Shakiki

Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.

Spark

This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks). 

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