Arts & Entertainment
Strong’s concordance
Alabama football superfan and D.C. resident comfortable with new role as a trans-masculine role model

At 30, Eli Strong has become the local face of trans-masculine men for all who watched last week’s ‘American Transgender’ on the National Geographic channel. (Blade photo by Michael Key)
Eli Strong is a Washington-based trans-masculine University of Alabama fanatic and family man who became a television star and local hero last week thanks to a groundbreaking National Geographic documentary, “American Transgender.”
“I really appreciate all of the attention its been getting.” Strong told the Blade this week via phone when we called to chat about the reaction to the documentary, which took audiences into the lives of three transgender people living in different places around the country.
“It’s been a bit of a whirlwind for the last few days,” Strong says. “It’s been a snowball. I was already working with (National Center for Transgender Equality), but as soon as they posted about it, Huffington Post Tweeted about it, [the Washington Blade] Tweeted about it, GLAAD, and suddenly when you Googled it, it went from 10 hits, to just before the documentary aired it was pages and pages.”
Strong sounds both humbled and invigorated by the positive attention the documentary has received in the transgender community.
“I think the documentary can and did do good.”
Strong — now a database coordinator at Avalere, a health care advisory services company in Dupont Circle — came to Washington for an internship at Human Rights Campaign several years ago and followed that with a five-year stint at NARAL Pro-Choice America. However, Strong’s heart is in his home state of Alabama where his accepting family still lives.
We talked Strong’s obsession, football at his alma mater the University of Alabama.
“We lost a couple of good players,” he says, lighting up, recalling being at last season’s national championship game in New Orleans. “But I think It’ll be another good year.”
Strong studied social work at Alabama and received both his bachelor’s degree and masters degree from the University Alabama, as did both his parents. He says his wife — whom he’s celebrating his one-year anniversary with next week — knows that weekends in the fall belong to Alabama football in their house.
“Even in the darkest days of Alabama football, if you put us up against some of the best teams in the country, every year I look at that schedule and I go, ‘We can beat every team on the schedule’ and I feel the same this year.”
When it comes to his involvement in “American Transgender,” though, Strong says he and other trans leaders were “gun-shy” about the special before it aired based on prior television portrayals of the trans community that had been deemed “distasteful” or that “pushed someone to answer questions that they weren’t comfortable with.”
“I have every confidence that its going to turn out positive,” Strong says he told friends concerned about a sensationalized portrayal. “I had been very up front with National Geographic about what I didn’t want to discuss, and they very much respected those boundaries.”
“Those same people have said that it did turn out really well, and that they thought it was very well done and very respectful and very educational,” Strong says. “Some people have even said they’d hoped it be an ongoing series, rather than a one-off documentary show.”
WASHINGTON BLADE: What’s the reaction to “American Transgender” been like since the premier?
ELI STRONG: Everything that’s been said to me directly has been positive. I’ve seen one or two negative comments, but these weren’t people that have probably ever known a trans person. But for all the people that have contacted me directly, it’s been really positive for them.
I was up until about 12:30 that night talking to people all over the country on Facebook just saying, “Thank you for sharing your story and putting that out there.” They said it really meant a lot to them to see someone that had a similar path that they did. I heard from a lot of my family that thought it was really well done.
I feel like in general from the trans population and my family that everyone feels that not only was it a good presentation and that they enjoyed the stories, but that the way that National Geographic actually went about it was very tasteful and respectful of all those involved.
BLADE: You said some people were “gun-shy” that the depiction might be distasteful. What where they afraid of?
STRONG: A lot of people in the trans community had a very large problem when [Thomas Beattie] had gone on “Oprah,” where Oprah said, “Let’s get down to the nitty-gritty,” and asked about his genitalia. I was very upfront and said, “If you’re not married to me, its not really any of your business.” As a trans person, I’m a whole person, I’m not the sum of what surgery I have and haven’t had.
One of the things that I really enjoyed about this project was when I first discussed my participation in the documentary with [the producers] one of the things that made me feel more comfortable was that other than that opening segment on the show, there was no narration. Everything that was narrated was taken directly from mine and Jim and Clare’s direct interviews, and I thought that was a great way to do it, because there would never be a question of, “Is that how they really felt or is NatGeo putting words in their mouth.”
BLADE: What’s it like to go through that process in the D.C. area?
STRONG: I think it makes it both easier and harder. The easier part is something that I find that most people understand immediately. It’s a more liberal place to be. You have more access to groups and to people who are like you and like minds so you can discuss these issues or find people who have gone through the process and things like that. So in that way it’s a little easier. There’s a larger queer community, there are surgeons that are in the area, there are doctors at Whitman Walker that have experience so you don’t have to worry about — like say — had I gone through this in Alabama, with a doctor that may have never treated a trans person, and having a very hard time finding those that do.
But its also harder because living in a much more liberal area, and a much more politically correct area, people in D.C. are much more accustomed to gender variance. That being the case, when I lived in Alabama, even before I identified as male, I was “sirred” constantly. “Yes sir,” or “Can I help you sir.”
I was seen as much more male in Alabama, because the way I presented my gender, was not the way that they saw, it’s how they normally saw male, so to them it’s like, “You fit into this box.”
While in D.C., it’s both positive and negative that they are used to gender variance, but it becomes very frustrating for trans men that when I used to walk into a place and be completely presenting as male, someone would still “ma’am” me, because they would think, “This is a masculine lesbian and I don’t want to offend this person by saying ‘he.’”
It took at least three-and-a-half years of being on testosterone before people completely stopped saying “ma’am” to me.
I will tell you this though, I will take the negatives of D.C. over anywhere else any day when it comes to transition.
BLADE: What kind of legal hurdles does the trans community still face in D.C.?
STRONG: I don’t know so much if it’s the laws as it is the adherence to those laws. In D.C., I am protected from discrimination when it comes to employment, I am protected as far as the fact I can relatively easily get my drivers license changed, get my name changed.
And with outlets like the Washington Blade who have always made it much easier to post your name change documentation at a much lower rate than, say, a regular paper would, that does make it easier, and those laws are all there.
The problem comes in adherence to those laws and training employees on those laws.
There’s a law in D.C. that says you use the restroom as the gender you present as. There’s also a law that says if you have a single-use restroom, they have to be gender neutral. But just because that law exists, doesn’t mean that every business in D.C. follows that law or is even aware of that law. So do you want to bring it up and fight the good fight, or do you want to not make yourself the center of attention, and point this out? Now you’ve just outed yourself. The main factor in making that decision for me is safety. If I feel unsafe in that moment, I’m not going to say anything. I’m not going to do anything. I’m going to find a way out of that situation. While bathrooms should never be the central issue, its still a big issue, because, in my view, it’s the one place in public where you’re at your most vulnerable. There are a lot of restaurants that I will frequent because they will adhere to that law, without question.
BLADE: How did your involvement with “American Transgender” come about?
STRONG: I am on the coordinating committee for a D.C.-area trans-masculine social and support group. They found us and they simply sent the webmaster and myself an email and said, “Here is our project, can we email your group and ask people to participate?” and we said absolutely.
I think the reason they told me that they really like my story is because it was kind of ironic that I’m from the state of Alabama, and my entire family is about as Republican and very conservative and Catholic — not just Catholic as in I go to church every week, but as in my stepdad is in the Knights of Columbus and my mother is a Eucharistic Minister, and she does announcements every week and they are very involved in the church — and to have as much support as I have had coming from that environment, I think that they really found it very engaging and very hopeful and interesting to show.
BLADE: How did you feel after you watched the full documentary?
STRONG: Proud. I was very proud of not only how it was done, but how it came through once it was all finished. I was proud of my family for stepping up and putting themselves out there. I was very proud of all of the people that had spoken out. I looked around the room and had a lot of friends at the viewing party and I was very proud of them for being there the whole time.
BLADE: Are you a role model?
STRONG: If it’s a positive role model, then sure. I would like to think that I’m a role model, without that sounding really self-centered, only in so much as if something that I say or do can shed a positive light on the community or help somebody out … then sure. As long as it’s a positive one.
BLADE: What advice would you give to young people realizing that they are transgender?
STRONG: Be patient. Be patient with yourself. Be patient with those around you — particularly your family. I feel like a lot of people in the queer community, not just trans folks, but even when I came out as a lesbian at 16, one of the things that I lacked was patience. Even though I’d only kind of admitted it to myself three days before my mom found out, it was me, so I was OK with it so much faster than anybody else was. I didn’t understand, and said, “Well, I’m fine with this, why can’t you be OK with it?”
Just giving those around you the time to sort through it and just talk to them as much as you are able and they are willing.
And having patience with yourself and having patience with the fact that while you feel you weren’t born in the body you should have been, you can’t change that overnight and it can get very frustrating, because it’s expensive to transition and it’s not easy to transition. Just be patient and enjoy the process and try to learn from it as much as you can.
I found that having that patience with a lot of folks has brought us closer together and has made me a lot more sure in knowing who I am and being comfortable with who I am.
I really tried to figure out in that process of, “OK, there is a certain amount of time that I’m going to have to wait to save money and really figure out who I am.” I took advantage of that time to really explore who I was and what kind of person am I going to be. Because this isn’t just the end, just because you go through surgeries and hormones, that’s the beginning of your life, so what kind of life do you want it to be?
BLADE: What’s been the most fulfilling part of transitioning?
STRONG: Two things. One is feeling much more whole and who I am. For a long time, when I realized I was attracted to women, I thought, “Well I must be a lesbian,” and that was it, but I think I wasn’t happy with me. I constantly was battling this screaming voice. Now I feel so much more whole and much more calm.
The other part is not just feeling it myself, but having other people see it. A great secondary plus is that’s how other people see me now, especially my family. It’s great not to be “ma’amed” by a stranger, but to have my mother love me not as her oldest daughter, but as her oldest son.
Photos
PHOTOS: Cheers to Out Sports!
LGBTQ homeless youth services organization honors local leagues
The Wanda Alston Foundation held a “Cheers to Out Sports!” event at the DC LGBTQ+ Community Center on Monday, Nov. 17. The event was held by the LGBTQ homeless youth services organization to honor local LGBTQ sports leagues for their philanthropic support.
(Washington Blade photos by Michael Key)












Theater
Gay, straight men bond over finances, single fatherhood in Mosaic show
‘A Case for the Existence of God’ set in rural Idaho
‘A Case for the Existence of God’
Through Dec. 7
Mosaic Theater Company at Atlas Performing Arts Center
1333 H St,, N.E.
Tickets: $42- $56 (discounts available)
Mosaictheater.org
With each new work, Samuel D. Hunter has become more interested in “big ideas thriving in small containers.” Increasingly, he likes to write plays with very few characters and simple sets.
His 2022 two-person play, “A Case for the Existence of God,” (now running at Mosaic Theater Company) is one of these minimal pieces. “Audiences might come in expecting a theological debate set in the Vatican, but instead it’s two guys sitting in a cubicle discussing terms on a bank loan,” says Hunter (who goes by Sam).
Like many of his plays, this award-winning work unfolds in rural Idaho, where Hunter was raised. Two men, one gay, the other straight (here played by local out actors Jaysen Wright and Lee Osorio, respectively), bond over financial insecurity and the joys and challenges of single fatherhood.
His newest success is similarly reduced. Touted as Hunter’s long-awaited Broadway debut, “Little Bear Ridge Road” features Laurie Metcalf as Sarah and Micah Stock as Ethan, Sarah’s estranged gay nephew who returns to Idaho from Seattle to settle his late father’s estate. At 90 minutes, the play’s cast is small and the setting consists only of a reclining couch in a dark void.
“I was very content to be making theater off-Broadway. It’s where most of my favorite plays live.” However, Hunter, 44, does admit to feeling validated: “Over the years there’s been this notion that my plays are too small or too Idaho for Broadway. I feel that’s misguided, so now with my play at the Booth Theatre, my favorite Broadway house, it kind of proves that.”
With “smaller” plays not necessarily the rage on Broadway, he’s pleased that he made it there without compromising the kind of plays he likes to write.
Hunter first spoke with The Blade in 2011 when his “A Bright Day in Boise” made its area premiere at Woolly Mammoth Theatre. At the time, he was still described as an up-and-coming playwright though he’d already nabbed an Obie for this dark comedy about seeking Rapture in an Idaho Hobby Lobby.
In 2015, his “The Whale,” played at Rep Stage starring out actor Michael Russotto as Charlie, a morbidly obese gay English teacher struggling with depression. Hunter wrote the screenplay for the subsequent 2022 film which garnered an Oscar for actor Brendan Frazier.
The year leading up to the Academy Awards ceremony was filled with travel, press, and festivals. It was a heady time. Because of the success of the film there are a lot of non-English language productions of “The Whale” taking place all over the world.
“I don’t see them all,” says Hunter. “When I was invited to Rio de Janeiro to see the Portuguese language premiere, I went. That wasn’t a hard thing to say yes to.”
And then, in the middle of the film hoopla, says Hunter, director Joe Mantello and Laurie (Metcalf) approached him about writing a play for them to do at Steppenwolf Theatre in Chicago before it moved to Broadway. He’d never met either of them, and they gave me carte blanche.
Early in his career, Hunter didn’t write gay characters, but after meeting his husband in grad school at the University of Iowa that changed, he began to explore that part of his life in his plays, including splashes of himself in his queer characters without making it autobiographical.
He says, “Whether it’s myself or other people, I’ve never wholesale lifted a character or story from real life and plopped it in a play. I need to breathing room to figure out characters on their own terms. It wouldn’t be fair to ask an actor to play me.”
His queer characters made his plays more artistically successful, adds Hunter. “I started putting something of myself on the line. For whatever reason, and it was probably internalized homophobia, I had been holding back.”
Though his work is personal, once he hands it over for production, it quickly becomes collaborative, which is the reason he prefers plays compared to other forms of writing.
“There’s a certain amount of detachment. I become just another member of the team that’s servicing the story. There’s a joy in that.”
Hunter is married to influential dramaturg John Baker. They live in New York City with their little girl, and two dogs. As a dad, Hunter believes despite what’s happening in the world, it’s your job to be hopeful.
“Hope is the harder choice to make. I do it not only for my daughter but because cynicism masquerades as intelligence which I find lazy. Having hope is the better way to live.”
Books
New book highlights long history of LGBTQ oppression
‘Queer Enlightenments’ a reminder that inequality is nothing new
‘Queer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers’
By Anthony Delaney
c.2025, Atlantic Monthly Press
$30/352 pages
It had to start somewhere.
The discrimination, the persecution, the inequality, it had a launching point. Can you put your finger on that date? Was it DADT, the 1950s scare, the Kinsey report? Certainly not Stonewall, or the Marriage Act, so where did it come from? In “Queer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers” by Anthony Delaney, the story of queer oppression goes back so much farther.

The first recorded instance of the word “homosexual” arrived loudly in the spring of 1868: Hungarian journalist Károly Mária Kerthbeny wrote a letter to German activist Karl Heinrich Ulrichs referring to “same-sex-attracted men” with that new term. Many people believe that this was the “invention” of homosexuality, but Delaney begs to differ.
“Queer histories run much deeper than this…” he says.
Take, for instance, the delightfully named Mrs. Clap, who ran a “House” in London in which men often met other men for “marriage.” On a February night in 1726, Mrs. Clap’s House was raided and 40 men were taken to jail, where they were put in filthy, dank confines until the courts could get to them. One of the men was ultimately hanged for the crime of sodomy. Mrs. Clap was pilloried, and then disappeared from history.
William Pulteney had a duel with John, Lord Hervey, over insults flung at the latter man. The truth: Hervey was, in fact, openly a “sodomite.” He and his companion, Ste Fox had even set up a home together.
Adopting your lover was common in 18th century London, in order to make him a legal heir. In about 1769, rumors spread that the lovely female spy, the Chevalier d’Éon, was actually Charles d’Éon de Beaumont, a man who had been dressing in feminine attire for much longer than his espionage career. Anne Lister’s masculine demeanor often left her an “outcast.” And as George Wilson brought his bride to North American in 1821, he confessed to loving men, thus becoming North America’s first official “female husband.”
Sometimes, history can be quite dry. So can author Anthony Delaney’s wit. Together, though, they work well inside “Queer Enlightenments.”
Undoubtedly, you well know that inequality and persecution aren’t new things – which Delaney underscores here – and queer ancestors faced them head-on, just as people do today. The twist, in this often-chilling narrative, is that punishments levied on 18th- and 19th-century queer folk was harsher and Delaney doesn’t soften those accounts for readers. Read this book, and you’re platform-side at a hanging, in jail with an ally, at a duel with a complicated basis, embedded in a King’s court, and on a ship with a man whose new wife generously ignored his secret. Most of these tales are set in Great Britain and Europe, but North America features some, and Delaney wraps up thing nicely for today’s relevance.
While there’s some amusing side-eyeing in this book, “Queer Enlightenments” is a bit on the heavy side, so give yourself time with it. Pick it up, though, and you’ll love it til the end.
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