Arts & Entertainment
AIDS and the arts
From the Quilt to Hollywood to Broadway, pop culture helped us make sense of grief, loss
The cast of ‘The Normal Heart’ at Arena Stage. The show, a groundbreaking dramatization of the early years of the AIDS crisis in New York, runs through July 29. (Photo by Scott Suchman; courtesy Arena)
The International AIDS Conference in Washington offers an opportunity to look back at how artists have responded to the disease. Since the very first days of the crisis, artists of all kinds have actively responded, both in their artistic works and as fundraisers and activists.
THE NAMES PROJECT AIDS MEMORIAL QUILT
The Names Project AIDS Memorial Quilt, on display throughout the city through the month of July, is the largest community art project in the world. More than 48,000 panels have been created by lovers, family members and friends to memorialize those who have died of AIDS. The Quilt has redefined the traditional folk-art of quilt-making into a modern art form that serves as a memorial, a tool for education, a work of art and a call to arms. Each of the panels has been photographically preserved in the AIDS Memorial Quilt Archive. About 14 million around the world have seen panels from the Quilt.
The Quilt has its root in a powerful piece of political theater. While preparing for the annual candlelight march honoring Harvey Milk and George Moscone in 1985, San Francisco activist Cleve Jones was shocked to learn that more than 1,000 people in the city had already died of AIDS. He asked his friends to bring placards with the names of the dead to the march. After the march, the activists taped the placards to the side of the San Francisco Federal Building and realized that the signs now looked like a patchwork quilt. Inspired by the sight, Jones and his friends made plans for a larger memorial and in 1986 Jones created the first quilt panel in honor of his friend Marvin Feldman.
THE ART OF ACTIVISM
One of the remarkable features of the fight against AIDS has been the ability to use visual art to generate a powerful public response. This was especially true for the AIDS Coalition to Unleash Power (ACT UP), an international direct action advocacy group that worked to impact the lives of people with AIDS. Founded in New York City in 1987, the leaderless anarchist network effectively combined powerful direct action protests with provocative visual images to effectively generate media attention for their cause.
Veteran media activist Cathy Renna, who describes herself as “coming out and coming of age” when ACT UP was forming, says the global impact of the group came from its ability to use visual art to drive home a message.
“They had people like Ann Northrup and Larry Kramer who understood the media really well and who understood the power of images,” Renna says. “They created iconic images that demanded the attention of the media and became embedded in the minds of people.”
Renna notes that the members of ACT UP really showed the power of visual art to move people and the power of creativity and humor to reach people.
“Not everyone agreed with their tactics, but at the end of the day none of us can argue with the indelible impact they had on the public perception of AIDS and the entire LGBT movement,” she says.
CLASSICAL MUSIC
For centuries, there’s been a debate about how well classical music can respond to specific cultural events. Gay composer John Corigliano leapt into this fray when he wrote his Symphony No. 1 in 1991 as a response to the AIDS epidemic.
“During the past decade I have lost many friends and colleagues to the AIDS epidemic, Corigliano writes in his notes to the first recording of the symphony. “My First Symphony was generated by feelings of loss, anger and frustration.”
Corigliano, best known for his opera “The Ghost of Versailles” and his Oscar-winning score for “The Red Violin,” says that the form of his AIDS symphony was inspired by a viewing of the NAMES Project AIDS Memorial Quilt.
“A few years ago I was extremely moved when I first saw ‘The Quilt,’ an ambitious interweaving of several thousand fabric panels, each memorializing a person who had died of AIDS, and most importantly, each designed and constructed by his or her loved ones,” he wrote. “This made me want to memorialize in music those I have lost, and reflect on those I am losing.”
THEATER
Perhaps no other artistic medium has been as responsive to the AIDS crisis as theater. From ground-breaking pieces like Larry Kramer’s “The Normal Heart” (an Arena Stage production runs through July 29) and William Hoffman’s “As Is” to such recent works as “The Book of Mormon.” The theatrical community has been deeply involved in the artistic and activist response to AIDS. Here’s a sampling of plays and musicals that have AIDS as a central theme.
Justin Kirk and Emma Thompson in the HBO adaptation of ‘Angels in America.’ (Photo courtesy HBO)
“Angels in America: A Gay Fantasia on National Themes.” Part One of Tony Kushner’s sprawling epic (“Millennium Approaches”) opened on Broadway in May 1993, and Part Two (“Perestroika”) followed in November of that year. The play centers on Prior Walter, a gay man in Manhattan who has just been diagnosed with AIDS as the play opens. Over the course of the seven-hour theatrical extravaganza, Prior is abandoned by his lover Louis, who leaves him for a closeted Republican lawyer; befriends the Mormon’s mother and wife, who takes Valium in “wee little fistfuls,” is nursed by his ex-lover, the fierce snap queen Belize; and, is visited by an angel who wants to recruit him as a prophet. The play won the Pulitzer Prize and several Tony Awards and was adapted into both an award-winning movie by HBO Films and an opera by Hungarian composer Péter Eötvös.
“The Normal Heart” by Larry Kramer was one of the earliest plays to deal with AIDS. Now playing at Arena Stage, the play is a thinly veiled autobiography of the author and the founding of Gay Men’s Health Crisis.
“Before It Hits Home” by Cheryl West was one of the first dramas to focus on the impact of AIDS on the African-American community. Wendal is a bisexual jazz musician who denies his sexual encounters with men even after he is diagnosed with AIDS. He tries to hide the truth from his pregnant girlfriend and his married boyfriend, but as his health deteriorates, he is forced to return to his family and confess the truth.
“Rent” is Jonathan Larson’s hit musical and a loose adaptation of Puccini’s “La Boehme” set on the lower East Side of Manhattan in the early 1980s. Larson’s musical landscape includes a variety of artists in a variety of straight and LGBT sexual situations. Many of the characters have AIDS and the Act II opener, “Seasons of Love” has become a popular anthem for the fight against AIDS.
The musical “Falsettos,” produced in Washington in 2010 by the now-closed Ganymede Arts, brings together two one-act musicals by William Finn written a decade apart. In “March of the Falsettos,” Marvin moves in with his male lover Whizzer, much to the distress of his ex-wife, his psychiatrist and his son. In “Falsettoland,” the extended family, now including “the lesbians from next door,” reunite to support Whizzer and Marvin as they deal with an AIDS diagnosis.
Perhaps most noticeably in theater, it’s possible to also trace how AIDS dramas have evolved over the years.
“’The Normal Heart’ was so significant in its time, but it’s dated now because the disease has changed so much,” says David Jobin, executive director of the Gay Men’s Chorus of Washington, a group that along with its sister choruses has also dealt extensively with AIDS themes. “You see plays now, like ‘Octopus’ by Steve Yockey and it’s dealing with how different generations have responded to the crisis. We now have a whole generation of people whose experience is different and it’s not about loss at all. … all people could concentrate on in ‘The Normal Heart’ was grieving, so it’s become like ‘The Dollhouse,’ a great period piece but not really relevant to today. Which is great in a way that something that’s only 20 years old can already seem so dated. It shows how far we’ve come in treating the disease.”
Jobin says the greatest examples of AIDS-themed art transcend their subject matter.
“You watch something like the HBO adaptation of ‘Angels in America,’ and it becomes so much more than just a statement about AIDS,” he says. “It’s a tour de force for great acting and it’s in a league of its own. I can’t think of a musical or other work that even comes close.”
ARTISTS AS ACTIVISTS
The theatrical community, and the performing arts community in general, have also been incredibly effective at blending art and activism. For example, since 1987 Broadway Cares/Equity Fights AIDS has been raising awareness and funds for AIDS organizations throughout the country. Their popular fundraisers include Broadway Bares, Broadway Barks, Broadway Bears, the annual Easter Bonnet and Gypsy of the Year competitions and the Fire Island Dance Festival.
One of the group’s most effective efforts has been its collaboration with the International Thespian Society, a national network of high school theater troupes. Starting in 1999, high school thespians have organized audience appeals, bucket brigades, silent auctions and special performances to raise money to fight AIDS.
During their annual festival in July 2012, Joe Norton, Broadway Cares’ director of education and outreach, announced that the student artists and activists had raised more than $1 million to support organizations in their communities.
“Thespians know how to effect change by working together and celebrating their love of theater,” Norton says. “And, in the process, they become leaders who raise awareness about HIV/AIDS where they live, while making a difference for so many people in need in their local communities and around the country.”
TELEVISION
Sometimes the artistic response to AIDS has been more about context than content. The popular nighttime ABC soap opera “Dynasty” was groundbreaking in its portrayal of Steven Carrington, the openly gay son of a wealthy Denver oil clan. But its role in the emerging AIDS crisis was due to an off-screen drama.
In 1984, closeted gay Hollywood icon Rock Hudson was cast as Daniel Reece, father of the scheming Sammy Jo Carrington (Heather Locklear). Hudson’s character had a romantic interest in Krystle Carrington, played by series star Linda Evans. Although viewers gossiped about Hudson’s gaunt appearance and producers were worried enough about Hudson’s health to write his character out of the series, no one blinked an eye when Hudson and Evans shared an on-screen kiss.
That changed on July 25, 1985 when Hudson publicly announced that he had AIDS, the first celebrity to reveal his HIV status. He learned that he had AIDS while he was appearing on “Dynasty,” and the soap set suddenly became the focus of a public health controversy. The CDC warned the public about exchanging saliva with members of high-risk groups. Aaron Spelling and the producers of “Dynasty” offered to arrange for AIDS tests for the entire cast. The Screen Actors Guild wrote new rules to regulate on-screen kisses.
Hudson’s revelation, and the subsequent revelation of his homosexuality, suddenly put a public face on the disease and his death on Oct. 2, 1985 set the stage for the first television movie on AIDS. On Nov. 11, 1985, NBC broadcast “An Early Frost” starring Aidan Quinn as Michael Pearson, a successful Chicago lawyer who has not told his colleagues and family about his lover Peter Hilton (D.W. Moffett). When he’s diagnosed with AIDS, he’s forced to go home and tell his family the truth about himself.
MOVIES
A short sampler of independent and mainstream movies that have dealt directly with the AIDS crisis include:
“Parting Glances,” Bill Sherwood’s moving 1986 indie film that was one of the first to deal with AIDS. Richard Ganoung plays Michael who is dealing with concurrent crises: caring for his ex-lover Nick (Steve Buscemi) while his lover Robert (John Bolger) is preparing to leave for a two-year work assignment in Africa.
Tom Hanks (left) and Denzel Washington in ‘Philadelphia,’ a 1993 AIDS-themed Jonathan Demme movie. (Still courtesy TriStar Pictures)
“Philadelphia,” Jonathan Demme’s 1993 drama that was among the first mainstream Hollywood movies to deal with AIDS. Tom Hanks won a Best Actor Oscar for his performance as Andrew Beckett, a closeted lawyer who is fired from his conservative law office when his partners learn he has AIDS. Denzel Washington plays Joe Miller, a homophobic lawyer who helps Beckett sue his former law firm.
“Longtime Companion,” is a 1990 film that takes its title from the homophobic term used by the New York Times and other newspapers to refer to the surviving partners of deceased gay men. It chronicles the early years of the AIDS epidemic from the 1981 article on the mysterious disease occurring among gay men to the beginnings of AIDS activism.
“Tongues Untied” is Marlon Riggs’ stunning 1989 film sought to “shatter the nation’s silence on matters of sexual and racial difference.” It combines documentary footage with fictional stories and episodes from Riggs’ life, as well as footage from civil rights marches and a homophobic stand-up routine by comedian Eddie Murphy.
FICTION
Since the 1980s, countless novelists have tackled the topic of AIDS. From early efforts, such as Armistead Maupin’s “Tales of the City” series to recent books such as Edmund White’s “Jack Holmes and His Friend,” the novel has been a fertile ground for exploring the devastating impact of AIDS on individuals and their society.
One of the most controversial has been “People in Trouble” by lesbian writer and activist Sarah Schulman. The novel deals with a love triangle among artists in the East Village. The controversy, however, arose from Schulman’s accusation that Jonathan Larson lifted the gay plot of “Rent” from her novel. In her 1998 book “Stagestruck: Theater, AIDS and the Marketing of Gay America,” she details the similarities between the two works and critiques how Larson depicts LGBT people and people with AIDS.
Examples
THEATER
Terrence Mc Nally, “Love! Valour! Compassion!”
Cheryl West, “Before It Hits Home”
William Finn, “Falsettos”
William Hoffman, “As Is”
Jonathan Larson, “Rent”
Paula Vogel, “The Baltimore Waltz”
Paul Rudnick, “Jeffrey”
Harvey Fierstein, “Safe Sex”
Larry Kramer, “The Normal Heart” and “The Destiny of Me”
Tony Kushner, “Angels in America”
Robert Lopez, Matt Stone and Trey Parker, “The Book of Mormon”
Broadway Cares/Equity Fights AIDS
POETRY
Mark Doty, “My Alexandria”
Essex Hemphill, “Ceremonies”
Marie Howe, “What the Living Do”
Paul Monette, “Love Alone: 18 Elegies for Rog”
Rafael Campo, “What the Body Told”
Tim Dlugos, “Powerless”
Tory Dent, “What Silence Equals”
TELEVISION
“An Early Frost”
“Dynasty”
“Another World”
“As The World Turns”
“Common Threads: Stories from the Quilt”
“And The Band Played On”
“The Real World”
“Any Mother’s Son”
“In The Gloaming”
FICTION
Christopher Bram, “In Memory of Angel Clare”
Sarah Schulman, “People in Trouble”
Alice Hoffman, “At Risk”
Armistead Maupin, “Tales of the City”
Paul Monette, “Afterlife”
Edmund White, “Jack Holmes and his Friend”
Dale Peck, “Martin and John”
E. Lynn Harris, “Invisible Life”
Felice Picano, “Like People in History”
Sapphire, “Push”
David B. Feinberg, “Spontaneous Combustion”
Samuel R. Delaney, “The Tale of Plagues and Carnivals”
Geoff Ryman, “Was”
CLASSICAL MUSIC
John Corigliano, “Symphony No. 1”
“Classical Action”
MUSIC
“NakedMen”
“Exile”
“Metamorphosis”
“In This Life” by Madonna (from “Erotica”)
ARTS ACTIVISM
ACT UP
Broadway Cares
Names Project AIDS Memorial Quilt
ESSAY
Susan Sontag, “AIDS and Its Metaphors”
Larry Kramer, “The Tragedy of Today’s Gays”
MEMOIRS
Paul Monette, “Borrowed Time”
Reinaldo Areñas, “Before Night Falls”
Mark Doty, “Heaven’s Coast”
Derek Jarman, “At Your Own Risk”
Jamaica Kincaid, “My Brother”Paula W, Peterson, “Women in the Grove”
John Preston, “Winter’s Light”
David Wojnarowicz, “In the Shadow of the American Dream”
PERFORMANCE ART
Ron Athey
Ron Vawter
David Drake
MOVIES
“Longtime Companions”
“Parting Glances”
“Paris is Burning”
“Philadelphia”
“Patient Zero”
“The Living End”
“The Hours”
“It’s My Party”
“Tongues Untied”
VISUAL ARTS
Visual AIDS
Keith Haring
ACT UP and Gran Fury
DANCE
Bill T. Jones, Absence
Neil Greenbery, Not-About AIDS-Dance
UCLA Dance Marathon
Dancers Responding to AIDS
Theater
Miss Kitty tackles classical mythology in ‘Metamorphoses’
Folger production seen through the lens of the African diaspora
‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.”
She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.”
Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill.
At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.”
The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds.
In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name “Miss Kitty” was born over a decade ago.
Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”
Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her.
“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.”
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before?
Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
It’s her first time nominated and first time attending. She’s thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.”
Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.
“Having an all-Black ensemble opens all new worlds for everyone.”
Las Vegas, known for its vibrant and inclusive atmosphere, embraces LGBTQ culture with open arms, making it a thriving hub for the community. Iconic events like the annual Las Vegas Pride Parade and Festival bring together people from all walks of life to celebrate diversity and unity. The 2024 Las Vegas Pride festival is scheduled for Oct. 12, so start planning now.
The city’s commitment to inclusivity is reflected in the diverse range of LGBTQ-friendly accommodations, ensuring that visitors feel welcome and respected. Beyond the nightlife, Las Vegas hosts a variety of LGBTQ-focused community organizations, support groups, and cultural events that contribute to the rich tapestry of the city’s inclusive ethos. Whether exploring the famous entertainment offerings or participating in community-driven initiatives, LGBTQ individuals and allies alike find a warm and accepting home in the vibrant tapestry of LGBTQ culture in Las Vegas.
Ever since I was young, I have always wanted to stay at Bellagio. Its iconic foundations have fascinated me for decades. The hotel stands as an epitome of luxury and sophistication, offering an unparalleled experience that seamlessly blends opulence, entertainment, and fine dining. From the moment you step into the grand lobby, it’s evident that Bellagio is committed to providing a world-class stay, especially when you glance at the ceiling adorned with Chihuly glass sculptures.
I stayed in a recently renovated room in the Spa Tower with an unobstructed view of the Vegas Strip and the fountains. The attention to detail is evident in the tasteful decor, plush furnishings, and modern amenities. Beginning at 3 p.m. on weekdays and noon on weekends, the choreographed water show set against the backdrop of the Las Vegas Strip is a mesmerizing display of artistry, combining music, light, and water in perfect harmony. It sets the tone for the exquisite experiences that await within Bellagio.
Bellagio is also home to the famous Conservatory and Botanical Gardens, a lush oasis that undergoes seasonal transformations, displaying stunning floral displays and thematic installations. This botanical escape provides a serene contrast to the lively atmosphere of the casino and the bustling Strip. During our stay, the staff were completing the new springtime exhibition, which gave us Alice in Wonderland vibes.
For those seeking entertainment, Bellagio offers the spectacular “O” by Cirque du Soleil, a water-themed extravaganza that complements the hotel’s overall theme. Bellagio Gallery of Fine Art is another cultural gem within the hotel, featuring rotating exhibitions that display masterpieces from around the world.
Although it is possible to never leave the hotel, we wanted to experience other MGM Resorts properties, so we headed to LPM at the Cosmopolitan of Las Vegas for dinner. LPM offers an exquisite dining experience that effortlessly marries Mediterranean charm with the vibrant energy of the Strip. From the moment you step through the entrance, you are greeted by an ambiance that strikes a perfect balance between sophistication and conviviality.
LPM’s interior is a visual feast, adorned with chic decor, warm lighting, and an intimate atmosphere. The combination of contemporary design elements and classic French accents creates a welcoming space that feels both elegant and comfortable. Whether you’re celebrating a special occasion or seeking a romantic dinner, LPM’s ambiance sets the stage for an unforgettable dining experience.
LPM’s menu is a culinary triumph, highlighting the rich and diverse flavors of the French Riviera. The emphasis on fresh, high-quality ingredients is evident in every dish. We began our meal with a variety of appetizers, including the Yellowtail Carpaccio, Escargots, and their signature Burrata prepared with heritage tomatoes and basil and topped with white truffles. For our main courses, we decided to focus on seafood entrees, so we tried the Lobster Risotto and grilled Chilean Bass. Both were prepared to perfection and paired very well together if you are looking to share entrees.
Of course, one of the biggest attractions of Las Vegas is the Strip itself. Spend a few hours meandering through each hotel and taking in the Vegas vibe. There is no other place in the world quite like it.
If you are in the mood for a little adventure, head to Area15, located about 10 minutes from the strip. Area15 is an immersive entertainment complex that blends art, technology, and entertainment in a unique and captivating way. Boasting an otherworldly exterior and a dynamic interior, Area15 is home to a variety of innovative experiences, including interactive art installations and virtual reality adventures. Its anchor tenant, the Meow Wolf’s Omega Mart, is a surreal supermarket-like environment filled with mind-bending art and hidden mysteries. The venue also hosts concerts and live events including Beyond Brunch, a variety show hosted by drag queen extraordinaire Andrew Ryan. The two-hour spectacle includes a wonderful buffet and performances by talented acts ranging from hoop dancers to Cirque-style entertainers. The show is well worth the price of admission; it is not your typical drag brunch.
Spend the afternoon touring Area15 or head to The Sphere, Las Vegas’s newest concert venue. Rock icons U2 opened the venue with a 40-night run, but guests can purchase tickets to Darren Aronofsky’s multi-sensory film “Postcard from Earth.”
For a trip down memory lane, especially if you are in you were born in the ‘70s or ‘80s, check out Retro by Voltaggio at Mandalay Bay. The restaurant owned by Top Chef stars, Bryan and Michael Voltaggio, takes diners on a nostalgic journey through time, blending modern culinary techniques with comforting flavors reminiscent of classic American dishes set in a retro-chic environment. The space is adorned with quirky memorabilia, neon accents, and a colorful palette that captures a sense of nostalgia without feeling overly kitschy, creating a welcoming environment for diners to unwind and enjoy the culinary adventure.
Retro by Voltaggio’s menu is a playful exploration of classic American favorites. We started our dinner with the deviled eggs with smoked trout roe along with the beet steak tartare, which was incredible. Next came the bluefin tuna ceviche served over coconut crushed ice. For our entrees we tried the trout meuniere, which was served in a lemon and caper sauce, as well as the lobster thermidor with lobster waffles — yes, you read that correctly. It was as delicious as it sounds.
Save room for the dessert cart, which contains innovative creations that satisfy the sweet tooth. Whether you’re a fan of nostalgic flavors or simply seeking a unique and enjoyable meal, Retro by Voltaggio is worth the visit.
After dinner, catch a performance of Michael Jackson “ONE” by Cirque du Soleil also at Mandalay Bay. The show is a captivating tribute to the King of Pop that seamlessly blends the magic of Cirque du Soleil with the timeless music and iconic choreography of Michael Jackson. From the moment the lights dim to the final bow, the show is a high-energy, emotionally charged celebration of the legendary entertainer’s life and legacy. This isn’t your typical Cirque du Soleil show and is more like a concert featuring all of Michael’s greatest hits, memorable dance moves, and state-of-the-art production. I felt like “ONE” is the type of concert Michael would have wanted to perform if he were still with us.
The thing I like most about Vegas is it is always evolving. Every time you visit, there is something new to see or do. Viva Las Vegas!
Out & About
Blade Summer Kickoff Party returns to Rehoboth
Politicians slated to speak at annual Blue Moon party
The Washington Blade’s 17th annual Summer Kickoff Party returns Friday, May 17, 5-7 p.m. at the Blue Moon (35 Baltimore Ave.) in Rehoboth Beach, Del.
It’s an exciting election year in Delaware, which is poised to elect its first Black woman senator (Lisa Blunt Rochester) and the nation’s first transgender member of Congress (Sarah McBride).
McBride is scheduled to speak at the party along with several politicos from the area. With the retirement of longtime state Rep. Peter C. Schwartzkopf, a staunch LGBTQ ally, three strong contenders are running to replace him. All three — Marty Rendon, Kathy McGuiness, and Claire Snyder-Hall — are slated to speak at the party. A representative from Blunt Rochester’s campaign is scheduled to speak, along with Kim Leisey, the new executive director of CAMP Rehoboth.
Tax-deductible tickets are $20 and available on Eventbrite or via the Blade’s Facebook page. The party is sponsored by Justin Noble of Sotheby’s, The Avenue Inn & Spa, and Blue Moon.
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