Arts & Entertainment
‘You’re so Square, Baby I Don’t Care’
D.C. Lambda Squares celebrating 30th anniversary this weekend
On any given Thursday night, a group of about 65 people from the LGBT community gather in the music suite of National City Christian Church to square dance with their friends.
But don’t expect to see cowboy hats, prairie skirts or couples doing the “Dosey Doe.” These square dancers dress casually, have no couple requirements, allow all-positioning dancing and the caller is using a Lady Gaga song.
One thing’s for sure: This is not your grandparents’ square dancing.
Since 1982, the D.C. Lambda Squares have been bringing a level of excitement and energy to the dance floor that was once unheard of in the square dance community.
“It was founded by a group of gay men and lesbians who wanted to square dance but at the time, straight clubs were non-accepting of same-sex couples square dancing, or people dancing other than in their traditional position,” says Joe Harr, president of the D.C. Lambda Squares. “They formed this club so they could dance the way they wanted to.”
Today, the club is open to young and old, singles or couples and beginners or advanced dancers. Anyone interested can visit the group online.
“My favorite part is the people involved are very welcoming and open and it’s just a relaxed atmosphere,” Harr says. “There are various gay square dance clubs throughout the U.S., and an international association and many people take part in other weekend dances.”
In addition to D.C. Lambda Squares’ regular Thursday-night get-together, which meets from 7:30 to 9:30 p.m. in D.C. at National City Christian Church (5 Thomas Circle, NW), eight times a year, the club holds a community dance at Francis Scott Key Middle School (910 Schindler Dr.) in Silver Spring, Md.
In honor of the organization’s 30th anniversary, the Lambda Squares are holding a party Saturday at Francis Scott Key Middle School with Doren McBroom set to call.
“A 30th anniversary is the pearl anniversary, so we are telling everyone to wear pearls for this event,” Harr says. “Our last community dance was a beach theme so people came in their bathing suits. We expect everyone to have a great time.”
Other regular callers are Dayle Hodge and club members Kent Forester and Brian Jarvis.
John Burlison, a former club president who has been a member since 2000, has watched the club’s membership ebb and flow over the last dozen years and is happy that interest is on the upswing.
“The people I learned with was the largest class for many years but we went through a time when it was very difficult to find new members,” Burlison says. “That appears to be slowly changing, as in recent years people have rediscovered square dancing as a fun activity and a great way to meet people.”
Membership coordinator Joe Branch learned of the group from seeing them perform at a Pride festival three years ago and has helped spearhead bringing the group to other events around the area, such as Gay Day at the Hillwood Museum this past year.
“What we try to do is perform at Pride and try to find other venues to do demos, hold open houses and try to perform at different community events to get people interested in square dancing,” Branch says. “Square dancing is a delightful activity full of wonderful people. I think the D.C. Lambda Squares is the friendliest group of people I have ever met.”
Many of the members have been with the group for at least 10 years, and this is designated with a special bar that they put on their membership badge. This past year, the group had to order some 20-year bars to commemorate those that have been involved since the early ’90s.
“Those who were here at the beginning did wear traditional western wear, and that has been the biggest change, since we wear what we are comfortable in,” Harr says. “For us, it’s not about living up to a certain square dancing cliché, we are all about having fun.”
Cindy Scharf has been going to Lambda Squares since 1997, learning about the group from a friend.
“I got involved initially to get some exercise and to meet some women in the LGBT community, and I ended up meeting a lot of good friends,” she says. “After a hard day of work, to come in and see so many smiling faces is really uplifting.”
Not only did Scharf make lots of new friends, but her going had a monumental impact on her life.
“I met my wife Olivia there,” she says. “It’s an organization that is open to singles and you don’t need a partner to dance. People are willing to dance with you. It’s not partnered up in the way the straight dancing is. A lot of people have met the people they are with through square dancing.”
One of her favorite things about the club is that the music isn’t what you would normally think of when you hear the term “square dancing.” That’s another of the positive changes through the years.
“I think there is a misconception that people who square dance tend to dance only to country-western music,” she says, “but the callers have a variety of music from different genres and some relatively modern things.”
Scharf and her wife also use their involvement in square dancing to help them decide on vacations.
“One of the things that we both enjoy about it is that we travel around a lot,” she says. “Every year there’s an annual convention and we use that as an excuse to travel to different places that we might not otherwise had in our sights to go to.”
Both Scharf and Burlison have fond memories of the 20th anniversary party and are looking forward to the fun night that the 30th promises, as well.
“We’re expecting to have some old friends and members who haven’t been here for a while come out for the night,” Harr says. “Remember, before the Internet, people had to actually go out of their houses to meet people and have fun. Square dancing is a great thing for people who love to dance to blow off steam, interact with other members and visit with their friends.”
Movies
The queer appeal of ‘The Devil Wears Prada’
Tying the feminist and LGBTQ rights movements together on screen
“Would we have fashion without gay people? Forgive me, would we have anything?”
Those words, spoken by Miranda Priestley herself (actually by Meryl Streep, the 76-year-old acting icon who played her), may well sum up why “The Devil Wears Prada” has been a touchstone for queer audiences for two decades now.
Streep, who returns to big screens this weekend in the sequel to director David Frankel’s beloved 2006 classic (succinctly titled “The Devil Wears Prada 2”), expressed this nugget of allyship in a recent interview with Out magazine, promoting the new film’s upcoming release. It would be hard, as a member of the queer community, to disagree with her assessment. The world of fashion has always been inextricably linked with queer culture, and the whims of taste that drive it are so frequently shaped by queer men – and women, too – who have adopted it as a means of expressing their sense of identity from the very first time they thumbed through a copy of Vogue.
At the same time, the notion that “Prada” has been claimed by the community as “canon” simply because of the stereotypical idea that “gay people love fashion” feels like a lazy generalization. After all, fashion is about discernment – about knowing, if you will, whether a sweater is simply blue or if it is cerulean, and, importantly, understanding why it matters – and just because something ticks off a few basic boxes, that doesn’t mean it qualifies as “haute couture.”
So yes, the setting of the “Devil Wears Prada” universe in what might be called “ground zero” of the fashion industry plays a part in piquing queer interest, but to assume our obsession with it is explained as simply as that is, frankly, insulting. The fashion angle catches our interest, but it’s the story – and, more to the point, the central characters (all of which return in the sequel) – that reels us in.
First, there’s the ostensible heroine, Anne Hathaway’s Andrea (or rather, Andy) Sachs, who falls into the world of fashion almost by accident. She’s a recent college grad who wants to be a journalist, to write for a publication that operates on a less-superficial level than Runway magazine, but fate (for lack of a better word) places her in the job that “a million girls” would kill to have – assistant to Streep’s Miranda Priestly (based on Vogue editor Anna Wintour), who can determine an entire season’s fashion trends merely by pursing her lips. She’s idealistic, and dismissive of fashion in the overall scheme of human existence; she’s also stuck with a truly terrible boyfriend (Nate, played by Adrian Grenier) and trying to live up to the self-imposed expectations and ideals that have been foisted upon her since birth.
It’s clear from the start that none of this “fits” her particularly well. More significantly, the natural grace with which she blossoms, from “sad girl” fashion-victim to the epitome of effortless style, tells us that she was meant to be exactly where she is, all along.
Then, of course, there is Nigel (Stanley Tucci), the ever-loyal art director and “Gay Best Friend” that’s always there to provide just the right saving touch for both Miranda and Andy, helping to boost the former while gifting the latter with his own insight, “tough love,” and impeccable taste. Never mind that he’s a queer character played by a straight actor – Tucci avoids stereotype and performative flamboyance by simply playing it with pure, universally relatable authenticity – or that he ends up, at the end of the original film, betrayed by his goddess yet deferring his own dream to double down on his commitment to hers. Anyone who has ever been a gay man in the orbit of a remarkable woman knows exactly how he feels. Of course, they also probably know the precarious life of being a queer person in the workplace – something that carries its own set of compromises, disappointments, and determinations to go above-and-beyond just to make oneself invaluable to the powers that be.
Which brings us to Emily (Emily Blunt), the cutthroat “first assistant” who does her level best to keep Andy in her place, who goes to extremes (“I’m just one stomach flu away from my goal weight”) to be the “favorite” no matter how much cruelty she has to unleash on those who threaten her status. Some see her as merely an obstacle in the way of Andy’s rise to success, an antagonist whose efforts to embody the “no mercy” persona of an ascendent girl boss only expose her own mediocrity. But for many, she’s just another victim doomed to fail and fall while watching others rise to the top. Queer, straight, or in-between, who among us hasn’t been there?
Finally, of course, there is Streep’s Miranda Priestley, the presumed “devil” of the title and the epitome of mercilessly autocratic authority, who has earned her status and her power by embracing the toxic modus operandiof a misogynistic hierarchy in order to conquer it. Yes, she’s more than just a little horrible, a strict gatekeeper who hones in on perceived weaknesses with all the vicious premeditation of a hawk with its eyes on a luckless rabbit, and it would be easy to despise her if she weren’t so damn fabulous. But thanks to the incomparable Oscar-nominated performance from Streep – along with the glimpses we are afforded into her “real” life along the way – she is not just aspirational, but iconic. Stoic, imperturbable, always three steps ahead and never affording an inch of slack for any perceived shortcoming, there’s an undeniable excellence about her that inspires us to see beyond the obvious dysfunction of the “work ethic” she represents; and sure, there’s enough emotionally detached enthusiasm in her torment/training of Andy to fuel countless volumes of erotic lesbian fan-fiction (Google “MirAndy,” if you dare), but when we eventually recognize that she might just be the ultimate “fashion victim” of them all, it doesn’t just cut us to the core – it strikes a chord that should be universally recognizable to anyone who has had to make their own “deal with the devil” in order to claim agency in their own lives. In this way, “The Devil Wears Prada” comes closer than probably any mainstream film to tying the feminist and queer rights movements together in common cause.
In any case, each character, in their way, can easily be tied to a facet of queer identity – and indeed, to the identity of anyone who must work twice (or more) as hard as a straight white Christian male to succeed. We can see ourselves reflected in all of them – and whether we aspire to be Miranda (I mean, who wouldn’t?), identify with Andy, recognize our worst traits in Emily, or empathize with Nigel and his deferential suffering, there’s something in “The Devil Wears Prada” that resonates with everyone.
Now let’s see if the sequel can say the same.
Lesbifriends Travel will host “Queer Night Out: DC Power FC Game” on Wednesday May 6 at 7 p.m. at Audi Field.
This will be a fun night out as DC Power FC takes the field at Audi Field, kicking off with a happy hour meetup in Navy Yard before the group walks to the stadium together. Lesbifriends and Travel group will be seated together in the stands, making it easy to connect, cheer, and enjoy the game with people who just feel like your people.
More details are available on Eventbrite.
Friday, May 1
Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
“Illusions The Drag Queen Show Washington, D.C.” will be at 7 p.m. at 2323 18th St., N.W. Come see this amazing D.C. drag show and laugh all night long while being amazed by the stellar performances in tribute to some of your old-time favorite classics as well as the latest pop favorites. Come see the likes of Madonna, Cher, Tina Turner, Whitney Houston, Joan Rivers, Phyllis Diller, Beyoncé, Pink, and many more. Tickets are $12.97 and are available on Eventbrite.
Saturday, May 2
Go Gay DC will host “LGBTQ+ Community Brunch” at 11:00a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Drag Queen Sip and Paint Washington DC will be at 4 p.m. at Town Tavern DC. This event combines the joy of painting with the lively energy of a drag queen, offering an hour and a half of fun, creativity, and entertainment. Participants paint a canvas while enjoying cocktails, all under the guidance of a glamorous drag queen host. Tickets are $47.19 and are available on Eventbrite.
Monday, May 4
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, May 5
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, May 6
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, May 7
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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