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Faith of our fathers

40-year-old gay Catholic group defies Vatican yet seeks communion

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crucifix, Christian, gay news, Washington Blade
crucifix, Christian, gay news, Washington Blade

19th Century Cristo Crucificado. (Photo courtesy of Griffin Trading)

All the mainline Christian denominations by now have gay subgroups that have formed and many in the U.S. — Episcopalians, United Methodists and others — can point to huge strides they’ve made over the last several decades in persuading their hierarchies to acknowledge their presence.

Dignity/Washington, the largest chapter of the LGBT Roman Catholic group DignityUSA, has made so little progress making Vatican teaching less gay-condemning, the group, in many ways, has moved on to other goals it considers more realistic and achievable. The lone victories its members can count on that front are being invited indoors for a 1978 rainstorm during a weekend-long prayer vigil they held at the National Conference of Catholic Bishops at its former headquarters on Massachusetts Avenue (it didn’t foster a long-term dialogue) and a wave from current Pope Benedict XVI (Joseph Ratzinger) in the summer of 2010 (accompanying soon-to-be Cardinal Donald Wuerl did not follow suit).

If anything, the Vatican has become more anti-gay over the years. Though several regional parishes had long allowed Dignity groups to meet on their property, in 1986 Ratzinger, writing as the Vatican’s official keeper of church morality, issued a letter stating that gays and lesbians are “intrinsically disordered” and that gay organizations were no longer allowed the use of church property. It’s only gotten worse in recent years — in January, Pope Benedict condemned same-sex marriage efforts and called gay marriage, in an ironic choice of words, a threat “to human dignity and the future of humanity itself … pride of place goes to the family based on the marriage of a man and woman.”

And it wasn’t just talk — the Roman Catholic Church gave $2 million this year to unsuccessful efforts to outlaw same-sex marriage with November’s ballot initiatives in Maine, Maryland, Minnesota and Washington state, according to the Human Rights Campaign. As pro-LGBT efforts of any kind have taken root elsewhere, the Vatican has increasingly dug in its heels. Official church teaching is that although gays should “be accepted with respect, compassion and sensitivity,” “homosexual acts are intrinsically disordered” and “sexual activity only exists for the purpose of procreation.”

DignityUSA, however, has persevered. The Washington chapter, formed in the fall of 1972 (three years after the national group) and one of 45 active U.S. chapters, has its 40th anniversary events (“Forty and Fabulous on the First”) this weekend. On Saturday evening, a reception and dinner will be held at Clyde’s Restaurant (707 7th St., N.W.) with gay actor/singer Will Gartshore providing entertainment. On Sunday, Sr. Jeannine Gramick (Sisters of Loretto) will give the homily at a special “anniversary Mass.” The group meets weekly for a 6 p.m. Mass at St. Margaret’s Church, an Episcopal parish at 1820 Connecticut Ave., N.W. Details are at dignitywashington.org.

The sheer numbers are daunting. The Roman Catholic Church is the world’s largest Christian church with more than a billion members worldwide. It claims it is the one true church founded by Jesus Christ, that its bishops are the successors of Christ’s apostles and Pope Benedict is the successor to the biblical figure Peter. Though there was no recognized papacy until later centuries, Rome has named an unbroken line of bishops that dates to Peter and the first century. The Archdiocese of Washington did not respond to a request for comment for this article. Dignity/Washington members say relations with it are prickly at best.

“There’s no sense that the local archdiocese has evolved at all,” says Tom Bower, a gay member for almost the whole time the D.C. group has existed, a board member for eight years and co-chair for the anniversary committee. “They absolutely find us quite beyond the pale.”

DignityUSA, a U.S. group as its name implies (similar but unaffiliated gay Catholic groups exist in other countries), has about 6,000 dues-paying members, according to Executive Director Marianne Duddy-Burke, a lesbian, and an operating budget at the national level of about $550,000 though the chapters have their own budgets.

It’s a big weekend for the organization — the Boston chapter is also celebrating its 40th anniversary. San Diego, Chicago and New York also formed chapters in 1972. Dignity/Washington started with a group of about 20 at its first Mass. It moved from twice-monthly to weekly Mass in 1976. Membership and Mass attendance peaked at about 500 and 350 respectively in the late ‘80s. By late 1990, it had become the largest Dignity chapter in the U.S., a feat it maintains to this day, though membership is now about 200 with an average of 90-100 believers attending weekly Dignity Mass in D.C.

It owns its own building in Eastern Market that houses offices and provides space to other LGBT organizations such as Brother Help Thyself and Imperial Court. As with most Dignity chapters, Dignity/Washington prefers to let other churches host its services rather than build its own sanctuary.

“Most of our chapters are kind of hand to mouth,” Duddy-Burke says. “We pay our rent and our basic expenses, we have the weekly bulletins and we underwrite memberships for low-income people and most of our chapters give back to their own communities in some way. … Our model really isn’t based on the institutional model. We focus on the church as more of a community than a building.”

Despite the daunting odds, the group is celebrating. Bower says the group’s mere survival is a reason to be ecstatic.

“The official church would very much like us to disappear,” he says. “We show that you can be gay and Catholic at the same time and happily so and despite the major efforts of a much bigger organization to throw us out. We’re part of a national organization and when the Pope comes out against something gay, we’re able to say, ‘No, that’s wrong.’”

Bob Miailovich, a member for 35 years — someone left a Dignity brochure on his car while he was in a gay bar — agrees.

“This small group of gay men got together back in the early ‘70s — who would have ever envisioned this thing being as big as it is and the ongoing evolution of this group. I mean we’re a small group of sort of churchy guys, but it’s really opened up and I think we’re more broadly attuned to the world at this time and to what faith is all about.”

Despite the political and spiritual cold shoulder, DignityUSA wants to be recognized by the Holy See, the Roman Catholic Church’s central governing body. It’s a key component to the organization’s mission. While many LGBT Christian groups, Catholic and otherwise, have started their own denominations with no interest whatsoever in swaying the Vatican, Dignity, at its very core, feels that it’s important to stay within the church and fight as much as possible. Though many gay Christians cannot fathom wanting anything to do with the Roman Catholic Church after centuries of anti-gay teaching, Dignity members say it’s essential.

“People think, ‘Oh, why do you keep banging your head against the wall?’” Bower says. “That’s why we call it faith. It’s a belief that there is within the larger view of what it means to be Catholic, there’s something there that you just don’t have with other groups.”

Miailovich says despite the anti-gay teachings, he still “find(s) more truth in the Catholic Church than I do in other religions. It’s not perfect and I don’t buy everything at the end of the day but from what I know of other religions and what they teach and believe, I find more truth on the Catholic side than elsewhere else.”

As one might expect considering its size, millions have left the Catholic Church for all kinds of reasons and to varying degrees. Hard though it may be for LGBT people to fathom, there are even strains of Catholicism that have broken off from Rome because they feel the Vatican has gotten too liberal.

The most notorious is the Mexico City-based New Jerusalem, a gated community of about 3,000 that was founded in 1973 as a reaction to the Second Vatican Council of 1962-1965, a hugely influential change in Church teaching that allowed Masses to be said in languages besides Latin among many other things. Several “Traditionalist Catholic” splinter groups also revolted against Vatican II reform, but New Jerusalem is widely regarded as the most extreme — TV, radios, alcohol, makeup and pants for women are forbidden. Residents attend church three times daily, don’t recognize any post-Vatican II Roman church leaders and think Benedict is the anti-Christ. Fundamentalist splinter groups occur in other religions as well — the Fundamentalist Church of Jesus Christ of Latter-day Saints received massive media attention in recent years when its leader was convicted of two felony counts of child sexual assault.

Other groups have broken away on the opposite side of the theological spectrum. The North American Old Catholic Church considers itself a “2,000-year-old church with Apostolic succession” and teaches the “full inclusion of LGBT persons in our religious life, sacraments and clergy.” It also advocates for “the full inclusion of LGBT persons throughout society.” Two gay-welcoming Old Catholic churches were launched in Washington — one in 2011 and another this year— but appear to be inactive. Neither Presiding Bishop Rev. Michael Seneco, who’s gay, nor Rev. Kerolos Saleib of Saint Damien of Molokai Parish responded to multiple requests for comment or had recently updated websites. The churches that hosted them say they’re no longer meeting there. Salieb held a series of Masses at National City Christian Church during the International AIDS Conference this summer but fled the country soon after under mysterious circumstances. Duddy-Burke says many similar groups have come and gone over the years.

Denomination hopping between Episcopalians and Catholics, perhaps the two most stylistically similar denominations in the U.S., has been going on for all kinds of reasons for decades. Many progressive believers left the Catholic Church to find more gay- and women-friendly theology among Episcopalians, the Anglican Church in the U.S. The Catholic Church in recent years has started welcoming a spate of disenfranchised former Episcopalians who left disappointed that the church had become more gay-friendly. Others Episcopalians still, as has been widely reported, left their U.S. dioceses to align with more conservative Anglicans in other countries.

Dignity Washington, gay news, Washington Blade, Catholic Archdiocese of Washington

Dignity/Washington members in 1991. (Washington Blade file photo by Doug Hinckle)

Bower says for him, converting to the Episcopal faith is not feasible.

“There are some basic theological differences between Catholicism and Episcopalianism,” he says. “Even in something as basic as Communion and the notion of transubstantiation. We really believe there is a change in the body and blood. They see it more as a memorial. And there’s a whole historical precedent of difference between the Roman and English churches.”

Others are pushing as far as they can under Vatican leadership and not just on LGBT issues. A lengthy article in the current edition of Rolling Stone magazine tells the stories of Sister Simone Campbell, Sister Margaret Farley and others who are “refusing to back down from the Catholic Church itself up to and including the Pope. On issues ranging from gay rights to abortion, the nuns are either openly contradicting church dogma or quietly undermining it with their silence, choosing instead to embrace a radical notion of missionary work that wouldn’t be out of place at an Occupy Wall Street rally: income inequality, universal health care, corporate responsibility, immigration reform,” and elsewhere reproductive rights. A group called Roman Catholic Womenpriests includes former nuns, ordains women as priests and holds women-led Masses.

Campbell, who didn’t immediately respond to a Blade interview request, told Rolling Stone, the same anti-LGBT beliefs are equally as harmful to women in the exclusively male-led Vatican.

“You’ve got to realize that any crowd that took 350 years to figure out Galileo might be right is not noted for rapid change,” she told Rolling Stone. “This is about a cultural clash between monarchy, in which the monarch is always right, and democracy where everybody has equal dignity, responsibility and opportunity, women and men. The whole idea that we live in a pluralistic society is news to these guys.”

The combined effect of all this shifting is a diminished Vatican hurt by a range of factors, from those turned off by its increasingly right-leaning teachings to millions lost and incalculable damage incurred by the clergy abuse scandals of recent years. Benedict, at times, has seemed almost cavalier about the loss, advocating for a “smaller, purer” church and saying that a church that seeks “above all to be attractive is already on the wrong path.”

Regardless of one’s political or religious views, the numbers are surprising — a third of those reared Catholic in the U.S. leave the church and, according to a Pew Research Study, 10 percent of all Americans are former Catholics. The losses have been partially offset by the disproportionately high number of immigrants who are Catholic.

Gramick, in a lengthy phone interview this week from her home in Mt. Ranier, Md., says the Roman Catholic “institution is unraveling.” Gramick, who declines to give her sexual orientation, was present at the first meeting to form Dignity/Washington in the cafeteria of the National Shrine of the Immaculate Conception with five others in 1971. She later formed New Ways Ministry, which she calls “a peace and justice center focused solely on the issue of lesbian and gay rights.”

Of the Church’s continual anti-gay teaching, she says it’s “causing a lot of dissonance and alienation among the Catholic community and a lot of Catholics out there in the pews, they’re no longer in the pews. Mass attendance has decreased dramatically in the last 20-30 years and actually what I think we’re seeing is the beginning of the dissolution of the institutional church. The institution is unraveling but the faith of the people is continuing and growing.”

Is it conceivable to imagine a post-Vatican world in another generation or two?

“If you’re talking erasure, I don’t think I’d go that far, but it’s unraveling certainly … it’s getting increasingly frayed and not only at the edges. It’s really closer to the center and it’s coming apart at the seams.”

Dignity Catholics don’t want that. At the most basic level, they believe the Vatican is simply wrong on the traditional view of Christian teaching and homosexuality, though opinions vary as to the reasons.

“We say basically go back and look at the theological arguments presented and they’re false,” Bower says. “We’re not picking and choosing which teachings to abide by. This is what you get when you look at the gospels. There really are no statements about LGBT people the way we think of it today. The type of homosexuality they were referring to was basically idol worship and temple prostitution.”

Having worked on these issues for decades, Gramick says the Vatican’s gay and lesbian theology is “not really based on the Bible.”

“It’s really more based on philosophy and natural law that uses scriptural quotes as backup,” she says. “It doesn’t really use scripture as the basis for its objection. They say homosexuality is unnatural without any acknowledgement that nature changes. What you see with the Vatican is an unwillingness to acknowledge change. If you have a 13th century mind, you would understand their position but with a 21st century mind and the science we’ve discovered, the human person is not what the Vatican thinks a person is. … Psychology has come so far since then. They didn’t know anything about Freud. When they come out with these views of it being a disorder, this is just not an enlightened view of psychology.”

Gramick’s iconoclastic work has not gone unnoticed — she says in the last 11 years, her religious community has received nine letters from the Vatican advising her superiors to have her dismissed from the Sisters of Loretto. The three presidents in that time have backed her, though the Church does play hardball — last month Rev. Roy Bourgeois was “canonically dismissed” for ordaining a woman at a Unitarian church in Kentucky in 2008.

Duddy-Burke says the decades of Vatican opposition have brought both a change of approach from DignityUSA and unexpected advantages.

“I think we’ve actually moved from trying to get acceptance from the Vatican to really leading the rest of the Church into being a more just Church,” she says. “I think we sort of feel like our job now is to hold our leadership accountable for the damage they’ve done and at the same time model a better way of living out the Gospel.”

She says slowly this approach has “caused people to see that the Church not only belongs to the Bishop and the Vatican. All of us who are baptized Catholics own the Church as well as the rites that are part of it. … If people ever caught on it would be like, ‘Wow, you’re governing it, you’re saying who preaches and presides, you decide if you want to use the new Roman Missel or not.’ Because we’ve been so excluded, we’ve had this opportunity to create the Church that we deserve and it’s an opportunity that a lot of Catholics haven’t had.”

Despite the Vatican’s refusal to bend, there’s growing evidence, both anecdotally and in serious research, that its official teachings are out of step with the majority of its laity — a summer poll conducted by the Pew Forum on Religion and Public Life found that 58 percent of Catholics favor same-sex marriage with 33 percent opposed. On matters as far-ranging as whether an unexcused absence from weekly Mass warrants a mortal sin to use of contraception, U.S. Catholics and many of their counterparts in other countries have long been a body of believers who haven’t felt they had to adhere to all church doctrine to stay in the church. Many parishes and clergy — even some who perform Dignity Masses — are quietly gay welcoming. They keep it low key to avoid interference from church leaders, but can sometimes be more welcoming than many would realize. So much so, in some cases, that it’s eaten into Dignity’s roster.

That’s partially why Dignity members say they don’t want to leave the church.

“The church really is the people of God,” Miailovich says. “It’s a horizontal assembly, not some vertical thing where you have the Pope at the top and an triangle going down with everyone else. Out there in the pews, there’s a great deal of support for a more progressive agenda, for women’s ordination, for married priests, you have the nuns on the bus for social justice. Everybody in the church does not believe 100 percent of everything that may be promulgated from on high.”

He also says there’s an “attitude that it’s my church and you can’t take it away from me.”

“I can’t leave what is mine and that leaves you with a sense that some day, somehow, change will be made. You’re right, there are people who’ve said, ‘Why spend a lifetime working with these people, let’s go start our own thing and not worry about what’s left behind.’ But I’m not going to change. This is who I am. This is how I pray and how I worship and here I am. We pray for our church leaders because we feel they need enlightenment.”

Bower agrees.

“We’ve found a peace and reconciliation within ourselves,” he says. “It’s more like a ‘We think we’re right and we’re here if you ever want to talk’-kind of thing. There’s less time today spent trying to articulate and debate all these issues because there’s really nobody to talk to on the other side.”

Despite, the ongoing dissent, Gramick says the occasion is a celebration.

“They’ve had a marvelous ministry here for 40 years ministering to local LGBT Catholics,” she says. “It’s really a time to rejoice.”

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Theater

Magic is happening for Round House’s out stage manager

Carrie Edick talks long hours, intricacies of ‘Nothing Up My Sleeve’

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Carrie Edick (facing camera) with spouse Olivia Luzquinos. (Photo by Anugraha Iyer)  

‘Nothing Up My Sleeve’
Through March 15
Round House Theatre
4545 East-West Highway
Bethesda, Md. 20814
Tickets start at $50
Roundhousetheatre.org

Magic is happening for out stage manager Carrie Edick. 

Working on Round House Theatre’s production of “Nothing Up My Sleeve,” Edick quickly learned the ways of magicians, their tricks, and all about the code of honor among those who are privy to their secrets. 

The trick-filled, one-man show starring master illusionist Dendy and staged by celebrated director Aaron Posner, is part exciting magic act and part deeply personal journey. The new work promises “captivating storytelling, audience interaction, jaw-dropping tricks, and mind-bending surprises.”

Early in rehearsals, there was talk of signing a non-disclosure agreement (NDA) for production assistants. It didn’t happen, and it wasn’t necessary, explains Edick, 26. “By not having an NDA, Dendy shows a lot of trust in us, and that makes me want to keep the secrets even more. 

“Magic is Dendy’s livelihood. He’s sharing a lot and trusting a lot; in return we do the best we can to support him and a large part of that includes keeping his secrets.” 

As a production assistant (think assistant stage manager), Edick strives to make things move as smoothly as possible. While she acknowledges perfection is impossible and theater is about storytelling, her pursuit of exactness involves countless checklists and triple checks, again and again. Six day weeks and long hours are common. Stage managers are the first to arrive and last to leave. 

This season has been a lot about learning, adds Edick. With “The Inheritance” at Round House (a 22-week long contract), she learned how to do a show in rep which meant changing from Part One to Part Two very quickly; “In Clay” at Signature Theatre introduced her to pottery; and now with “Nothing Up My Sleeve,” she’s undergoing a crash course in magic. 

She compares her career to a never-ending education: “Stage managers possess a broad skillset and that makes us that much more malleable and ready to attack the next project. With some productions it hurts my heart a little bit to let it go, but usually I’m ready for something new.”

For Edick, theater is community. (Growing up in Maryland, she was a shy kid whose parents signed her up for theater classes.) Now that community is the DMV theater scene and she considers Round House her artistic home. It’s where she works in different capacities, and it’s the venue in which she and actor/playwright Olivia Luzquinos chose to be married in 2024. 

Edick came out in middle school around the time of her bat mitzvah. It’s also around the same time she began stage managing. Throughout high school she was the resident stage manager for student productions, and also successfully participated in county and statewide stage management competitions which led to a scholarship at the University of Maryland, Baltimore County (UMBC) where she focused on technical theater studies.   

Edick has always been clear about what she wants. At an early age she mapped out a theater trajectory. Her first professional gig was “Tuesdays with Morrie” at Theatre J in 2021. She’s worked consistently ever since. 

Stage managing pays the bills but her resume also includes directing and intimacy choreography (a creative and technical process for creating physical and emotional intimacy on stage).  She names Pulitzer Prize winning lesbian playwright Paula Vogel among her favorite artists, and places intimacy choreographing Vogel’s “How I learned to Drive” high on the artistic bucket list. 

“To me that play is heightened art that has to do with a lot of triggering content that can be made very beautiful while being built to make you feel uncomfortable; it’s what I love about theater.” 

For now, “Nothing Up My Sleeve” keeps Edick more than busy: “For one magic trick, we have to set up 100 needles.” 

Ultimately, she says “For stage managers, the show should stay the same each night. What changes are audiences and the energy they bring.”

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Calendar

Calendar: February 13-19

LGBTQ events in the days to come

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Friday, February 13

Center Aging Monthly Luncheon With Yoga will be at noon at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.

Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite

Women in their Twenties and Thirties will be at 7 p.m. on Zoom. This is a social discussion group for queer women in the D.C. area. For more details, visit the group on Facebook

Saturday, February 14

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC Center for the LGBT Community will host a screening of “Love and Pride” at 1:30 p.m. This event is a joy-filled global streaming celebration honoring queer courage, Pride, and the power of love. It’s a bold celebration of courage and community — a fearless reminder of what we’ve overcome, how love is what makes us unstoppable, and how we have always turned fear into fierce. For more details, visit the Center’s website

Sunday, February 15

LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite

Monday, February 16

Queer Book Club will be at 7:00p.m. on Zoom. This month’s read is “Faebound” by Saara El-Arifi. For more details, visit the DC Center’s website

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, February 17

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.

Wednesday, February 18

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, February 19

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. To be fair with who is receiving boxes, the program is moving to a lottery system. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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Movies

As Oscars approach, it’s time to embrace ‘KPop Demon Hunters’

If you’ve resisted it, now’s the time to give in

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The KPop Demon Hunters get ready for action. (Image courtesy of Netflix)

If you’re one of the 500 million people who made “KPop Demon Hunters” into the most-watched original Netflix title in the streaming platform’s history, this article isn’t for you.

If, however, you’re one of the millions who skipped the party when the Maggie Kang-created animated musical fantasy debuted last summer, you might be wondering why this particular piece of pop youth culture is riding high in an awards season that seems all but certain to end with it winning an Oscar or two; and if that’s the case, by all means, keep reading.

We get it. If you’re not a young teen (or you don’t have one), it might have escaped your radar. If you don’t like KPop, or the fantasy genre just isn’t your thing, there would be no reason for that title to pique your interest – on the contrary, you would assume it’s just a movie that wasn’t made for you and leave it at that.

It’s now more than half a year later, though, and “KPop Demon Hunters” has yet to fade into pop culture memory, in spite of the “new, now, next” pace with which our social media world keeps scrolling by. It might feel like there’s been a resurgence of interest since the film’s ongoing sweep of major awards in the Best Animated Film and Best Song categories has led it close to Oscar gold, but in reality, the interest never really flagged. Millions of fans were still streaming the soundtrack album on a loop, all along.

It wasn’t just the music that they embraced, though that was definitely a big factor – after all, the film’s signature song, “Golden,” has now landed a Grammy to display alongside all of its film industry accolades. But Kang’s anime-influenced urban fantasy taps into something more substantial than the catchiness of its songs; through the filter of her experience as a South Korean immigrant growing up in Canada, she draws on the traditions and mythology of her native culture while blending them seamlessly into an infectiously contemporary and decidedly Western-flavored “girl power” adventure about an internationally popular KPop girl band – Huntrix, made up of lead singer Rumi (Arden Cho), lead dancer Mira (May Hong), and rapper/lyricist Zoey (Ji-young Yoo) – who also happen to be warriors, charged with protecting humankind from the influence of Gwi-Ma (Lee Byung-hun), king of the demon world, which is kept from infiltrating our own by the power of their music and their voices. Oh, and also by their ability to kick demon ass.

In an effort to defeat the girls at their own game, Gwi-Ma sends a demonic boy band led by handsome human-turned-demon Jinu (Ahn Hyo-seop) to steal their fans, creating a rivalry that (naturally) becomes complicated by the spark that ignites between Rumi and Jinu, and that forces Rumi to confront the half-demon heritage she has managed to keep secret – even from her bandmates – but now threatens to destroy Huntrix from within, just when their powers are needed most.

It’s a bubble-gum flavored fever-dream of an experience, for the most part, which never takes itself too seriously. Loaded with outrageous kid-friendly humor and pop culture parody, it might almost feel as if it were making fun of itself if not for the obvious sincerity it brings to its celebration of all things K-Pop, and the tangible weight it brings along for the ride through its central conflict – which is ultimately not between the human and demon worlds but between the long-held prejudices of the past and the promise of a future without them.

That’s the hook that has given “KPop Demon Hunters” such a wide-ranging and diverse collection of fans, and that makes it feel like a well-timed message to the real world of the here and now. In her struggle to come to terms with her part-demon nature – or rather, the shame and stigma she feels because of it – Rumi becomes a point of connection for any viewer who has known what it’s like to hide their full selves or risk judgment (or worse) from a world that has been taught to hate them for their differences, and maybe what it’s like to be taught to hate themselves for their differences, too.

For obvious reasons, that focus adds a strong layer of personal relevance for queer audiences; indeed, Kane has said she wanted the film to mirror a “coming out” story, drawing on parallels not just with the LGBTQ community, but with people marginalized through race, gender, trauma, neurodivergence – anything that can lead people to feel like an “other” through cultural prejudices and force them to deal with the pressure of hiding an essential part of their identity in order to blend in with the “normal” community. It plays like a direct message to all who have felt “demonized” for something that’s part of their nature, something over which they have no choice and no control, and it positions that deeply personal struggle as the key to saving the world.

Of course, “KPop Demon Hunters” doesn’t lean so hard into its pro-diversity messaging that it skimps on the action, fun, and fantasy that is always going to be the real reason for experiencing a genre film where action, fun, and fantasy are the whole point in the first place. You don’t have to feel like an “other” to enjoy the ride, or even to get the message – indeed, while it’s nice to feel “seen,” it’s arguably much more satisfying to know that the rest of the world might be learning how to “see” you, too. By the time it reaches its fittingly epic finale, Kane’s movie (which she co-directed with Chris Appelhans, and co-wrote with Appelhans, Danya Jimenez, and Hannah McMechan) has firmly made its point that, in a community threatened by hatred over perceived differences, the real enemy is our hate – NOT our differences.

Sure, there are plenty of other reasons to enjoy it. Visually, it’s an imaginative treat, building an immersive world that overlays an ancient mythic cosmology onto a recognizably contemporary setting to create a kind of whimsical “metaverse” that feels almost more real than reality (the hallmark of great mythmaking, really); yet it still allows for “Looney Toons” style cartoon slapstick, intricately choreographed dance and battle sequences that defy the laws of physics, slick satirical commentary on the juggernaut of pop music and the publicity machine that drives it, not to mention plenty of glittery K-Pop earworms that will take you back to the thrill of being a hormonal 13-year-old on a sugar high; but what makes it stand out above so many similar generic offerings is its unapologetic celebration of the idea that our strength is in our differences, and its open invitation to shed the shame and bring your differences into the light.

So, yes, you might think “KPop Demon Hunters” would be a movie that’s exactly what it sounds like it will be – and you’d be right – but it’s also much, much more. If you’ve resisted it, now’s the time to give in.

At the very least, it will give you something else to root for on Oscar night.

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