Arts & Entertainment
Short stories spanning centuries
‘Astray’ makes magic with slice-of-life tales
‘Astray’
By Emma Donoghue
Little, Brown and Company
$25.99
275 pages
(Image courtesy Little Brown and Co.)
The lady in the picture was wearing the biggest scowl you’d ever seen.
The photo was taken long ago and it made you wonder what happened that day to make her so snarly. Was there a death, lost crops, an accident, bad weather or did the photographer make her angry?
You’ll never know but you wonder, just like the portrait makes you wonder about her life. And in the new book “Astray” a collection of short stories by Emma Donoghue, imagination becomes possibility.
Perhaps the woman in the picture had just gotten out of bed. It was her third time rising that day, but she had to do what she could to keep a roof over her head and food in her child’s belly. Not even 30 years old, she felt worn, detesting her situation, loving her family. She hated her life but “she wouldn’t swap it for any other.”
Or, as you’ll see in “The Widow’s Cruse,” the scowling woman could’ve been on her way to meet her lawyer. Newly widowed by a smallpox plague, she was frightened and unsure. She feared destitution. Her lawyer should have feared her.
Maybe the woman was escaping. In the photograph, she appeared to be white, but that doesn’t mean anything. A man who’s cruel to his slaves can be cruel to his wife, too. Or perhaps she was escaping to another country, making a journey with her children to join a husband who was never going to meet her at any pier.
It’s possible, too, that the woman was scowling because she met a man who’d never love her. When men team up to seek fortune and pan for gold, they often forget that Yukon winters can be long and ferociously cold. Men do things to stay warm and sane. When that happens, women are mostly forgotten.
And then again, that woman you see scowling in the picture? There’s something about her that you just can’t quite figure out. Maybe – just maybe, as you’ll see in “Daddy’s Girl” – she’s not really a woman, down deep.
“Astray” is written with a great premise: take an old newspaper article, story, fictional tale, or even a passing mention from any source, and imagine how that single episode in someone’s life might have actually happened.
It sounds like a seventh-grade writing assignment, but in author Emma Donoghue’s hands, it works to a level of impressiveness.
Moving through the centuries with her short stories, Donoghue turns everyday situations and period-piece slice-of-life situations into something of which O. Henry and Paul Harvey would be proud. Indeed, some of these tales start with a little sleight of word, poking our emotions in one way, then slowly twisting them into another direction before giving us the real story. You never know where these tales will end, and that’s a good thing.
My only complaint about this book is that it didn’t last long enough. I wanted more, and if that’s the kind of book you have to have, then “Astray” is one to picture yourself reading.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)
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