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The evolution of leather

Changes in ownership, location, technology contribute to morphing BDSM scene

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MAL, Mid-Atlantic Leather, gay news, Washington Blade
MAL, Mid-Atlantic Leather, gay news, Washington Blade

(Washington Blade file photo by Michael Key)

There’s a lot of change in the air with the D.C. gay leather community. As Mid-Atlantic Leather Weekend is in town for its annual festivities, we decided to ask around and see if the changes are just coincidental, natural evolution of a maturing scene or indicators of a larger cultural shift of some type.

The bottom-line answer, not surprisingly, is that it depends whom you ask.

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But first, the particulars.

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• The Leather Rack, still gay-owned but under new management, has a new name. Now known as Adam & Eve, it’s still at 1723 Connecticut Ave., N.W. (location of the nearly 40-year-old business since 1991) but is a slightly different shop.

“We felt the name attracts a broader audience, not just gay guys into leather” current owner Russwin Francisco, who bought the business from James McGlade (who’d owned it since 1994), wrote in an e-mail. “We do love gay leather guys and we’ll support the leather community in any way we can. We simply want to ensure that other folks with other sexual fetishes feel as comfortable in our store regardless of gender, sexual orientation or identity. Consequently we are offering women’s fetish wear, toys and accessories along side our men’s [items].”

Francisco is gay, married to a man and has been in Washington for more than 30 years.

McGlade didn’t respond to requests for comment but said in a press release issued when the change became official in November that he was “grateful for our time here as the Leather Rack” and “we wish to thank you for your patronage and endorsement over the years.”

“Jim is a good friend,” Francisco says. “It was a natural transition.”

• As has been widely reported, the D.C. Eagle’s days at its current location at 639 New York Ave., N.W. location are numbered. The most recent official comment was that owners would be there through the end of March via an agreement with the developer of a high-rise office complex that will displace the Eagle and other businesses in the area.

Eagle owners and management staff are being tight-lipped on their plans. Repeated phone calls, e-mails and Facebook messages to Ted Clements, Peter Lloyd and Carl Domer went unacknowledged this week.

Eddie Ortiz, president of the D.C. Boys of Leather, says he sees Clements regularly and though he can’t offer anything official, he understands an announcement is imminent. The Boys have a monthly bar night at the Eagle, as do many of the local gay leather groups.

“I understand the owners do have a location identified, but they haven’t given me a location yet,” Ortiz says. “I think they’re going to announce it over MAL weekend. Ted is the one I talk to a lot.”

David Merrill, who’s gay and DJs the monthly fetish/gear party CODE, says it’s never wise to count the Eagle out.

“We’ve heard rumors of the Eagle’s imminent demise multiple times in the past and, of course, those rumors turned out to be greatly exaggerated,” Merrill says. “I’m certain they’ll open in a new location.”

The Baltimore Eagle, however, hasn’t been as lucky. It closed last month at its 2022 N. Charles Street location and its fate remains uncertain. The estate of former owner Richard Richardson, who died suddenly in 2007 (he’d purchased it from Tom Kiple in 1995), had been running it in recent years. New owner Charles Parrish did not immediately respond to calls seeking comment.

In the meantime, many in the Baltimore gay leather community have moved over to Leon’s Leather Lounge, known casually as “the Triple L” at 870 Park Ave.

Rodney Burger, president of the ShipMates Club, which had called the Eagle “home” since the bar opened in 1991, said the last night it was open was memorable.

“It is my understanding that the new owner plans to turn it into office space,” he wrote in an e-mail. “How fitting that the last Saturday the bar was open was our ShipMates’ Daddy Christmas benefit. The bar was packed and we raised $3,000 for Moveable Feast. We closed the bar with a bang.”

He also said Triple L owner Ron Singer made “a nice offer” and they plan to continue meeting there.

“I just hope we can get in there to clear out our trophy case and banners,” Burger said later in a phone interview. “There’s the entire history of the Baltimore leather scene in there including banners from some clubs that haven’t existed for 30 years or more. I’m actually having nightmares about losing this stuff — we need to make sure we can get in there and get all that safely out. I hope it’s OK and doesn’t end up in a dumpster somewhere.”

Those active in the Baltimore leather scene say they’re hearing the Eagle could reopen elsewhere, but nothing definite is known.

“I’ve heard everything from three to five months, I’ve heard longer, the rumor mill is full of stuff,” Rik Newton-Treadway, known as “Hooker” in the leather community there, says.

MAL appears to continue thriving and local gay leather enthusiasts say it’s a major highlight of their year and remains popular with both locals and those who come from out of town.

“There’s always a huge percentage of local people at MAL,” Merrill says. He’ll be spinning his “deep house” and “progressive tribal” music at two special CODE parties at the Crucible this weekend. “I think most local guys into some part of the leather scene make it to at least one of the MAL events. There are so many things to do over the weekend — dance events, play events, times to socialize, the cocktails the Centaurs do — there’s a little something for everybody. That’s one of the great things about the leather community — it’s so diverse.”

Ortiz, whose Boys group is having its own free party/dance tonight at 10 in the Congressional Room at the Hyatt Regency on Capitol Hill (the sold-out host hotel), says he “can’t wait to get going and start dancing.” Though married to his partner of 14 years who’s not into the leather scene, Ortiz is in a slave/master relationship with a leather lover in Michigan whom he sees about once a month and who will be here this weekend for MAL.

“It’s such a fun time,” he says. “It’s great to see people you haven’t seen since last year and it gives us a chance to really hang out in our leather, do play scenes in a safe environment, be who we are, make new friends and also see some of the local people who don’t come out as much unless it’s for MAL.”

Ortiz, by the way, says the Boys club, which even has a couple female members, is about having a boy mindset.

“It’s how you identify in your heart,” he says. “It’s who you are on the inside. There’s no certain way it has to be, but it does tend to be more service oriented. You don’t have to be a complete bottom. Boys can top, but it’s about taking care of a dom or having someone be in charge of you and dominating the play scene.”

With trust and communication in his marriage, he says his other relationship is “working out great for us.”

As for the D.C. scene overall, some say it’s just natural evolution.

Woody says it runs much deeper than simply who owns a leather bar at any given time or where it might be located.

“The smartphone has brought with it a lot of degrading factors,” he says. “There are all these mobile apps now — Scruff, Growlr, Grindr — all these things we didn’t have before. Now I can find a trick a half a mile from me with my GPS-embedded tracker and there are people coming up with different websites all the time. … You can order up anything you want, so there are not as many people interested in romance anymore. Yes, there are still softies with good hearts who want relationships and certainly gay men have always had their hook-up side, but I think there’s a higher turnover ratio when everything’s online.”

Newton-Treadway, who says lots of guys from Baltimore come to D.C. for Leather Weekend (“Are you kidding? It’s practically in our backyard — it’s like a giant cheesecake for everybody who’s supposed to be on a diet.”), says the changing leather scene is much deeper and more complex than it may initially seem.

“I think there are aspects of the lifestyle that in a way are becoming more underground, less in your face,” he says. “I think the economy hasn’t helped. The Internet hasn’t helped. It’s many, many, many different things. I would say long gone are the days when a leather bar could count on the gay leather community to keep it open. With everything out there online, you don’t need to go out. Not long ago, there wasn’t any AOL, hell, we didn’t even have cell phones. You had to go out for dick. It didn’t come to you unless you were in the middle of the gay ghetto and sitting on your front porch. So there’s a lot of change occurring and a lot of contributing factors. And even when you do go out to the bars, everybody’s got their nose in their phone. They might even be texting to someone who’s right there in the bar, but they won’t go over and talk to them.”

But the bar scene in the leather world is far from dead. Jacob Pring, who organizes CODE and the XXX parties at Green Lantern and the Crucible, says he sees lots of younger guys coming to his events and gets anywhere from 100 to 150 guys to an average event.

“There’s always new people coming in,” Pring says. “People bring their friends. It’s fun. No attitude, no drama.”

Ortiz says he’s not so sure it’s changing as much as everybody says.

“I still go out,” he says. “I don’t just sit at home online all the time. I know lots of people who go out and support the clubs.”

Merrill says it is changing but it’s futile to pine for the past.

“Every community changes over time,” he says. “It’s not gonna be 1975 forever. I don’t know what things will look like in another 10 years, but I’m looking forward to finding out.”

 

 

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Movies

‘Into the Grey’ unites Cavill, Gyllenhaal for thrills and gay love

Did studio sabotage film’s release because of queer plot?

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Jake Gyllenhaal and Henry Cavill star in ‘Into the Grey.’ (Photo courtesy of Black Bear International)

What if they released the LGBTQ-themed action movie we’ve all been waiting for and they didn’t bother to tell us?

It’s a rhetorical question, really, because we already know the answer, and it can be found between the lines in the distribution-and-release history of “In the Grey,” a typically slick and cynical “caper thriller” from veteran filmmaker (and former Madonna husband) Guy Ritchie, which is now available on VOD platforms after a perfunctory theatrical opening in May.

Like almost all of Ritchie’s films, it’s fast-paced, clever, and full of surprises, some of which have to do with the plot, but most of all involve its characters – who, also in the tradition of Ritchie’s former work, inhabit a rarified world in which confidence, bravado, and stoic humor define the moral environment while something else (call it “fate” or “karma” or simply “the consequence of choices”) works behind the scenes to deliver a conclusion that satisfies our jaded sense of justice even as it fairly drips with irony. Also like most of Ritchie’s films, it succeeds in sucking us into its plotting while drawing a clear line between the “good guys” (i.e. the ones who are ostensibly working toward an equitable outcome, if not a moral high ground) and the out-of-balance despotism of a weighted power hierarchy that defines the shadowy status quo of human endeavor.

The caper in question is being run by Rachel Wild (Eiza Gonzalez), an elite lawyer who specializes in retrieving funds owed to high-finance “asset management” firms by wealthy clients, whose latest case puts her into a showdown with ruthless crime boss Manny Salazar (Carlos Bardem) over a billion-dollar debt. She’s elite for a reason, though; she’s backed up by her own small militia of “fixers” headed by trusted “extralegal” operatives Bronco and Sid (Jake Gyllenhaal and Henry Cavill, respectively), who are more than capable of carrying out her plans and have no intention of allowing Salazar to gain the upper hand. The plan involves blocking and handicapping his operations until he is forced to return the money; but when their powerful quarry decides to make things personal by going after Rachel in retaliation, it’s up to her loyal protectors (and their highly skilled team) to keep her safe.

Crafted by Ritchie with his usual blend of intricate plotting, jocular amorality, and shocking violence, it’s also a movie that fairly oozes testosterone; yes, there’s a smart and powerful woman at the center of it all, but she’s got as much (or more) macho swagger as anybody else so the effect is just the same. In fact, there’s a lot of hyper-masculine posturing, attitude, and tough talk that goes on all around, most of it delivered with that jocularity we mentioned. Action, naturally, is key to the formula, and “In the Grey” ramps it up to near orgiastic levels with an escalating collection of high-octane set pieces – chases, gunfights, explosions, zip-lining – all carefully spelled out ahead of time for us, point for point, in expository detail so that we can keep up with them as they unfold. It’s a movie about planning and strategy as much as anything else, and it wants to make sure we’re all prepped and ready for “go time.”

As for feelings, in a film like this, you might just think they don’t matter and leave it at that – but that’s not entirely true. Almost hidden in the middle of all this morally murky bluster and bravado is an unexpected angle, and it lends a touch of tenderness to the whole thing that somehow ends up being essential.

The movie takes pains to create a slow reveal, so it feels like a spoiler (consider this your warning) to say it, but underneath all the non-stop action there’s a love story going on, and it’s between the two leading men. We’re not sure at first, though the jovial banter between Cavill and Gyllenhaal has a distinct “romcom” vibe from the beginning, but as the movie goes on it gradually becomes clear that they are, in fact, a couple.

Perhaps not surprisingly, there was no mention of the nature of their relationship in any of the film’s publicity; the studio (Lionsgate) delayed release for months and eventually gave up distribution rights to Black Bear International. When it hit theaters, it finished ninth at the box office; even the popularity of its two stars was not enough to make up for the lack of push that accompanied its release. Does all of this suggest that the studio scuttled their own movie just because of the “gay angle” and the reaction it might get in today’s environment?  It’s hard not to speculate on that possibility, but either way, those two characters are gay.

Does it matter to the plot? Not really; there’s no lovestruck romance here – these guys have obviously been together a long time, and they carry the comfortable familiarity to prove it – nor is there even a kiss. It’s just a layer to their characters, a nuance that offers a glimpse of relatable, everyday humanity in a plot where almost everything else is bombast. Importantly, it also raises the stakes for the audience; knowing they are together gives us a reason to root for them beyond simple “good guy/bad guy” dynamic (which is complicated in a movie where both sides are trying to gun each other down mercilessly), and while we might not be so invested in the film’s overarching plot – do we really care if a venture capital corporation gets its money back from the murderous gangster they lent it to in the first place? – we can at least hope that these two handsome mercenaries will be able to go home to their cats together at the end.

As for the acting, this is not a film that demands anything more subtle than broad strokes from its players, but Cavill and Gyllenhaal, given such rich possibilities for subtext in their otherwise formulaic dialogue, clearly play it up with enthusiasm; they also convey that all-important tenderness – especially Gyllenhaal, who stirs an occasional echo of his “Brokeback Mountain” performance from two decades back. The rest of the cast – with the exception of Fisher Stevens as Salazar’s long-suffering lawyer, and Rosamund Pike as Rachel’s treacherous client – mostly play stock characters, familiar, predictable, and not too deep, but they do it well enough.

All that said, and with or without the gay couple in the middle of it, “In the Grey” is not a very remarkable movie. It’s more clever than smart, and while it benefits from Ritchie’s signature fast-paced, edgy style it sometimes feels repetitive – it’s nothing we haven’t seen before, and even if the setting within the corrupt world of the financial elite might strike a note for some viewers today, it never gets political enough to stir up any kind of fervor.

Cavill and Gyllenhaal, however, are good enough together to make it worth a watch – so why not? After all, brains (and eyes) like candy once in a while, too.

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Calendar

Calendar: July 24-30

LGBTQ events in the days to come

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Friday, July 24

The DC LGBTQ+ Community Center hosts Trans Discussion Group from 7-9 p.m. via Zoom. The Trans Discussion Group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, visit the DC Center’s website

Saturday, July 25

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center will host Black Lesbian Support Group at 11 a,.m. Join the DC Center and the Beta Kappa Chapter of the Beta Phi Omega Sorority for a peer-led support group devoted to the joys and challenges of being a Black Lesbian. For more details, visit the Center’s website.

Sunday, July 26

“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite

Monday, July 27

The DC LGBTQ+ Community Center will host Queer Book Club at 6:30 p.m. This month’s selection is “Uncomfortable Labels” by Laura Kate Dale. The meeting will be held via Zoom.Email [email protected]  for details.

Tuesday, July 28

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as bi individuals in a private setting. Visit Facebook or Meetup for more information.

Wednesday, July 29

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, July 30

The DC Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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