Arts & Entertainment
The evolution of leather
Changes in ownership, location, technology contribute to morphing BDSM scene
There’s a lot of change in the air with the D.C. gay leather community. As Mid-Atlantic Leather Weekend is in town for its annual festivities, we decided to ask around and see if the changes are just coincidental, natural evolution of a maturing scene or indicators of a larger cultural shift of some type.
The bottom-line answer, not surprisingly, is that it depends whom you ask.
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But first, the particulars.

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• The Leather Rack, still gay-owned but under new management, has a new name. Now known as Adam & Eve, it’s still at 1723 Connecticut Ave., N.W. (location of the nearly 40-year-old business since 1991) but is a slightly different shop.
“We felt the name attracts a broader audience, not just gay guys into leather” current owner Russwin Francisco, who bought the business from James McGlade (who’d owned it since 1994), wrote in an e-mail. “We do love gay leather guys and we’ll support the leather community in any way we can. We simply want to ensure that other folks with other sexual fetishes feel as comfortable in our store regardless of gender, sexual orientation or identity. Consequently we are offering women’s fetish wear, toys and accessories along side our men’s [items].”
Francisco is gay, married to a man and has been in Washington for more than 30 years.
McGlade didn’t respond to requests for comment but said in a press release issued when the change became official in November that he was “grateful for our time here as the Leather Rack” and “we wish to thank you for your patronage and endorsement over the years.”
“Jim is a good friend,” Francisco says. “It was a natural transition.”
• As has been widely reported, the D.C. Eagle’s days at its current location at 639 New York Ave., N.W. location are numbered. The most recent official comment was that owners would be there through the end of March via an agreement with the developer of a high-rise office complex that will displace the Eagle and other businesses in the area.
Eagle owners and management staff are being tight-lipped on their plans. Repeated phone calls, e-mails and Facebook messages to Ted Clements, Peter Lloyd and Carl Domer went unacknowledged this week.
Eddie Ortiz, president of the D.C. Boys of Leather, says he sees Clements regularly and though he can’t offer anything official, he understands an announcement is imminent. The Boys have a monthly bar night at the Eagle, as do many of the local gay leather groups.
“I understand the owners do have a location identified, but they haven’t given me a location yet,” Ortiz says. “I think they’re going to announce it over MAL weekend. Ted is the one I talk to a lot.”
David Merrill, who’s gay and DJs the monthly fetish/gear party CODE, says it’s never wise to count the Eagle out.
“We’ve heard rumors of the Eagle’s imminent demise multiple times in the past and, of course, those rumors turned out to be greatly exaggerated,” Merrill says. “I’m certain they’ll open in a new location.”
• The Baltimore Eagle, however, hasn’t been as lucky. It closed last month at its 2022 N. Charles Street location and its fate remains uncertain. The estate of former owner Richard Richardson, who died suddenly in 2007 (he’d purchased it from Tom Kiple in 1995), had been running it in recent years. New owner Charles Parrish did not immediately respond to calls seeking comment.
In the meantime, many in the Baltimore gay leather community have moved over to Leon’s Leather Lounge, known casually as “the Triple L” at 870 Park Ave.
Rodney Burger, president of the ShipMates Club, which had called the Eagle “home” since the bar opened in 1991, said the last night it was open was memorable.
“It is my understanding that the new owner plans to turn it into office space,” he wrote in an e-mail. “How fitting that the last Saturday the bar was open was our ShipMates’ Daddy Christmas benefit. The bar was packed and we raised $3,000 for Moveable Feast. We closed the bar with a bang.”
He also said Triple L owner Ron Singer made “a nice offer” and they plan to continue meeting there.
“I just hope we can get in there to clear out our trophy case and banners,” Burger said later in a phone interview. “There’s the entire history of the Baltimore leather scene in there including banners from some clubs that haven’t existed for 30 years or more. I’m actually having nightmares about losing this stuff — we need to make sure we can get in there and get all that safely out. I hope it’s OK and doesn’t end up in a dumpster somewhere.”
Those active in the Baltimore leather scene say they’re hearing the Eagle could reopen elsewhere, but nothing definite is known.
“I’ve heard everything from three to five months, I’ve heard longer, the rumor mill is full of stuff,” Rik Newton-Treadway, known as “Hooker” in the leather community there, says.
MAL appears to continue thriving and local gay leather enthusiasts say it’s a major highlight of their year and remains popular with both locals and those who come from out of town.
“There’s always a huge percentage of local people at MAL,” Merrill says. He’ll be spinning his “deep house” and “progressive tribal” music at two special CODE parties at the Crucible this weekend. “I think most local guys into some part of the leather scene make it to at least one of the MAL events. There are so many things to do over the weekend — dance events, play events, times to socialize, the cocktails the Centaurs do — there’s a little something for everybody. That’s one of the great things about the leather community — it’s so diverse.”
Ortiz, whose Boys group is having its own free party/dance tonight at 10 in the Congressional Room at the Hyatt Regency on Capitol Hill (the sold-out host hotel), says he “can’t wait to get going and start dancing.” Though married to his partner of 14 years who’s not into the leather scene, Ortiz is in a slave/master relationship with a leather lover in Michigan whom he sees about once a month and who will be here this weekend for MAL.
“It’s such a fun time,” he says. “It’s great to see people you haven’t seen since last year and it gives us a chance to really hang out in our leather, do play scenes in a safe environment, be who we are, make new friends and also see some of the local people who don’t come out as much unless it’s for MAL.”
Ortiz, by the way, says the Boys club, which even has a couple female members, is about having a boy mindset.
“It’s how you identify in your heart,” he says. “It’s who you are on the inside. There’s no certain way it has to be, but it does tend to be more service oriented. You don’t have to be a complete bottom. Boys can top, but it’s about taking care of a dom or having someone be in charge of you and dominating the play scene.”
With trust and communication in his marriage, he says his other relationship is “working out great for us.”
As for the D.C. scene overall, some say it’s just natural evolution.
Woody says it runs much deeper than simply who owns a leather bar at any given time or where it might be located.
“The smartphone has brought with it a lot of degrading factors,” he says. “There are all these mobile apps now — Scruff, Growlr, Grindr — all these things we didn’t have before. Now I can find a trick a half a mile from me with my GPS-embedded tracker and there are people coming up with different websites all the time. … You can order up anything you want, so there are not as many people interested in romance anymore. Yes, there are still softies with good hearts who want relationships and certainly gay men have always had their hook-up side, but I think there’s a higher turnover ratio when everything’s online.”
Newton-Treadway, who says lots of guys from Baltimore come to D.C. for Leather Weekend (“Are you kidding? It’s practically in our backyard — it’s like a giant cheesecake for everybody who’s supposed to be on a diet.”), says the changing leather scene is much deeper and more complex than it may initially seem.
“I think there are aspects of the lifestyle that in a way are becoming more underground, less in your face,” he says. “I think the economy hasn’t helped. The Internet hasn’t helped. It’s many, many, many different things. I would say long gone are the days when a leather bar could count on the gay leather community to keep it open. With everything out there online, you don’t need to go out. Not long ago, there wasn’t any AOL, hell, we didn’t even have cell phones. You had to go out for dick. It didn’t come to you unless you were in the middle of the gay ghetto and sitting on your front porch. So there’s a lot of change occurring and a lot of contributing factors. And even when you do go out to the bars, everybody’s got their nose in their phone. They might even be texting to someone who’s right there in the bar, but they won’t go over and talk to them.”
But the bar scene in the leather world is far from dead. Jacob Pring, who organizes CODE and the XXX parties at Green Lantern and the Crucible, says he sees lots of younger guys coming to his events and gets anywhere from 100 to 150 guys to an average event.
“There’s always new people coming in,” Pring says. “People bring their friends. It’s fun. No attitude, no drama.”
Ortiz says he’s not so sure it’s changing as much as everybody says.
“I still go out,” he says. “I don’t just sit at home online all the time. I know lots of people who go out and support the clubs.”
Merrill says it is changing but it’s futile to pine for the past.
“Every community changes over time,” he says. “It’s not gonna be 1975 forever. I don’t know what things will look like in another 10 years, but I’m looking forward to finding out.”
Theater
‘The Inheritance’ is most-nominated at this year’s Helen Hayes Awards
42nd annual celebration of excellence in local theater set for May 18
Helen Hayes Awards 2026
May 18, 2026
For tickets go to theatrewashington.org
Last year, when out director Tom Story took on the daunting task of directing Round House Theatre’s production of “The Inheritance, Parts One and Two,” he knew that casting would be important, maybe even paramount, to the endeavor’s success. So, Story didn’t mess around.
Penned by queer playwright Matthew López, “The Inheritance” (inspired by E.M. Forster’s 1910 novel “Howards End”) is based on gay culture in the wake of the AIDS crisis.
Story looked at actors he knew, and some he didn’t. He wanted low drama and maybe players who could relate to the LGBTQ experience. In the end, the production’s 13-person cast was entirely queer except for brilliant local favorite Nancy Robinette as Margaret, the wise housekeeper.
Clearly, Story’s vision resonated with audiences. Round House’s production of “The Inheritance” is the most-nominated work of this year’s Helen Hayes Awards, earning 14 nominations. It’s also one of Round House’s highest grossing popular successes ever.
The queer cast members whose ages ranged from about 22 to 60, worked hard and enjoyed the process, and along the way garnered an Outstanding Ensemble in a Play (Hayes) nomination for their efforts.
The ensemble included Jamar Jones as Tristan, a brilliant doctor who leaves New York for Canada after deciding there’s no place for a gay, HIV-positive Black man in America. For the experienced actor, being part of “The Inheritance” was profound: “I think it was a divinely orchestrated production.”
He adds “I really feel that it’s so rare that you get to work on a show of that magnitude…size, time, where virtual strangers genuinely fell into rhythm. We became a cohort. I never felt a sense of unease, or reluctance to try things. I could be as big or bold as I wanted to be; or I could be small. Fail, mess up, try again. I didn’t feel judged.”
Jones considers Richmond his home, but says “I’m based where the work is.” Currently, he’s back at Round House rehearsing “Sally & Tom” (May 27-June28), a play within a play/meta exploration of the relationship between Thomas Jefferson and Sally Hemings by Suzan-Lori Parks.
Jones plays both a contemporary violinist and an enslaved fiddler, parts that have required him to learn to “air fiddle.” He’s all over it: “I want to represent the art and to be as precise as possible. Taught by an instructor, I’ve made strides with movement of the bow; next up is finger placement.”
Will he leave the play a violinist? “I’ll report back on closing night. Maybe I will have added something to the special skills list on my resume.”
For about a decade, Jones worked in living history, interpreting, performing, and writing pieces about the enslaved people of Colonial Virginia. Among the many historical characters he portrayed was Jupiter (Thomas Jefferson’s longtime enslaved manservant), an experience that’s proved a connection and preparation for his current role.
The 42nd Helen Hayes Awards celebration recognizing excellence in professional theater in the DMV will be held on Monday, May 18, 2026 at The Anthem on the District Wharf in Washington, D.C. Named for Helen Hayes, the legendary first lady of Broadway, the program consists of the awards presentation hosted by Felicia Curry, Awa Sal Secka, and Derrick Truby, followed by an after-party at nearby Whitlow’s.
With works selected from 149 eligible productions presented in the 2025 calendar year, nominations were made in 41 categories and grouped as either “Helen” (non-Equity/small Equity presence) or “Hayes” (Equity-heavy).
The many nominations are the result of 49 vetted judges considering 1,997 pieces of work, such as design, direction, choreography, performances, and more. The productions under consideration included 42 musicals, 107 plays, and 33 world premieres.
The following are more of this year’s queer nominees.
A past Helen Hayes Award recipient and nominee, Fran Tapia is competing against herself this year in the Outstanding Lead Performer in a Musical (Helen) category. Nominated for her memorable turn as the diva barkeep in GALA Theatre’s “Columbia Heights Bolero Bar,” an immersive musical centered on songs of longing and immigration set in a diverse neighborhood on the eve of a divisive presidential election
“It was a challenging time, because a lot of what was happening in the show was happening in the neighborhood,” says Tapia who lives in Columbia Heights just eight minutes from GALA.
Based in D.C. since 2019, Tapia says “Being recognized in a country that is not my homeland but where I’m building my artistic home, is deeply meaningful. And the variety of roles I have been able to play speaks to the richness of DC theater and the collaborators who trusted me with these roles.”
Her other individual nomination is for the title role in Spooky Action Theater’s “Professor Woland’s Black Magic Rock Show,” a passionately comedic political satire. She approached the mysterious central character as nonbinary.
Tapia (“Chilean, Latina, queer and proud immigrant”) says while very different, both performances involved particularly strong characters. She’s grateful audiences responded positively to her work.
Stanley Bahorek, who moved to D.C. with his husband four years ago, is best known as an accomplished actor with a long list of Broadway and regional credits (including playing Carl, the gay son in Studio Theatre’s recent production of “The Mother Play”). Now, he is nominated for Outstanding Music Direction (Helen) for his work on “A Strange Loop,” a production of D.C.’s Visionaries of the Creative Arts (VOCA) in collaboration with Deaf Austin Theatre. He shares this nomination with Walter “Bobby” McCoy.
Michael R. Jackson’s Tony and Pulitzer wining play “A Strange Loop,” is the story of Usher, a Black, queer theater usher trying to write a musical. VOCA’s take on the work is seen through a deaf BIPOC lens with a deaf Usher played by a deaf actor (out actor Gabriel Silva). Invited by director and longtime friend Alexandria Wailes (who is deaf), Bahorek (who is hearing) joined the creative team as a sort of hybrid associate director/ music supervisor.
“I’m fluent in conversational American Sign Language (ASL),” he says. “I sort of functioned as a sherpa between the hearing and deaf and hard-of-hearing creatives. It’s been a great thrill to be a part of VOCA’s biggest production to date.”
If he and McCoy take home the prize, who makes the acceptance speech? Bahorek takes a beat before replying “That’s something we still need to talk about. And soon.”
A full list of award recipients will be available at theatrewashington.org on Tuesday, May 19, 2026.
Anthony Oakes will host “DC Black Pride Comedy Show” on Thursday, May 21 at 7 p.m.
Oakes will workshop his new hour about addiction, incarceration, recovery, and redemption with special guests.
This event will be hosted by the hilarious Apple Brown Betty with TJ So Silly, Howl Cooper, and featuring Patrice Deveaux. DJ Art.is will be spinning on the 1’s & 2’s. Libations will be provided by Drink Alchy. Images by RGF ENT. Tickets are $28.52 and can be purchased on Eventbrite.
Out & About
United Night Out set for Saturday
Team DC hosts evening of soccer, Pride, music, drag and community
On Saturday, May 16, Team DC is taking over Audi Field for United Night OUT as D.C. United faces St. Louis SC.
Come out for an evening of soccer, Pride, music, drag, and community. The night kicks off with pre-game fun featuring DC Different Drummers, DJ Heat, and a Pride Night OUT Party at the Heineken Rooftop. Then get ready for a 7:30 p.m. match, including the National Anthem sung by Dana Nearing and a halftime drag performance.
After the match, the celebration continues at the Post-Game Rooftop Party with DJ Heat and the After Party at Dacha Navy Yard. Game tickets and after party tickets are available now through Zeffy. After party tickets are $20 and include one drink.
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