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Calendar through Jan. 31

Sugarloaf Craft Festival, Helen Hayes Awards and more pack a big week

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Berlin Window, Peter Karp, Studio Gallery, gay news, Washington Blade
Berlin Window, Peter Karp, Studio Gallery, gay news, Washington Blade

Berlin Window,’ a work by Peter Karp, will be on display at Studio Gallery in February. (Photo courtesy of Studio Gallery)

TODAY (Jan 28)

Sugarloaf Craft Festival comes to the Dulles Expo Center (4320 Chantilly Shopping Center) today at 10 a.m. and runs through Sunday at 5 p.m. The festival provides opportunities to people to buy works from about 250 local and national artists. Attendees can also enjoy master craftspeople, live music, gourmet foods and interactive family entertainment. For more information, visit sugarloafcrafts.com.

Arcturus Theater Company presents its inaugural production “3 by Samuel Beckett,” a production that showcases three rarely seen Beckett plays: “That Time,” “Embers” and “Rough For Theatre II,” tonight at 7:30. The show runs through Feb. 3 at the D.C. Arts Center (2438 18th St., NW). Tickets are $10-$15. For more information, visit arcturustheater.com.

Special Agent Galactica plays Black Fox Lounge (1723 Connecticut Ave., N.W.) tonight from 6-9. Music includes songs by Pat Benatar, Judy Garland, Stevie Nicks, Nancy Sinatra and Ray Stevens. Admission is free. For more information, visit pinkhairedone.com.

Phase 1 (528 8th St. SE) has its weekly dance party with DJ Jay Von Teese tonight starting at 7:30. Cover is $10. For more information, visit phase1dc.com.

Town (2009 8th St., N.W.) hosts Bear Happy Hour tonight from 6-11 p.m. This event is for people 21 and older. There is no cover charge. For details, visit towndc.com.

The Bachelor’s Mill (1104 8th St., S.E.) has its happy hour today starting at 5 p.m. All drinks are half off until 7:30 p.m. After 9 p.m., admission is $10. The dance floor opens at 11 p.m. with DJ Tim-Nice and DJ Cameron. For details, visit thebachelorsmill.com.

Saturday, Jan. 26

Burgundy Crescent volunteers this morning at Food and Friends (219 Riggs Rd., NE) at 8 a.m. and again at 9:45 a.m. Volunteers will help with food preparation and packing groceries. The shifts are limited to 10 per shift. For more information, visit burgundycrescent.org.

DCTV (901 Newton St., NE) hosts a screening of “Between Women” and “Orange Juice in the Bishop’s Garden,” two new series that focus on LGBT relationships, today at 3 and 5:30 p.m. The event includes a Q&A with producers and cast members. There will be a conversation about visibility, tolerance and various issues facing the LGBT community. RSVP is required. Space is limited but attendees are encouraged to bring up to five guests. For more information, visit thedccenter.org.

Town (2009 8th St., NW) hosts DJ Chord tonight at 10 p.m. DJ Chord has become one Washington’s favorite DJs with gigs in several local clubs including a regular Saturday gig on Town’s main floor. Cover is $8 before 11 p.m. and $12 after. For more information, visit towndc.com.

Green Lantern (1335 Green Court, NW) holds its “Tainted Love: ‘80s Dance Party” at 10 p.m. Cover is $5. For more information, visit greenlanterndc.com.

Sunday, Jan. 27

Metropolitan Community Church of Washington (747 Ridge St., NW) welcomes LGBT Latinos and their friends for a potluck today at 12:30 p.m. Attendees are asked to bring a dish to share. For more information, email [email protected].

Monday, Jan. 28

The Helen Hayes Awards nominees will be announced this evening, with a broadcast beginning at 6:45 in the National Theatre’s Helen Hayes Gallery (1321 Pennsylvania Ave., NW). The Helen Hayes Awards recognize and celebrate achievements in about 80 professional theaters in the Washington metropolitan area. The ceremony can be seen through live webcast on theatrewashington.org. For more information, visit theatrewashington.org.

Whitman-Walker Health (1701 14th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It’s a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. For details, visit whitman-walker.org.

The D.C. Lambda Squares holds an open house tonight from 7-8:30 p.m. at National City Christian Church (5 Thomas Circle, NW). The only square dance club located in Washington, the free open house invites everybody to meet members and give square dancing a try. Experience is not needed. Food and door prizes included. For more information, visit dclambdasquares.org.

Tuesday, Jan. 29

Whitman-Walker (1701 14th St., NW) holds its group Starting Over for Women tonight at 7. The group is for women whose long-term relationship with another woman. Registration is required. For more information, visit whitman-walker.org.

Green Lantern (1335 Green Court, N.W.) hosts its Safer Sex Kit-packing program tonight from 7-10:30. The packing program is looking for more volunteers to help produce the kits because they say they are barely keeping up with demand. Admission is free and volunteers can just show up. For more information, visit thedccenter.org.

Cobalt (1639 R St., N.W) hosts its Flashback dance night with DJ Jason Royce starting at 10 p.m. There is no cover charge. For more details, visit cobaltdc.com.

Wednesday, Jan. 30

Whitman-Walker Health (1701 14th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It’s a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. For details, visit whitman-walker.org.

Lambda Bridge Club meets tonight at the Dignity Center (721 8th St., SE) at 7:30 p.m. for duplicate bridge. Newcomers are welcome and no reservations are needed. For more information or if you need a partner, visit lambdabridge.com.

Pros in the City and the D.C. Center host speed dating for gay men at the Chi-Cha Lounge (1624 U St., NW) tonight from 7-9 p.m. The event combines intimacy and romance with the fast track pace of speed dating. The night consists of dating for one hour and then mixing and mingling for the rest of the night. Forty-eight hours after the event a link will be sent to everybody who attended the event so that they may message each other without disclosing their personal emails. For more information, visit thedccenter.org.

Thursday, Jan. 31

Whitman Walker provides free HIV testing at Miriam’s Kitchen (2401 Virginia Ave., NW) today from 4-6 p.m. For more information, visit whitman-walker.org.

Studio Gallery (2108 R St., NW) opens its gallery “Shadows” by Peter Karp today, featuring photographic images in juxtaposition to found objects, cutouts and geometric shapes, and “Rough/Smooth/Evolving” by Trish Palasik, a play on rough and smooth textures on the surface of figures. The first Friday reception is on February 1 and the artist’s reception is on February 16. For more information, visit studiogallerydc.com.

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Television

ICYMI: ‘Overcompensating’ a surprisingly sweet queer treat

A sweet, savvy show about breaking free to embrace your true self

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Holmes, Benito Skinner and Wally Baram in ‘Overcompensating.’ (Photo courtesy of MGM Amazon)

Pride month 2025 is now behind us, and while it’s safe to say that this year’s celebrations had a darker edge than usual, it’s also true that they came with a particularly rich bounty of new queer movies and shows to entertain us – so many, in fact, that even if we are facing a lull until the fall another harvest of fresh content, there are still plenty of titles – which, for whatever reason, were off your radar – for you to catch up on in the meantime.

One of the most notable of these –  the bingeworthy series “Overcompensating” (now streaming on Amazon Prime) – will most definitely have been ON the radar for the plentiful fans of creator and star Benito Skinner, the actor/comedian who rose to viral fame through his content on platforms like Instagram, YouTube, and TikTok. For anyone else, it might have easily slipped through the cracks.

Created and written by Skinner as a loosely autobiographical “college comedy,” it aims for the kind of raucous, explicitly sexed-up tone one expects from the genre as it centers on Benny (Skinner), newly arrived as a freshman at prestigious Yates University. A former football jock and “golden boy” at his midwestern high school, he’s the picture of idealized youthful masculinity; he’s also deep in the closet, struggling to keep his sexuality hidden and maintain his macho front under the intense scrutiny of the college’s social scene – and under the resentful eye of his older sister Grace (Mary Beth Barone), who has already secured her own place at the top of the pecking order.

In the first episode, Benny’s difficulties are eased when he meets Carmen (Wally Baram), another freshman trying to navigate the politics of college life; a gamer from a home marred by tragedy, she’s an outsider who feels like she’s putting on an act, too, and they click – giving him the convenient “cover” of female companionship while providing them both with much-needed support and encouragement. He’s also befriended by a handsome film major from England (Rish Shah), who has already caught his eye, stirring other kinds of feelings and possibly even reciprocating them. Meanwhile, he’s being courted by the school’s “exclusive secret society” – headed by his sister’s aggressively “alpha” boyfriend Pete (Adam DiMarco) – and trying to stay interested in his studies, despite a growing realization that a career in business doesn’t actually appeal to him all that much.

That’s a lot to juggle for anybody, even an overachiever like Benny – whose “lucky” life so far has largely been the result of playing a role he is finding harder and harder to maintain. As the series goes on through its eight-episode arc, it becomes clear that he’s not the only one who is “keeping up appearances,” and he, along with the other confused and damaged young people in his orbit, begins the painful (but often hilarious) process of evolution that is required in order to become truly oneself.

Directed toward appealing to a younger demographic, “Overcompensating” is the kind of show that requires a few episodes worth of invested time to make an impression that feels like substance. Full of the bawdy farcical antics that go hand in hand with stories about hormonally charged college kids, it’s not above leaning into the formulas and tropes that have always driven these kinds of comedies. At first, while its broadly comedic strokes and frequently explicit sexual hijinks might elicit plenty of chuckles, the show might easily feel tiresome for more mature audiences; there’s a nostalgic fun to it, made even more appealing, somehow, by the “political incorrectness” of its frequently sexist and homophobic humor, but for a while things may feel like an unnecessary attempt to reinvent “Animal House” for the Gen Z crowd.

By the time the season reaches its halfway point, however, things have started to get real. The antics of these horny almost-adults take on a more pointed absurdity, informed by the increasingly tangled web of defensive deceit they weave among themselves – and, as things draw toward a cliffhanger climax, the consequences of maintaining it – until it achieves a sense of empathy toward them all. There’s a wisdom that smacks of lived authenticity underlying the whole affair, transforming it from the “sexploitative” teen comedy of its surface into something deeper. To be sure, things stay expectedly wacky, and the soap-operatic melodrama of its twists and reversals continue to maintain the show’s “mature YA” appeal; but beneath those trappings, by the end of the season a truer identity has begun to emerge, just as its characters have begun to find their own levels of self-actualization for themselves.

As creator, primary writer, and star, it’s obviously Skinner who deserves much of the credit. While it might be tempting, early on, to dismiss the show as an “ego project,” the internet-spawned sensation proves his talents quickly enough to get past such judgy suspicions, delivering a pitch-perfect blend of sauciness and sensitivity that extends its appeal toward both ends of the taste spectrum; just as crucially, he brings the same aforementioned “lived authenticity” to his winning performance – after all, he’s essentially playing himself in a fictionalized version of his own life – while also making sure that equal time (and compassion) is afforded all the other characters around him, each of whom are pushing at the boundaries of their own respective “closets,” too. It’s unavoidable to notice that – like most of his co-stars – he’s plainly a decade too old to be playing a college student; but by the time we reach that crucial halfway turning point, we’ve become too engaged by him to care.

The show is full of excellent performances, in fact. Relative newcomers Baram and Barone offer layers of complex nuance, while the more familiar DiMarco (“White Lotus”) is close to heartbreaking as the toxic BMOC clinging to the illusion of power as his life begins unraveling around him. Other standouts include the mononymic actress Holmes as Carmen’s “wild child” roommate, solidly likable turns as Benny’s parents from mature veterans Connie Britten and Kyle MacLachlan (whose presence, along with stylish elements in several key scenes, hints at an homage-ish nod to the late David Lynch), and podcaster Owen Thiele as an openly gay fellow student who has Benny “clocked” from the moment they meet. Finally, Lukas Gage makes a deep impression as a former high school teammate at the heart of Benny’s most haunting memory.

There’s no official word yet on whether “Overcompensating” will be renewed for a second season, despite the multiple loose ends left dangling at the end of its first; it has proven to be popular, and Skinner’s large fanbase makes it likely that the story will continue. Even if it doesn’t, the place of uncertainty in which it has left its characters rings true enough to serve as a satisfying endpoint.

As for us, we hope that won’t happen. For all its sophomoric humor, generic plot twists, and purposefully gratuitous sexual titillation, it’s one of the sweetest, kindest, and most savvy shows we’ve seen about breaking free from conformity to embrace your true self – and that’s a message that applies whether you’re queer, straight, or anywhere in between.

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Photos

PHOTOS: Independence Day Weekend in Rehoboth

Wicked Green Pool Party, fireworks among festivities

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A fireworks show was held in Rehoboth Beach, Del. on Saturday, July 5. (Washington Blade photo by Daniel Truitt)

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.

(Washington Blade photos by Daniel Truitt)

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Music & Concerts

Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July

The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

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Beyoncé performs on July 7. (Washington Blade photo by Joe Reberkenny)

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.

The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.

Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.

The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:

“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”

Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.

The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.

One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.

A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.

It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.

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