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Former ‘As the World Turns’ actor reflects on career, historic gay kiss

Van Hansis — ex-Luke Snyder on ‘ATWT’ — joins other soap pals for Daytime Pride event June 29

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Daytime Pride
Saturday, June 29
Morning event: 10 a.m.-4 p.m..
VIP dinner: 6:30-9 p.m. 
Human Rights Campaign Equality Center
1640 Rhode Island Ave., N.W.
Washington
$125-375

Van Hansis was just barely a year out of graduating from Carnegie Mellon University when he landed the role of Luke Snyder on “As the World Turns.”

From 2005-2010, Hansis stepped into a role that made TV history and gave the Massachusetts native a sold training ground for his career.

Today, with credits in film, off-Broadway and the long-running web series “EastSiders,” Hansis will revisit his character Luke for Daytime Pride on Saturday, June 29, at the Human Rights Campaign Equality Center.

Hansis will join fellow daytime drama stars Ryan Carnes, Lucas from “General Hospital”; Camryn Grimes, Mariah from “The Young & The Restless”; Greg Rikart, ex-Leo from “Days of Our Lives”; Jake Silbermann, ex-Noah from “As the World Turns” and Freddie Smith, Sonny from “Days.” 

The morning event, which is from 10 a.m.-4 p.m.,  includes autographs, photo ops, panel as well as a meet and greet. A VIP dinner will be from 6:30-9 p.m. at the Mayflower Hotel. Proceeds from the event will be donated to True Colors United, which assists homeless LGBTQ youth.

When Luke was recast in what’s called “rapid aging” in soaps during which the character magically becomes an  adult overnight, Hansis says writers had already decided his character would be gay. Luke would be one of the first male gay soap opera characters. Whether he was uncomfortable or not to play a gay character so early in his career, Hansis knew he had to take it.

“When you’re an acting , to get an recurring role a soap opera —  that was kind of my first on-camera professional job — I was not in any place to turn anything down,” he says during an interview from his homebase of New York City. “Luke was such a rich character and such a wonderful experience I ended up having for five years. It was a blessing.”

The role would earn Hansis three Daytime Emmy nominations.

“He was kind of a brat, but I really liked him,” he says of his character. “His heart was totally in the right place. I played the character for five years, and he grew up into a shipping heir. He was a good kid with a sweet heart who I think was also a little bit self-righteous and self-obsessed, but in spite of some of his negative qualities, he was still a human being. He was just a nice mix. He felt real to me. He felt like a real person.”

And to gay fans across the nation, Luke became one step closer to acceptance. On Aug 17, 2007, the first-ever gay male kiss on American television was aired, which was Luke and Noah Mayer (played by Silbermann, who will also be at the event) on “ATWT.” Luke and Noah shared the first-ever on-screen gay male kiss on an American daytime drama on Aug. 17, 2007.

One of Hansis’ favorite storylines was when Luke and Noah met. Another was when Luke was an alcoholic for a while, also when he got  kicked out of college. 

“I liked playing him when he was being bad,” he says.

Although Luke came out in 2007, Hansis waited until 2014 to officially come out to his fans during an interview about “EastSiders.” Openly gay in his personal life, Hansis says he was apprehensive about outing himself so early in the career, afraid that he might be stereotyped. 

“Back when I started with Luke, and it being my first thing, a lot of people who were telling me, ‘Don’t come out publicly,’” he says. “Even back then, it was a different world, sort of. It was not like it is today, especially for an actor. If you come out gay, you’re only going to play gay for the rest of your life.”

Although it’s well-known that he has been in a relationship with Broadway star Tyler Haines since 2007, Hansis said he likes to keep his private life as private as he can.

“In retrospective, I wish I had come out earlier publicly, but I was out in my private life,” Hansis says. “Even to this day I keep my private life pretty private. I do social media, but I don’t do it a lot. I really try to choose what I put out there about my life because even though I have a public career, I am a private person. I want to stay that way.”

When he came out, he felt like things had changed and “I gave less of a fuck.”

This Daytime Pride event is the second one Hansis has been since “ATWT” ended eight years again.

“It’ll be interesting to try to relive all that stuff. I probably should try to watch it to help remember what I did,” he says, noting it will be nice to see Stilbermann who has remained a good friend. “It’ll be nice to get together a lot of gay characters. What I like is that it’s specific, it’s not just on a soap opera, but a gay character on a soap opera.”

Since leaving “ASWT,” Hansis has had a varied career. He was cast in 2012 on the dark comedy web series “EastSiders,” which he was also nominated for a Daytime Emmy. The show will enter its fourth and final season this year.

Hansis is proud that he was able to be a part of what has become an iconic LGBTQ role.

“It was a big deal back then. I think almost soap from then on has gay characters now,” he says.

In addition to acting, he has directed a web series called “Ms. Guidance” that has been submitted to several festivals. He also teaches at MN Acting Studio in New York City.

Although a regular at New York Pride, this will be his first time doing anything Pride-related in Washington. 

“I plan to do (this event) on Saturday, then Pride in New York on Sunday,” he says. “Then Monday, I’m taking a vacation.”

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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