Arts & Entertainment
‘Orange is the New Black’ back with riveting final season
Hit Netflix show changed TV forever in multiple ways

Sometimes the hype is true. When the first 13 episodes of “Orange Is the New Black” dropped on July 11, 2013, it changed the way Americans watched television and the role of women in the broadcast industry, both onscreen and behind the cameras.
Now that the seventh and final season has dropped, it’s time to look back on the tremendous impact the series has had and take a spoiler-free look at the “Beginning of the End” as episode one of the last season is titled.
When the series launched, Netflix was a fledgling streaming service best known for shipping DVDs to your home in red envelopes. With the critical and popular success of “Orange,” Netflix became a major Hollywood player producing television series and eventually movies that earned nominations and trophies from such prestigious organizations as GLAAD, GALECA, the Golden Globes, the Emmys and more.
The show also helped to popularize the concept of “binge watching.” Fans spent entire weekends watching every episode of the first season and the way we watched television began to change.
“Orange” also broke new ground with its realistic portrayal of life in a women’s prison and its treatment of serious social issues. Over the course of the first six seasons, the show explored mass incarceration and the rise of the private prison industry; the tension between punishment and rehabilitation; staff corruption and guard brutality; prison overcrowding and funding cuts; substance abuse; violence against women; the terrible impact of solitary confinement; white privilege, white supremacy, institutionalized racism and the Black Lives Matter movement; and the #MeToo Movement.
In season seven, series creator Jenji Kohan takes on a new issue: the inhumane brutality of ICE detention centers. The detention center is run by the same corporation that runs the prison, but conditions there are even worse. The detainees have even fewer rights than the prisoners and limited contact with friends and family. As one detainee realizes, “nobody knows where we are.”
“Orange” also made great strides in the employment and representation of women in television. The casting of trans actress Laverne Cox as inmate Sophia Burset was a historic move that made Cox into a star and an important trans spokesperson. The casting of comedian Lea DeLaria as Carrie “Big Boo” Black was a milestone in the representation of butch lesbians, especially when she brandished a dildo on screen.
Overall, the cast included a rich spectrum of women of different races and ethnicities, sexual orientations and gender identities, ages, socio-economic classes and cognitive abilities. The show also explored a wide variety of life-affirming sexual and platonic relationships between women and celebrated the power of female resilience.
In addition, Kohan also emphasized hiring women to write and direct many of the episodes (several of the shows in later season were directed by cast members). The writing throughout the series was first-rate. Kohan and company craftily used flashbacks to fill in character backstories (and to move the action outside of the prison walls). They also effectively used a delicious dark sense of gallows humor to help lighten the heavy material. The direction was smooth and assured, gliding effortlessly between the various characters and plotlines.
Long-term fans of the show will have no trouble gliding into season seven, which picks up where season six ended. Piper Chapman (Taylor Schilling) has been released on parole but remains in a long-distance relationship with inmate Alex Vause (Laura Prepon). She’s living with her New Age brother Cal (the very funny Michael Chernus) and is having trouble paying for her monitoring devices while working a dead-end job.
With the help of “Pennsatucky” (Taryn Manning), Suzanne “Crazy Eyes” Warren (the dazzling Uzo Aduba) tries to reconcile with her old friends Cindy “Black Cindy” Hayes (Adrienne C. Moore) and Tasha “Taystee” Jefferson (Danielle Brooks). Gloria Mendoza (Selenis Leyva) and Galina “Red” Reznikov (the magnificent Kate Mulgrew) find themselves working in a different kitchen facility.
There’s also lots of turnover and turmoil with the prison staff and their families.
Finally, fan favorites Diane Guerrero (as Maritza Ramos) and Laura Gómez (as Blanca Flores) return as former inmates who are detained during an ICE raid.
If you didn’t watch the first six seasons (and don’t have time to binge-watch over 80 hours of previous episodes) can you start “Orange Is the New Black” midstream? The answer is a resounding yes. The large cast and overlapping plot lines an be daunting at first but it’s easy to read up on the backstory online.
For fans old and new, the seventh and final season of this ground-breaking series is well worth watching. The show digs deeply into some of the most troubling issues of these turbulent times and asks difficult questions that we all must grapple with.
As Suzanne asks, “Do I deserve to be here?” Or, as Gloria and Red discuss, “How do we get back to who we were before?”
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)















