a&e features
Sasha Velour on her current tour, ‘Drag Race’ successors, life on the road and more
Season nine champ takes the road less traveled with solo show ‘Smoke & Mirrors’

Sasha Velour’s Smoke & Mirrors
Monday, Nov. 11
8 p.m.
Lincoln Theatre
1215 U St., N.W.
$35-12
Package tours of “RuPaul’s Drag Race” alumni are thriving with various lineups as the show’s popularity continues to soar. The “Werq the World Tour,” for example, which played D.C. two weeks ago, features winners of three past seasons: Yvie Oddly (season 11), Aquaria (season 10) and Violet Chachki (season seven).
But Sasha Velour, the season nine winner who identifies as genderqueer, is staking out her own path. Her one-queen show “Smoke & Mirrors” plays Washington Monday night and continues through Nov. 30. She spoke to the Blade Tuesday by phone from Kansas City, Mo. Velour’s comments have been slightly edited for length.
WASHINGTON BLADE: How’s the tour going?
SASHA VELOUR: Oh my gosh, it’s going amazing. The last show we did in Chicago was sold out, packed with local drag artists and the performances themselves have just been going so well, we’re thrilled.
BLADE: Does (partner) Johnny (Velour) travel with you?
VELOUR: Yes. I mean Johnny is kind of an important part of the show. He presses all the buttons that keep the multi-media aspect running well … and we’re traveling with our dog throughout the country and beyond so it’s good to have a little downtime together.
BLADE: Are audiences different? Do you sense any difference between a Texas audience vs. Pittsburgh, for instance?
VELOUR: Um, it’s slight differences but actually mostly I’m shocked by being in places I would never have thought of as queer friendly and looking out and seeing hundreds of people standing, screaming for drag expression. It gives me a lot of hope that there’s so many like-minded audiences throughout the world that are, like, accepting of people however we want to express our gender as long as we’re doing it over the top beautifully, spectacularly, I think that’s kind of the unifying thing is that it feels like we built a little alternate world over the course of one “Smoke & Mirrors” performance. and everyone comes in and by the end if just feels like people are overflowing with feelings. It has that community vibe.
BLADE: But have you felt you had to win them over a bit more in some markets or anything like that?
VELOUR: No, not at all.
BLADE: Do you like the execution/performance or the design/planning of a show better?
VELOUR: I enjoy them both. I’ve always been a planing queen. I used to plan these epic performances that were taking place in dive bars while I was on my commute every morning on the subway to and from work. And then have no rehearsal and bring it to life in the moment, and now we get a little bit more of a full creative process now, we get rehearsal time, I’ve been able to workshop this show for almost a year. So it’s a different style now, the planning process if over and I get to fine tune the performance which is a real privilege. With drag performers, so often we’re doing a pop-up performance and then on to the next thing. SO it’s been really great to be able to be so careful with my own art work and I feel like I’m better technically at a lot of things than I was when I started doing drag. It’s nice to see that change.
BLADE: What’s the biggest logistical hurdle of touring this show?
VELOUR: Honestly caring for the costumes and wigs. It’s 13 different performances and somehow, even though I barely step off stage, there’s a different look for every number, I designed a different world for every number. The scenery changes with a projector so that’s easy, all you need is a computer, but for the costumes and the wigs, half of the things are white velvet which is one of the hardest to take care of, but it projects onto beautifully which is such an important part of the show so thankfully I have a fabulous person traveling with me Monica helping me (with) things, helping me spray seven different wigs, and is backstage helping me in the real act of “Smoke & Mirrors” which happens in the wings of the theater as we rip clothes off me, put them back on, dab sweat off the back of my ears, that’s the real magic trick, keeps us on our toes.
BLADE: Do you have duplicates? How do you keep stuff from getting sweaty and gross when you’re traveling?
VELOUR: I have one body suit, I wear against my skin for about half the show, I just have a duplicate of that finally so I can switch them in and out. I actually like washing my costumes myself. I have a particular way that I do it where I let them soak in different little bowls around my hotel room so I’ll do that every time we have a day off, my biggest classic costume trick is you gotta spray everything with vodka immediately after walking off stage. It sounds like a great party trick, it’s helpful to have a little spray bottle of vodka near you when you’re performing in drag too because one for the costumes, two for the mouth and that sanitizes, keeps things smelling fresh and clean. It’s an amazing wardrobe trick.
BLADE: Do you ever feel like you’re missing out on the “Drag Race” post-show experience by touring solo? So many of the queens tour together, they go back for “All Stars.” Do you ever feel out of the loop?
VELOUR: It’s complicated. I really enjoy, I do miss getting to travel with other drag artists. It’s something that other people who’ve been through this crazy experience of RuPaul’s Drag Race do have in common that makes it nice to travel together, share experiences and horror stories and fantasies and all of the above, but it’s been a pleasure getting to be the lead producer on this project and even though it really means I have to be a lot more serious than I used to be about drag, it’s ultimately a really, really good thing. I’m just able to customize the stage show for my specific way of performing and learning how to do that and how to pull all those strings behind the scenes, that often, that information is sometimes kept from the drag performers themselves or we have to learn it the hard way, but hopefully those are skills that I can continue to use and share with other people.
BLADE: Does Nightgowns (Velour’s monthly New York show) go on hiatus when you’re on tour?
VELOUR: Yes. We used to fly back and put it together in a single day and recently Nightgowns has gotten so ambitious and complicated in itself that we’re tying to do more select shows throughout the year rather than a monthly pop-up. It’s getting a little unsustainable but I’m excited to return to it.
BLADE: Did your recent staph infection, surgery and the recovery process give you any existential crisis? What did you think about during your recovery period?
VELOUR: That’s an existential crisis I have every day. (laughs) I’m mostly kidding. Yeah, it was it put a lot of things into perspective. A reminder of things that I have taken for granted in my life and health and a support system, for the most pressing things cannot be something that you take for granted. Focused on art and career and fame and Instagram followers — none of that really matters in the long run. Health and thriving and family does and I feel like I’m trying to find a balance. In an ideal world, those worlds support each other, that’s what I’m trying to get.
BLADE: Did you watch seasons 10 and 11 of “Drag Race”?
VELOUR: I love “Drag Race” so I always follow it. Sometimes all the work room talking is a little much for me. I remember too well so I can piece apart how it’s constructed and it drives me crazy, so I often just get to the best part which is the challenge on the runways, that’s my favorite half hour.
BLADE: Are Aquaria and Yvie worthy successors to you?
VELOUR: Absolutely. I think they’re both so interesting. It’s exciting to see. “Drag Race” is just so big, the audience is so huge, it’s great to see other how many people can benefit from this phenomenon. It’s never just the winner. I know this myself — it’s really all about what you do with the opportunity. So many people, esp. the people who go far on the show, get asked … the opportunity that is so rare, such a privilege in the world of drag. I’m always curious to see what people do with it. That’s ultimately what I look for, not how they do on the show but what they do after.
BLADE: Do you ever see RuPaul? I know he’s busy with a million different projects, but has he ever reached out since you were on and offered any affirmation?
VELOUR: Oh my gosh, it’s so funny, I actually had a very beautiful run in with RuPaul on the street about a year ago in Los Angles and I just ran into traffic to see RuPaul and we just had such a nice conversation, just away from the cameras and away from all the phenomenon, I just really thanked him for this huge opportunity and I tried to tell him about how I tried to really follow in his footsteps and continue to kind of spread the good word of drag in all these communities so it was a really nice moment.
BLADE: Did he say anything nice or act like he was glad to see you?
VELOUR: Yes, absolutely. It was funny. I had on really really tall shoes, like giant platform sneakers so I was pretty much the same height as him for the first time than we had ever previously been. I’m significantly shorter than him, so he was like very impressed with my height.
BLADE: There was a lot of drama on your season with Valentina, Farrah Moan, Aja, Nina and others. That reunion was especially bitchy. Did you ever feel you were being sucked into any of that?
VELOUR: We had a funny combination of people of different ages on our season so there was kind of like the 23 group, that had their own style of dealing with the stress of the competition, and the early 30s group that had our own way of doing it. So I think it was more natural personalities and experience kind of put us in those different categories. I love those girls and I love being around other drag performers and even when they start acting dramatic and have problems with each other it’s all part of the work.
BLADE: What are your plans for Thanksgiving and Christmas?
VELOUR: Thanksgiving, our plans are not totally set. It’s right in the middle of the tour, so we might end up having a dinner with the entire crew which is our sort of family on the road. Once it reaches December, Johnny and I are gonna like crawl into a cave and disappear. To recover from this incredible journey.

a&e features
Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers

ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (she/they)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
a&e features
D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
a&e features
‘Queer Eye’ star Dorriene Diggs on life before and after appearing on hit show
Emotional January episode highlighted 40-year love affair with partner
Dorriene Diggs, 70, whose 40-year relationship with her domestic partner, Diane until Diane’s passing in 2020, the couple’s tense relationship with their respective parents, and Dorriene’s current living arrangement with her straight sister Jo, were the focus of a final season episode of the popular TV series “Queer Eye.”
In a recent interview with the Washington Blade, Diggs told of how her appearance on the show has impacted her life. She elaborated on the many aspects of her life experiences that she told to the five “Queer Eye” co-hosts who interviewed her and her sister in their D.C. home.
Although her parents and her partner’s parents, who have since passed away, were not accepting of their relationship, Diggs has said most of her family members at this time reacted positively to her appearance on the show.
“They loved it,” she told the Blade. “Yes, everybody that saw the show called me and said they loved the show, they really enjoyed themselves watching it.”
Through an arrangement with D.C.’s Rainbow History Project, the “Queer Eye” show featuring Diggs and her sister was presented in a special screening on a large video screen at the D.C. History Center in January.
“Dorriene, a 70-year-old Black lesbian living in Washington, D.C., had spent decades building a life with her partner while navigating silence within her own family,” a “Queer Eye” statement announcing the episode on Diggs states.
“The Fab Five did not arrive to introduce Dorriene to herself, but to help ensure her story was finally heard in full,” the statement says.
Blade: Can you tell us how your appearance on the “Queer Eye” program came about? How did they find out about you?
Diggs: You know, I still don’t have all the details. I think it was my niece, Missy. And she knows somebody there from “Queer Eye.”
Blade: So, did you first learn about it when someone from “Queer Eye” contacted you?
Diggs: No, the “Queer Eye” guy knocked on my bedroom door and started talking. I was in my bedroom watching television and the next thing I know my door opened up and there was Karamo [Karamo Brown, one of the “Queer Eye” co-hosts] with his big black cowboy hat on, opening the door grinning. … They contacted Jo first. And when they came here, they realized there was a gay woman in the house, too. Because my name was not mentioned at first. After they came here, they learned about me, because when Missy reached out to them, she reached out to them about Jo. But that doesn’t bother me. This was all about Jo in the beginning, and not me. … They started talking to me and Jo. And he said, Dorriene, ‘you’ve done so much for so many people, it’s time for someone to do something for you.’ That’s what they said. He said, ‘this is the day we’re doing it for you.’
And so, they put me and my sister up in a hotel for a week. They gave us a personal driver to take us anywhere we wanted to go. And then they took us to a bunch of places. We didn’t know why they were doing all of this. We had no idea that they were renovating the house and renovating our bedrooms. We had no idea.
Blade: What was your reaction when you saw the home renovation?
Diggs: It was amazing. And they bought us all new complete wardrobes – clothes, shoes. But most of the stuff they got me I gave away to a women’s shelter. But it was so nice. Actually, to meet the guys. I’ve been watching the show for 10 years. I have watched it from the beginning. And actually, it brought me and my sister closer – really. We’re closer now than we’ve ever been. She’s my baby sister – not the baby, but next to the baby. She’s the younger one.
Blade: What has been the reaction to your appearance on the show? Do more people now recognize you?
Diggs: Yes, yes. I’m getting phone calls and it’s almost like I’m a celebrity. And I don’t want people to make a fuss over me. All the things I did I did from the heart. I really did. And I don’t want people to think I’m more than I am. I’m just a good Christian woman that believes in giving back.
And I do. God gives me help giving. That’s what I do. And I don’t want anything in return from anyone. You know, because I know what it means to not to have. I know what it means to go to bed hungry, with no food. Going to school with holes in your shoes. I know that. I know that feeling. I’ve been there. And I promised myself as a kid I would never live like this again. And when I got bold enough to leave home, I left home at 14, and I moved in with a drag queen. Damen was his name.
Blade: Did your appearance on the show change your life and your relationship with your sister?
Diggs: Yeah, yeah, it actually did. We are actually closer now than we’ve ever been. Because, like I said, I moved away from home early and I never went back. My parents had a problem with my lifestyle. They really did. My mom looked at me with such hatred. When I was old enough to say goodbye, I never looked back. And to come back around now in the last few years after Diane died, that’s when I came back here.
And at one point I stayed with my nephew Todd and his wife – but he got killed in a car accident. I couldn’t stay at his house anymore. So, then I called Jo and told her I need to get out of here. And without hesitating she came and picked me up and brought me to her home. And I’ve been here ever since.
Blade: Can you tell a little about when it came about and how you met your partner?
Diggs: We lived on 18th Avenue in condos. I just bought one. Hers was above mine. I bought the bottom one. When my brother came over, she was getting out of her car. She was driving a Vega. And I turned to my brother and I said – this is the God’s honest truth – I said Keith, that’s the woman I’m going to spend the rest of my life with. Just like that. And he started laughing. He said, girl you’re crazy. I said I know I’m crazy, Keith, but I’m telling you that woman right there is who I’m going to spend the rest of my life with.
Blade: And when was that?
Diggs: It was 1980 actually. And then I started going to the laundry room to do my laundry. So I started talking to her. She said, ‘I’m not speaking to you.’ Isaid ‘why not?’ She said ‘because you’re nothing but a female gigolo.’ And I said I’m not dating anymore. I’m waiting for you. ‘No, you’re too fast for me.’ I said, ‘well, I’m not giving up.’
And I didn’t give up. So, I was playing an album one day and she knocked on the door and asked what I was playing, I think. I said you liked that. She said yeah. I said OK, I’ll bring it upstairs and we can listen to it together. So, when I went up there to her apartment that day and whenever I went up there, I never left.
Blade: So, your partner’s name was Diane?
Diggs: Yes, Ruth Diane Robinson. But she hated the name Ruth. So, the only people who called her Ruth were at work, the people she worked with. Everybody else called her Diane.
Blade: And how many years were you together?
Diggs: Forty. Forty years together
Blade: And where were you living with her most of the time?
Diggs: We lived in Hagerstown the longest, Hagerstown, Md. And so, if Diane hadn’t died I probably still would have been in our house in Hagerstown.
Blade: Can you tell me a little about what you were doing career wise during those years?
Diggs: I do computers. I used to do computers. And before that I cooked. I love to cook like my mom. And then I wanted to do something else. So, I taught myself computers. I taught myself how to build computers and stuff. So, then I got my own computer business called Ida One Computer Consulting. And so, we helped build computers for people.
Blade: Around when was this, in the 1980a or 1990s?
Diggs: Yes, in the 1980s. I think I stopped I would say around ’96, when I stopped. Because we both said we were going to retire at 55. And we did. We both retired at 55. And then she started diabetes. Every day I had to give her an injection because she was afraid of needles. She couldn’t give it to herself. So, I had to give her an injection every day One time, I don’t remember when, she had a mild stroke. And I had to take care of her. I’ve always taken care of her. And I don’t regret it. I never regretted it. It’s taking care of the one you love.
Blade: When was it that she passed away?
Diggs: In 2020. I found her on the kitchen floor.
Blade: How did your family and your extended family react to your relationship with Diane?
Diggs: Well, her family, oh my God, they hated me – her mother the worst. Because I put a stop to them treating her really bad. I told her mother – I said never in my life – my mother raised me well. Never disrespect someone’s mother. I said but this time I’m going to disrespect you because you are going to start treating Diane like you ought to. This is a wonderful woman and you and your son and you it’s always about your son. You never, ever say anything good about your daughter.
I said it isn’t going to happen again. You’re never going to disrespect her again. I said you take a damn good look at her because you’ll never see her again. I meant that. I grabbed Diane. I said it’s time to go. They don’t care about you.
Blade: Can you tell a little about your family?
Diggs: Yeah, I’m a triplet sister. So, it’s Dorriene, Chorine, and Chrissy — we are the triplets. So, my mom had a set of twins and a set of triplets within nine months. One of the twins died at birth. So, the other twin is Margaret.
Blade: So then how did your family react to you and Jo being on “Queer Eye”?
Diggs: Most of my family really had no problem with it.
Blade: Were you out to them?
Diggs: Oh yeah. I was never in the closet. I didn’t give a damn what people felt about me, sweetheart. I really didn’t. I didn’t care. Because I was going to be me. And for people who didn’t like it, I wasn’t living for them, I was living for me. I’ve always been out. I had a brother who was also gay, Marvin. God rest his soul, too. But he stayed in the closet. He was in the closet until he was about 55 years old.
But everything I said on the show was the truth – my account. The things that I went through with family … You can’t tell me how I felt. If they try to make mom and dad out as perfect, they weren’t perfect. They were the worst parents. That’s my account of it.
So yes, everything I said on that interview was the truth. That’s one thing people who know me know – I do not lie.
Blade: What are some of the things you like to do these days?
Diggs: I’m a sports lover. I love sports. So, my baseball season is getting ready to get started. Baseball is my favorite sport. Yes, I love baseball. I like the statistics of it. And watching the guys. I wish they had a women’s professional baseball team, honestly. … I’m a D.C. sports fan. The Wizards, the Nationals, the Mystics, the Caps. … And see, I’m a diehard Redskins fan and I refuse to call them the Commanders. They’re the Redskins. They will always be the Redskins to me. I love my sports teams.
Blade: Can you tell a little about the history of the house where you and Jo now live and where they did the filming of the “Queer Eye” show?
Diggs: Jo had a house on 17th Street, I think it was Northeast because it was over there by H Street, N.E. And I think somebody wanted to buy her house. I don’t know why she moved. So, she found this house. Because she wanted to buy something where she could buy a house straight out. She didn’t want a mortgage on another house.
Blade: What are your thoughts on being on the last season of “Queer Eye?”
Diggs: Yeah, we were the last ones. We took it out with a bang, me and Jo. That was it.
Blade: Can you say how you and Jo appearing on the show impacted your life?
Diggs: I don’t know. I’m the same person. I’ve been getting calls from people saying I saw you on the show. And friends who I haven’t seen in years have been calling. … So yeah, the show, people I haven’t seen and talked to in years have been calling. I think that’s a good thing.
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