Arts & Entertainment
Oscar noms 2020: ‘And the loser is… diversity’
After 2019’s record year of inclusion for LGBTQ and LGBTQ-themed nominees, it looks like Oscars 2020 has taken a huge step backward.
Announced Monday morning from the David Geffen Theatre at the new, yet-to-be-opened Academy Museum in Los Angeles, the list of nominations for the 92nd Academy Awards contained few surprises, aside from a few notable snubs, but is nevertheless noteworthy not only for a shortfall in LGBTQ inclusion, but also for a general lack of overall diversity.
Of the twenty acting nominees, none identify as LGBTQ, but Margot Robbie, nominated for Best Supporting Actress for “Bombshell,” and Antonio Banderas, who made the Best Actor category for his performance in “Pain and Glory,” both portray LGBTQ characters. Only one acting nominee – Cynthia Erivo, nominated for her starring role in the film “Harriet” – is a person of color (Banderas, who is of Spanish descent, is classified by US Census guidelines as “European”). No women were nominated in the Best Director category, and only one of the nine Best Picture nominees was directed by a woman – Greta Gerwig, for “Little Women.” In addition, the majority of the nine nominated films are dominated by male characters, with only “Little Women,” “Marriage Story,” and “Parasite” featuring women among its central cast. In the two screenplay categories, only two women received nods: Gerwig for “Little Women,” and Krysty Wilson-Cairns for co-writing “1917” with director Sam Mendes. “Pain and Glory,” directed by openly-LGBTQ filmmaker Pedro Almodóvar, scored a nomination as Best International Feature.
The lack of diversity in this year’s list of nominations is made even more glaring by several of its omissions:
- Notably left out of the final cut were Latina actress Jennifer Lopez, who was widely expected to score a nod for her performance in “Hustlers.”
- Recent Golden Globe winner Awkwafina, the Phillipina-American rapper-turned-actress who starred in Lulu Wang’s acclaimed mixed-language film, “The Farewell,” was shut out of the Best Actress category, and the movie itself failed to score a slot in the Best International Feature category.
- Former Oscar-winner Lupita Nyong’o failed to garner a nomination for her strong performance in Jordan Peele’s “Us.”
- Bong Joon-ho’s “Parasite,” which earned the rare distinction of being nominated as both Best Picture and Best International Feature, also failed to earn nods for any of its Korean cast, including Song Kang Ho, who was thought to be a likely contender for Best Supporting Actor.
- Actor Jamie Foxx, another favorite for his supporting performance in “Just Mercy,” was snubbed in that category.
- Besides the snub for Gerwig in the director category, strong female contenders Wang (“The Farewell”), Marielle Heller (“A Beautiful Day in the Neighborhood”), Lorene Scafaria (“Hustlers”) and Alma Har’el (“Honey Boy”) were all shut out. To date, only five women have been nominated as Best Director – Kathryn Bigelow (“The Hurt Locker”), Lina Wertmüller (“Seven Beauties”), Jane Campion (“The Piano”), Sofia Coppola (“Lost in Translation”) and Gerwig (“Lady Bird”). Bigelow is the only woman to have won the award in the Academy’s 92 year history.
- Even Beyoncé, considered a shoe-in for a Best Original Song nod with “Spirit” from Disney’s remake of “The Lion King,” was overlooked.
- Also raising eyebrows was the omission of Eddie Murphy in any category for his well-received Netflix film, “My Name is Dolemite,” or former Oscar-winner Ruth Carter for its costume design. In addition, there was a surprising lack of recognition for the Elton John biopic “Rocketman” or its star, Taron Egerton, which failed to earn nominations for Best Picture or Best Actor despite both having been heavy favorites for inclusion in those categories. “Rocketman” did receive a nomination for John and longtime collaborator Bernie Taupin in the Best Original Song category, for “(I’m Gonna) Love Me Again.”
There was an inescapable irony evident in the Academy’s choice of Asian-American actor John Cho and actress of color Issa Rae to announce the nominees at this morning’s event. After the pair read off the names in the Best Director category, Rae quipped, “Congratulations to all those men.”
The film with the most nominations was Todd Phillips’ “Joker,” which received 11 total nods. The first comic book film to lead the race in nominations, Phillips’ movie has been controversial for its portrayal of the iconic “Batman” villain, drawing criticism for glamorizing “incel” culture.
Following “Joker” in total nominations are “The Irishman,” “1917,” and “Once Upon a Time… in Hollywood,” with eight each. “Jojo Rabbit,” “Little Women,” “Marriage Story,” and “Parasite” each received six. Each of the leading films are contenders for the Best Picture category.
The nominations are determined by Academy members who vote in their own categories – with actors nominating actors, directors nominating directors, etc. – while the final winners in all categories are chosen by vote from the entire Academy membership. The Oscar presentation will take place on February 9, 2020, to be televised by ABC. For the second year in a row, the ceremony will not have a designated host, but will split hosting duties among individual presenters.
For a complete list of nominations, click here.
Photos
PHOTOS: Taste of Point
Annual fundraiser held for LGBTQ youth scholarship, mentorship organization
The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.
(Washington Blade photos by Michael Key)
Theater
Miss Kitty tackles classical mythology in ‘Metamorphoses’
Folger production seen through the lens of the African diaspora
‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.”
She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.”
Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill.
At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.”
The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds.
In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name “Miss Kitty” was born over a decade ago.
Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”
Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her.
“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.”
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before?
Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
It’s her first time nominated and first time attending. She’s thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.”
Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.
“Having an all-Black ensemble opens all new worlds for everyone.”
Las Vegas, known for its vibrant and inclusive atmosphere, embraces LGBTQ culture with open arms, making it a thriving hub for the community. Iconic events like the annual Las Vegas Pride Parade and Festival bring together people from all walks of life to celebrate diversity and unity. The 2024 Las Vegas Pride festival is scheduled for Oct. 12, so start planning now.
The city’s commitment to inclusivity is reflected in the diverse range of LGBTQ-friendly accommodations, ensuring that visitors feel welcome and respected. Beyond the nightlife, Las Vegas hosts a variety of LGBTQ-focused community organizations, support groups, and cultural events that contribute to the rich tapestry of the city’s inclusive ethos. Whether exploring the famous entertainment offerings or participating in community-driven initiatives, LGBTQ individuals and allies alike find a warm and accepting home in the vibrant tapestry of LGBTQ culture in Las Vegas.
Ever since I was young, I have always wanted to stay at Bellagio. Its iconic foundations have fascinated me for decades. The hotel stands as an epitome of luxury and sophistication, offering an unparalleled experience that seamlessly blends opulence, entertainment, and fine dining. From the moment you step into the grand lobby, it’s evident that Bellagio is committed to providing a world-class stay, especially when you glance at the ceiling adorned with Chihuly glass sculptures.
I stayed in a recently renovated room in the Spa Tower with an unobstructed view of the Vegas Strip and the fountains. The attention to detail is evident in the tasteful decor, plush furnishings, and modern amenities. Beginning at 3 p.m. on weekdays and noon on weekends, the choreographed water show set against the backdrop of the Las Vegas Strip is a mesmerizing display of artistry, combining music, light, and water in perfect harmony. It sets the tone for the exquisite experiences that await within Bellagio.
Bellagio is also home to the famous Conservatory and Botanical Gardens, a lush oasis that undergoes seasonal transformations, displaying stunning floral displays and thematic installations. This botanical escape provides a serene contrast to the lively atmosphere of the casino and the bustling Strip. During our stay, the staff were completing the new springtime exhibition, which gave us Alice in Wonderland vibes.
For those seeking entertainment, Bellagio offers the spectacular “O” by Cirque du Soleil, a water-themed extravaganza that complements the hotel’s overall theme. Bellagio Gallery of Fine Art is another cultural gem within the hotel, featuring rotating exhibitions that display masterpieces from around the world.
Although it is possible to never leave the hotel, we wanted to experience other MGM Resorts properties, so we headed to LPM at the Cosmopolitan of Las Vegas for dinner. LPM offers an exquisite dining experience that effortlessly marries Mediterranean charm with the vibrant energy of the Strip. From the moment you step through the entrance, you are greeted by an ambiance that strikes a perfect balance between sophistication and conviviality.
LPM’s interior is a visual feast, adorned with chic decor, warm lighting, and an intimate atmosphere. The combination of contemporary design elements and classic French accents creates a welcoming space that feels both elegant and comfortable. Whether you’re celebrating a special occasion or seeking a romantic dinner, LPM’s ambiance sets the stage for an unforgettable dining experience.
LPM’s menu is a culinary triumph, highlighting the rich and diverse flavors of the French Riviera. The emphasis on fresh, high-quality ingredients is evident in every dish. We began our meal with a variety of appetizers, including the Yellowtail Carpaccio, Escargots, and their signature Burrata prepared with heritage tomatoes and basil and topped with white truffles. For our main courses, we decided to focus on seafood entrees, so we tried the Lobster Risotto and grilled Chilean Bass. Both were prepared to perfection and paired very well together if you are looking to share entrees.
Of course, one of the biggest attractions of Las Vegas is the Strip itself. Spend a few hours meandering through each hotel and taking in the Vegas vibe. There is no other place in the world quite like it.
If you are in the mood for a little adventure, head to Area15, located about 10 minutes from the strip. Area15 is an immersive entertainment complex that blends art, technology, and entertainment in a unique and captivating way. Boasting an otherworldly exterior and a dynamic interior, Area15 is home to a variety of innovative experiences, including interactive art installations and virtual reality adventures. Its anchor tenant, the Meow Wolf’s Omega Mart, is a surreal supermarket-like environment filled with mind-bending art and hidden mysteries. The venue also hosts concerts and live events including Beyond Brunch, a variety show hosted by drag queen extraordinaire Andrew Ryan. The two-hour spectacle includes a wonderful buffet and performances by talented acts ranging from hoop dancers to Cirque-style entertainers. The show is well worth the price of admission; it is not your typical drag brunch.
Spend the afternoon touring Area15 or head to The Sphere, Las Vegas’s newest concert venue. Rock icons U2 opened the venue with a 40-night run, but guests can purchase tickets to Darren Aronofsky’s multi-sensory film “Postcard from Earth.”
For a trip down memory lane, especially if you are in you were born in the ‘70s or ‘80s, check out Retro by Voltaggio at Mandalay Bay. The restaurant owned by Top Chef stars, Bryan and Michael Voltaggio, takes diners on a nostalgic journey through time, blending modern culinary techniques with comforting flavors reminiscent of classic American dishes set in a retro-chic environment. The space is adorned with quirky memorabilia, neon accents, and a colorful palette that captures a sense of nostalgia without feeling overly kitschy, creating a welcoming environment for diners to unwind and enjoy the culinary adventure.
Retro by Voltaggio’s menu is a playful exploration of classic American favorites. We started our dinner with the deviled eggs with smoked trout roe along with the beet steak tartare, which was incredible. Next came the bluefin tuna ceviche served over coconut crushed ice. For our entrees we tried the trout meuniere, which was served in a lemon and caper sauce, as well as the lobster thermidor with lobster waffles — yes, you read that correctly. It was as delicious as it sounds.
Save room for the dessert cart, which contains innovative creations that satisfy the sweet tooth. Whether you’re a fan of nostalgic flavors or simply seeking a unique and enjoyable meal, Retro by Voltaggio is worth the visit.
After dinner, catch a performance of Michael Jackson “ONE” by Cirque du Soleil also at Mandalay Bay. The show is a captivating tribute to the King of Pop that seamlessly blends the magic of Cirque du Soleil with the timeless music and iconic choreography of Michael Jackson. From the moment the lights dim to the final bow, the show is a high-energy, emotionally charged celebration of the legendary entertainer’s life and legacy. This isn’t your typical Cirque du Soleil show and is more like a concert featuring all of Michael’s greatest hits, memorable dance moves, and state-of-the-art production. I felt like “ONE” is the type of concert Michael would have wanted to perform if he were still with us.
The thing I like most about Vegas is it is always evolving. Every time you visit, there is something new to see or do. Viva Las Vegas!
PHOTOS: Taste of Point
Miyares joins efforts to fight Title IX changes
US Census Bureau testing survey on LGBTQ households
What property should I purchase if I’m not sure how long I’ll be in D.C.?
Comings & Goings
Pride season has begun
Judy Shepard to receive Presidential Medal of Freedom
Kenyan court bars homophobic protests
Pride journey: Las Vegas
