Arts & Entertainment
Oscar noms 2020: ‘And the loser is… diversity’

After 2019’s record year of inclusion for LGBTQ and LGBTQ-themed nominees, it looks like Oscars 2020 has taken a huge step backward.
Announced Monday morning from the David Geffen Theatre at the new, yet-to-be-opened Academy Museum in Los Angeles, the list of nominations for the 92nd Academy Awards contained few surprises, aside from a few notable snubs, but is nevertheless noteworthy not only for a shortfall in LGBTQ inclusion, but also for a general lack of overall diversity.
Of the twenty acting nominees, none identify as LGBTQ, but Margot Robbie, nominated for Best Supporting Actress for “Bombshell,” and Antonio Banderas, who made the Best Actor category for his performance in “Pain and Glory,” both portray LGBTQ characters. Only one acting nominee – Cynthia Erivo, nominated for her starring role in the film “Harriet” – is a person of color (Banderas, who is of Spanish descent, is classified by US Census guidelines as “European”). No women were nominated in the Best Director category, and only one of the nine Best Picture nominees was directed by a woman – Greta Gerwig, for “Little Women.” In addition, the majority of the nine nominated films are dominated by male characters, with only “Little Women,” “Marriage Story,” and “Parasite” featuring women among its central cast. In the two screenplay categories, only two women received nods: Gerwig for “Little Women,” and Krysty Wilson-Cairns for co-writing “1917” with director Sam Mendes. “Pain and Glory,” directed by openly-LGBTQ filmmaker Pedro Almodóvar, scored a nomination as Best International Feature.
The lack of diversity in this year’s list of nominations is made even more glaring by several of its omissions:
- Notably left out of the final cut were Latina actress Jennifer Lopez, who was widely expected to score a nod for her performance in “Hustlers.”
- Recent Golden Globe winner Awkwafina, the Phillipina-American rapper-turned-actress who starred in Lulu Wang’s acclaimed mixed-language film, “The Farewell,” was shut out of the Best Actress category, and the movie itself failed to score a slot in the Best International Feature category.
- Former Oscar-winner Lupita Nyong’o failed to garner a nomination for her strong performance in Jordan Peele’s “Us.”
- Bong Joon-ho’s “Parasite,” which earned the rare distinction of being nominated as both Best Picture and Best International Feature, also failed to earn nods for any of its Korean cast, including Song Kang Ho, who was thought to be a likely contender for Best Supporting Actor.
- Actor Jamie Foxx, another favorite for his supporting performance in “Just Mercy,” was snubbed in that category.
- Besides the snub for Gerwig in the director category, strong female contenders Wang (“The Farewell”), Marielle Heller (“A Beautiful Day in the Neighborhood”), Lorene Scafaria (“Hustlers”) and Alma Har’el (“Honey Boy”) were all shut out. To date, only five women have been nominated as Best Director – Kathryn Bigelow (“The Hurt Locker”), Lina Wertmüller (“Seven Beauties”), Jane Campion (“The Piano”), Sofia Coppola (“Lost in Translation”) and Gerwig (“Lady Bird”). Bigelow is the only woman to have won the award in the Academy’s 92 year history.
- Even Beyoncé, considered a shoe-in for a Best Original Song nod with “Spirit” from Disney’s remake of “The Lion King,” was overlooked.
- Also raising eyebrows was the omission of Eddie Murphy in any category for his well-received Netflix film, “My Name is Dolemite,” or former Oscar-winner Ruth Carter for its costume design. In addition, there was a surprising lack of recognition for the Elton John biopic “Rocketman” or its star, Taron Egerton, which failed to earn nominations for Best Picture or Best Actor despite both having been heavy favorites for inclusion in those categories. “Rocketman” did receive a nomination for John and longtime collaborator Bernie Taupin in the Best Original Song category, for “(I’m Gonna) Love Me Again.”
There was an inescapable irony evident in the Academy’s choice of Asian-American actor John Cho and actress of color Issa Rae to announce the nominees at this morning’s event. After the pair read off the names in the Best Director category, Rae quipped, “Congratulations to all those men.”
The film with the most nominations was Todd Phillips’ “Joker,” which received 11 total nods. The first comic book film to lead the race in nominations, Phillips’ movie has been controversial for its portrayal of the iconic “Batman” villain, drawing criticism for glamorizing “incel” culture.
Following “Joker” in total nominations are “The Irishman,” “1917,” and “Once Upon a Time… in Hollywood,” with eight each. “Jojo Rabbit,” “Little Women,” “Marriage Story,” and “Parasite” each received six. Each of the leading films are contenders for the Best Picture category.
The nominations are determined by Academy members who vote in their own categories – with actors nominating actors, directors nominating directors, etc. – while the final winners in all categories are chosen by vote from the entire Academy membership. The Oscar presentation will take place on February 9, 2020, to be televised by ABC. For the second year in a row, the ceremony will not have a designated host, but will split hosting duties among individual presenters.
For a complete list of nominations, click here.
Out & About
Gala Hispanic Theatre’s Flamenco Festival returns
Gala Hispanic Theater will host the 21st Annual “Fuego Flamenco Festival” from Thursday, Nov. 6 to Saturday, Nov. 22.
The festival will feature American and international artists who will gather in the nation’s capital to celebrate the art of Flamenco. Guests can save 20% on tickets with a festival pass.
The festival kicks off now through Nov. 10 with the D.C. premiere of Crónica de un suceso, created, choreographed and performed by Rafael Ramírez from Spain, accompanied by renowned flamenco singers and musicians. In this new show, Ramírez pays homage to the iconic Spanish Flamenco artist Antonio Gades who paved the way for what Flamenco is today. GALA’s engagement is part of an eight-city tour of the U.S. by Ramírez and company.
The magic continues Nov. 14-16 with the re-staging of the masterpiece Enredo by Flamenco Aparicio Dance Company, a reflection of the dual nature of the human experience, individual and social, which premiered at GALA in 2023.
For more information, visit the theatre’s website.
Friday, November 7
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday Supper on Saturday will be at 2 p.m. at the DC Center for the LGBT Community. This event will be full of food, laughter and community. For more information, email [email protected].
Monday, November 10
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Wednesday, November 12
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
“Gay Men Speed Dating” will be at 7 p.m. at Public Bar Live. This is a fresh alternative to speed dating and matchmaking in a relaxed environment. Tickets start at $37 and are available on Eventbrite.
Thursday, November 13
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
Sports
Gay speedskater racing toward a more inclusive future in sports
Conor McDermott-Mostowy says anti-DEI push is driving away corporate sponsors
LOS ANGELES — As the countdown begins to the February Winter Olympic Games in Milan, Pride House LA is shining a spotlight on queer athletes who are breaking boundaries both on and off the field. Among them is Team USA speedskater Conor McDermott-Mostowy – a fierce competitor and proud member of the queer community. With blistering speed on the ice and a steadfast commitment to equity in sports, Conor is doing so much more than winning medals – he’s redefining what it means to represent one’s country while representing one’s community.
McDermott-Mostowy is one step closer to the 2026 Winter Olympics after winning the recent silver and bronze medals at the U.S. Championships in speedskating. He appeared at a Nov. 1 event presented by Out Athlete Fund/Pride House LA in the organization’s efforts to raise funds to support Conor and other out athletes as they pursue their Olympic dreams in Milan 2026 and beyond.The Blade spoke to the star athlete to talk about resilience, representation, and the legacy he hopes to leave one day.
Blade: Huge congrats, Conor! Winning a World Cup gold is no small feat. Do you feel like this win proved something to the world – or more importantly, to yourself?
McDermott-Mostowy: Winning gold with my team last year was definitely a major goal achieved. That said, the event we won isn’t yet an Olympic event. The races that have had the most profound impact on me actually happened two years ago.
The first was the team pursuit in Obihiro, Japan. I’d always been more of an alternate for that event, since it’s typically raced by skaters who compete in both the 1500m and 5000m. But I’d been itching for the opportunity to race it at the World Cup level. I finally got that chance when a teammate had to pull out at the last minute due to a back issue. We led the race through six of eight laps, ultimately finishing third. While it was a little disappointing to fall out of the lead, I was proud to prove that I could contribute meaningfully and help the team medal.
The second race was later that year in Salt Lake City, my home ice. After competing in Japan, I came down with a lung infection that affected my performance at the next few World Cups. Fortunately, I had time to recover before the North American World Cups and World Championships. At the Salt Lake City World Cup, I was balancing competition with completing my undergraduate degree. I didn’t know what to expect, but I ended up finishing fifth in the 1000m—my highest individual finish ever—and posted a time of 1:06.91. That’s a very significant time in speedskating; only three other Americans have gone under 1:07 in that event, all of whom became world champions. That result felt like a turning point, showing me that an Olympic or World Championship medal wasn’t just a dream—it was within reach.
Blade: This PrideHouse LA event is a huge moment. What does that support from the queer community mean to you?
McDermott-Mostowy: It’s incredibly meaningful. Being queer in Olympic sport can be very isolating, both inside and outside the sport. I barely have time to socialize outside of skating, and relocating to Salt Lake City doesn’t exactly help when it comes to queer community. So having that kind of solidarity and support from the wider LGBTQ+ community really means a lot.
Blade: Do you remember the moment you realized skating could take you all the way to the Olympics?
McDermott-Mostowy: There hasn’t been one single moment. It’s been a series of them. Over the years, I’ve had many races that shattered the limits I thought I had and inspired me to reach higher. That Salt Lake City race was one of them. It made me realize I shouldn’t just aim for the Olympics. I should aim for medals.
Another key moment came in 2018 at my last Junior World Cup, when my teammate and I finished 2nd and 3rd in the mass start. That event is similar to short track but held on a long track. It was my first full year focusing on long track after previously dabbling in it, and we had no expectation of medaling. But after we did, I realized I might actually have a future in this discipline—and that I could be competitive on the world stage. It was a pivotal realization, especially as I was trying to decide whether to continue skating or pursue a traditional college experience.
Blade: What initially drew you to speedskating? How did you get into the sport—and what’s kept you motivated?
McDermott-Mostowy: I grew up on skates. I started at age two and became a strong skater early on. But I never had any interest in hockey or figure skating. One winter, I was skating with my family on the C&O Canal in Washington, D.C., when a guy skated past us on these wild-looking speed skates. I was immediately intrigued. My parents found a local club, which happened to be run by three-time Olympian Nathaniel Mills, and I was hooked.
What’s kept me going is simple: I love it. This isn’t a sport you get rich in. I’ve only earned more than $20,000 a year twice in my career, and you can’t use it to pay for college either. The motivation has to come from within—the pursuit of excellence, the dream of going to the Olympics, and pure love for the sport.
Blade: What’s been your toughest race to date, and what did it teach you?
McDermott-Mostowy: That would be the team pursuit in Japan. I wasn’t expecting to race it and had already competed in a full weekend of events before getting the call. Team pursuit is arguably the toughest event in speedskating. Stepping up without being mentally or physically prepared was a challenge, but I did it. It showed me I could push through, even under extreme circumstances.
Blade: You’ve made headlines not just for your speed, but for your openness. What was it like coming out publicly in the world of elite sport?
McDermott-Mostowy: By the time I was publicly identified as gay, I had already been out to anyone who asked. So “coming out” doesn’t feel like the right term. It wasn’t a big declaration. I had the benefit of growing up seeing openly gay athletes and being part of a supportive community. I never felt the need to hide who I was.
Eventually, as I started achieving more on the ice, people began noticing me and the content I posted, and they put two and two together. When I was asked to speak publicly about being an openly gay athlete in speedskating, I didn’t hesitate.
Blade: What have been the biggest challenges in your career – physically, mentally, or otherwise?
McDermott-Mostowy: Honestly, my entire career has been about overcoming challenges. The two biggest obstacles have been illness and finances.
I’ve dealt with asthma, a norovirus that derailed my chances in 2022, and a fatigue condition last season that affected my performance. These setbacks take a toll. Not just physically, but mentally. When you invest everything into your sport, being forced to pause or scale back is a huge emotional hurdle.
Financially, speedskating is a tough path. Even as a consistent top-20 skater in the world, I’ve only broken $20k twice in a year, and we’re paid for just nine months, even though we train year-round. I’ve leaned on friends and family for support many times just to make ends meet.
Blade: Have you ever been told – explicitly or implicitly – that being openly gay could hurt your chances with sponsors or coaches?
McDermott-Mostowy: Never with coaches. In our sport, selections are based on the clock, not someone’s opinion. My coaches have always been great.
But when it comes to sponsorships, especially over the past year, I’ve noticed a shift. As anti-DEI sentiment grows, brands are backing away from anything that could be seen as “controversial.” Being openly gay seems to fall into that category now. Since most of our income comes from sponsorships, that retreat is deeply felt.
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