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The Kinsey Sicks’ COVID-era creations

‘From a Distance’ parody thrills fans

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Kinsey Sicks, gay news, Washington Blade
Trixie (Jeff Manabat), Winnie (Nathan Marken), Angel (J.B. McLendon), and Trampolina (Spencer Brown). (Photo by Paco Ojeda)

Sheltering in place but not standing still, veteran Dragapella Beautyshop Quartet-cum-satirical/political group The Kinsey Sicks (kinseysicks.com)—who would have been touring right now, were it not for shuttered venues—have amped up their online presence, with timely new music and a determination to get back on the boards just as soon as the all-clear is called. (The national tour of their “Electile Dysfunction” musical extravaganza has been postponed until further notice, although in the spirit of “subject to change,” it’s presently noted on their website.)

But if anything good can come out of this end-times scenario, count among that short list drag queens who’ve employed everything from gallows humor to heartfelt advice to score-keeping tales of woe to get them out of bed in the morning, in the hopes that one day soon, they’ll be bed-hopping again.

Chief among those able alley cats, The Kinsey Sicks: Trixie (Jeff Manabat), Winnie (Nathan Marken), Angel (J.B. McLendon), and Trampolina (Spencer Brown).

The group, whose “Social Distance” parody of The Divine Miss M’s “From a Distance” dropped at the tail end of March, finds our quarantined quartet biding their time indoors by playing Jenga-for-one, eating peanut butter straight from the jar, binging on Disney+, waiting for that stimulus check, and, sans a man, spooning toilet paper.

Early May’s “Don’t-cha Touch-a, Touch-a-Touch Me!” found our girls one month into self-isolation—feeling the strain of no human touch, and making due with suggestive cameo appearances by bananas and carrots. Still, their collective dry spell finds some solace in non-stop digs at Trump.

“I’ll trade off satisfaction for strong leadership and action,” goes the tune, based on a certain ditty from “The Rocky Horror Picture Show.” And if you don’t get the reference, you’d better hand in your Gay Club Membership Card.

But it was sunny skies ahead, when the bill came due for The Kinsey Sicks to answer our burning inquiries.

BLADE: How did “Social Distance” come about? How was it written/shot, and what sort of feedback has it gotten from fans?

SPENCER/TRAMPOLINA: Anyone familiar with The Kinsey Sicks already knows that the group’s origins were inspired by attending a Bette Midler concert in the ’90s. When her classic hit “From a Distance” got into my head, I immediately sat down and hammered out the lyrics. Then Jeff, one of our other members, whipped up the arrangement and sent the music file for all of us to learn and record. Within a short amount of time, those individual recordings were sent back to him for mixing, and the combined four-part harmony track was then sent out for us to sing along to for reference. Over the next few days, we each got in drag and shot our videos, which were then sent back to me for a few more days of editing. 

Finally, after a little more than a week since I was inspired to write “Social Distance,” we released the finished video to our fans all over social media. Their feedback has been nothing but positive. Though we are devastated to cancel our spring tour (something we’ve never done in our 26 years of this group existing), this video is a gift for our fans, and lets them know we’re still here fighting the good fight.

BLADE: Are there other group projects in the works?

SPENCER/TRAMPOLINA: This first video (“Social Distance”) was an experiment. All four members of the group live in different states across the country (Kansas, Maryland, California, and Illinois, presently). Being able to write a parody, get it arranged, learn it, then record it (individually!), and edit/mix everything in a short amount of time is something we’ve never attempted, but having done that and seeing the reaction of fans both old and new, we’re now inspired to create more.

BLADE: What impact did the realities of the HIV/AIDS epidemic have on the group’s worldview, and what parallels, if any, do you draw to the current COVID-19 crisis?

JEFF/TRIXIE: By the time The Kinsey Sicks was formed in San Francisco in the early ’90s, almost a quarter-million people, most of them gay and bi men, died from the epidemic, and San Francisco was one of the epicenters. Although thousands were dead and dying, mainstream American society still had a negative view of the community, and the American government had barely made any response to help. For several years, the LGBT community and its allies were almost entirely alone. And yet there was still a need to find some measure of joy amidst all the pain and tragedy, perhaps a creative yet politically charged way to respond to the incredible injustice from not just politicians, but our fellow Americans. Amid this atmosphere, a group of close friends was inspired to create The Kinsey Sicks.

To get a fuller picture of the beginnings of the group, and to trace its origins to the current political atmosphere, it’s worth watching a remarkable monologue by Emeritus member Ben Schatz (“Rachel”), a Harvard-trained civil rights lawyer, former director of the National Gay and Lesbian Medical Association, and one-time presidential adviser on HIV issues, who created the first national AIDS legal project and authored Clinton’s HIV policy during the 1992 presidential campaign. The video can be found on YouTube.

Our worldview is still heavily influenced by this genesis. It’s embedded in our DNA. For decades, The Kinsey Sicks has produced works commenting on that nexus of politics, culture, and sexuality through drag and a cappella, and we will continue to be influenced by, comment on, and respond to the world around us that way.

There can be parallels made between the HIV/AIDS epidemic and the current crisis, such as the extreme measures by the GOP to use tragedy for their own political gain, and to pit communities against each other whilst hoarding more power. However, the swift response of the government on all levels—from federal to state to local—and the mobilization of the majority of Americans to support those in crisis is much different. Back then, it was several years before the federal government even acknowledged the existence of AIDS/HIV, let alone begin the search for treatment.

Today, the Coronavirus response has been a matter of weeks or months, and the search for a vaccine has become a national priority. However, for both times, higher powers have acted in ways that merit a critical response from artists—and for us, as it was then, it’s a response of the musical variety.

BLADE: Has this forced time away from public performance impacted the group’s output, and approach to using online/social media as an expression of your artistry?

SPENCER/TRAMPOLINA: Absolutely! When we’re not on stage, the group is always working behind the scenes on how we can effectively produce new material, and the traction that this new video [Social Distance”] has gotten really inspires us to keep going. 

BLADE: Has the group had any notable virtual interactions with fans during this period of social distancing?

SPENCER/TRAMPOLINA: The Kinsey Sicks is no stranger to social distancing. Many, many, of our audiences have been avoiding us for years. So we keep our virtual interactions with fans to a minimum for their safety.

BLADE: This one is for every member of the group: The all-clear is called and we’re allowed to gather in public again. What are the first things you’re going to do?

NATHAN/WINNIE: As soon as we can go out in public, I look forward to getting back on the campaign trail with The Kinsey Sicks, sampling all the delectable vegetarian fare from coast-to-coast.

JEFF/TRIXIE: I can’t wait to go back to modern life’s basic public pleasures: dinner-and-a-movie dates with my favorite boyfriends, shopping sprees with my favorite sugar daddies, and multiple anonymous hookups via my favorite apps.

J.B./ANGEL: I’m planning a three-way with Mitch McConnell and social scientist Peter Navarro. It might not happen, but I’m trusting my intuition on this one.

SPENCER/TRAMPOLINA: Vote.

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Out & About

A roundup of fall events not to be missed

Laverne Cox, Oktoberfest, arts celebrations, and more

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Laverne Cox discusses her new memoir at the Baltimore Book Fest on Sept. 19. ('Transcendent' book cover image via Amazon)

Colder temperatures don’t mean you have to stay indoors — here’s a roundup of what to do this fall.

Laverne Cox will discuss her memoir, “Transcendent,” with Dr. Melanie Bryant on Saturday, Sept. 19 at 7 p.m. at Baltimore Book Fest. Cox will share her journey as a transgender woman in Hollywood, confronting childhood trauma, shame, gender identity, her transition, body image issues, her search for romantic love, deep-seated feelings of unworthiness, and ultimately, healing. 

Dacha Beer Garden will launch its longest and loudest Oktoberfest yet on Friday, Sept. 18. This will be 17 consecutive days of Bavarian festivities across both locations — the original Shaw beer garden and the 800-person Navy Yard garden — running through Sunday, Oct. 4. On opening night, DC Brau will tap the ceremonial first keg and then Manuela Horn, the six-foot-two Austrian yodel queen, will trade sets with Johnny Koenig and his four-piece band in a live back-and-forth of yodeling, polka, and crowd games that can only be described as Oktoberfest ping pong. 

Fay Jacobs will host “Aging Gracefully: 2nd Annual Farewell Tour” on Friday, Oct. 9 and Saturday, Oct. 10 at CAMP Rehoboth Community Center. This show will feature a new script with lots of new stories, and only a couple of “signature” tales.

Capital One Center will host its “Celebration of the Arts” starting on Saturday, Sept. 19 at its location in Tysons, Va. There will be art, music, food trucks, local vendors, and family-friendly outdoor entertainment. This curated experience invites you to engage with hands-on workshops, immersive art activations, and live performances. More details are available on Eventbrite

Spark Social will host “open Mic Night” on Thursday, Oct. 8 at 8 p.m. Get ready to share your talent or just kick back and enjoy some great performances at Spark Social. Sign Ups are first-come-first-serve,, but you can also message the venue on Instagram to reserve a performance spot. Whether you’re a singer, poet, or comedian, this is your chance to get on stage and share your art. Tickets are $13.26 and are available on Eventbrite

Howard University’s School of Social Work will host “Intergenerational Trauma in the BIPOC Community and the Use of Art” on Thursday, Sept. 17 at 3 p.m. This in-person, interactive workshop explores the role of art as a creative and supportive tool for understanding and addressing intergenerational trauma. Participants will examine the meaning and impact of intergenerational trauma, with particular attention to its historical roots and ongoing effects within Black and other BIPOC communities. More details are available on Eventbrite

9:30 Club will host “BERTHA: Grateful Drag” on Thursday, Oct. 8 at 7 p.m. The group has partnered with PLUS1 so that $1 from every ticket sold goes to SMYAL and their work supporting and empowering LGBTQ+ youth. Tickets are available on 9:30 Club’s website

Steve Lacy’s “Oh Yeah?” tour is coming to The Anthem on Sunday, Oct. 18 at 6 p.m. Tickets are available on The Anthem’s website

Rapper Cupcakke will perform at Howard Theatre on Sunday, Oct. 25 at 7 p.m. More details are available on the theater’s website

Team DC will host “Open Play: A Celebration of LGBTQ+ Athletes and Sports Fans” on Saturday, Oct. 10 at 6 p.m. at Trade. Join Athlete Ally, Team DC and District Wrestling for a casual, in-person mixer as they celebrate LGBTQ+ sports fans and athletes at all levels of the game. Whether you’re part of an LGBTQ+ recreational league or just love watching sports, this is the place to connect, celebrate, and share the love of the game with other queer athletes, fans, business leaders, policymakers and more. Reserve a spot on Eventbrite

The DC LGBTQ+ Community Center will host “2026 LGBT Intergenerational Extravaganza” on Sunday, Sept. 20 at 12 p.m.This is an event to connect, build relationships, and have fun with LGBTQ folks from other generations, and it will include lunch, an intergenerational dialogue and breakout sessions. More details are available on Eventbrite

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Music & Concerts

Queer mega stars coming to D.C. this fall

Indigo Girls, Charli XCX, Doja Cat headed our way

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Amy Ray and Emily Saliers perform at the Anthem on Oct. 4. (Photo by Lynn Goldsmith)

As D.C. enters the fall season, LGBTQ performers and allies will take the stage. This fall’s lineup is massive and diverse, from rock to electronic dance music.

Ryan Beatty, a gay musical artist, will bring his show, “Arms Over Armor North American Tour ’26” to the Lincoln Theater (1215 U St. N.W.) in D.C. on Sep. 26, at 6:30 p.m. Tickets go for $43.15 per attendee. Visit https://www.thelincolndc.com/#block-3 for more information.

All Things Go Music Festival: A major lineup of allies, including Mitski, Ethal Cain, Rebecca Black, Underscores, and many more. The festival, known for being LGBTQ-friendly, will take place at Merriweather Post Pavilion (10475 Little Patuxent Pkwy., Columbia, Md.) from Sept. 26-28. Visit allthingsgofestival.com for tickets and details.

Bisexual singer Charli XCX will bring her “Music, Fashion, Film Tour” to Capital One Area (601 F St, N.W.) in D.C. on Sep. 28 at 7:30 p.m. Tickets go from $102 – $500. capitalonearena.com for more info.

Bisexual artist Phoebe Bridgers will bring her “The Lost Tour 2026” to Capital One Arena on Sep. 29 at 7:30 p.m. Tickets go from $157-$500. 

Power To the People Festival, another fantastic festival will take place at Merriweather Post Pavilion (10475 Little Patuxent Pkwy., Columbia, Md.). It will feature LGBTQ artists and allies, such as Bruce Springsteen and Brittney Howard. The festival is on Oct. 3 and doors open at 12 p.m. 

Anabel Englund, calls herself a “heterosexual ally” on Instagram. She will perform at the Diplo’s Glow Block Party at Echo Stage (2135 Queens Chapel Road, N.E.) in D.C., Oct. 3. Doors Open at 3 p.m. Tickets range from $106-$154. 

Amy Ray and Emily Saliers are the two lesbian singers who make up the Indigo Girls, one of the most recognizable folk duos who have sold more than 2 million albums with two singles: “Closer to Fine” and “Kid Fears” alone. Both will be performing at the Anthem (901 Wharf St., S.W.) in D.C. on Oct. 4. Doors open at 5 p.m. and the show starts at 7:30 p.m.

Grateful Drag, featuring PLUS 1, will take place at the 9:30 Club (815 V St., N.W.) in D.C. on Oct. 8 at 7 p.m.

Lauren Sanderson is a lesbian and queer performer with viral tracks that include “GAY 4 ME” (with G Flip). She will bring her “COME SAY SUM TOUR” to the Alantis (2047 9th St., N.W.) in D.C. on Oct. 15.

Steve Lacy, a bisexual artist, will bring his “Oh yeah?” tour to the Anthem on Oct. 18. Doors open at 6 p.m. and show starts at 7 p.m.

Washington Concert Opera‘s ARMIDA, staring Daniel Laucerica, Andrew Wilkowske, and Jonathan Pierce Rhodes, will take place at the Lisner Auditorium (730 21st St., N.W.) in D.C. on Oct. 24 at 6 p.m.

Yebba, a bisexual and queer artist, is a singer and songwriter within the genre of contemporary music who has performed alongside Ed Sheeran, Drake, and A$AP Rocky. Yebba will perform on Oct. 31 at the Anthem. Doors open at 6:30 p.m. and the show starts at 8:30 p.m.

Brutalismus 3000 is a longtime LGBTQ ally. They will bring their “Harmony US Tour 2026” show to Echo Stage on Nov. 13 at 10 p.m. Tickets range from $48-$66.

The Washington National Opera Orchestra will feature Andrea Gibson, a queer, nonbinary, and genderqueer poet/spoken-word artist, who will perform “Andrea Gibson’s Love Letter from the Afterlife” on Nov. 17 at the Anthem. Doors open at 6:30 p.m. and the show starts at 7:30 p.m.

Doja Cat, a bisexual artist who previously worked with Laurel Charleston, a trans women makeup artist, will bring her “Ma Vie World Tour” to Capital One Arena on Nov. 21. The show is at 7:30 p.m. and tickets range from $69-$316.

Victoria Monét: A bisexual R&B singer and a three-time Grammy winner, will bring her Frequency of Love Tour to the Anthem on Nov. 27 at 8 p.m.

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Nightlife

Parties, dinners, concerts and more on tap for fall nightlife

Blade’s 25th Best Of party among highlights

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The Blade’s 25th annual Best Of LGBTQ DC party arrives Oct. 22 with Ashley Darby as emcee.

The heat is on in the city this fall for gala season, culture, and nightlife, including many LGBTQ and ally artists. Select shows, parties, and events for the season are below. 

September

9/18-20: Fuchsia Fest – The inaugural Fuchsia Fest is a new multi-day celebration created to highlight LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. Hosted by Capital Pride, Fuchsia Fests’s various events take place across the city throughout the weekend. 

9/24: Katie Pruitt – The Americana/indie-fold singer-songwriter is known for her soaring vocals and deeply personal storytelling. She is on tour for her latest album, released Sept. 18, “Fools for the Fleeting.” She is part of the LGBTQ community.

9/25-27: All Things Go. This annual music festival at Merriweather Post Pavilion includes performers like Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many more beloved artists. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members. There are single-day and three-day tickets.

9/26: Human Rights Campaign National Dinner – This annual big-ticket fundraiser for HRC (black tie, of course) celebrates achievements and recognizes the road ahead for LGBTQ+ equality. Taking place at the Mayflower, look out for D.C. stars, like members of Congress, former first ladies, and Broadway actors.

9/26 Gorillaz – Two decades strong, this artistic group unites visuals, storytelling, and music across diverse genres, from rock to reggae to electronic, for a show at Capital One Arena.

9/29 Charli XCX – British singer-songwriter and pop diva known for her bold expression, mixes electronic, pop, and dance, will bring thrilled audiences to her show at Capital One Arena as part of her Music, Fashion, Film Tour.

Multiple dates: Smithsonian Festival – This fall, the Smithsonian Institutions is debuting a festival called Rhythms, Roots, Recipes: Community Stories of Food and Music. Across this five-part series, each session features cooking demos, discussions, and live music. All programs are free and open to the public, and take place in the demo kitchen at the National Museum of American History. 

October

10/3: GLOW BLock Party – GLOW is back! After throwing a giant party this spring with 10,000-plus dancing fans dancing against the Capitol dome at sunset, GLOW returns with an even more epic lineup: legendary Grammy-winning DJ and producer Diplo leading a seven-hour party with vendors, activations, and a number of other huge acts like Westend, Anabel Englund, Monty Kiddo, and D.C.’s own Ratalina.

10/3: Home Rule Music Festival – Now in its fifth year, this is a free, all-day community-driven event of local music, food trucks, and vendors at the Parks at Walter Reed. The D.C.-focused event features bands playing go-go, soul, hip-hop, jazz, and more, plus a record fair and live art.

10/3: PRIDEtoberfest – Gay-owned Wunder Garten presents PRIDEtoberfest, marrying the festive spirit of Oktoberfest and the joy of the LGBTQIA+ community for an all-day celebration of Pride, community, live music, DJs, overflowing steins of beer, and entertainment. Food will be available from Little Miner Taco and CaliBurger, plus plenty of friendly men in lederhosen.

10/3: Power to the People Festival – The inaugural Power to the People Festival will take place at Merriweather Post Pavilion in Columbia, Md. The festival, curated by Rock & Roll Hall of Fame guitarist and acclaimed activist Tom Morello, is a celebration of peace, justice, solidarity, music, and community action.

10/10: Jessie Ware – British singer and songwriter fully embraced by the LGBTQ community brings her impassioned mix of pop, disco, and electronic genres to Capital One Arena supporting her latest album Superbloom,

10/19: Chefs for Equality – This annual dinner fundraiser for HRC remains in its remixed, diffused form this year. Under the theme of United Plates of America, there will be six different activations: four multi-course collab dinners (at CUT by Wolfgang Puck, Marcus DC, Moon Rabbit, and Centrolina); Drag Brunch for Dinner at Perry’s; and a lavish cocktail party at cocktail lounge Silver Lyan. In any form, Chefs for Equality is a signature benefit toward the fight for full LGBTQ+ equality. 

10/20 Rodrigo y Gabriela – Grammy-winning Mexican acoustic guitar duo that blends flamenco, rock, and heavy metal is coming to The Anthem. They have been playing at 9:30 Club and sister venues since 2007.

10/22: Washington Blade Best of Party – Celebrate the best of LGBTQ DC at the Blade’s epic Halloween party: Murder on the Dance Floor. Winners of the Blade’s annual Best of DC will be announced at this party at Longview Gallery. This marks the 25th anniversary of the Blade’s Best Of competition. “Real Housewives” star Ashley Darby hosts.

10/31: Into the Shadows – An immersive, indoor/outdoor Halloween party actually on the spooky day itself at Berhta. With multiple stages across multiple rooms, there are various DJs and activations.

November

11/11: Whitman-Walker Gala – This annual fundraiser at the Ritz-Carlton is themed “A Celebration of Impact & Innovation.” It aims to showcase the impact of Whitman-Walker’s healthcare, research, and policy programs, and will include presentation of the Groundbreaker Award for Community Philanthropy. 

11/20: Ilana Glazer – Comedian, actor, advocate, and creator best known for co-creating and co-starring in the acclaimed series Broad City brings her act to Lincoln Theater. Her first show is already sold out, but a second show has been added.

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