Arts & Entertainment
The Kinsey Sicks’ COVID-era creations
‘From a Distance’ parody thrills fans
Sheltering in place but not standing still, veteran Dragapella Beautyshop Quartet-cum-satirical/political group The Kinsey Sicks (kinseysicks.com)—who would have been touring right now, were it not for shuttered venues—have amped up their online presence, with timely new music and a determination to get back on the boards just as soon as the all-clear is called. (The national tour of their “Electile Dysfunction” musical extravaganza has been postponed until further notice, although in the spirit of “subject to change,” it’s presently noted on their website.)
But if anything good can come out of this end-times scenario, count among that short list drag queens who’ve employed everything from gallows humor to heartfelt advice to score-keeping tales of woe to get them out of bed in the morning, in the hopes that one day soon, they’ll be bed-hopping again.
Chief among those able alley cats, The Kinsey Sicks: Trixie (Jeff Manabat), Winnie (Nathan Marken), Angel (J.B. McLendon), and Trampolina (Spencer Brown).
The group, whose “Social Distance” parody of The Divine Miss M’s “From a Distance” dropped at the tail end of March, finds our quarantined quartet biding their time indoors by playing Jenga-for-one, eating peanut butter straight from the jar, binging on Disney+, waiting for that stimulus check, and, sans a man, spooning toilet paper.
Early May’s “Don’t-cha Touch-a, Touch-a-Touch Me!” found our girls one month into self-isolation—feeling the strain of no human touch, and making due with suggestive cameo appearances by bananas and carrots. Still, their collective dry spell finds some solace in non-stop digs at Trump.
“I’ll trade off satisfaction for strong leadership and action,” goes the tune, based on a certain ditty from “The Rocky Horror Picture Show.” And if you don’t get the reference, you’d better hand in your Gay Club Membership Card.
But it was sunny skies ahead, when the bill came due for The Kinsey Sicks to answer our burning inquiries.
BLADE: How did “Social Distance” come about? How was it written/shot, and what sort of feedback has it gotten from fans?
SPENCER/TRAMPOLINA: Anyone familiar with The Kinsey Sicks already knows that the group’s origins were inspired by attending a Bette Midler concert in the ’90s. When her classic hit “From a Distance” got into my head, I immediately sat down and hammered out the lyrics. Then Jeff, one of our other members, whipped up the arrangement and sent the music file for all of us to learn and record. Within a short amount of time, those individual recordings were sent back to him for mixing, and the combined four-part harmony track was then sent out for us to sing along to for reference. Over the next few days, we each got in drag and shot our videos, which were then sent back to me for a few more days of editing.
Finally, after a little more than a week since I was inspired to write “Social Distance,” we released the finished video to our fans all over social media. Their feedback has been nothing but positive. Though we are devastated to cancel our spring tour (something we’ve never done in our 26 years of this group existing), this video is a gift for our fans, and lets them know we’re still here fighting the good fight.
BLADE: Are there other group projects in the works?
SPENCER/TRAMPOLINA: This first video (“Social Distance”) was an experiment. All four members of the group live in different states across the country (Kansas, Maryland, California, and Illinois, presently). Being able to write a parody, get it arranged, learn it, then record it (individually!), and edit/mix everything in a short amount of time is something we’ve never attempted, but having done that and seeing the reaction of fans both old and new, we’re now inspired to create more.
BLADE: What impact did the realities of the HIV/AIDS epidemic have on the group’s worldview, and what parallels, if any, do you draw to the current COVID-19 crisis?
JEFF/TRIXIE: By the time The Kinsey Sicks was formed in San Francisco in the early ’90s, almost a quarter-million people, most of them gay and bi men, died from the epidemic, and San Francisco was one of the epicenters. Although thousands were dead and dying, mainstream American society still had a negative view of the community, and the American government had barely made any response to help. For several years, the LGBT community and its allies were almost entirely alone. And yet there was still a need to find some measure of joy amidst all the pain and tragedy, perhaps a creative yet politically charged way to respond to the incredible injustice from not just politicians, but our fellow Americans. Amid this atmosphere, a group of close friends was inspired to create The Kinsey Sicks.
To get a fuller picture of the beginnings of the group, and to trace its origins to the current political atmosphere, it’s worth watching a remarkable monologue by Emeritus member Ben Schatz (“Rachel”), a Harvard-trained civil rights lawyer, former director of the National Gay and Lesbian Medical Association, and one-time presidential adviser on HIV issues, who created the first national AIDS legal project and authored Clinton’s HIV policy during the 1992 presidential campaign. The video can be found on YouTube.
Our worldview is still heavily influenced by this genesis. It’s embedded in our DNA. For decades, The Kinsey Sicks has produced works commenting on that nexus of politics, culture, and sexuality through drag and a cappella, and we will continue to be influenced by, comment on, and respond to the world around us that way.
There can be parallels made between the HIV/AIDS epidemic and the current crisis, such as the extreme measures by the GOP to use tragedy for their own political gain, and to pit communities against each other whilst hoarding more power. However, the swift response of the government on all levels—from federal to state to local—and the mobilization of the majority of Americans to support those in crisis is much different. Back then, it was several years before the federal government even acknowledged the existence of AIDS/HIV, let alone begin the search for treatment.
Today, the Coronavirus response has been a matter of weeks or months, and the search for a vaccine has become a national priority. However, for both times, higher powers have acted in ways that merit a critical response from artists—and for us, as it was then, it’s a response of the musical variety.
BLADE: Has this forced time away from public performance impacted the group’s output, and approach to using online/social media as an expression of your artistry?
SPENCER/TRAMPOLINA: Absolutely! When we’re not on stage, the group is always working behind the scenes on how we can effectively produce new material, and the traction that this new video [Social Distance”] has gotten really inspires us to keep going.
BLADE: Has the group had any notable virtual interactions with fans during this period of social distancing?
SPENCER/TRAMPOLINA: The Kinsey Sicks is no stranger to social distancing. Many, many, of our audiences have been avoiding us for years. So we keep our virtual interactions with fans to a minimum for their safety.
BLADE: This one is for every member of the group: The all-clear is called and we’re allowed to gather in public again. What are the first things you’re going to do?
NATHAN/WINNIE: As soon as we can go out in public, I look forward to getting back on the campaign trail with The Kinsey Sicks, sampling all the delectable vegetarian fare from coast-to-coast.
JEFF/TRIXIE: I can’t wait to go back to modern life’s basic public pleasures: dinner-and-a-movie dates with my favorite boyfriends, shopping sprees with my favorite sugar daddies, and multiple anonymous hookups via my favorite apps.
J.B./ANGEL: I’m planning a three-way with Mitch McConnell and social scientist Peter Navarro. It might not happen, but I’m trusting my intuition on this one.
SPENCER/TRAMPOLINA: Vote.
The DC LGBTQ+ Community Center is marking a milestone year in its new home with a vibrant birthday celebration, inviting the community, allies, and media to join the festivities on Saturday, April 25 at 1 p.m.
Since opening its doors in Shaw, The DC LGBTQ+ Community Center has become a hub of support, advocacy, and celebration for LGBTQ+ residents across the District.
The birthday bash promises a day of programming including Yoga (Center Wellness), Micro Bouquet Making (Center Social), Zine Making (Center Arts), and so much more. Guests can also enjoy tours of the Center’s expanded facilities, showcasing spaces for programs, services, and community events.
Since relocating, the Center has expanded its programs, providing critical services. The birthday bash underscores the DC LGBTQ+ Community Center’s commitment to creating an inclusive space where everyone regardless of identity, age, or background can find community and empowerment.
For more details, contact Paul Marengo at 202-705-2890.
Friday, April 24
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Lesbian Visibility Week will be at 7 p.m. at the DC Center for the LGBT Community. There will be a special screening of “Ahead of the Curve.” Enjoy an evening of film, conversation, and community, with cocktails and beverages available throughout the night For more details, visit the DC Center’s website.
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, April 25
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, April 26
Nellie’s Sports Bar will host “Nellie’s DC Drag Brunch” at 12 p.m. Join Sapphire Blue, Deja Diamond and their team of drag performers for the most fun you’ll have all weekend. Tickets start at $58.51 and are available on Eventbrite.
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, April 27
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, April 28
The DC Center for the LGBT Community will host “Candlelight Vigil” at 6:30 p.m. This is a vigil centered on reflection, support, and collective care. Attendees are encouraged to gather at 6:30 p.m., with the program beginning promptly at 7 p.m. and concluding by 8 p.m. The event will take place on the closed-off Wiltberger Street, providing a dedicated and intimate space for remembrance. Electronic candle lights will be available to participants. For those seeking additional support or who have questions ahead of the event, please contact [email protected].
Wednesday, April 29
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
The DC Center for the LGBT Community will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website.
Thursday, April 30
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
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