National
Kennedy Library showcases Kameny letters to JFK
Pioneering activist wrote to White House from 1961-1963
‘In 1961, it has, ironically, become necessary for me to fight my own government, with words,’ Frank Kameny wrote to President Kennedy. (Washington Blade file photo by Michael Key)
The John F. Kennedy Presidential Library in Boston is taking steps this month to publicize the dozens of letters, pamphlets and press releases that D.C. gay rights pioneer Frank Kameny sent to President Kennedy from 1961 to 1963.
In a prominent write-up on the Kennedy Library website, library official Stacey Chandler, a reference archives specialist, said the letters poignantly document Kameny’s role as one of the nation’s first advocates for the rights of gay people before the highest levels of the U.S. government.
Chandler said the letters and other documents from Kameny are part of the library’s archives and are available for viewing online. Kameny died at the age of 86 in 2011.
“In World War II, I willingly fought the Germans, with bullets, in order to preserve and secure my rights, freedoms, and liberties, and those of my fellow citizens,” Kameny told Kennedy in a letter dated May 15, 1961 that’s part of the archive collection.
“In 1961, it has, ironically, become necessary for me to fight my own government, with words, in order to achieve some of the very same rights, freedoms, and liberties for which I placed my life in jeopardy in 1945,” wrote Kameny. “This letter is part of that fight.”
In a letter dated Aug. 28, 1962 Kameny told Kennedy, “You have said: ‘Ask not what your country can do for you, but what you can do for your country.’ We know what we can do for our country; we wish to do it; we ask only that our country allow us to do it.”
Kameny wrote the letters in his role as president of the Mattachine Society of Washington, D.C., the city’s first gay rights organization that Kameny co-founded in 1961 and led through the 1960s and early 1970s.
Chandler noted in her article that the Mattachine Society of Washington came into being shortly after the U.S. Supreme Court declined to take the case of a legal challenge that Kameny filed against the then U.S. Civil Service Commission.
In a first-of-its-kind action, Kameny contested the Civil Service Commission’s decision in 1958 to fire him from his job as an astronomer with the Army Map Service in Washington following an investigation into alleged homosexual activity by Kameny.
Among other things, the Commission cited a 1953 executive order by President Dwight Eisenhower that barred from the federal workforce anyone with a history of “sexual perversion” and other “immoral or notoriously disgraceful conduct.” Homosexual acts between consenting adults were considered among the prohibited conduct.
“Kameny wrote an astounding number of letters throughout his lifetime of advocacy, most of which are now in the Library of Congress,” Chandler wrote in her Kennedy Library article. “The huge volume of his correspondence makes the personal nature of his letters to President Kennedy especially surprising for archivists here,” she said.
“In these letters, he tenaciously argued for the right of gay Americans to work as civil servants,” she said.
In the same May 15, 1961 letter in which he told of his combat service in World War II, Kameny told Kennedy, “Yours is an administration that has openly disavowed blind conformity…You yourself have said, in your recent address at George Washington University, “…that (people) desire to develop their own personalities and their own potential, that democracy permits them to do so.’
“But your government, by its policies certainly does not permit the homosexual to develop his personality and his potential,” Kameny wrote.
In a Feb. 28, 1963 letter, Kameny told Kennedy about his fledgling effort to persuade the American Psychiatric Association to remove homosexuality from its list of mental disorders.
“Homosexuality is neither a sickness, disease, neurosis, psychosis, disorder, defect, nor other disturbance, but merely a matter of the predisposition of a significantly large minority of our citizens.”
Chandler said the Kennedy Library’s archivists could find no response from Kennedy or anyone else at the White House to Kameny’s letters.
“In fact, the only response we’ve found in our archives is a brief note from John W. Macy, Chairman of the U.S. Civil Service Commission, to Bruce Schuyler, Secretary of the Mattachine Society, who requested a meeting,” Chandler wrote.
In his note to Schuyler, Macy said, “It is the established policy of the Civil Service Commission that homosexuals are not suitable for appointment to or retention in positions in the Federal service. There would be no useful purpose served in meeting with representatives of your Society.”
Chandler said that in a March 6, 1963 letter to Kennedy, Kameny appeared to be referring to the government’s lack of response to his and the Mattachine Society of Washington’s overtures to the Kennedy administration.
“We wish to cooperate in any way possible, if the chance for friendly, constructive cooperation is offered to us by you,” Kameny wrote, “but if it continues to be refused us, then we will have to seek out and to use any lawful means whatever, which seem to us appropriate, in order to achieve our lawful ends, just as the Negro has done in the South when he was refused cooperation.”
In 1975, after several court rulings against the Civil Service ban on gay employees that Kameny played a role in organizing, the Civil Service Commission ended its prohibition on gay federal workers. In 2009, John Berry, the gay director of the U.S. Office of Personnel Management, the successor to the Civil Service Commission, presented Kameny with an official government apology for his 1958 firing.
“Things have changed,” Chandler quoted Kameny as saying around the time Berry issued the apology with the full backing of President Obama. “How they have changed. I am honored and proud that it is so.”
The Kennedy Library, which is part of the U.S. National Archives and Records Administration, highlighted its collection of Kameny correspondence this month as a follow-up to a video that the NARA released in support of the It Gets Better Project, Chandler said.
LGBT rights advocates led by gay author and syndicated columnist Dan Savage created the It Gets Better Project to draw attention to bullying targeting LGBT youth. With President Obama among the political leaders and celebrities who have spoken in an “It Gets Better” video, organizers say the project has helped lift the spirits of many LGBT youth that have suffered from taunts and physical violence.
NARA director David S. Ferriero, who holds the title of Archivist of the United States, recorded a recent “It Gets Better” video that is available for viewing on the NARA website.
“It is so exciting that the Kennedy Library is highlighting Kameny’s letters to President Kennedy,” said Charles Francis, founder of the Kameny Papers Project, which arranged for Kameny’s voluminous correspondence and writings to be given to the Library of Congress.
Francis noted that copies of the Kameny letters to President Kennedy are among the collection at the Library of Congress but that the letters at the Kennedy Library are the originals.
“This was done on Frank’s typewriter from Frank’s living room,” Francis said.
“It’s progress. It’s real progress,” he said of the prominent treatment the Kennedy Library is giving to the Kameny letters.
See the Kennedy Library article on Kameny letters here.
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
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