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Nina West spreads holiday cheer in two new videos

‘Drag Race’ vet says ‘Cha Cha Heels,’ ‘Quarantine Dream’ were labors of love

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Nina West, gay news, Washington Blade
Nina West says being on ‘Drag Race’ was a life-changing experience. (Photo courtesy West)

Nina West has two new videos she’s unleashed on the world.

In “Cha Cha Heels” she pays homage to John Waters playing iconic characters from three of his movies — Dawn Davenport in “Female Trouble,” Beverly Sutphin in “Serial Mom” and Tracy Turnblad in “Hairspray.” The song is from her 2019 Christmas EP “The West Christmas Ever.”

And in “Quarantine Dream” she worked with friend and Disney animator Dan Lund, a veteran of many classic movies such as “Frozen,” “Aladdin,” “The Lion King” and more, to mix live action/animation for the West-penned song about coping with COVID-19 induced quarantine. The three-and-a-half-minute mini-musical was filmed with a cell phone and inspired by the Disney classic “Mary Poppins.” Both are on YouTube.

West, aka Andrew Levitt, is a Columbus, Ohio-based drag performer who came to fame on season 11 of “RuPaul’s Drag Race,” where she finished sixth and was named Miss Congeniality. She made history at the 2019 Emmys for being the first to walk the red carpet in drag and was named one of the “most powerful drag queens in America” by New York Magazine the same year. West, 42, has been performing for 18 years.

Andrew Levitt, Nina West’s alter ego. (Photo courtesy West)

WASHINGTON BLADE: So how did the concept for the “Cha Cha Heels” video come about?

NINA WEST: I’d had this big idea of a big flash mob and this huge cast and filming in the street with a bunch of people and then COVID hit. So the intention was always to do a “Cha Cha Heels” video, but we had to really adjust quickly when the time came to pull the trigger and film the video because (of restrictions). I worked with a really great director, who is a tremendous John Waters fan named Brad Hammer, and he suggested doing three different female characters in three different John Waters movies. … We filmed it with a cast of four including myself, all people were already in my bubble, so we made all the adjustments we needed to make to have a safe shoot and went there and I think the video ended up being much better for it.

BLADE: Where was it shot?

WEST: We shot it in a day in two locations here in Columbus.

BLADE: Do you have to get permission from Waters or whomever owns the films before you do something like this or is it considered a parody and thus fair game?

WEST: Yeah, it’s seen as parody so you don’t have to get a green light really. We weren’t recreating it shot by shot or telling the same story but we were lucky enough that when John saw it last week, he sent me an e-mail … saying how much he loved it and how much Divine would have loved it … so that was pretty fantastic.

BLADE: Oh wow, that must have been incredible.

WEST: I practically fell over, yeah. I’m 42 so queer Andrew coming out, John Waters movies were a huge rite of passage just as I was coming into my queerness. I wanted this to be a love letter to a queer trailblazer who has had more impact and power than I think any of us really recognize.

BLADE: Tell us about “Quarantine Dream.” How do you know Dan Lund?

WEST: I worked with him on a project called “Coaster” where he was the executive producer and we have remained in touch. He’s one of these people who’s just always talking and dreaming. His brain is constantly rolling. The day after I flew home in March, he called ….

BLADE: Where had you been?

WEST: I was on tour in Europe and then I was going back and forth from New York to L.A. working on a couple projects and I ended up in New York and I was supposed to be going to the opening of the Broadway musical “Six,” but the day it was supposed to open everything was shut down. I was panicking trying to get a flight home.

BLADE: Oh wow.

WEST: Yeah. So he suggested this and I was like, “Sure, um, OK.” I didn’t really know what he meant but then he pitched this whole treatment inspired by “Mary Poppins,” which I’m a huge, through-and-through Disney queen and “Mary Poppins” is my favorite film of all time, so when you have a Disney artist who’s worked on all these cultural touchstones, yeah, OK, I’m not gonna say no. That’s how it happened. I worked with a songwriter Markaholic who is super prolific. If you’ve seen the RuPaul Old Navy commercials, he wrote that song, he’s worked with Ru a lot and is just super talented.

BLADE: So you basically are encouraging people to take the pandemic seriously but in a fun way?

WEST: Yes. We thought it was a fun way to say, “Hey, it sucks, but let’s all stay home and like instead of having the fatigue, maybe we can just take a step back and dream a little bit. We’re gonna get through this. We were gonna release it earlier in the year, but we felt like it wouldn’t have as much impact but now here we are, oddly enough, going into round two and people are getting more sick than ever before and this fatigue of anger and frustration has settled in … so I think the message it sends if very different than it would have been six months ago.

BLADE: How different has your year been?

WEST: Oh my god, I started off with a full calendar and full plate and watched it all disappear. Some things are being rescheduled, some things have been canceled, some things are being reimagined. I hate the word pivot, but that’s kind of what we’ve all been doing. …. I never thought I would be doing drag primarily by phone for almost a year of my life (laughs).

BLADE: Who was your favorite season 11 celebrity guest judge on “Drag Race”?

WEST: Oh my gosh, I really love Bobby Moynihan. I’m an SNL fanatic so he was on my season. I also was really gagged when we had Lena Waithe and Wanda Sykes. That was the episode I went home, but it was still pretty awesome because I’m gigantic fans of both of them.

BLADE: What was your favorite challenge?

WEST: Probably the magic challenge. It was supremely challenging but it allowed me to show off all my skills in one 10-minute segment. I was glad I got that in before I went home. Some of them were really hard, just really, really arduous. “Trump the Rusical” was so hard. When they say it’s the drag Olympics, it really is.

BLADE: You were a fan of the show a long time before you were on it. What seemed the most different seeing it all in real life vs. watching it on TV?

WEST: Oh wow, my brain is going in like 17 different directions. It was all overwhelming. You never forget walking into the workroom for the first time. … Also seeing RuPaul for the first time is really overwhelming. People always ask why we always react so wildly seeing him walk in the workroom. It’s the same person coming through the same door and you know it’s gonna happen, but he really is just so larger than life, I don’t know how else to explain it. He’s so magnetic and so those moments to me were always supremely overwhelming.

BLADE: I can imagine that.

WEST: One thing I didn’t expect that wasn’t so great was realizing later that there are parts of the fandom that are extremely toxic. When I was eliminated and saw the anger and disgust and vitriol and poison directed at Silky (Nutmeg Ganache), that was surprising. It’s not the show’s fault but there are sections of the fandom that cultivates and allows itself to breed this incestuous, toxic hate.

BLADE: What are your plans for the holidays?

WEST: My parents live about 10 minutes away from me so we talked about maybe doing a quarantine for two weeks then a rapid test before Christmas, and I’m willing to do that, but my siblings and I are all just trying to be super responsible so we may just do a Zoom Christmas. I know it’s really hard but I think it’s important for all of us to work collectively to pull ourselves out of this any way we can.

BLADE: Are you and the queens from your season all constantly on group text and Zoom and all that. Whom are you closest with?

WEST: Yeah, I’m in touch with several people from my season. I talk to Silky, I talk to Brooke Lynn (Hytes). I talk to Vanjie once in a while. … Those relationships from that six-week experience, I can’t explain it — you come to rely on these people in a whole other way. It’s not something tangible or that you can even explain. It’s very life changing to go through that together.

BLADE: What’s gonna happen with season 13? Did they do something this summer?

WEST: I don’t know anything official but yesterday I saw a casting call for season 14 so that tells me season 13 must be in the can. I think it’s like full speed ahead for “Drag Race,” which is great because we all love to watch it and fall in love with new people.

BLADE: You auditioned many times before you got on. Was it discouraging or were you just that tenacious you weren’t gonna be deterred or what?

WEST: Oh no, no, no. (laughs) I’m positive but girl, I’m not that positive. I was broken. It really broke me. My last audition was authentically gonna be my last audition and I don’t even remember who said this to me but on of the production people said it had been stated that, “Nina is either on this season or she’s not, this is the last time we’re watching these tapes.” I don’t know if that’s true or not, but I think we all just felt it had come to like a shit-or-get-off-the-pot type moment. I had to move on with my life in a way. I wanted it so badly and for so many years it just was not happening. Finally my last time, I was the most like, “I don’t care, let’s just get it done, whatever,” and that was the one that got me on. So I think tenacity is one thing, but wearing them down is another.

Nina West channels Divine in a scene from her new video ‘Cha Cha Heels,” an homage to ‘Female Trouble.’ (Photo by Staley Munro)
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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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