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20th edition of Emily Post’s ‘Etiquette’ offers updated advice on pronouns and much more

A guide for daily life ‘with all its successes and mishaps’

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Some families manage bakeries, nurseries, or vineyards.

For Daniel Post Senning, great-great grandson of Emily Post and an Emily Post Institute co-president, and Lizzie Post, great-great granddaughter of Emily Post and an Emily Post Institute co-president, etiquette is the family business.

The Emily Post Institute, based in Waterbury, Vt., conducts seminars and trainings. It partners with businesses and nonprofit groups to “bring etiquette and manners to a wide audience,” according to its website. 

When you think of etiquette, you’re likely to be transported to Downton Abbey. Butlers, finger bowls, the dancing school lessons you hated as a kid – stuffy, rich (usually white, hetero) people at formal dinners managing a zillion salad forks – come to mind.

But, for Post and Senning, who co-host the popular, entertaining podcast “Awesome Etiquette,” etiquette is as far from being an ossified, exclusionary code of manners as we are from being the Dowager having tea at Downton.

Emily Post, the acclaimed etiquette maven, published her first book on etiquette, “Etiquette in Society, in Business, in Politics and at Home,” in 1922.

Post’s seminal book, considered by many to be the “holy writ” of etiquette (and stolen from libraries almost as frequently as the Bible), has been revised by Post herself and her descendants during the past century to evolve with changing times. 

“Emily Post’s Etiquette, The Centennial Edition” by Lizzie Post and Daniel Post Senning, the 20th edition of Emily Post’s “Etiquette,” is just out. (For info on “Emily Post’s Etiquette, the Centennial Edition,” the Awesome Etiquette podcast and the Emily Post Institute, visit emilypost.com.)

The “Centennial Edition” has lively, up-to-date advice and discussion on everything in life in the early 2020s from the use of “mx” as a title to grief to respecting people’s pronouns to how to get company to stop making bigoted “jokes” to how to handle an inebriated guest.

From the get-go, Emily Post, who was born in Baltimore in 1872 during the Gilded Age and died in 1960, didn’t view etiquette as restrictive or exclusionary. “As Emily explained,’” Post and Senning write, “etiquette is not some rigid code of manners; it’s simply how persons’ lives touch one another.”

If you browse some editions of Emily Post’s books (as this reporter has), you won’t find schoolmarmish directives or ethereal descriptions of the etiquette gods’ mannered lives on Mount Olympus.

You’ll find daily life “with all its successes and mishaps,” Post and Senning write, “With tales like ‘How a Dinner Can Be Bungled’ and characters such as Mrs. Worldly, Constance Style, Mrs. Kindhart and the Onceweres.”

Emily Post painted relatable pictures of what to do and not to do, Post and Senning write.

Though Emily Post wouldn’t have known what a smartphone or social media were, her etiquette “still aims to equip you,” write Post and Senning, “with a sense of confidence and preparedness for some of the situations you’ll encounter at home, at work, in your social life, and when you’re out and about.” 

Despite claims that etiquette is dead, it is very much alive, say Post and Senning. 

Steven Petrow, an award-winning journalist and expert on civility and manners, agrees. “I’m always surprised by how timely Emily Post’s advice continues to be,” Petrow, who is gay, said in an email to the Blade. “Recently, I wrote about ‘monkeypox manners,’ and cited Mrs. Post’s timeless advice about respect, consideration and honesty in our social interactions, which includes those in the bedroom.”

Post and Senning graciously took time out from their busy schedules (the launch of the “Centennial Edition,” hosting their podcast – along with their other work with the Emily Post Institute) to talk with the Blade over the phone in separate interviews.

“Emily Post’s Etiquette, The Centennial Edition” was a Herculean labor of writing and editing for Post and Senning. It took a year to write the book, Post said. And, then there was all of the time spent to ensure that the book was carefully edited.

“I would write,” said Post, 40, who manages the Institute’s publishing efforts, “Dan would come in and help me edit the book.”

It was intense, “day-to-day” labor for her and Senning (along with their other work), Post said. “I’m grateful to all the people who were willing to have their lives disrupted while we worked on it,” she added.

Etiquette has been used for less than gracious purposes, Post said. “It can easily be exclusive.” 

The Post family believes that etiquette is based on the principles of consideration, respect and honesty. This may sound abstract. But these principles aren’t empty words. They have a profound impact in the real world.

Before joining the Emily Post Institute in 2008 when he was 30, Senning worked in the performing arts, touring with the Laurie Cameron Company in Los Angeles.

Today, Senning, who lives in Duxbury, Vt., with his wife, Puja and their three children Anisha, Arya, and William, manages the Institute’s training programs. He has co-authored several books on etiquette covering topics from business to digital manners and regularly speaks with media outlets about business, technology, and dining etiquette.

In 2009, same-sex marriage became legal in Vermont. “Then, before the Supreme Court same-sex marriage ruling,” he said, “we were in the vanguard. We got questions about how to respond to same-sex weddings,” Senning added.

The Institute’s response was to note how normal civil unions were, Senning said, and that same-sex weddings weren’t different from hetero weddings.

“If you’re invited to a civil union, reply,” Senning recalled the Institute advising, “let people know if you can or can’t attend.”

Senning loved the “normalization” of the response. “It was really affirming to me,” he said.

Etiquette isn’t only for happy times. It’s called on when things get rough.

 “Etiquette has a role in hard times,” Post, who’s been an American Express spokesperson and written columns for publications ranging from “Broccoli Magazine” to “Women’s Running,” said.

Many go through hard times from losing a job to being ill to grieving, she added. Emily Post may have written on etiquette a century ago, but her thoughts on grief ring as true on an iPad screen as they did then in a hardback book.

“At no time does solemnity so possess our souls as when we stand deserted at the brink of darkness into which our loved one has gone,” Emily Post wrote in 1922, “And the last place in the world where we would look for comfort at such a time is in the seeming artificiality of etiquette; yet it is in the moment of deepest sorrow that etiquette performs its most vital and real service.”

“All set rules for social observance have for their object the smoothing of personal contracts,” Emily Post added, “and in nothing is smoothness so necessary as in observing the solemn rites accorded our dead.”

Etiquette can help people grieve together in community through writing a condolence note, attending a funeral or another act of common grief, Lizzie Post said.

If you’ve suffered a loss, it can be incredible to realize the impact a loved one has had when you receive condolence notes or see so many people at a memorial service.

There’s a new trend where you can take part in the grief without going to a funeral, Post, who lives in her native state of Vermont, said. “When someone dies, for example, you raise a glass at five o’clock to honor them.”

Sometimes you have to use etiquette to stand against prejudice. If someone’s telling a racist or anti-queer joke at your dinner table, you’ll need to say, “‘I’m sorry. This is not a joke for this table,’” Post said.

While etiquette counsels against rudeness, safety trumps etiquette, Post and Senning have said on the Awesome Etiquette podcast and in the “Centennial Edition.”

Tolerance doesn’t mean tolerating an unwanted hug, an inappropriate touch or being “othered,” said Post, who has co-authored and authored etiquette books on topics ranging from weddings to legalized cannabis use.

Take hugging. “We talk about how to ask for a hug and how to block a hug,” Post said.

Etiquette experts, like the rest of us, take time off. On vacation, Post, co-author and narrator with Kelly Williams Brown of the Audible Original “Mistakes were Made” (think etiquette meets “Broad City”), doesn’t want to be rude to people. “But, sometimes, I don’t want to analyze behavior,” she said, “I just want to act.” 

For info on the fascinating life of Emily Post, go to “Emily Post: Daughter of the Gilded Age, Mistress of American Manners” by Laura Claridge.

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Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

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(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

The Blade may receive commissions from qualifying purchases made via this post.

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Risking it all for love during World War II

New book follows story of Black, gay expat in Paris

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(Book cover image courtesy Viking)

‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages

You couldn’t escape it.

When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.

Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”

What better place to do it than in Paris?

Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.

Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.

And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”

There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.

In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.

It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.

Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.

The Blade may receive commissions from qualifying purchases made via this post.

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Laverne Cox, Liza Minnelli among authors with new books

A tome for every taste this reading season

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Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.

So let’s start here: What are you up for?  How about a great new novel?

If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.

Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.

If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?

Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?

But okay, let’s say you want something with a little more heft to it. How about a biography?

Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).

Then again, maybe you want some history, or something different.

So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).

And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.

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