Arts & Entertainment
Baltimore’s state-of-the-art arena highlights spring arts scene
Lizzo, Janet, Bruce, Joan Jett and more to christen renovated space
For years, Baltimore missed out on performances by big-name musicians, comedians and others because it didn’t have a 14,000-seat arena capable of attracting them, but not anymore.
Starting in April, more than a dozen acts will be coming to town when the CFG Bank Arena at 201 West Baltimore St. — formerly known as the Royal Farms Arena — reopens following a $200-$250 million renovation designed to turn it into a state-of-the-art sports and entertainment venue.
The arena’s reopening after more than a year of construction is one of the highlights of the spring arts season in Baltimore, along with new exhibits at the Baltimore Museum of Art; new shows at the Hippodrome and Lyric; a new book festival, a John Waters book signing and other events around town.
On April 7, Bruce Springsteen and The E Street Band will be the first performers to appear at the CFG Bank Arena, a concert that’s being billed as opening night for the refurbished and rebranded hall.
The Boss will be followed by: Eagles Hotel California Tour, April 8; Straight Jokes No Chaser, April 14; Jeff Dunham Still Not Canceled, April 15; Adam Sandler, April 21; New Edition: Legacy Tour with Keith Sweat, Guy and Special Guest Tank, April 22; Monster Jam, April 28 to 30; AEW Dynamite, May 3; Lizzo, May 9; Janet Jackson: Together Again with Special Guest Ludacris, May 13; Anita Baker: The Songstress with the Legendary Babyface, May 14; blink-182 Tour 2023, May 26; Stars on Ice, June 2; Bryan Adams: So Happy It Hurts 2023 with Joan Jett and The Blackhearts, June 6, and Dude Perfect PandaMonium, June 25.
Performances scheduled for later in 2023: Chris Stapleton’s All-American Road Show; Thomas Rhett, Lionel Richie and Earth, Wind & Fire, and Kiss – the End of the Road Tour. The CFG Bank Arena website is cfgbankarena.com.
Owned by the City of Baltimore, the arena opened in 1962 as the Baltimore Civic Center and later was renamed the 1st Mariner Arena (2003 to 2013) and the Royal Farms Arena (2014 to 2022). It was one of the first places The Beatles appeared during their augural trip to America in 1964, and Martin Luther King Jr. spoke there in 1966. The Baltimore Bullets and Baltimore Clippers played there for many years.
As the arena grew older, city officials contemplated constructing a replacement elsewhere but couldn’t decide on a location. They eventually opted to keep the existing venue and bring in a new management team to upgrade it to be competitive with other East Coast arenas. The decision was part of a larger effort to revitalize the west side of downtown Baltimore, where a new building for the city’s historic Lexington Market recently opened several blocks away.
The CFG Bank Arena team is led by the Oak View Group of Los Angeles, in association with Thirty Five Ventures, the investment company of NBA player Kevin Durant and his business partner, Rich Kleiman, and recording artist Pharrell Williams. The Oak View Group team funded the improvements in return for rights to manage and lease the facility, and it’s offering seat leases as part of the ticketing options.
Renovation work began in early 2022 and included a revamped seating configuration; new concourses, restrooms, and concessions areas; updated mechanical systems and a redesigned exterior. The refurbished arena had a test run last month, when Baltimore hosted the Central Intercollegiate Athletic Association’s Men’s and Women’s Basketball Tournaments, but there was still more work to finish. Starting in April, managers say, all the renovations will be complete and it will be ready for the entertainers.
Visual arts events
Baltimore Museum of Art, 10 Art Museum Drive (artbma.org): From April 5 to July 16, the BMA will present “The Culture: Hip Hop and Contemporary Art in the 21st Century.” Coinciding with the 50th anniversary of the emergence of hip hop in the 1970s, the exhibit will examine the global phenomenon of hip hop and its impact on music, fashion, technology and the visual and performing arts.
More than 90 works of art and fashion, including many by LGBTQ artists, will show the many ways hip hop has influenced contemporary society. According to the BMA, queer artists with work in the exhibit include: Lauren Halsey; Rashaad Newsome; Mark Bradford; Julie Mehretu; Dapper Dan; Telfar Clemens; Tschabalala Self; Amani Lewis; John Edmonds; Nina Chanel Abney; Jonathan Lyndon Chase; Caitlin Cherry; Devan Shimoyama; Texas Isaiah; Shabez Jamal; Eric N. Mack and Rozeal. Non-cisgender artists include Isaiah, Chase, Lewis and Jamal.
The exhibit is co-organized by the BMA and the Saint Louis Art Museum. One of the curators is Asma Naeem, the BMA’s new Dorothy Wagner Wallis Director. Other curators include Gamynne Guillotte, the BMA’s chief education officer, and Hannah Klemm and Andrea Purnell, from the Saint Louis museum.
Also opening at the BMA this spring: “Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett,” April 26, 2023 to March 17, 2024: New works by Milad and Durrent in dialogue with Wilson’s Artemis/Bast (1992); “Martha Jackson Jarvis: What the Trees Have Seen,” May 7 to October 1, 2023, featuring mixed media works by Jarvis that imaginatively trace a free Black militiaman’s journey from Virginia to South Carolina in the American Revolution; “Recasting Colonialism: Michelle Erickson Ceramics,” May 7 to October 1, 2023; “The Matter of Bark Cloth,” May 7 to October 1, 2023, and “Wild Forms: Fauve Woodcuts,” May 14 to October 15, 2023.
American Visionary Art Museum, 800 Key Highway: The main exhibit is “ABUNDANCE: Too Much, Too Little, Just Right” (Championing good, honest work from the hand and the heart), curated by Gage Branda. Also: AVAM’s Logan Visionary Conference 2023, March 19, 2 p.m. to 4 p.m.; Kinetic Sculpture Race, May 6.
Walters Art Museum: 600 North Charles St. (thewalters.org): “Quiet Beauty: The Watercolors of Leon Bonvin,” opened in February; “Arts of the Medieval Mediterranean,” is ongoing, and “Across Asia: Arts of Asia and the Islamic World,” a new installation of the museum’s Asian and Islamic collections, opens April 23.
The Peale, 225 Holliday St. (thepeale.org): “Compensation for Loss” exhibition, March 19 to April 30, and Submersive Productions Performances: Katalepsis, March 24 to April 30.
Maryland Center for History and Culture, 610 Park Avenue (mdhistory.org): “Claire/McCardell,” an exhibit about Claire McCardell, an influential designer of women’s clothing from the 1930s to the 1950s and beyond; “Discover Maryland;” “The Unfinished Revolution: Maryland in the Wars for Independence,” and “Passion and Purpose: Voices of Maryland’s Civil Rights Activists.”
Baltimore Museum of Industry, 1415 Key Highway (thebmi.org): “Fire & Shadow: The Rise and Fall of Bethlehem Steel,” documenting the 125-history of the Sparrows Point steel mill.
B&O Railroad Museum, 901 West Pratt Street (borail.org): New permanent exhibit: “Freedom Seekers on the B&O Railroad.”
Waverly Book Festival (waverlymainstreet.org): A new book festival organized to replace the Baltimore Book Festival, 32nd and Barclay streets and other locations, April 28 to 30.
John Waters at Atomic Books, 3620 Falls Road (atomicbooks.com): As part of a book tour for the release of the paperback version of his novel, “Liarmouth: A Feel Bad Romance,” writer and filmmaker John Waters will sign books on May 12 starting at 7 p.m.
Performing arts events
Hippodrome Theatre, 12 South Eutaw St., (Baltimore.broadway.com): Spring shows include: To Kill A Mockingbird, March 14 to 19; Respect – Aretha Franklin Tribute, March 23; Aziza, March 25; Lewis Black, April 2; Hadestown, April 12 to 22; Rock From The Heart, April 22; Shen Yun Performing Arts, April 28-30; Dino Ranch Live, May 6; Six the Musical, May 9 to 14, and Frozen, June 7 to 18.
The Lyric Baltimore, 140 West Mount Royal Ave., (lyric.baltimore.com): Royal Comedy 2023: Sommore, Bruce Bruce, Lavell Crawford and Special K, March 18; Hits! The Musical, March 19; Killer Queen, March 25; Bored Teacher Comedy Hour, March 31; Good Friday: Carl Thomas, Lyfe Jennings and Christopher Williams, April 7; Brit Floyd, April 15; Soul Marathon: Bloodstone, April 22; Yes Epics & Classics featuring Jon Anderson and The Band Geeks, May 6; Fortune Feimster, May 19; Boz Scaggs, May 20; Puscifer, June 1; John Mellencamp, June 2; Kansas – The Band, June 3; Luis Angel, June 4; Bad Friends Podcast: Andrew Santino and Bobby Lee, June 16; Stephen Sharer, June 17, and Les Claypool’s Fearless Flying Frog Brigade and W.I.T.C.H.
Creative Alliance, 3134 Eastern Ave. (creativealliance.org): The High & Wides with Hannah Lee Thompson, March 31; 2023 Marquee Ball, April 22; Alison Crockett Presents Echoes of an Era: The Jazz Sides of Chaka Kahn, April 28, Ngaiire, May 5; Brandee Younger, June 22, and Madison McFerrin, June 23.
Baltimore Center Stage, 700 North Calvert St., (centerstage.org): Tiny Beautiful Things, March 9 to April 2.
Everyman Theatre, 315 West Fayette St. (everymantheatre.org): The Sound Inside, March 7 to April 2; Harvey, April 25 to May 21, and The World Goes Round, June 6 to July 2.
Arena Players, 801 McCulloh Street (arenaplayersinc.com): Open Admissions and When Men Reduce as Women Do, March 17, 18, 19, 24, 25, 26, 31 and April 1 and 3; Sizwe Banzi is Dead, April 21, 22, 23, 28, 29, 30, May 5, 6, and 7, and Nina, May 26, 27, 28, June 2, 3, 4, 9, 10, 11, 16, 17 and 18.
Live! Casino Hotel Maryland, 7002 Arundel Mills Circle, Hanover, Md., (maryland.livecasinohotel.com): Patti LaBelle, March 10; Air Supply, March 11; Hoops Fest Watch Parties, March 14; Lovers in the Night Spring Concert, March 19; Mixed Martial Arts: Shogun Fights, March 25; Jerry Seinfeld, May 19, and Kevin Hart, June 11.
Baltimore Soundstage, 124 Market Place, presents the Hell in the Harbor Festival over the Memorial Day weekend, May 27 and 28. Its complete spring lineup for March to June, with dozens of acts, is on its website, Baltimoresoundstage.com.
Movies
‘Hedda’ brings queer visibility to Golden Globes
Tessa Thompson up for Best Actress for new take on Ibsen classic
The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.
Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert.
But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.
“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”
She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”
Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”
“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”
DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.
“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.
“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.”
It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.
“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.
“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”
Hoss actually played Hedda on stage in Berlin for several years previously.
“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”
The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.
“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’
Onscreen and offscreen, Thompson and Hoss loved working with each other.
“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”
Hoss said that’s what drew Eileen to Hedda.
“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”
But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.
Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).
“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.
Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
Our most eligible singles will be announced online in February. View our 2025 singles HERE.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










-
Sponsored4 days agoSafer Ways to Pay for Online Performances and Queer Events
-
District of Columbia3 days agoTwo pioneering gay journalists to speak at Thursday event
-
Colombia3 days agoBlade travels to Colombia after U.S. forces seize Maduro in Venezuela
-
a&e features3 days agoQueer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
