Books
Washington Blade editor tells all in new book
Kevin Naff revisits 20 years in the battle for LGBTQ equality in tome that is part history lesson, part celebrity dish
Washington Blade Editor Kevin Naff this week published his first book, “How We Won the War for LGBTQ Equality — And How Our Enemies Could Take It All Away.”
The book commemorates Naff’s 20 years editing the Blade and features two decades of his work updated with new insights and commentary, touching on everything from the fight for marriage equality and repeal of “Don’t Ask, Don’t Tell” to celebrity encounters and the outing of public figures.
It’s part history lesson and part celebrity dish, available now at Amazon.com and kevinnaff.com.
The following is adapted from an interview between Rob Watson of Rated LGBT Radio and Naff. To listen to the full interview, visit blogtalkradio.com/ratedlgbtradio.
The two-decades long war in Afghanistan was the longest in U.S. history. Wars for civil rights have been much longer, and for many, nowhere near over. Ours for LGBTQ rights is a prime example.
While gains in our particular war have been many, and by historical standards, have come incredibly fast, they have now been fought by several generations.
Author and Washington Blade editor Kevin Naff highlights this perspective in his new book “How We Won the War for LGBTQ Equality.”
“Two decades represents a mere blip in the arc of a civil rights struggle, yet in that span, the LGBTQ community in the United States went from legally second-class status to enjoying near full protection of federal law along with widespread societal acceptance and even full marriage rights,” Naff writes.
He is aware that this look into our collective history represents a glimpse into a broader, and more painful fight, where many LGBTQ families lost their fights. “Not a week has gone by in my 20 years at the Blade that I didn’t think of the generation of gay men before me who didn’t live to see all of this progress,” he writes. “They inspire me. I do this work for them. They did not die in vain. Not just the men who died, but the lesbians who cared for them when no one else would. They are not forgotten.”
“This is not a dry history lesson type of book, but if you want to learn, the book does tell the marriage equality battle, ‘Don’t Ask Don’t Tell,’ and how a lot of our wins unfolded,” Naff declared when he sat down with me on the Rated LGBT Radio podcast.
He’s right. “How to Win” shares many of Naff’s articles written as events were unfolding. Absorbing these as a modern reader, I found my deep desire to fight against anything less than full equality, and repression against our abilities to self-actualize, getting hungrier and hungrier.
For those wanting “shade and the truth,” this book delivers, as it’s filled with page-turning anecdotes to keep you glued and voracious right to the very end.
Like many of us, Naff was persecuted for being perceived as gay when he was a kid. “The walk home from school was particularly terrifying — I walked alone and my tormentors would often follow, hurling rocks and anti-gay slurs. Sometimes the fear was so intense that I would feign sick just to avoid a day of the torture,” he writes. His youth was not a time when there was much sympathy, or help, for LGBTQ children. It was the time of do-it-yourself. “There was the day I finally snapped, in seventh grade, while being taunted by a kid in gym class. The insults and threats became too much and all the anger rushed out of me…I defended myself. And it felt good,” Naff reveals. He acknowledges that his bullies “forced me to cultivate an inner strength.”
Years later, as a journalist and conscience for public progressives, Naff’s unwillingness to back down, and passion to stand and fight, emerge time and time again in the book.
While he writes of contempt for George W. Bush’s opportunistic use of same-sex marriage as a campaign wedge issue, Naff stepped up his fight to the next level when facing Maryland Gov. Martin O’Malley. O’Malley was a progressive who used LGBTQ goodwill and campaign muscle to get elected. When an appeals court rejected same-sex marriage, O’Malley went from champion to cad at light speed. He issued an offensive statement about Catholic sacraments and asserted his opposition to marriage equality.
So, Naff outed the governor’s brother, Patrick. (That the brother was gay was a fact commonly known in social circles, but had not reached the media level previously).
The governor was mad, but Naff landed a one-on-one interview with O’Malley, and eventually a path to the governor flipping support on the issue.
Naff’s unwillingness to allow LGBTQ people to be pushed around is not just with public figures who use us and then abandon us, people he calls “duplicitous allies,” but he feels no hesitancy in confronting Hollywood icons and their cults, as John Travolta found out.
Naff went viral with a piece in 2007 when he wrote a blog post criticizing the casting of a potentially closeted and indoctrinated Scientologist John Travolta, as the Divine-inspired drag role in John Waters’ musical version of “Hairspray.”
That post “generated the most attention and traffic of anything I’ve written,” Naff says. “My blog post encouraged gay fans to boycott the new film because its star, John Travolta, was Scientology’s No. 2 spokesperson and his cult was known to engage in reparative therapy, the debunked practice of changing one’s sexual orientation.”
Mainstream gossip media declared that “the gays were boycotting Hairspray.” Soon Naff found himself inundated with death threats, and being summoned by both Fox News and the Church of Scientology itself.
Naff agreed to a face off with Fox’s Bill O’Reilly whose friendly off-air persona turned rabid in front of the cameras. When Naff pointed out that he was comparing gay people to drug addicts, O’Reilly snarled, “Don’t be a wise guy, Mr. Naff.”
Naff’s biggest sin, according to the Church of Scientology, was referring to it as a “cult.” To prove that they weren’t, the president of the D.C. church invited Naff for a meeting. Upon arrival at the Scientology mansion in Dupont Circle, the church president gave Naff a tour, which included an “immaculate first-floor formal office.” After inquiring whose office it was, Naff was told that it was “Mr. Hubbard’s office” and that every church location had one. Scientology founder L. Ron Hubbard had been dead for 21 years at that point.
“Cult!” Naff and I exclaimed in unison as he told me the story.
As editor of the Washington Blade, Naff is an established invitee to the journalistic event of each season: The White House Correspondents’ Association Dinner. He writes about his dates he has taken each year from the heavenly (Judith Light) to the disastrous (Kathy Griffin). The latter made a point to scream expletives at Trump administration officials in attendance.
While Naff could appreciate the sentiment, Griffin left D.C. the next day, while he, the in-town professional, had to face all of her targets.
Laverne Cox was also a standout date. She accompanied Naff the night after Caitlyn Jenner’s televised coming out interview aired. “If one more reporter asks me about fucking Caitlyn Jenner, I’m going to lose it,” Naff reports Cox confiding. His story about Laverne Cox was not so much about Jenner, however, but reads like something out of “Oceans 8.”
Unlike the movie, Naff’s evening did not feature a planned jewel heist, nor were Sandra Bullock and Cate Blanchett anywhere in sight, but it did feature a pricey borrowed diamond bracelet that went missing off of Cox’s wrist. She feared the jeweler would accuse her of theft. The dilemma ultimately had one of the most famous transgender actresses of all time, and the editor of the nation’s oldest LGBTQ publication frantically crawling under banquet tables surrounded by the Washington elite and press corps.
Cox finally found the bauble at 4 a.m., deep at the bottom of her purse.
“How We Won” covers the arc of LGBTQ history over two crucial decades and hits on topics from bullying of youth, the “ex-gay” movement, the military, religion, police, and, of course, marriage equality. Besides his adventures with cults chasing him down, A-lister dates and angry governors, Naff also shares poignant emotional moments of his own.
One came in shocking fashion when he arrived to the Washington Blade offices one morning to find two men from the Blade’s then-parent company. They were there to shut the place down after a Chapter 7 bankruptcy filing.
Naff retreated to his office, scrambling to think out the next move. The Blade staff resolved to not give up and successfully put out a slim newssheet for a few months until they could recover the Blade’s assets from the bankruptcy court and keep the legacy alive.
One of the great ironies of the LGBTQ movement is that many people who have fought for progress are not the ones who live to enjoy all the gains. They win the battles but leave the new world for others to fully enjoy.
Naff is one of those pioneers. After an adult life fighting for LGBTQ people to exercise the right to marry our loves in a fully public, accepting way, challenging all who might deny a same-sex couple service, Naff had a life-changing revelation that made him choose to walk away from a huge wedding event for himself.
Months before his own wedding, he was in a serious automobile accident. He called his fiancé and pitched the idea of a small ceremony on the beach, followed by a gay cruise together around Asia. “Something happens when you are faced with a life-or-death kind of moment. It changes what’s important. It changes your perspective,” he tells me.
Naff started out his writing career as a 10-year-old writing to the Washington Post as a pissed-off Baltimore Orioles fan protesting the Major League Baseball strike of 1981. “I am STILL a pissed off Baltimore Orioles fan,” he says. From day one, he found his knack for observation and his gift for pointed communication. Those are the same qualities he brings to his participation in, and presentation of, our LGBTQ historic trek to equality victory.
In “How We Won,” he tells an unvarnished story, as he saw it, as he wrote about it, and continues to tell it, at the helm of the Washington Blade. He tells of the right-wing figures he confronted and continues to confront. He thinks of the term “outing” as an archaic term. Today, it is simply “truth-telling” of those in the public eye. As much as the title of his book implies a “win” and completion, I am confident that the 10-year-old pissed-off Baltimore Orioles fan within is not done.
Naff’s subtitle, after all, is “And How Our Enemies Could Take it All Away.”
A post-war recap for Kevin Naff might have been best expressed by the fictional Mr. Incredible when he said, “No matter how many times you save the world, it always manages to get back in jeopardy again. Sometimes I just want it to stay saved!”
As homophobic, transphobic Republican legislation sweeps the country, it is clear, we are not done and a new chapter in the war has begun. At the end of “The Incredibles,” continuing the allegory, after a family of progressives have saved the world, a huge noisy crew disrupts it (symbolic of the MAGA wave). Out pops the Under-Miner who declares, “Behold, The Under-Miner! I am always beneath you, but NOTHING is beneath me! (As it seems so for the GOP.) I hereby declare war on peace and happiness! Soon all will tremble before me!”
The music swells, and the family of authentic-selves look at each other with a smirk, opening their shirts to reveal that they are Incredibles. They know that this time, like last time, they will not be defeated.
So stands Kevin Naff, looking back and looking forward, with his band of Incredibles, LGBTQ journalists worldwide, and the rest of us, ready to fight the fight again.
As we prepare for the new battles ahead, the principles of “How We Won” will be our tools for ultimate victory: be visible, be assertive, confront lies and injustice, reinvent, rebirth and in the end, hold our personal loves sacred.
Kevin Naff and Mr. Incredible would stand for nothing less. Neither should you.
Books
Curl up with a good book this fall
New releases include mysteries, biographies, religion, and more
The fall books season offers lots of options so curl up and get ready to read.
FICTION
For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?
If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.
Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.
So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.
NONFICTION
So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.
If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.
For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.
Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.
And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.
Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!
Books
Dolly Parton biography puts her hardships into context
‘Ain’t Nobody’s Fool’ a highly researched tome not to be missed
‘Ain’t Nobody’s Fool: The Life and Times of Dolly Parton’
By Martha Ackmann
c.2026, St. Martin’s Press
$30/304 pages
Not too bright.
That’s what people once thought about you. Your language didn’t conform, you had your own sense of style, and you were ignorant about modern things and places and foods. But you were no dummy. You were different, and you had a secret: as in the new biography, “Ain’t Nobody’s Fool: The Life and Times of Dolly Parton” by Martha Ackmann, you knew exactly where you were going.
When Avie Lee Owens and Lee Parton first married, they had the very basics: “two knives, two forks, two spoons, a skillet, a butcher knife, and an old iron kettle.” He was 17; she was 15. Babies came quick. The fourth one was named Dolly, after two great-aunts.
Almost from the time she could walk, Dolly sang. Before she was old enough to attend school, she wrote poetry, and she’d begun to notice rhythms and beats she could make with her fingers. As a schoolchild, she created her own musical instruments out of scraps, and she was eager to perform whenever anyone asked her – and they asked often, because Dolly Parton was a nice girl, and her sense of humor conveyed a warmth that drew people in.
Growing up in the Tennessee mountains, Parton was independent, shunning marriage and child-raising, instead focusing on a dream of being a star. By the time she was in high school, she’d had a regular gig on local television but she recognized that there were few opportunities for fame in the mountains, so she left for Nashville the day after high school graduation, with the snickers of naysayers ringing in her ears.
She stayed with an aunt and uncle there, and she beat the streets, dined on grocery store samples to get by, and missed her family and friends. And they worried about her, but they knew nothing would derail her plans. They knew Dolly would be fine.
As a friend said, “’She had her head on pretty good.’”
Chances are that if you’ve listened to music any time in the last 60 years, you’ve heard Dolly Parton through her words or her music or both. Now you need to learn more about her, and “Ain’t Nobody’s Fool” is where to do it.
Here’s a biography that grabs you on the first page with the tiniest bit of family tree, but not so much that you get bored with it. Author Martha Ackmann writes about Dolly Parton’s early life, putting hardships and experiences in context, both personally and historically. There are name-drops, but not overly so, as Ackmann takes you through Parton’s career, her heartbreaks, her marriage, and her years with Porter Wagoner, in detail but not dramatically embellished or outrageously told. It’s a biography that’s just right, sourced well and written with a fresh take that, like its subject, tells a good story.
Fans, of course, will want this highly researched book but music lovers of any age or type will eat it up. That means you, so use up that Christmas gift certificate. “Ain’t Nobody’s Fool” just shines.
The Blade may receive commissions from qualifying purchases made via this post.
Books
Historiography with heart
Pioneering author John D’Emilio continues to enlighten us in new book ‘Making Gay History’
‘Making Gay History, Memoir of a Scholar-Activist’
By John D’Emilio
Dukeupress.edu/making-gay-history
“Dear Dr. Kameny,” wrote the earnest graduate history student almost 50 years ago. “As you know, the academic community only rarely deemed the lives of gay men and women to be worthy of serious scholarly study. To my knowledge, no American history faculty at a major university has yet sponsored a dissertation that deals with gays historically.”
That student was a young man from the Bronx who would change all that. His name is John D’Emilio.
“I must be able to uncover ‘manuscript’ sources, that is unpublished and unique historical materials,” he explained to D.C. gay civil rights pioneer Dr. Franklin E. Kameny who lived in a house stacked to the ceiling with “unique historical materials.” In reality, these were piles of correspondence with government officials and politicians, legal filings, mimeograph copies, gay newspapers, press releases, Mattachine Society brochures and picket signs. Frank Kameny, a self-described “pack rat,” invited D’Emilio into his private world of papers and memorabilia to begin uncovering an erased and forgotten pre-Stonewall history. This was one of many such research forays into “basements, garages and overcrowded living rooms” across America conducted by John D’Emilio. He was a young man on fire to complete a Ph.D. dissertation at the frontier of a distant galaxy — writing a scholarly gay and lesbian history backed by original research where there had been none, only a void.
Reading D’Emilio’s memoir “Making Gay History” (2026, Duke University Press) one has the sense of watching an emerging galaxy spinning around a galactic core of New York scholars and their mentors, young activists, and community historians throbbing with the New York City energy celebrated by Walt Whitman a century before in his epic poem “Mannahatta”. Spinning out of the ‘60s anti-Vietnam War activism; Marxist historical analysis, the Stonewall riots and gay liberation, we can see it coalescing around this one history student’s search for a dissertation topic and himself piecing together a new history that “no one had yet written about … a pioneering work in this newly emerging field.” D’Emilio pitches his idea for a dissertation that “spanned the length of U.S. history, moving from the religious teachings that shaped law and social attitudes … to how the federal government dealt with the increasing visibility of a homosexual world in the twentieth century.” With the blessings of Columbia’s Department of History, he completed his dissertation leading to the publication of his groundbreaking history: “Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States” (1983). When he received his first copy of the bound book in the mail, he “cradled the book in my arm holding it close to my chest….It was as if I had fathered a child.”
More so, D’Emilio fathered a new history. Historiography is the story of how history gets written, conducting original research, uncovering the data and creating the narrative(s) — often a snoozing read of academic process. But not this historiography. “Making Gay History” is a historiography with heart.
“Nothing was going to stop me from giving everything I had to this effort at making change in society and myself,” he declares while connecting with others who share his “boundless excitement for the collection of documents.” There were many others in this spiral with D’Emilio who are mentioned and play important roles. In the spiral were Jonathan Ned Katz (“Gay American History”, 1976); Allan Berube (“Coming Our Under Fire” 1990), Martin Duberman (“Hidden from History”, 1989); Daughters of Bilitis activists Del Martin and Barbara Gittings; Civil War historian Eric Foner and author/activist Larry Kramer. No libertarians among them. Well, maybe the divine Bette Midler who was well known for performing uptown at the Continental Baths who makes an appearance at a Washington Square rally.
He craved his parents’ approval. Among the most riveting scenes in the memoir are a series of family dinners in the Bronx with his old-school parents who go into near shock when he tells them he is gay. How to evade this any longer, especially now that his dissertation is going to be on homosexuality? It is a moving and hilarious sequence. After he says it out loud, “I am gay”: “No. No. No!” his father gasps. “This can’t be true. It can’t be.” D’Emilio thinks, “Oh my God, he’s going to die. I’ve killed my father.”
The D’Emilios — Vincent and Sophie — so resemble the wonderful Castorinis in “Moonstruck,” I am thinking “Oh my God, this is Cher coming out to her parents Cosmo and Rose.” The young graduate student survives the family dramatics even more certain that this was not just his success but “a gay liberation success.” From the family dinner table to the streets, he writes how he marched in the 1973 Pride parade beneath a banner held high: “Gay Socialists.” This man is a born scholar-activist.
D’Emilio does not seem able to pull back. There are passages that veer into autobiographical minutia, detail about the grind to earn a living from the University of North Carolina Greensboro to the University of Illinois Chicago. He writes, ”I would be living on less than half my usual salary for the year, but with the small amount of royalties that I got for my three books, plus some occasional speaking gigs and dipping into savings…”. Much of this is gray matter compared to the galaxy John D’Emilio helped energize that even now brightens our sky.
Charles Francis is president of The Mattachine Society of Washington, D.C. and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey” (University of North Texas, 2023)
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