Opinions
Celebrity BEYOND transatlantic cruise: Setting sail
Rome to Ft. Lauderdale crossing features parties, shows, and some rough seas
My 2023 trip to Europe to join the Celebrity BEYOND on a transatlantic voyage back to Ft. Lauderdale has begun. I flew United Airlines to Rome from D.C. The flight was on time and great, except for the food, which as usual on United, was awful. The flight attendant asked what I wanted for lunch, but since it was already 7 p.m., I suggested it may be dinner. She laughed and said yes, dinner. Then I chose the short ribs from the menu and she said, “pick a second choice we only have 14 servings of that.” I laughed, and said then it doesn’t matter. I wasn’t one of the 14 to get the short ribs.
Other than dinner all went well. We landed in Rome about 10 minutes early. That was made up for when it took over 40 minutes to get our luggage, and it came down on a luggage station already packed with bags from another flight which made it difficult for anyone without extra-long arms to get their bags off the conveyer belt.
After finally having my bag, I walked out of the baggage claim area, and met my pre-arranged taxi, through Booking.com, and he escorted me to his car. He was a very nice gentleman and his car was a beautiful new Jaguar. It was a nice ride into Rome. I arrived at the UNA Deco hotel, where I have stayed several times before, and got a nice welcome and was told my room was ready early. Wow, a great welcome. Headed upstairs to wash up, and began two wonderful days in Rome.
I left messages for friends, also staying at the hotel, and arranged to meet them the next morning for breakfast at the great buffet the hotel provides. Then headed out to walk around Rome. For me there is always with a sense of wonder when seeing sights like the Colosseum, Trevi Fountain, Spanish Steps, and the Pantheon. Rome is packed with tourists, lined up seven deep at the Trevi Fountain. Even so I bumped into friends there who were also going to be on the cruise. I wandered for hours, stopping for a cappuccino, and a light lunch, and eventually was tired enough to head back to the hotel early for a good night’s sleep. Since I never can sleep on a plane, was exhausted and skipped dinner. Woke refreshed the next morning and met friends for breakfast, and then headed out again. Had a great day and had arranged to meet my friends from Rehoboth Beach, Mary, and Nancy, who were also joining my group on the cruise. Lawrence, from Columbia, who I had met on a previous cruise was staying at my hotel, and he joined us for dinner that evening at a nice restaurant near the Spanish Steps. The ladies were staying near the Spanish Steps and we parted ways with them after dinner and Lawrence and I decided to take a long walk back to our hotel to walk off dinner.
Day three dawned bright and sunny. After breakfast Lawrence and I headed to the designated meeting place, which was only two blocks from the hotel, to board the bus our hosts (travel agents extraordinaire, Scott and Dustin, of My Lux Cruise) had arranged to take us to Civitavecchia, the port where we were to board out ship. We met some old, and some new, friends on the bus. As we arrived at the port, we saw the BEYOND was docked close to the Celebrity EDGE and together they made an impressive picture. We arrived at the port about 10:30 and began our check-in to board the ship.
Courtesy of Scott, I had arranged for an upgrade to use the retreat amenities, the retreat is the fancier part of the ship. I really enjoy the retreat lounge. My cabin was concierge class. I was able to check in at the retreat section and when I handed my passport to the nice lady at the gate, after having dropped off my luggage, there seemed to be a problem. She said I would have to wait and I called Scott from My Lux Cruise over to see if he knew what the problem could be. Turns out she was just waiting for her manager to come over to welcome me on board. They apparently knew I was going to blog and write about the cruise and I thought that was very nice. We then got online with everyone else to walk up the gangplank to enter the ship. So, the cruise began.
Celebrity BEYOND Transatlantic Cruise: Blog #2
Day 1 on the ship begins and we are welcomed by a great crew as we walk up the gangway. The BEYOND has a very similar feel to the EDGE and the APEX, both on which I had cruised before. Clearly Celebrity BEYOND is a beautiful ship. I went directly to my cabin, set up my computer, and unpacked the one small bag I carried with me. The larger luggage was to be delivered to the cabin. Then I set out to tour the ship.
Again, it has a very familiar feel but there were some clear differences. The first thing I did was head to my muster station to check in, which every guest must do. It’s so you know where to go in case of any emergency during the cruise. There, one of the crew checking us in, was a very attractive and charming young man, who it turned out was one of the entertainers, an aerialist. He and his partner would perform during the cruise. I chatted with him and found he was from Ukraine, and of course knew the talented Bilak Brothers, who I have written about. Guess there is something in the water in Ukraine that breeds aerialists. I suggested I wanted to interview him later in the cruise, and he said that would be great.
Next, I headed to the Sunset Bar, larger than on the other EDGE ships and beautiful. I knew it had been designed by the talented Nate Burkus. I was going to be spending time there. The plentiful artwork around the ship was intriguing. Not sure I appreciated all of it, but then art is always in the eye of the beholder. The elephant at the pool is great. But another piece I stopped to look at thinking ‘why?’ Then near me I overheard a couple say, “wow, isn’t that beautiful.” Yes, we all appreciate art differently. I continued my tour looking at the various lounges, and then headed to EDEN, a lounge where the LGBTQ happy hour would be held each evening, and shows would be performed. Walking toward the Eden lounge on APEX you walk through a silver tunnel. On the Beyond, you walk into a black space, with silver freeform sculptures on the wall, floor, and some hanging from the ceiling. In some ways beautiful, but dangerous. There is one silver ball hanging from the ceiling directly in the walkway, which anyone over 5’9 must duck, not to smash into. I am surprised Celebrity hasn’t been sued yet. The black mirrors are such one woman walked into one while I was there, thankfully she wasn’t hurt. Again, art is in the eye of the beholder, but this installation actually seems dangerous. Once I navigated through the tunnel, the EDEN lounge is as great as on other EDGE series ships.
Scott and Dustin, of My Lux Cruise, had invited our group of nearly 100 to a 4:30 sail-away party in their suite, one of two amazing Iconic suites, on the ship. The other was occupied by Mark and Juan, an incredible couple, I first met on a Panama Canal cruise. So, I headed back to my cabin to wash up and change, expecting to see my luggage. No such luck. I was surprised since it was now five hours since we checked our luggage on the pier. I was to find out even those in the Iconic suites were missing some of theirs. Seems there was a small issue, and what was to be priority luggage, for the retreat passengers, never really got labeled as such, and the luggage sat for hours on the pier. So, I headed to the sail-away party and it was great. Dustin and Scott, working with Christophe, the Hotel Director, set up a fun party. There were old friends to greet, and new ones to meet, a perfect start to the cruise. Just a side note, Christophe had been Hotel Director on the APEX until recently, and we met him last year. He is a great guy. I hope to work with him during the cruise to set up some interviews with the Captain and other crew, if Celebrity corporate gets out of the way. After the party a few of us headed to the Tuscan restaurant, one of the four main dining rooms, for a relaxed dinner. Then it was an early night for me, looking forward to day 2 and my first excursion.
Celebrity BEYOND Transatlantic Cruise: Blog #3
Day 2 on BEYOND dawned bright, and I had arranged to have coffee, juice, and a bagel delivered to the room. It was delivered late, but the room service manager called, apologized, and promised it would be on time for the rest of the cruise. I always do a continental breakfast in the room. I then headed to the theater, to check in for my first excursion.
The theater is beautiful, and was crowded with those checking in for various excursions. Mine was a bus trip to Papallo, and Santa Margherita, and then a small boat ride to Portofino. I was going with my friends Mary and Nancy from Rehoboth, Beach. They are all small, beautiful, tourist towns, on the coast. We were treated to breakfast in Rapallo, some pastries and cappuccino, and took a walk around town with our guide. Then it was back on the bus, and off to Santa Margherita, another pretty town. As we were heading there our guide confirmed the sea was quite rough, something we could see, and the planned boat trip to Portofino was cancelled. She then told us we could take a taxi, or small bus, from Santa Margherita, along a narrow road to Portofino. Many of us did take the bus. It was worth it as Portofino really is a beautiful place, with a great little harbor. But you understood again why the boat trip was cancelled as the water was lapping over the harbor wall, onto some of the streets. But that didn’t stop any of us from enjoying our time there. After returning to Santa Margharita, and all-in-all a very nice day, the bus brought us back to the ship around 4pm.
I then headed to the retreat lounge for another cappuccino, and met some of the group there. Then it was time to change and the LGBTQ+ happy hour in the Eden lounge. This was a precursor to dinner, again in one of the main dining rooms, and then a Halloween costume Party back in the Eden lounge. This party was arranged by Scott and Dustin. They had a roped off area in the lounge for our group, and there were some great costumes. In fact, a couple of the guys went on to win prizes in the ship-wide Halloween Party and contest, held a little later in the Martini Bar. Everyone was in great spirits all evening. The great thing about these cruises is you can stay and party till the wee hours, even head to the casino to try your luck, or if you are like me, you can head back to the cabin around eleven, for a good night’s sleep. Yes, I am getting old, LOL.
Day 3 on BEYOND dawned partly cloudy, and I had planned to do an eight-hour excursion to Nice and Monaco. Instead, went with my friend Ken, on our own excursion. We took the ship’s tender into VilleFranche -sur-mer. A charming town. Also taking the tender was my aerialist friend, and we walked around with him for a while. He had to be back at the ship early to prepare for a show that evening. Ken and I took the train to Nice. It was only a short trip and we walked around Nice, and took the tram to the beach. It wasn’t the main port, and was a little disappointing, but we had nice lunch and enjoyed walking around. Ken was looking for a pharmacy but they were all closed. We had forgotten it was All Souls Day. Then it was time to take the train back to VilleFranche, and board the tender back to the ship. Just as we got on the tender, it began to rain. We felt our timing was perfect. It was another nice day off the ship.
Now it was time to relax, wash up, and then head to the LGBTQ+ happy hour, which I do each evening. Then it was dinner again, this time in Cyprus, another of the four main dining rooms. Now this was going to be a little later evening for me, as the first show I wanted to see was being performed in the EDEN lounge at 10:45. It was one where my friend the aerialist, and his partner, were performing. They were great, as was the entire cast. Talented singers and dancers. So, it was worth staying up past my bedtime. In any event, day 4 was going to be our first sea day.
Celebrity BEYOND Transatlantic Cruise: Blog #4
Day 4 dawned bright and windy, with the ship’s motion a little strong from side to side. It was not a day to be outside so the inside lounges and solarium pool were going to be crowded. I had my usual breakfast delivered to the room, exactly on time with a charming waiter, and then did some writing. Then I headed to the gym. I had made a commitment to myself to go to the gym every sea day, and I intend to keep that commitment. The gym was busy but my timing was great. I headed to the lifecycle area and just as I got there one of the bikes opened. I spent about an hour in the gym and felt proud of myself. Then I treated myself, and headed to the retreat lounge for a cappuccino. I met some of the guys from our big LGBTQ group, Mike and Jason, and others who were also sitting there chatting and relaxing. We then all headed to the retreat restaurant, Laminae, for lunch. It was my first meal there this cruise. I had a simple, but great, burger and fries. Then I just wandered around the ship and found a nice place to sit and read till it was time to head back to the cabin and change for happy hour. I did contact the guest relations desk, asking to set up a meeting with Christophe, the Hotel Director. He very able assistant contacted me and suggested we could meet at the retreat lounge the next evening at 6:30 which sounded great to me.
The evening was nice. We went to the early show in the theater. The show, Stage Door, with the production cast was great. They sang and danced to a wide variety of musical numbers from Broadway shows. Then Paul, John, Ken, and I headed to Fine Cut, the steak house for dinner. While we weren’t all that thrilled with the meal, I must admit some others who have eaten there, raved about it. After dinner we headed to the Martini Bar and it was crowded. By eleven I headed back to the cabin.
Day 5 dawned sunny and windy. We docked early in Malaga, Spain. I have been to Malaga often, and had signed up for an excursion to Mijas, a small mountain town above Fuengirola, on the Costa Del Sol. I went because I wanted to see what the town looked like today, nearly fifty years after I was first there. While it is a beautiful, and a busy tourist town today, for me it was disappointing as I remembered it as a small cute town with a few main streets. Now you can buy a condo there for a mere $500,000 as advertised in one of the real estate shops. But it was a nice drive down the coast. We got back to the ship by 1:00pm and I headed back to the retreat lounge to relax. That evening I met some of the group and we headed to the show in the theater, Legacy, three very talented singers. From there we went to one of the main dining rooms, Tuscan, for dinner, and had a relaxed evening at the Martini bar. The next day, Saturday, would begin six days at sea as we crossed the Atlantic to Bermuda.
At the show we were warned there was a big storm in the North Atlantic, and the Captain determined he would change the route of the ship to a more southern route and try to avoid the worst of the storm. We were told there would be some higher waves and we would feel the rocking of the ship. We sure did feel it beginning that night.
I woke up on Day 6 to the room rocking. I was OK with that, and felt no sea-sickness. That was not the same for all in our group. I was impressed with my room service waiter who still delivered my breakfast on time, and carried the tray without a problem. The crew has great sea legs. The first of our six sea days had begun.
Commentary
Second ‘lavender scare’ is harming our veterans. We know how to fix it
Out in National Security has built Trans Veterans State and Local Policy Toolkit
Seventy years after the first “lavender scare” drove LGBTQ Americans from public service, a second version is taking shape. Executive directives and administrative reviews have targeted transgender servicemembers and veterans, producing a new wave of quiet separations and lost benefits.
The policy language is technical, but the result is personal. Veterans who served honorably now face disrupted healthcare, delayed credentials, or housing barriers that no act of Congress ever required. Once again, Americans who met every standard of service are being told that their identity disqualifies them from stability.
Out in National Security built the Trans Veterans State and Local Policy Toolkit to change that. The toolkit gives state and local governments a practical path to repair harm through three measurable actions.
First, continuity of care. States can keep veterans covered by adopting presumptive Medicaid eligibility, aligning timelines with VA enrollment, and training providers in evidence-based gender-affirming care following the World Professional Association for Transgender Health Standards of Care Version 8.
Second, employment, and licensing. Governors and boards can recognize Department of Defense credentials, expedite licensing under existing reciprocity compacts, and ensure nondiscrimination in state veterans’ employment statutes.
Third, housing stability. States can designate transgender-veteran housing liaisons, expand voucher access, and enforce fair-housing protections that already exist in law.
Each step can be taken administratively within 90 days and requires no new federal legislation. The goal is straightforward: small, state-level reforms that yield rapid, measurable improvement in veterans’ daily lives.
The toolkit was introduced during a Veterans Week event hosted by the Center for American Progress, where federal and state leaders joined Out in National Security to highlight the first wave of state agencies adopting its recommendations. The discussion underscored how targeted, administrative reforms can strengthen veterans’ healthcare, employment, and housing outcomes without new legislation. Full materials and implementation resources are now available at outinnationalsecurity.org/public-policy/toolkit, developed in partnership with Minority Veterans of America, the Modern Military Association of America, SPARTA Pride, and the Human Rights Campaign.
These are technical fixes, but they carry moral weight. They reaffirm a basic democratic promise: service earns respect, not suspicion.
As a policy professional who has worked with veterans across the country, I see this moment as a test of civic integrity. The measure of a democracy is not only who it allows to serve but how it treats them afterward.
The second “lavender scare” will end when institutions at every level decide that inclusion is an obligation, not an exception. The toolkit offers a way to begin.
For more information or to access the toolkit once it is public, visit outinnationalsecurity.org/toolkit.
Lucas F. Schleusener is the CEO of Out in National Security.
For years, the far right has relied on a familiar infrastructure to wage its political battles: coordinated legal networks, back-channeled money, and an ever-growing pipeline of model legislation that moves quietly from one statehouse to another. What used to be a fringe ecosystem of activist lawyers has matured into something far more muscular. Today, the attacks on LGBTQ Americans—especially transgender people—are not random. They are designed, drafted, and deployed by a disciplined constellation of groups that understand how to move legislation with precision. And if Democrats, civil rights advocates, and national LGBTQ organizations continue treating each bill as an isolated outrage rather than a unified offensive, this machine will keep outpacing them.
Most Americans have never heard of outfits like the Alliance Defending Freedom, the American Principles Project, the Leadership Institute’s law arm, or the network of state-based policy shops that orbit the Heritage Foundation. But these entities now function as the shadow authors of state legislation. The anti-trans sports bans that appeared in more than 20 states did not arise organically; they were cloned from drafts circulated by ADF attorneys. The same is true for bills restricting gender-affirming care, limiting name and pronoun accommodations in schools, or expanding “religious liberty” carve-outs that allow discrimination against LGBTQ employees or customers. Legislators often change a few words, swap in a local sponsor, and reintroduce the same provisions session after session — giving the impression of momentum when, in reality, only a handful of ideologues are writing the nation’s culture-war script.
The operational model is simple: produce a bill, partner with a state-level think tank, recruit a legislator to introduce it, and provide legal testimony to defend it. But the strategic sophistication lies upstream. These groups have spent years cultivating relationships with attorneys general, state solicitors, and conservative judges who are sympathetic to their worldview. They draft legislation with litigation in mind, anticipating which language will survive scrutiny before the federal courts they have worked diligently to remake. They treat policy, politics, and jurisprudence as a seamless ecosystem; meanwhile, LGBTQ advocates are forced to fight on three fronts at once, often with smaller budgets and no comparable network of state-by-state affiliates.
What is most striking now is the acceleration. Bills that used to be test-driven in one or two states are being introduced in a dozen simultaneously. After the Supreme Court’s Dobbs decision, the same legal strategists pushing abortion bans pivoted almost immediately toward restricting trans health care, framing puberty blockers and hormone therapy as “sterilization.” The rhetorical shift was not accidental. It was a deliberate legal construction designed to open the door to future Fourteenth Amendment challenges, should the movement secure a case capable of reaching the Supreme Court. This is not simply a legislative fight; it is the groundwork for long-term judicial warfare.
And yet, Democrats and even national LGBTQ groups often treat these measures as if they were spontaneous outbursts of local prejudice. That is politically naïve. The reason similar bills appear in Idaho, Florida, Tennessee, Kansas, and Ohio at the same time is because they originate from the same set of PDFs stored on the same servers belonging to the same legal networks. The far right has embraced an industrial model of anti-LGBTQ policymaking: mass production, rapid deployment, and coordinated amplification by media channels that echo the same talking points across state lines.
The consequence is that the burden falls on queer people themselves—especially trans people—to respond to an avalanche of bills, hearings, lawsuits, and administrative changes that no individual or small advocacy team can fully track. When you have a network of attorneys feeding language to legislators, drafting amicus briefs, and preparing future litigation strategies in advance, you create an asymmetry that is difficult to counter with reactive press releases or one-off legal challenges. This imbalance of power is not about public opinion, which still supports LGBTQ equality by wide margins. It is about institutional positioning. The far right has placed its lawyers where the pressure points are: in state AG offices, in coordinated legislative caucuses, in judicial clerkships, and in the nonprofit legal trenches where issue fights are shaped long before the public hears about them.
There is a path forward, but it requires abandoning the old model of treating each bill as a separate emergency. LGBTQ organizations need a unified, long-range strategy that mirrors the discipline of the groups attacking them. That means state-by-state legal surveillance, rapid drafting of counter-model legislation, formal partnerships with progressive state AGs, and a standing litigation coalition capable of anticipating—not just responding to—legal threats. It also means investing in local leaders who understand that these bills are symptoms of a national machine, not quirks of their hometown politics.
What’s at stake here is nothing less than the architecture of civil rights in the United States. The far right is attempting to rewrite the legal landscape through volume and repetition, hoping courts will eventually treat these contrived bills as reflections of a shifting national consensus. They are betting that if they introduce enough legislation, in enough states, for enough years, the judiciary will reinterpret LGBTQ equality not as a settled constitutional principle but as a contested social question that can be narrowed or rolled back. Their ultimate goal is not just to restrict trans rights today but to lay the doctrinal groundwork for limiting LGBTQ protections for a generation.
The community can still win this fight, but only if it sees the battlefield clearly. These bills are not local skirmishes—they are coordinated acts of legal engineering. And it is time the pro-equality movement built an equally coordinated system to match them.
Isaac Amend is a writer based in the D.C. area. He is a transgender man and was featured in National Geographic’s ‘Gender Revolution’ documentary. He serves on the board of the LGBT Democrats of Virginia. Contact him on Instagram at @isaacamend
Opinions
Everything is Everything
Transformer’s 21st Annual Benefit Art Auction & Gala at the LINE DC November 19, 2025
In Washington, DC, art has never existed in isolation—it thrives where people gather and create. Art isn’t an accessory to the city’s identity—it’s foundational to it. This city was designed by artists, built by craftsmen, and has been continuously shaped by creative vision for more than two centuries. While other American cities grew organically around commerce or geography, Washington was imagined first, drawn by hand, and constructed as a deliberate artistic expression of democratic ideals. The result is a living gallery where public art doesn’t just reflect our history; it actively shapes how we understand citizenship, memory, and identity.
For 23 years, Transformer has been a cornerstone of DC’s contemporary art scene, committed to uplifting emerging and underrepresented artists who challenge boundaries and engage audiences with new experimental artistic concepts. On November 22, 2025, Transformer will host Everything is Everything, our 21st Annual Benefit Art Auction & Gala at the LINE DC, a night dedicated to celebrating the power of connection through art, performance, and community.
Everything is Everything is an extension of our non-profit organization’s cutting-edge vision, bringing together artists across different mediums, aesthetics, and walks of life. This philosophy embraces interconnectedness: where art, identity, and community are a part of the same living fabric. The gala brings together hundreds of people to celebrate art & artists, featuring over 140+ artworks in a public exhibition available for silent bidding. Guests also enjoy our innovative Artist Activated Experiences Lounge, featuring immersive installations by DC based queer artists Bumper, Katie Magician, Div0id, JaxKnife Complex, Stitches DC, Hennessey and Kunj.
In a time when queer and drag performers face renewed cultural and legislative attacks, Everything is Everything affirms that freedom of expression is not optional—it’s essential. Our “Celebration of DC Club Kids” pays tribute to DC’s legendary Club Kids and nightlife culture—those radiant spaces that have long nurtured queer creativity, self-expression, and freedom. Produced at the Gala in collaboration with queer artist collective haus of bambi, this performance honors our city’s history while celebrating the diversity and creativity that will continue to shape its future. Everything is Everything culminates in a show-stopping performance by iconic New York City based performance artist, cabaret singer, and drag artist Joey Arias.
As Transformer’s Everything is Everything Gala Committee, we’ve experienced firsthand how artists in DC transform spaces, challenge norms, and build community. The Gala is a celebration of that creativity and resilience. It is also a crucial act of support: proceeds from the Everything is Everything Benefit Art Auction & Gala directly supports artists while sustaining Transformer’s year-round exhibitions and programs that elevate emerging artists and arts leaders within DC and beyond. In doing so, Everything is Everything ensures that experimental and inclusive artistic practice, particularly of queer, trans, and BIPOC artists, continues to thrive.
Because in DC, art isn’t just something we look at—it’s something we live, share, and fight to protect.
Purchase tickets to Everything is Everything, Transformer’s Annual Benefit Art Auction & Gala at onecau.se/everythingiseverything. Learn more about Transformer’s mission at www.transformerdc.org.
- Transformer’s Everything is Everything Gala Committee: Allana D’Amico, Sondra Fein, Theresa Nielson, Jennifer Sakai, Christopher Addison, Monica Alford, Samantha Dean, Samira Farmer, Carole Feld, Celina Gerbic, Ally Helmers, Allison Marvin, Marissa McBride, Tom Noll, Crystal Patterson, Victoria Reis, Dorothy Stein, Emily Strulson, Gregg Tourville, José Alberto Uclés, and Hanna Thompson
