Arts & Entertainment
Differing directions
MCC music program adjusting to new leadership, styles
Darius Smith, one of the new choir directors at MCC-DC. (Blade photo by Michael Key)
By MALI KRANTZ
The two Sunday morning services held each week at Metropolitan Community Church of Washington have always had slightly different styles, but the distinction has become more pronounced as each has its own choir director now.
In December, Shirli Hughes resigned from her position as minister of music there. After a decade of service at the District’s largest predominantly LGBT church, the lesbian music minister left big shoes to be filled in the church’s music department.
“She had a big job,” says Jeff Herrell who sang in her choir for about 10 years.
Hughes led both Sunday services at 9 and 11 a.m. as well as occasional performances for holidays and special events. She was also a full-time employee.
Her succession came in the form of two interim music ministers, Justin Ritchie, who leads the 9 a.m. Sunday service, and Darius Smith, who leads a more contemporary service at 11. They’ll both be on board for this Sunday’s Easter services, the highest holy day in Christendom. A Good Friday service is tonight at 7. Visit mccdc.com for details.
“It has worked out well to have two of us,” Ritchie says. “Because each service is very different and they play to each of our strengths … the 9 a.m. and 11 a.m. service have always had their own personality.”
Ritchie, whose service is more traditional, came from the MCC choir. In addition to his musical success at MCC, he’s also a featured vocalist with the Gay Men’s Chorus of Washington and a member its 14-person a cappella group, Potomac Fever.
Smith, a graduate of Howard University’s Music Department and New York University’s Graduate Musical Theatre Writing Program is an assistant professor of musical theater at Howard. He has also written original music for a number of plays in the D.C. area including “U.G.L.Y.,” a new musical.
Smith’s service leans toward pop and contemporary styles.
“It’s interesting. It’s fun,” says Herrell of the new musical content.
Both Herrell and Ritchie estimate that the choruses have grown over the past few months.
“I think people are really receptive to Justin’s style of music … and new people want to be a part of Darius’ ministry,” Herrell says. “Yeah it’s cool. It’s different.”
While Rev. Dwayne Johnson, the church’s senior pastor, recognizes that Hughes brought an extraordinary talent to MCC’s music ministry, he’s enthusiastic about the church’s new direction.
“We have a long tradition of excellent music,” Johnson says. “And Justin and Darius are continuing that tradition. It’s an exciting time to see what gifts they have to bring to the table.”
While much of the music is changing, a few traditions remain such as having drums and bass accompany services. Each choir director does his own accompanying.
During the transition period after Hughes left, Acoustic Praise, a subgroup of MCC’s music ministry, stepped up to fill in while they looked for new staff members. Though the church has an organ, it’s rarely used.
“They’ve really worked hard during this transition filling in on Sundays,” says Tommie Adams, Herrell’s partner and an Acoustic Praise member. “It’s still a transitional period. Both people have great musical backgrounds and Darius brings kind of a youthful mood to music too, so it’s a nice variety.”
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
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