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AIDS and the arts

From the Quilt to Hollywood to Broadway, pop culture helped us make sense of grief, loss

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The cast of ‘The Normal Heart’ at Arena Stage. The show, a groundbreaking dramatization of the early years of the AIDS crisis in New York, runs through July 29. (Photo by Scott Suchman; courtesy Arena)

The International AIDS Conference in Washington offers an opportunity to look back at how artists have responded to the disease. Since the very first days of the crisis, artists of all kinds have actively responded, both in their artistic works and as fundraisers and activists.

THE NAMES PROJECT AIDS MEMORIAL QUILT

The Names Project AIDS Memorial Quilt, on display throughout the city through the month of July, is the largest community art project in the world. More than 48,000 panels have been created by lovers, family members and friends to memorialize those who have died of AIDS. The Quilt has redefined the traditional folk-art of quilt-making into a modern art form that serves as a memorial, a tool for education, a work of art and a call to arms. Each of the panels has been photographically preserved in the AIDS Memorial Quilt Archive. About 14 million around the world have seen panels from the Quilt.

The Quilt has its root in a powerful piece of political theater. While preparing for the annual candlelight march honoring Harvey Milk and George Moscone in 1985, San Francisco activist Cleve Jones was shocked to learn that more than 1,000 people in the city had already died of AIDS. He asked his friends to bring placards with the names of the dead to the march. After the march, the activists taped the placards to the side of the San Francisco Federal Building and realized that the signs now looked like a patchwork quilt. Inspired by the sight, Jones and his friends made plans for a larger memorial and in 1986 Jones created the first quilt panel in honor of his friend Marvin Feldman.

THE ART OF ACTIVISM

One of the remarkable features of the fight against AIDS has been the ability to use visual art to generate a powerful public response. This was especially true for the AIDS Coalition to Unleash Power (ACT UP), an international direct action advocacy group that worked to impact the lives of people with AIDS. Founded in New York City in 1987, the leaderless anarchist network effectively combined powerful direct action protests with provocative visual images to effectively generate media attention for their cause.

Veteran media activist Cathy Renna, who describes herself as “coming out and coming of age” when ACT UP was forming, says the global impact of the group came from its ability to use visual art to drive home a message.

“They had people like Ann Northrup and Larry Kramer who understood the media really well and who understood the power of images,” Renna says. “They created iconic images that demanded the attention of the media and became embedded in the minds of people.”

Renna notes that the members of ACT UP really showed the power of visual art to move people and the power of creativity and humor to reach people.

“Not everyone agreed with their tactics, but at the end of the day none of us can argue with the indelible impact they had on the public perception of AIDS and the entire LGBT movement,” she says.

CLASSICAL MUSIC

For centuries, there’s been a debate about how well classical music can respond to specific cultural events. Gay composer John Corigliano leapt into this fray when he wrote his Symphony No. 1 in 1991 as a response to the AIDS epidemic.

“During the past decade I have lost many friends and colleagues to the AIDS epidemic, Corigliano writes in his notes to the first recording of the symphony. “My First Symphony was generated by feelings of loss, anger and frustration.”

Corigliano, best known for his opera “The Ghost of Versailles” and his Oscar-winning score for “The Red Violin,” says that the form of his AIDS symphony was inspired by a viewing of the NAMES Project AIDS Memorial Quilt.

“A few years ago I was extremely moved when I first saw ‘The Quilt,’ an ambitious interweaving of several thousand fabric panels, each memorializing a person who had died of AIDS, and most importantly, each designed and constructed by his or her loved ones,” he wrote. “This made me want to memorialize in music those I have lost, and reflect on those I am losing.”

THEATER

Perhaps no other artistic medium has been as responsive to the AIDS crisis as theater. From ground-breaking pieces like Larry Kramer’s “The Normal Heart” (an Arena Stage production runs through July 29) and William Hoffman’s “As Is” to such recent works as “The Book of Mormon.” The theatrical community has been deeply involved in the artistic and activist response to AIDS. Here’s a sampling of plays and musicals that have AIDS as a central theme.

Justin Kirk and Emma Thompson in the HBO adaptation of ‘Angels in America.’ (Photo courtesy HBO)

Angels in America: A Gay Fantasia on National Themes.” Part One of Tony Kushner’s sprawling epic (“Millennium Approaches”) opened on Broadway in May 1993, and Part Two (“Perestroika”) followed in November of that year. The play centers on Prior Walter, a gay man in Manhattan who has just been diagnosed with AIDS as the play opens. Over the course of the seven-hour theatrical extravaganza, Prior is abandoned by his lover Louis, who leaves him for a closeted Republican lawyer; befriends the Mormon’s mother and wife, who takes Valium in “wee little fistfuls,” is nursed by his ex-lover, the fierce snap queen Belize; and, is visited by an angel who wants to recruit him as a prophet. The play won the Pulitzer Prize and several Tony Awards and was adapted into both an award-winning movie by HBO Films and an opera by Hungarian composer Péter Eötvös.

The Normal Heart” by Larry Kramer was one of the earliest plays to deal with AIDS. Now playing at Arena Stage, the play is a thinly veiled autobiography of the author and the founding of Gay Men’s Health Crisis.

Before It Hits Home” by Cheryl West was one of the first dramas to focus on the impact of AIDS on the African-American community. Wendal is a bisexual jazz musician who denies his sexual encounters with men even after he is diagnosed with AIDS. He tries to hide the truth from his pregnant girlfriend and his married boyfriend, but as his health deteriorates, he is forced to return to his family and confess the truth.

Rent” is Jonathan Larson’s hit musical and a loose adaptation of Puccini’s “La Boehme” set on the lower East Side of Manhattan in the early 1980s. Larson’s musical landscape includes a variety of artists in a variety of straight and LGBT sexual situations. Many of the characters have AIDS and the Act II opener, “Seasons of Love” has become a popular anthem for the fight against AIDS.

The musical “Falsettos,” produced in Washington in 2010 by the now-closed Ganymede Arts, brings together two one-act musicals by William Finn written a decade apart. In “March of the Falsettos,” Marvin moves in with his male lover Whizzer, much to the distress of his ex-wife, his psychiatrist and his son. In “Falsettoland,” the extended family, now including “the lesbians from next door,” reunite to support Whizzer and Marvin as they deal with an AIDS diagnosis.

Perhaps most noticeably in theater, it’s possible to also trace how AIDS dramas have evolved over the years.

“’The Normal Heart’ was so significant in its time, but it’s dated now because the disease has changed so much,” says David Jobin, executive director of the Gay Men’s Chorus of Washington, a group that along with its sister choruses has also dealt extensively with AIDS themes. “You see plays now, like ‘Octopus’ by Steve Yockey and it’s dealing with how different generations have responded to the crisis. We now have a whole generation of people whose experience is different and it’s not about loss at all. … all people could concentrate on in ‘The Normal Heart’ was grieving, so it’s become like ‘The Dollhouse,’ a great period piece but not really relevant to today. Which is great in a way that something that’s only 20 years old can already seem so dated. It shows how far we’ve come in treating the disease.”

Jobin says the greatest examples of AIDS-themed art transcend their subject matter.

“You watch something like the HBO adaptation of ‘Angels in America,’ and it becomes so much more than just a statement about AIDS,” he says. “It’s a tour de force for great acting and it’s in a league of its own. I can’t think of a musical or other work that even comes close.”

ARTISTS AS ACTIVISTS

The theatrical community, and the performing arts community in general, have also been incredibly effective at blending art and activism. For example, since 1987 Broadway Cares/Equity Fights AIDS has been raising awareness and funds for AIDS organizations throughout the country. Their popular fundraisers include Broadway Bares, Broadway Barks, Broadway Bears, the annual Easter Bonnet and Gypsy of the Year competitions and the Fire Island Dance Festival.

One of the group’s most effective efforts has been its collaboration with the International Thespian Society, a national network of high school theater troupes. Starting in 1999, high school thespians have organized audience appeals, bucket brigades, silent auctions and special performances to raise money to fight AIDS.

During their annual festival in July 2012, Joe Norton, Broadway Cares’ director of education and outreach, announced that the student artists and activists had raised more than $1 million to support organizations in their communities.

“Thespians know how to effect change by working together and celebrating their love of theater,” Norton says. “And, in the process, they become leaders who raise awareness about HIV/AIDS where they live, while making a difference for so many people in need in their local communities and around the country.”

TELEVISION

Sometimes the artistic response to AIDS has been more about context than content. The popular nighttime ABC soap opera “Dynasty” was groundbreaking in its portrayal of Steven Carrington, the openly gay son of a wealthy Denver oil clan. But its role in the emerging AIDS crisis was due to an off-screen drama.

In 1984, closeted gay Hollywood icon Rock Hudson was cast as Daniel Reece, father of the scheming Sammy Jo Carrington (Heather Locklear). Hudson’s character had a romantic interest in Krystle Carrington, played by series star Linda Evans. Although viewers gossiped about Hudson’s gaunt appearance and producers were worried enough about Hudson’s health to write his character out of the series, no one blinked an eye when Hudson and Evans shared an on-screen kiss.

That changed on July 25, 1985 when Hudson publicly announced that he had AIDS, the first celebrity to reveal his HIV status. He learned that he had AIDS while he was appearing on “Dynasty,” and the soap set suddenly became the focus of a public health controversy. The CDC warned the public about exchanging saliva with members of high-risk groups. Aaron Spelling and the producers of “Dynasty” offered to arrange for AIDS tests for the entire cast. The Screen Actors Guild wrote new rules to regulate on-screen kisses.

Hudson’s revelation, and the subsequent revelation of his homosexuality, suddenly put a public face on the disease and his death on Oct. 2, 1985 set the stage for the first television movie on AIDS. On Nov. 11, 1985, NBC broadcast “An Early Frost” starring Aidan Quinn as Michael Pearson, a successful Chicago lawyer who has not told his colleagues and family about his lover Peter Hilton (D.W. Moffett). When he’s diagnosed with AIDS, he’s forced to go home and tell his family the truth about himself.

MOVIES

A short sampler of independent and mainstream movies that have dealt directly with the AIDS crisis include:

Parting Glances,” Bill Sherwood’s moving 1986 indie film that was one of the first to deal with AIDS. Richard Ganoung plays Michael who is dealing with concurrent crises: caring for his ex-lover Nick (Steve Buscemi) while his lover Robert (John Bolger) is preparing to leave for a two-year work assignment in Africa.

Tom Hanks (left) and Denzel Washington in ‘Philadelphia,’ a 1993 AIDS-themed Jonathan Demme movie. (Still courtesy TriStar Pictures)

Philadelphia,” Jonathan Demme’s 1993 drama that was among the first mainstream Hollywood movies to deal with AIDS. Tom Hanks won a Best Actor Oscar for his performance as Andrew Beckett, a closeted lawyer who is fired from his conservative law office when his partners learn he has AIDS. Denzel Washington plays Joe Miller, a homophobic lawyer who helps Beckett sue his former law firm.

Longtime Companion,” is a 1990 film that takes its title from the homophobic term used by the New York Times and other newspapers to refer to the surviving partners of deceased gay men. It chronicles the early years of the AIDS epidemic from the 1981 article on the mysterious disease occurring among gay men to the beginnings of AIDS activism.

Tongues Untied” is Marlon Riggs’ stunning 1989 film sought to “shatter the nation’s silence on matters of sexual and racial difference.” It combines documentary footage with fictional stories and episodes from Riggs’ life, as well as footage from civil rights marches and a homophobic stand-up routine by comedian Eddie Murphy.

FICTION

Since the 1980s, countless novelists have tackled the topic of AIDS. From early efforts, such as Armistead Maupin’s “Tales of the City” series to recent books such as Edmund White’s “Jack Holmes and His Friend,” the novel has been a fertile ground for exploring the devastating impact of AIDS on individuals and their society.

One of the most controversial has been “People in Trouble” by lesbian writer and activist Sarah Schulman. The novel deals with a love triangle among artists in the East Village. The controversy, however, arose from Schulman’s accusation that Jonathan Larson lifted the gay plot of “Rent” from her novel. In her 1998 book “Stagestruck: Theater, AIDS and the Marketing of Gay America,” she details the similarities between the two works and critiques how Larson depicts LGBT people and people with AIDS.

Examples 

THEATER

Terrence Mc Nally, “Love! Valour! Compassion!”
Cheryl West, “Before It Hits Home”
William Finn, “Falsettos”
William Hoffman, “As Is”
Jonathan Larson, “Rent”
Paula Vogel, “The Baltimore Waltz”
Paul Rudnick, “Jeffrey”
Harvey Fierstein, “Safe Sex”
Larry Kramer, “The Normal Heart” and “The Destiny of Me”
Tony Kushner, “Angels in America”
Robert Lopez, Matt Stone and Trey Parker, “The Book of Mormon”
Broadway Cares/Equity Fights AIDS

POETRY

Mark Doty, “My Alexandria”
Essex Hemphill, “Ceremonies”
Marie Howe, “What the Living Do”
Paul Monette, “Love Alone: 18 Elegies for Rog”
Rafael Campo, “What the Body Told”
Tim Dlugos, “Powerless”
Tory Dent, “What Silence Equals”

TELEVISION

“An Early Frost”
“Dynasty”
“Another World”
“As The World Turns”
“Common Threads: Stories from the Quilt”
“And The Band Played On”
“The Real World”
“Any Mother’s Son”
“In The Gloaming”

FICTION
Christopher Bram, “In Memory of Angel Clare”
Sarah Schulman, “People in Trouble”
Alice Hoffman, “At Risk”
Armistead Maupin, “Tales of the City”
Paul Monette, “Afterlife”
Edmund White, “Jack Holmes and his Friend”
Dale Peck, “Martin and John”
E. Lynn Harris, “Invisible Life”
Felice Picano, “Like People in History”
Sapphire, “Push”
David B. Feinberg, “Spontaneous Combustion”
Samuel R. Delaney, “The Tale of Plagues and Carnivals”
Geoff Ryman, “Was”

CLASSICAL MUSIC

John Corigliano, “Symphony No. 1”
“Classical Action”

MUSIC

“NakedMen”
“Exile”
“Metamorphosis”
“In This Life” by Madonna (from “Erotica”)

ARTS ACTIVISM

ACT UP
Broadway Cares
Names Project AIDS Memorial Quilt

ESSAY

Susan Sontag, “AIDS and Its Metaphors”
Larry Kramer, “The Tragedy of Today’s Gays”

MEMOIRS

Paul Monette, “Borrowed Time”
Reinaldo Areñas, “Before Night Falls”
Mark Doty, “Heaven’s Coast”
Derek Jarman,  “At Your Own Risk”
Jamaica Kincaid, “My Brother”Paula W, Peterson, “Women in the Grove”
John Preston, “Winter’s Light”
David Wojnarowicz, “In the Shadow of the American Dream”

PERFORMANCE ART

Ron Athey
Ron Vawter
David Drake

MOVIES

“Longtime Companions”
“Parting Glances”
“Paris is Burning”
“Philadelphia”
“Patient Zero”
“The Living End”
“The Hours”
“It’s My Party”
“Tongues Untied”

VISUAL ARTS

Visual AIDS
Keith Haring
ACT UP and Gran Fury

DANCE

Bill T. Jones, Absence
Neil Greenbery, Not-About AIDS-Dance
UCLA Dance Marathon
Dancers Responding to AIDS

 

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Movies

Nick Kroll and Andrew Rannells want to adopt baby in ‘I Don’t Understand You’

Film premiered at SXSW in Austin

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(Courtesy photo)

Editor’s note: Jack Morningstar attended SXSW in Austin, Texas.

“I Don’t Understand You” focuses on a couple whose romantic Italian getaway devolves into bloody chaos while they prepare to adopt their first child. 

The film, while veering into hilariously gruesome hijinks, tells the story of a gay couple who is willing to kill for a chance at fatherhood. It sheds light on the hurdles that same-sex couples often go through in the adoption process: Financial burdens, time constraints, fraud, and in this case, a rural Italian family.

The film premiered last weekend at SXSW in Austin and stars Nick Kroll and Andrew Rannells along with Nunzia Schiano, Morgan Spector and Eleonora Romandini. It was written and directed by Brian Crano and David Craig, who are married. They sourced inspiration from their own adoption struggles and an Italian vacay gone wrong. 

“We were about to leave for Italy when we found out that we had matched with a birth mother and our son would be born in about six weeks,” said Crano. 

According to Craig, the trip was tense and it culminated in their car getting stuck in a ditch on their way to an anniversary dinner.

“We ended up at an old lady’s house after she rescued us in her Fiat. Her family cooked us a meal and we stayed up drinking with them until 3 a.m., not understanding a word they were saying,” he said.

Without spoiling anything, the couple in the movie go to absurd lengths to ensure that their adoption goes through. Craig explained that the theme of the movie was “what would you do for your kid.” 

“We were three years into our own journey at the time and realized we would literally do anything to make that dream a reality. It’s really a love letter to our son,” he said.

The film is hard to relegate to a single genre. 

“When conceiving the story, we saw it as different parts — romantic comedy, horror movie, murder play — but I think by bringing in Nick and Andrew that blend actually became much more of an organic mix where the comedy sustained throughout. They elevated it in a more elegant fashion,” said Craig. 

“I Don’t Understand You”was produced by Pinky Promise, a women-led production company with the mission to elevate diverse voices in their storytelling. Kara Durrett, Pinky Promise’s current president was a champion of this script from the beginning. Founder Jessamine Burgum recounts that when Durrett was onboarding, she said “If you don’t get [“I Don’t Understand You”] I don’t know if this is going to work.” 

It ultimately became one of the first projects Burgum and Durrett collaborated on. 

Kroll and Rannells’ chemistry carried the film. 

“There was a desire to work with each of them because they had both separately been in such amazing comedian teams — like Andrew with Josh Gad and Nick with John Mulaney. Nick and Andrew’s characters are in almost every scene of the movie together, so they needed to be adept to basically doing a shared performance. There was no one more well-positioned to do this as naturally as possible,” said Crano. 

Their characters are easy to root for, yet also deeply flawed. 

“A big thing we wanted to do with this movie, and with all of our work in telling stories, is avoid telling a cliched gay trauma film. We’ve never ascribed to the idea that there is a subcategory to film that is LGBTQ, rather — movies are for everyone. We want to make a movie where gay characters are flawed, not for being gay, but because of who they are. They can be villains, but they are our protagonists,” said Craig. 

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Out & About

Celebrate spring with these D.C.-area events

Galas, Cherry Weekend, Pride, and more on tap

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The annual Pride on the Pier with fireworks show is set for Saturday, June. 8 at the Wharf. (Photo courtesy of The Wharf DC)

Temperatures outside are starting to rise and the sun is shining again. Here’s a list of upcoming D.C. events that can make enjoying the good weather even that much more thrilling.

Cherry Weekend Washington begins on Thursday, April 4. The Cherry weekend is a spectacular and joyous event held over four days featuring 16 world renowned DJs, nine different events and four fun daytime parties.

3rd Friday Night Open Mic will take place on Thursday, March 15 at 9 p.m. at the Bus Boys and Poets location in Brookland. This event will be hosted by Mariah Barber (they/she), a queer storyteller, consultant, spoken word artist, and activist who has been creating social justice-oriented art for the last 15 years. Tickets start at $5 and can be purchased on Eventbrite

RuPaul’s Drag Race Season 15 winner Sasha Colby will bring her Sasha Colby: Stripped Tour to the Howard Theatre on Wednesday, March 27 at 6:30 p.m. Tickets are $75 and can be purchased on the Howard Theatre’s website

Decades DC returns with Throwback Thursdays on Thursday, March 14 at 10 p.m. This event will have an open air rooftop and the first drink is on the house. Entry is free until midnight and more details are available on Eventbrite

Skin and Wellness Center will host Equinox Celebration on Tuesday, March 19 at 7 p.m. at 929 W. Broad St. This event will involve movement, breath work, meditation and community connection to celebrate the spring equinox and embrace energies of rebirth, fertility, creativity, balance, and expansive growth for mind, body, and spirit. Tickets cost $28.52 and can be purchased on Eventbrite

Models Inc. will host The Front Row! Fashion Show on Saturday, March 30 at 7 p.m. at the Silver Spring Black Box Theatre. This is the ultimate destination for designers seeking to showcase their talent and brand. This exclusive event provides a platform to promote artistry and visions, featuring various artists, creatives, fashion enthusiasts, models, stylists, and visionaries. Tickets start at $35 and can be purchased on Eventbrite

Spring Bling Adult Prom will be on Friday, April 26 at 8 p.m. at Graces Event Center. Guests are encouraged to wear their favorite spring colors and show up for a night of dancing, food and fun.Tickets cost $92.55 and can be purchased on Eventbrite.

TSR Productions will host Spring Salsa Bash on Saturday, March 23 at 8 p.m. at The Salsa Room Tysons. This event will feature Hermanos Galvan and Orquesta live in concert playing the best salsa, bachata, and merengue. There will also be top DJs playing the best in Latin trap, urbana, reggaetton. Tickets start at $25 and can be purchased on Eventbrite

We Will Survive Cancer will host Spring Fling Cocktail & Dance Party on Saturday, April 20 at 7:30 p.m. at Whino. This event will be hosted by DJ Steve. Tickets cost $25 and all proceeds are donated to cancer patients. More details are on Eventbrite.

Chase Brexton Health Care hosts its 2024 Gala at the Baltimore Museum of Art, with the theme centered around the NEW Roaring ‘20s on Saturday, March 30. Details at chasebrexton.org

CAMP Rehoboth’s annual Women’s FEST is scheduled for April 25-28. Lea DeLaria will headline with Crys Matthews opening. Visit camprehoboth.org for details.

Trans Pride Washington, D.C. is scheduled for Saturday, May 18. The full day of conference activities will take place at the Martin Luther King Jr. Memorial Library. Visit transpridewashingtondc.org for details.

The Blade’s 17th annual Summer Kickoff Party in Rehoboth Beach is scheduled for Friday, May 17; details to be announced soon.

D.C.’s 49th annual Pride celebration kicks off May 31-June 9, culminating with the parade and festival. Visit capitalpride.org for details. The annual Pride on the Pier with fireworks celebration is slated for Saturday, June 8, 2-9 p.m. at the Wharf. Visit prideonthepierdc.com for details.

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Travel

Gay hotel company brings luxury to Puerto Vallarta

Tryst Puerto Vallarta to open this spring

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Tryst Puerto Vallarta (Photo courtesy of Tristan Schukraft)

The Tryst Puerto Vallarta begins welcoming discerning gay guests this spring, just in time for the Mexican resort city’s Pride celebrations. 

The 55-room resort includes a penthouse suite featuring two terraces, three large suites with expansive living areas and terraces and several junior suites with unique features. A highly anticipated rooftop pool with a bar area and restaurant offering fine Mexican cuisine are just some of the highlights. 

“You can stay here and never leave the resort,” said Tristan Schukraft, the driving force behind Tryst Hotels, and self-described CEO of “everything gay.”

While he started out in his career working in the early days of electronic ticketing, Schukraft may be more known for his work with MISTR, a popular online source for PrEP. He also recently entered into an agreement to purchase the Abbey in West Hollywood, Calif.

With Tryst he promises “it’s a fun, exciting atmosphere.” 

“The idea is not just the guests are coming to the resort, but locals,” said Schukraft. “So, when you stay here it’s the way to mingle with the local gay community.”

To welcome and include both guests and locals, the resort will host drag brunches in the hotel restaurant. Weekend parties featuring DJs on the eighth floor pool and bar area also seeks to make this not just a place to stay, but one to celebrate with the community.

Schukraft hopes visitors will get to know guests or locals poolside, or in the restaurant, and make lifelong friendships. 

Or perhaps find a bit of romance: After all the hotel is set in the famed Zona Romántica.  

“Tryst Hotels are not merely luxury destinations; they are a celebration of gay culture, where every guest is embraced,” said Schukraft. “Our mission is to create spaces where luxury and identity flourish without compromise.”

Tryst Hotels CEO Tristan Schukraft. (Photo courtesy of Tristan Schukraft)

The D.C. Travel and Adventure Show took place last month in D.C., and LGBTQ-specific travel was among the topics the convention highlighted. The Washington Blade in its preview of the expo noted LGBTQ travelers may book a resort or vacation that promises “everyone is welcome,” but upon arrival feel uncomfortable by reactions of staff or other guests due to expressing their identity as queer people. 

Schukraft has experienced this. 

“I was at a hetero-friendly hotel Miami, but it was also marketed to gay men,” he explained. “So, you have two guys kissing at the pool and you have a straight couple looking over and wondering are they staying at a gay hotel. It’s sort of an awkward occurrence.” 

Everyone, therefore, is welcome at Tryst resorts, but it is not being marketed outside of the community. 

“My boyfriends and I have even experienced side-eye glances for our choice of swimwear,” Schukraft said. “You won’t find that at Tryst Hotels.”

Speaking of attire: Many luxury guesthouses, inns and hotels catering to gay men offer clothing-optional zones for guests. It’s an allure for some travelers. 

But, not at Tryst.

“Don’t get me wrong, clothing optional resorts are fun, but that’s not our concept. Our concept is a luxurious, inclusive resort,” Schukraft said with a touch of elan apropos for the “CEO of everything gay.” “Of course wear your thongs [and] Speedos.”

Tryst Puerto Vallarta and Tryst San Juan in Puerto Rico, which is slated to open in 2025, are being marketed as gay-owned, gay-focused resorts with luxurious offerings and amenities. Many resorts known to epitomize luxury may be seen as slightly conservative or “stuffy.” 

Luxury promises not to come only in the form of superior bedding, bathrobes, slippers and skincare products, but also in the stunning interiors. 

The Puerto Vallarta property engaged the same studio known for their acclaimed work at the Four Seasons Tamarindo. Designers from Estudio Esterlina bring a refined mix of minimalism, modernism and Mexican. 

“Why can’t you have fun and luxury in the same space? Here, you let your hair down by the pool, enjoy a pool party, a fine Mexican meal in our full-service restaurant, a drag brunch on weekends and socialize with new friends all while feeling safe,” Schukraft said. “Our goal is to show luxury doesn’t have to mean stuffy.”

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