Arts & Entertainment
Emmylou Harris on her LGBT support, love of animals
Country legend to play D.C. show next week


Emmylou Harris came to prominence in the Washington, D.C. music scene. (Photo by Jack Spencer)
Emmylou Harris
Dec. 4, 7:30 p.m.
The Hamilton, 600 14th St., N.W.
Tickets $94 and $104
202-787-1000;
Those that assume country, bluegrass and Americana artists aren’t supportive of LGBT rights may not realize that many routinely work to further the cause.
Consider 12-time Grammy Award-winning artist Emmylou Harris, who came to prominence in the Washington, D.C. music scene, and will soon perform here. Harris has performed and donated auction items to the Human Rights Campaign’s Equality Dinners in Nashville and has otherwise lent her voice to furthering LGBT rights.
“You know, Nashville still has a ways to go there, but we’re on the move,” the legendary artist said in an interview with the Blade. Harris lives in Nashville in Davidson County and says that, “Davidson is a little blue county in a sea of red in the State of Tennessee.”
Harris lent her name to hasten that move just this past May when she joined fellow musicians Big & Rich’s William “Big Kenny” Alphin, Mary Chapin Carpenter and Rodney Crowell in co-signing an open letter in support of the now successful marriage equality push in Illinois.
“Traditionally speaking, country music, arguably more than any other genre, draws its inspiration from that inexplicable conundrum known as the human condition,” the letter reads. “Songs and stories of love, family, joy, and human imperfection are the root of its appeal. To deny our gay brothers and sisters the right to legally ritualize their love – to marry – is to deny that they too experience the complexity of human emotion that make a song like Dolly Parton’s ‘I Will Always Love You’ the shared phenomenon that it is.”
Harris doesn’t recall a particular turning point that heightened her awareness of LGBT issues when she lived in the D.C. area but was caught up in the urgency of it in recent years.
“I was totally not aware of that at all,” she says of the discrimination faced by the LGBT community, especially in the 1970s when she lived in the D.C. area. “Really it just sort of came to me later in life, the urgency of the situation. You broaden your horizons as you meet people and more people come into your fold as friends. I just believe in equal rights for everyone. Everyone has the right to happiness — to life, liberty and the pursuit of happiness. And, you know, it shouldn’t be different for anyone.”
She was quick to add that she would welcome the opportunity to perform at Capital Pride and other LGBT events. For now, fans can support Harris by attending her upcoming show to benefit Bonaparte’s Retreat, which she operates from her Nashville home. Named after her beloved dog Bonaparte who died nearly 10 years ago, Harris takes in dogs whose time has run out at Nashville’s Metro Animal Control and houses them in a bunk house in the corner of her small backyard. She relies on support from the greater Nashville community, which pitches in to foster the dogs. “We keep them, socialize them and love them until we find homes for them,” Harris said.
Key to the success of the retreat are the many fundraising efforts Harris undertakes around the country on top of her regular – and busy – touring schedule. The show next week is another homecoming for Harris who fondly recalls her years in D.C. and often returns. “I was kind of a staple there at Clyde’s and my mother and I used to shop there at Garfinckles,” she says of the famed department store that was at the site currently occupied by the Hamilton. Harris says she hopes the Hamilton benefit becomes an annual tradition.
She also fondly recalls performing at the now defunct Childe Harold bar and restaurant in Dupont Circle, which saw early performances by Bruce Springsteen, The Ramones, Al Jarreau and Bonnie Raitt. Harris laughed when told her name was used for a sandwich at the Childe Harold. “Right, well, you know, you get publicity any way you can, a sandwich, or whatever,” she said.
Now, of course, Harris receives publicity everywhere she goes, and everywhere almost always includes her dogs. During her March show in the D.C. area with Rodney Crowell in support of their album “Old Yellow Moon,” she welcomed a special canine guest appearance by her yellow rescue dog Keeta. “I love it when I can travel with the dogs,” she says. “They make life so much richer, especially when you’re on the road and away from home.” She recalls that Bonaparte was an incredible travel dog and went everywhere with her. Her one regret during her many years on the road was that she spent many of those years without a dog. When Bonaparte died and Harris eventually adopted Keeta and then Bella, “the big black dog that came into my life, they were just great!”
Fans know that Harris wrote the song “Big Black Dog” based on her experience meeting and then rescuing Bella from the pound. Listen for her to likely include that song in her upcoming concert. Although her show will take place after Thanksgiving, she says her heart is always full of thanks for the joys she has found in life. “As far as music, I think I’ve been able to do whatever I want. I’ve been able to play with extraordinary musicians, all of whom have remained friends,” she says. “You don’t work alone; it’s all sort of a group effort, whether in the studio or on the road. I’ve been so fortunate to work with so many wonderful musicians on my own records and then with so many of my heroes like Neil Young, Mark Knopfler and, of course, Linda Ronstadt and Dolly Parton. It’s been like being at Disneyland, my whole career, you know, it never gets boring.”

The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)






















The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)



















In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.

Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”