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Celebrity BEYOND transatlantic cruise: final musings

Corporate PR decline request for interview with captain

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Celebrity BEYOND

So there is no misunderstanding about this post: I had a great 14-day cruise on the Celebrity BEYOND. A beautiful ship, with great officers, crew, and entertainers. I am booked on two more Celebrity cruises at this time. The Flora to the Galapagos in February, and the ASCENT transatlantic from Barcelona, next October. I also look forward to booking two more cruises in 2025. I drafted this column a few hours after leaving the ship while sitting at the airport waiting for my flight to D.C. 

We were welcomed to board the beautiful Beyond at the port of Civitavecchia, Italy, at 11 a.m. on Oct. 30. We dropped our luggage off as directed and then went through the metal detectors. Many of our group had reservations in the Retreat and were shown to a separate area to be boarded. After a short wait, when I was told there was an issue, I found out they just wanted to welcome me as a journalist they knew would be cruising with them and blogging from the ship. Then they directed us to the gangway to board. We were told our luggage would be delivered shortly. Turns out, many of us, including those in the Iconic suites, were still waiting for some luggage at 6:00pm. Mildly annoying, just not the welcome you want.  On the other hand, my cabin was ready, and the attendant gave me a great smile, and welcomed me to the ship. I told him I needed hypoallergenic bedding and he had it there, and changed the bedding, within 15 minutes. I am on my own in the cabin and he didnā€™t have all that much to do for the two weeks, but was always available, and always smiling. 

I was then left to my own devices and headed out to tour the ship. It is beautiful. I have been on other Celebrity ships including the EDGE, and did transatlantic cruises on the APEX the last two years. The BEYOND has some wonderful new additions. The Sunset Bar, designed by Nate Berkus, is beautiful; bigger, with plenty of seating. The retreat lounge has been expanded and changed in some good ways. Over the two weeks I was incredibly impressed with the concierge staff, Dalton was great, and with deck 17. The added space, designed in a great way, was perfect for relaxing, whether you wanted shade, or sun. The little pool was nice, and the bar and restaurant tables still great. Towels and blankets plentiful, with an always attentive crew. The garden deck was great with the plunge pool and the big pool deck was wonderful. The new hot tubs got lots of business.

Celebrity PR knows I write and publish a blog during my cruises, and for the past few years have written columns about Celebrity with the knowledge and help of their PR team. I have produced lots of sales for them, based on my published blogs, and columns. Despite that each year they make it difficult to get interviews with the captain and crew, which have always been well received. In the past though difficult, it was always possible. This year it wasnā€™t. When I asked to do interviews, I was told it would not be possible with the ridiculous statement, ā€œAt this time, we are keeping our stories focused on the product and overall travel experience.ā€ Well, anyone who cruises will tell you the captain, officers, and crew, are what make a huge difference in the ā€˜overall travel experience.ā€™ On the Beyond they were all around the ship chatting with cruisers, so not allowing an interview seemed really questionable. I know Celebrity is ā€˜LGBTQ+ friendly,ā€™ I have written about that. I wondered if the fact that I would publish the interviews in the largest LGBTQ paper, among other outlets, was something they didnā€™t want done even though that would make no sense. Whatever the reason, it made no sense. Celebrity promotes and writes about their captains in press releases, using them as lures for travelers. The first woman captain, the first brothers being co-captains. I have actually written stories about them. But there is nothing like doing an interview and finding out why a captain or officer chose this career, a little more about them as people, and their families, and why they chose Celebrity. It would seem getting those stories out is good for the cruise line. Again, dealing with Celebrity PR is one of the most frustrating things a writer can do.

Dealing with the officers once on the ship is great. I arranged a meeting with Hotel Director Christophe Belaubre, whom I had first met last year when he was Hotel Director on the APEX. He is great at his job and Celebrity is lucky to have him. We met in the retreat lounge and chatted a little about issues like the luggage and some other small issues I brought up. Careful not to do an interview. He seemed appreciative to hear about the issues in a nice way from a cruiser. During the cruise I saw how incredibly helpful he was to my friends, and travel agents, Dustin, and Scott, of My Lux Cruise, who hosted a number of parties in their Iconic suite. In fact, I had first met Christophe on the APEX at one of their parties, just after I had interviewed the Captain of APEX, and invited him to the party. He not only came and enjoyed it; he brought Christophe with him. That is how I knew Christophe was going to be on the Beyond this year.  

Now for a few other issues with Celebrity. Again, none of these issues has stopped me from booking cruises, or getting others to book them, but they are annoying. It seems Celebrity is trying to nickel and dime people once they are on board, and I heard lots of people on board make this complaint. When I mentioned these things to the crew, they told me they are hearing them often. Now this is in addition to their cutting back on other perks like pre-paid tips, and OBC. 

One complaint is the additional cost of some dishes in the main dining rooms. When you book a cruise, you expect, at least the food served in the main dining rooms, to be included. Today you find menu items listed with additional prices as if you were in a restaurant in any city. If there are things Celebrity doesnā€™t want to serve at the price people paid for the cruise, leave them off the menu. I expect to pay extra, and do, for the specialty restaurants, but not in the main dining room. 

Then even in the specialty restaurants, they are trying to get extra money after you have already paid the extra fee to eat there. One example is in EDEN restaurant. Let me first say, it is the best food I had on the ship, and the Chef, David, is incredible. I first met him when he was the chef in EDEN on the EDGE years ago. The issue here is the left side of the menu, a tasting menu of eight courses. Mind you, the same food as on the regular menu on the right side of the menu. But the tasting menu, if you order it with wine pairing for each course, is a whopping $200. Well, if you have a premium drink package, even if you order special wines and they charge you the extra $3 a drink above the package, three times eight is only $24. Everyone we were sitting near called it the same thing, a rip-off, and offensive. Not a look Celebrity should be going for. Again, we ate at EDEN three times during the cruise as the food is fantastic. Just order from the right side of the menu and you will be very happy. 

I had some issues with the food in the main dining rooms as well. The soups were often not really hot, and the some of the pasta dishes, especially one in Cyprus, had so much of the cream sauce it looked, and tasted, like goop. But here the waiters were great and always willing to bring you something else, and did it with a smile, so by the time you finished dinner you were happy. I have to mention how great Raw on Five is, and I enjoyed the Rooftop restaurant even though it was a little windy the night we went. But you leave happy if you have the deep-dish chocolate chip cooking, with vanilla ice cream melting on it.

Now kudos to Celebrity for the entertainment. The shows in the theater, which is an incredible place, were superb. The cast of the Eden Lounge shows, who also perform in The Club, were just as great. I had the pleasure of meeting one of the acrobat/aerialists from Ukraine, and Slavik and his partner Vlad were a pleasure to watch. All the cast, singers, dancers, and acrobats were great. Interestingly, we wanted to invite them to the parties we had in the Iconic suite but apparently, they are told they canā€™t go. But on this cruise both Christophe, and Captain Leo, said if the cast directors said OK, they would be fine with entertainers being at the parties. I think it is great to let them mingle. It makes the cruise experience that much better. Captain Leo was at the party and everyone enjoyed meeting him there. Contrary to the PR departments response to me, getting to know him made the ā€˜travel experienceā€™ for some of the most loyal Celebrity cruisers, that much more enjoyable and memorable. 

Another issue was the lack of enough bartenders in the Eden lounge for what were billed as LGBTQ happy hours. They attracted big crowds each evening, of both LGTBQ and straight guests. It was a happening place each evening at 6 p.m. and could have used more servers at the bar. 

I need to mention the incredible artwork on the Beyond. Each of the Edge series ships has great art. Each of us view art from our own perspective, so not everyone likes everything, but there is enough for everyone to appreciate and it definitely adds to the overall ambiance of the ship. The one piece of art I asked Christophe about was the dark tunnel leading to the Eden lounge. I saw two people walk into the dark mirrored walls, and if you were over 5ā€™9 you could easily hit your head on one of the hard silver balls hanging from the ceiling, if you didnā€™t duck. Seemed it could have been planned a little better. But again, I guess itā€™s all in the eyes of the beholder, and in general, in my eyes, the art on the Beyond is quite amazing. 

So, in totality, if you read this, you will see the issues I have are with Celebrity Cruises, corporate. Everyone on ship is great. Always smiling, and always working hard to make each travelerā€™s cruise as great as it possibly can be. For the 100 or so I travel with, they obviously succeed, as we keep booking again, and again, and our group keeps growing. 

One way among others to join us is by contacting my friends, Scott and Dustin, at My Lux Cruise. It is always a pleasure to see old friends, and make new ones every year. It is especially great to see a first time Celebrity cruiser enjoy their experiences on these beautiful ships.

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Advocating for the Queer Community On and Off The Job

One organ donor can save up to eight lives

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Kai Sprando (Photo Courtesy Infinite Legacy)

As a proud trans man, Kai Sprando recognizes the importance of visibility and education in fostering understanding and acceptance of the LGBTQIA+ community. His commitment to spreading awareness and advocating for queer experiences is something he champions on both a personal and professional level.Ā 


In 2019, Kai began working in the organ donation field as it provides a convergence of purpose and opportunity, which he embraced wholeheartedly to make a difference in peopleā€™s lives. Kai works as an Instructional Designer at Infinite Legacy, where he develops educational resources, curriculum and training plans primarily for clinical staff. At Infinite Legacy, he found not just a job, but a community of compassionate individuals who support him in every aspect of his trans journey.

In Kai’s eyes, organ donation is more than a medical procedure; it is a lifeline and second chance for individuals with end stage organ failure. He also sees it as a way for organ donors to continue their legacy of kindness beyond their time on Earth. He is deeply moved by the profound impact that one organ donor has to save up to eight lives. This knowledge fuels Kai’s passion for his work, driving him to encourage others to learn about the transformative power of organ donation.

For Kai, education is key. He believes that the more people know about and understand organ donation, the better equipped they are to make informed decisions and advocate for the cause.

ā€œThe opportunity to make a difference by saving lives as an organ donor is very powerful. When I pass, I want to know that if nothing else, I tried my best to help others. Thatā€™s what life is all about to meā€¦finding ways to make the hard things in life a little less hard, one act of kindness at a time.ā€ said Kai.

With his background in teaching and his viewpoint as a trans man, Kai has been invited to and spoken at several national organ donation and transplantation conferences providing insight and perspective on what it means to be trans and queer, allowing his peers the ability to be more effective and caring while interacting with LGBTQIA+ people and their families. 

Kai is passionate about advocating for marginalized communities and through his openness, vulnerability and willingness to share his lived experiences, Kai contributes to positive change in healthcare, particularly around gender and sexuality representation.

As he continues to advocate for change and build a better infrastructure around LGBTQIA+ needs and representation, Kai remains hopeful for the future. He has seen the important shifts and positive changes in healthcare in recent years and is determined to keep pushing for progress, one conversation at a time.

Everyone can register to be an organ donor. To learn more, visit infinitelegacy.org

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Proposed Medicaid rule may hurt people with HIV

A freeze on drug development would be a crushing blow

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We’re fortunate to exist in a world where it’s possible to live for a long time with HIV. Medical science has made astounding progress since the 1980s, when a positive diagnosis was considered a death sentence. Queer activism helped bring about the shifts in policy and attitude that made this success possible.

But our job isn’t over yet.

HIV isn’t spread evenly across the United States. In urban areas with high poverty, it’s as prevalent as it is in low-income countries with generalized HIV epidemics, like Ethiopia and Burundi. This means that almost 40% of Americans with HIV get their health coverage through Medicaid, the government insurance plan for low-income people. And recently proposed changes to the program could halt future progress toward finding a cure.

Under the current Medicaid Drug Rebate Program, Medicaid receives a sizeable manufacturer rebate on brand-name drugs ā€” calculated in part based on either 23.1% off the average price of the drug, or the best price available to another purchaser if that discount is higher.

But now, the Centers for Medicare & Medicaid Services (CMS), the federal agency that runs Medicaid, has proposed a new rule. It would require calculating a medicine’s best price by stacking the rebates and discounts on a single unit of drug that a manufacturer provides to different eligible purchasers.

Due to the interplay with other recent changes to Medicaid, in some cases, the total markdown could exceed 100% of the average price of the drug ā€” meaning manufacturers would be forced to effectively sell the medications at a loss to Medicaid.

This could mean trouble for drugs whose largest market is Medicaid, like those that treat HIV. If manufacturers and their investors decide that it’s no longer financially viable to make drugs that primarily serve disadvantaged patients, then those medications might not be developed at all.

That’s concerning, given that many groundbreaking HIV therapies stemmed from private sector research and development. And with research inching ever closer to a cure, a freeze on HIV drug development would be a crushing blow to those of us living with the disease.

The proposed rule change also threatens the search for a cure with policies that target cell and gene therapies, areas in which scientists have recently made promising HIV-related breakthroughs. When cell and gene therapies come to market after years of research, they can often have high up-front costs ā€” sometimes more than $1 million per patient. That’s in part because the field is so cutting edge and the therapies deliver long-term benefits, and in part because research failures in drug development are far more common than successes.

One CMS policy change would require manufacturers to report their research and development costs for specific high-price medicines to the agency. The government could make such information public, and use it to challenge drug prices. In addition, the rule proposed to specifically target accelerated approval drugs, a pathway that has allowed many patients with HIV/AIDS early access to lifesaving treatments.

The problem is that for every drug candidate in clinical trials that succeeds, nine fail. Sometimes they fail after years of research and hundreds of millions of dollars invested. To keep  the research money flowing, that one success needs to make up for the cost of the nine that washed out.

If Medicaid drives drug mandatory rebates so low that companies can’t recoup their investments, it will discourage them from pursuing the most cutting-edge avenues of research ā€” and put some of them out of business. Biotech investors will abandon gene therapy and seek out more stable markets, and HIV research will suffer. Ultimately, patients living with HIV who rely on Medicaid will miss out on potential cures that never get developed. They may also lack access to therapies that do get created, given that the companies behind them could pull out of the Medicaid market altogether.

Forty percent of Americans living with HIV are Black, and 63% are gay and bisexual men.

As a queer Black man with HIV myself, I know all too well how devastating it is to receive that diagnosis, especially when you’re underinsured and living in poverty. But I also know that effective treatment can vastly improve quality of life. Without the sacrifices and the activism of those who came before us, HIV might still be a death sentence.

It’s up to us to continue the fight now. Our community deserves a shot at a cure. CMS officials urgently need to reverse course on this disastrous proposal. And if they fail to do so, it’s incumbent on HIV activists to push for the federal government to adopt policies that support affordable HIV treatments and research funding.

Guy Anthony is the president and CEO of Black, Gifted & Whole.

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BookMen DC: Still going strong at 25

Celebrating the longest-running LGBTQ literary group in the area

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On May 11, 1999, what was originally known as the Potomac Gay Menā€™s Book Group convened for its first meeting. A lot has changed over the ensuing quarter-century, starting with our name. But our identity remains true to the description on our blog: ā€œan informal group of men who are interested in gay literature (both fiction and non-fiction).ā€

Our founder, Bill Malone, worked at the Whitman-Walker Clinic and started the group using donations of remainder books from a wholesaler in New York. Soon after that, members decided to get their own books, and began purchasing them through Lambda Rising, which offered a discount for such orders until it closed in 2010. The group later renamed itself BoysnBooks, and then became BookMen DC in 2007, which is also when we started our blog

Following Billā€™s tenure, Tom Wischer, Greg Farber and Tim Walton (who set up our blog) have served as our facilitators. I succeeded Tim in that role in 2009, and am grateful to him and all my predecessors for laying such a solid foundation for our group. 

Twenty-five years after our founding, we are the longest-running LGBTQ literary group in the DMV. So far, we have discussed nearly 400 books, ranging from classics like Platoā€™s Symposium to graphic novels, gay history and memoirs, and novels by James Baldwin, Michael Cunningham, E.M. Forster and Edmund Whiteā€”to name just a few of the many authors and genres weā€™ve explored.

Currently, we have more than 120 names on our mailing list, of whom about a quarter attend meetings at least occasionally. (Average attendance at our meetings is about 10.) Our members variously consider themselves gay, queer, bisexual, or transgender, and those varying perspectives enhance our discussions. I would be remiss if I didnā€™t acknowledge that, like many LGBTQ organizations, we are not nearly as diverse as I wish we were. Although we do have young members and people of color within our ranks, we are predominantly white and middle-aged or older. We have tried various forms of outreach to further diversify our membership, and will keep working on that.

How has BookMen DC not just survived, but thrived, when so many other book clubs and LGBTQ groups have foundered? I would identify several factors.

First and foremost, we are welcoming. We have no minimum attendance requirements and charge no dues. And we expressly encourage members to join us at meetings even if they havenā€™t finished the selection weā€™re discussing.

We are also collaborative. Each fall, members nominate titles for the next yearā€™s reading list; I then compile those suggestions into a list for members to weigh in on, and the results of that vote determine what we will read. 

Finally, we are flexible and adaptable. Over the years, we have met in locations all over the District. Currently, we meet on the first Wednesday of each month at the Cleveland Park Library (3310 Connecticut Ave. NW) from 6:30-7:30 p.m. to discuss entire books; afterward, those interested go to dinner at a neighborhood restaurant.

When the pandemic struck four years ago, we took a break for a couple of months before moving operations online. (Thank God for Zoom!) Even after the venues where weā€™d been meeting reopened, we have continued to meet virtually on the third Wednesday of each month, from 7-8 p.m. During those Zoom sessions, we discuss sections of anthologies of poetry and short stories, as well as short standalone works (e.g.,  plays and novellas).

If you enjoy LGBTQ literature and would like to try us out, visit our blog: https://bookmendc.blogspot.com/ and click the link to email me. Weā€™d love to meet you!

Steven Alan Honley, a semi-retired musician, editor, and writer, has been a member of BookMen DC since 2000 and its facilitator since 2009.

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