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Calendar for May 28

Friday, May 28, to Wednesday, June 2, 2010

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Friday, May 28

Premiere of the newest LGBT Latin dance party: S-Kandalo at Remington’s, 639 Pennsylvania Avenue S.E., from 10 p.m.-2 a.m. Music by DJ Fantasy, visit latinsouldc.com for more information.

Girl Party every Friday night at the Black Squirrel, 2427 18th St., N.W., 21+/no cover, starts at 9:30 p.m.

Gay District, from 8:30-10:30 p.m. at St. Margaret’s Episcopal Church, a weekly, non-church affiliated discussion and social group for GBTQ men between 18 and 35. The group meets at St. Margaret’s Episcopal Church, 1820 Connecticut Ave., N.W. For more information, e-mail [email protected].

Friday Night Erev Shabbat Services 8:30-10 p.m., Washington, D.C. Jewish Community Center, 1529 16th St. Friday Night Services are followed by an Oneg Social. Please use the Q Street entrance.

Sunset Celebration at Mount Vernon, 6-9 p.m. Enjoy evening tours of the mansion, 18th century music, dancing, games and wagon rides. Stroll the lantern-lit grounds and visit with Lady Washington and her granddaughter Nelly. Adults, $18; children 6-11, $12; and children under 5 are admitted free.

Saturday, May 29

SHIFT takes over Cobalt, 1639 R St., N.W., from 10 p.m.-3 a.m. with music by guest DJs Zack Rosen and Wesley D.

DJ Billy Steele at Town Danceboutique, 2009 8th St. N.W. A former Elite fashion model, Steele began his DJ career two months after purchasing his first set of turntables with a Saturday night residency at Manhattan’s Limelight at age 22. $2 drinks from 10-11 p.m. Drag show starts at 10:30 p.m. Music and videos downstairs by Wess. $8 from 10-11 p.m. and $12 after 11 p.m. 21 and over.

Delaplane Strawberry Festival, Saturday and Sunday, 10 a.m.-5 p.m. at Sky Meadows State Park, Delaplane, Va. The annual festival includes live entertainment, children’s games, pony rides, hayrides, a petting zoo, a 5K fun run, a raptor exhibit, antique cars, food, crafts and strawberries.

MANdance at Rehoboth’s Double L Bar, 622 Rehoboth Ave., with DJ Stephen Durkin, drink specials, go-go dancers. And if you’re not danced out, come back for COCKdance on Sunday.

Sunday, May 30

Drag Brunch at Nellie’s Sports Bar, 900 U St., N.W., hosted by Shi-Queeta Lee. Every Sunday from 11-4 p.m. $20 brunch buffet and your first mimosa is free.

X: Blackout at Cobalt, 1639 R St. N.W., with music by DJ Pete Glow. Cobalt will blanket the dance floor with low lighting, black lights — and at times complete darkness. Doors open at 10 p.m., 21+, $5 before 11 p.m., $7 after.

African-American Collective Theater debuts new play “Something Borrowed, Something Blue” at Warehouse Theater, 645 New York Ave., N.W., one block away from the D.C. Convention Center where D.C. Black Pride’s “Legacy Festival and Wellness Expo” is being held earlier that afternoon. A limited number of tickets are available at $15. For additional ticket, performance time and venue information, e-mail [email protected] or call 202-745-3662.

A very special WTF at Town Danceboutique, 2009 8th St. N.W. WTF presents: Prom Night. 18+, $5.

PBS’ National Memorial Day Concert starts at 8 p.m.; gates open at 5 p.m. PBS sponsors a free concert on the West Lawn of the U.S. Capitol. The concert features actors Joe Mantegna and Gary Sinise and other guest artists along with the National Symphony Orchestra.

Wolf Trap Farm Park’s Summer Blast Off, “The President’s Own,” at 8 p.m. The park for performing arts kicks off the summer season with a free performance by the U.S. Marine Band followed by fireworks. The Filene Center gates open at 6:30 p.m. Arrive early because the park closes once capacity is reached.

Monday, May 31

National Memorial Day Parade, beginning at 2 p.m. The parade of marching bands and veterans units from all 50 states steps off at the corner of Constitution Avenue and 7th Street, N.W., and proceeds along Constitution Avenue, past the White House, ending at 17th Street.

The National Park Service and the Friends of the National World War II Memorial will sponsor a wreath-laying ceremony in honor of U.S. veterans at the World War II Memorial at 9 a.m. Guest speakers will give remarks. The theme for the commemoration is “Honoring our Fallen Warriors.” Many surviving WWII veterans will be in attendance.

Country Western dance lessons at Remington’s, 639 Pennsylvania Avenue, S.E. (½ block West of Eastern Market Metro) from 8:30-9:30 p.m., $5 per person, per lesson (dance class participants should wear boots or shoes with leather soles).

Tuesday, June 1

Drag Bingo at Nellie’s Sports Bar, 900 U St., N.W., hosted by Shi-Queeta Lee, every Tuesday starting at 8 p.m. Free to play.

Wednesday, June 2

The Tom Davaron Social Bridge Club meets at 7:30 p.m., at the Dignity Center, 721 8th St., S.E. (across from Marine Barracks) for Social Bridge. No partner needed. Visit lambdabridge.com.

Each Wednesday at the Green Lantern is POZ Wednesday. Starting at 8 p.m., POZ mixers provide a supportive atmosphere for those who are HIV positive and those who want to help eradicate the stigma surrounding HIV. The Green Lantern is located at 1335 Green Ct., N.W.

General Program Wednesdays, 7-8:30 p.m., $12, at the Vajroyogini Buddhist Center, 1803 Connecticut Ave., N.W., 2nd floor. Learn to enjoy our relationships and benefit others via study of the Lamrim meditations in The New Meditation Handbook. Topics include: The Prison of the Ego; All You Need is Love; Building Empathy; Developing Authentic Compassion. Each class includes a teaching, guided meditations and time for Q&A. For more information visit meditation-dc.org or call 202-986-2257 or [email protected]

Line dance lessons at Remington’s, 639 Pennsylvania Ave., S.E. (½ block West of Eastern Market Metro) from 8:30-9:30 p.m., $5 per person, per lesson.

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Theater

Talented pair of local queer actors tackles ‘Little Shop of Horrors’

Ford’s production features terrific score

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Chani Wereley (Audrey) and Derrick D. Truby Jr. (Seymour) in the 2024 Ford’s Theatre production of Little Shop of Horrors. (Photo by Scott Suchman)

‘Little Shop of Horrors’ 
Through May 18
Ford’s Theatre
511 10th St., N.W.
$33-$95
Fords.org 

Ever since premiering off-Broadway in 1982, “Little Shop of Horrors” has drawn a devoted following of avid audiences as well as performers eager to act in the show. Now playing at Ford’s Theatre, the doo-wop, dark comedy features a terrific cast including a wildly talented pair of local queer actors who’ve longed to appear in the show since they were kids. 

Set in the urban 1960s, Alan Menken and Howard Ashman’s hit show with a terrific score follows the wacky rise of Seymour, a nebbishy florist in a Skid Row shop who changes his fortunes by unintentionally marketing an exotic, human eating plant.  

Chani Wereley, 28, who plays Seymour’s love interest Audrey, a hyper femme downtowner with an edge, has had her on eye the role for years. Wereley says, “Audrey’s been around the block more than once, but I approach her as a person who moves through the world with love and hope.”

The queer D.C. native adds, “On long trips to visit family in Canada or Florida, the first thing we’d do is pop a ‘Little Shop of Horrors’ video [film version] into the car’s VHS player. I’ve watched is so many times, I could quote the whole movie to you.”

After auditioning to play Audrey in director Kevin S. McAllister’s production at Ford’s, Wereley never thought she’d book the part, and when they said she got it, she cried.  

Similarly, Tobias A. Young, 34, the pansexual actor who voices the part of the bloodthirsty plant affectionately dubbed Audrey II, explains his intense interest in the work: “I started watching the film in ’86. Growing up as a little gay boy in Calvert County, Md., I wanted to be blonde Audrey [played by Ellen Green in the movie]. I didn’t know much about musicals at the time, but I was absorbed.” 

When asked by Ford’s to play the voracious plant Audrey II without auditioning, his reply was an unhesitant “yes.” 

Voicing a role requires Young to sing from backstage in a black box rigged with monitors and a mixing board. He says, “people ask if I’m singing from inside of the ever-growing, scary plant. No, I’m not, and that’s fine. But let’s face it, actors love to be seen on stage, but I don’t feel entirely unseen as Audrey II.”

He’s worked hard and successfully with formidable puppeteers Ryan Sellers and Jay Frisby to bring parts of himself to the carnivorous plant — his sassiness, own movements, and even a tilt of his head; their efforts have drawn the actual Young into the show. 

Both Wereley and Young possess gorgeous, emotive voices as evidenced by Wereley’s striking rendition of Audrey’s “Suddenly Seymour,” and Young’s soulful “Feed Me (Git It).” Additionally, both actors are also big on queer representation in theater. 

When her young pals were listening to Britney Spears, Wereley was dancing to retro tunes like “Mashed Potato Time,” and her favorite song to this day, the Shirelle’s girl group anthem “Will You Still Love Me Tomorrow.” As Audrey, Wereley eschews the character’s usual platinum hair for a bouncy brunette, cherry-streaked wig, tight pencil skirts, swing coats, and her very own half-sleeve tattoo. 

“It’s important for people to see themselves on stage,” she says. “Seeing me or someone like me is inherently interesting. Being that person on Instagram or with the institution, cast, or audiences is meaningful. It’s important.”

In 2011, a couple years after finishing high school, Young landed a part in “Dream Girls” at Toby’s Dinner Theatre, and he’s been working professionally ever since. Growing up, he didn’t see a lot of himself – Black and queer – on social media. He now wants to be open and honest for those out there who might not feel seen, he says

An introvert who lets everything loose on the stage, Young says, “theater is a safe space for queer people. That’s the first place we feel safe, particularly in school. And this is why we need theaters in schools, now more than ever.”

He adds, “What’s great about Ford’s is its surprises, especially when they switch up casting. It’s meaningful to see the shows you love, but why not see them with a twist? Using unexpected actors and incorporating queer people just makes it that much better.”

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Celebrity News

HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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