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Queer poetry workshops

Three sessions of “Brother Tongue,” a spoken word and poetry workshop for “queer men” led by noted poet and spoken word artist Regie Cabico begins Saturday at the D.C. Center at 1318 U St., N.W.

The workshops continue the next two Saturdays Dec. 11 and Dec. 18 and meet each time from 1 to 4 p.m. To register, contact [email protected]. Participants are also encouraged to bring their work on Jan. 7 to the DC Center Open Mic Night, for which signups begin that evening at 7:30 p.m. and performances start at 8 p.m.

Grimm meets ‘Glee’ at Kennedy Center

Matt Gardiner, the Helen Hayes Award-winning gay resident director at Signature Theater in Arlington, directs and choreographs “Snow White, Rose Red and Fred,” a new musical for young audiences running through Dec. 19 at the Kennedy Center Family Theater.

The Kennedy Center-commissioned show is the work of composer Zina Goldrich, with book and lyrics by Marcy Heisler; they’ve been a writing team for 17 years. It re-imagines the Brothers Grimm fairy tale as the story of two contemporary ill-behaved teens — Melinda and Melissa, popular cheerleader BFFs — who use warp-speed texting and Tweeting and song to navigate the challenge of their rivalry over who will invite them to the high school prom. An hour-long, for ages 9 and above, it runs daytimes Saturday and Sunday through Dec 19. For tickets at $18 and times, go here.

Drag queens, feminists at Jewish film fest

Among the 53 films at this year’s Washington Jewish Film Festival running Dec. 2-12 are several with LGBT and feminist interest. See them at the DC Jewish Community Center, 1529 16th St., N.W.

“Mary Lou” (2010), 9:15 p.m., Saturday: A drag queen searches for love and self in this Israeli TV mini-series totaling 150 minutes. An Israeli Emmy Award winner for 2010 by filmmaker Eytan Fox, it brings to life a modern fable with a catchy musical message.

“Mary Lou” is co-sponsored by the DC JCC program for Gay and Lesbian Outreach and Engagement (GLOE).

“Grace Paley: Short Stories” (2010), 11a.m., Sunday: A 74-minute documentary by director Lilly Rivlin, presented in cooperation with Lilith Magazine, the film contains interviews with the noted feminist author of short stories and poems exploring racial, gender and class issues, and interviews with her friends, and footage of her political activities. Paley, who died in 2007 at age 84, was a “combative pacifist” whose lifetime of struggle against social and political injustice often landed her in jail.

Director Lilly Rivlin will speak after the film. Tickets are $11 ($10 for seniors and students) here.

‘Candide’ cast member performs ‘F You’

Young Joey Stone plays several roles, including Senor and the “bad sailor” in the Leonard Bernstein musical “Candide,” now at the Shakespeare Theatre Company through Jan. 9. And he is also its dance captain. Stone has been out since high school.

He recently joined with Lauren Molina, who stars in the show as Cunegunde, to produce a music video cover of “Fuck You,” the 2010 hit pop song by hip-hop singer Cee-Lo Green, sometimes edited for radio as “F.U.” or “Forget You” and performed that way on “Glee.” Their unvarnished version — with Lauren on cello and performed with Dominic Johnson from the Chicago cast of “Candide” on violin — has become a hit on You Tube.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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