Arts & Entertainment
Arts news in brief
Queer poetry workshops
Three sessions of “Brother Tongue,” a spoken word and poetry workshop for “queer men” led by noted poet and spoken word artist Regie Cabico begins Saturday at the D.C. Center at 1318 U St., N.W.
The workshops continue the next two Saturdays Dec. 11 and Dec. 18 and meet each time from 1 to 4 p.m. To register, contact [email protected]. Participants are also encouraged to bring their work on Jan. 7 to the DC Center Open Mic Night, for which signups begin that evening at 7:30 p.m. and performances start at 8 p.m.
Grimm meets ‘Glee’ at Kennedy Center
Matt Gardiner, the Helen Hayes Award-winning gay resident director at Signature Theater in Arlington, directs and choreographs “Snow White, Rose Red and Fred,” a new musical for young audiences running through Dec. 19 at the Kennedy Center Family Theater.
The Kennedy Center-commissioned show is the work of composer Zina Goldrich, with book and lyrics by Marcy Heisler; they’ve been a writing team for 17 years. It re-imagines the Brothers Grimm fairy tale as the story of two contemporary ill-behaved teens — Melinda and Melissa, popular cheerleader BFFs — who use warp-speed texting and Tweeting and song to navigate the challenge of their rivalry over who will invite them to the high school prom. An hour-long, for ages 9 and above, it runs daytimes Saturday and Sunday through Dec 19. For tickets at $18 and times, go here.
Drag queens, feminists at Jewish film fest
Among the 53 films at this year’s Washington Jewish Film Festival running Dec. 2-12 are several with LGBT and feminist interest. See them at the DC Jewish Community Center, 1529 16th St., N.W.
“Mary Lou” (2010), 9:15 p.m., Saturday: A drag queen searches for love and self in this Israeli TV mini-series totaling 150 minutes. An Israeli Emmy Award winner for 2010 by filmmaker Eytan Fox, it brings to life a modern fable with a catchy musical message.
“Mary Lou” is co-sponsored by the DC JCC program for Gay and Lesbian Outreach and Engagement (GLOE).
“Grace Paley: Short Stories” (2010), 11a.m., Sunday: A 74-minute documentary by director Lilly Rivlin, presented in cooperation with Lilith Magazine, the film contains interviews with the noted feminist author of short stories and poems exploring racial, gender and class issues, and interviews with her friends, and footage of her political activities. Paley, who died in 2007 at age 84, was a “combative pacifist” whose lifetime of struggle against social and political injustice often landed her in jail.
Director Lilly Rivlin will speak after the film. Tickets are $11 ($10 for seniors and students) here.
‘Candide’ cast member performs ‘F You’
Young Joey Stone plays several roles, including Senor and the “bad sailor” in the Leonard Bernstein musical “Candide,” now at the Shakespeare Theatre Company through Jan. 9. And he is also its dance captain. Stone has been out since high school.
He recently joined with Lauren Molina, who stars in the show as Cunegunde, to produce a music video cover of “Fuck You,” the 2010 hit pop song by hip-hop singer Cee-Lo Green, sometimes edited for radio as “F.U.” or “Forget You” and performed that way on “Glee.” Their unvarnished version — with Lauren on cello and performed with Dominic Johnson from the Chicago cast of “Candide” on violin — has become a hit on You Tube.
Photos
PHOTOS: ‘ICE Out For Good’ Sunday protests
Northern Virginia demonstrations among nationwide protest
“ICE Out For Good” demonstrations were held in the Northern Virginia municipalities of Haymarket, Annandale and Arlington, among others, on Sunday, Jan. 12.
Nearly 1,200 similar actions were scheduled nationwide over the weekend, according to a statement from organizers.
Demonstrations in D.C. against ICE included a protest march on Friday and a march around the White House on Saturday.
(Washington Blade photos by Michael Key)
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Theater
Ford’s ‘First Look’ festival showcases three new productions
A chance to enjoy historical dramas for free before they’re completed
The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org
When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings.
“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”
This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.
The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp.
“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo.
Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping.
“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves.
Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026.
“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.”
At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored.
For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”
One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season.
Increasingly, the readings at Ford’s have become popular with both artists and audiences.
At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone.
Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work.
Is this year’s festival queer influenced? Yes, both by those involved and the topics explored.
Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us.
“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”
Bars & Parties
Mid-Atlantic Leather kicks off this week
Parties, contests, vendor expo and more planned for annual gathering
The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.
This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.
There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle.
For more details, visit MAL’s website.
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