Music & Concerts
YEAR IN REVIEW: Milestones and missteps
Best 2010 gay musical treats were not always in the pop culture limelight

Gay singer Clay Aiken had one of the year's unexpected pleasures with his lovely standards collection, 'Tried and True.' (Photo courtesy of Decca)
It was a strange year musically, one that got rolling with a surreal all-star remake of “We Are the World” that had fossils like Barbra Streisand and Gladys Knight (where were they on the original?) rubbing shoulders with younger acts and found the Indigo Girls releasing a Christmas album of all things.
And while the mainstream was abuzz with new albums from Kanye and Eminem, several gay releases got some notice.
The Scissor Sisters, featuring gay front man Jake Shears, are, perhaps, the closest thing the gay world has to the Black Eyed Peas. On third album “Night Work,” which dropped in June, lyrics like “I think I need a rubber tonight” were splashed over neo-disco and new wave beats courtesy of Madonna vet Stuart Price.
Local indie lesbian singer/songwriter Mara Levi released her third album, “We Listen to Fools” (digital only release) in October.
It was, perhaps, Elton John’s least gay album in years, but his recent collaboration with forgotten vet Leon Russell, “The Union,” resulted in a critical triumph. Rolling Stone called the T Bone Burnett-produced disc worthy of the artists’ best work.
Taylor Swift may seem bland compared to Lady Gaga but her country crossover domination continued with this year’s “Speak Now,” a savvy collection of catchy hits.
Swedish diva Robyn — what is it with the Swedes and dance music? — delivered the year’s best dance album with “Body Talk,” a pummeling collection of memorable club rattlers like “Fembot,” “Dancing On My Own” and “Don’t Fucking Tell Me What To Do.”
Katy Perry, of “I Kissed a Girl” fame, teamed up with pop masterminds Max Martin and Dr. Luke for one of the year’s best pop albums, “Teenage Dream,” which dropped in August and topped the Billboard album chart. It’s also up for several Grammys.
Even with no new album out, Lady Gaga kept things interesting, if occasionally uneven, this year. Her “Telephone” video with Beyonce was an epic, nearly 10-minute clip on a Michael Jackson-scope scale, but her September D.C. concert appearance drew mixed reviews as did a half-hearted remix album. Look for a new studio album from her in 2011.
Rhianna’s “Loud” dropped in November and continued her hit streak with two No. 1 U.S. singles, “Only Girl (In the World” and “What’s My Name?”
There was a new “Glee” soundtrack album almost every month this year but April’s “Power of Madonna” collection was perhaps the most memorable. The “Glee” juggernaut will surely continue in the new year.
Electropop British gay-fronted group Goldfrapp released its fifth studio album “Head First” in March, featuring retro-’80s sounds.
Gay Sigur Ros frontman Jonsi released a solo effort in April, called “Go,” which received mostly strong reviews and had a strong chart showing in the U.S.
Gay singer/songwriter Rufus Wainwright dropped his sixth studio album “All Days Are Nights: Songs for Lulu” in April. It’s a classy and stripped-down record that finds inspiration in Shakespeare’s sonnets.
Melissa Etheridge, perhaps the most famous lesbian rock star, released her 10th studio album “Fearless Love” in April. It’s more rock-oriented than her last few albums, which sometimes found her veering way too close to snoozeville. It’s great to hear her rocking out again.
Liza Minnelli released the little-noticed “Confessions” in September, her first studio album in nearly 15 years.
The Indigo Girls were all over the map with their surreal October release “Holly Happy Days” which, despite its nod to Hanukkah with a Woody Guthrie cover featured several surprising nods to Christianity such as the French carol “Angels We Have Heard on High” and a country version of “O Holy Night.” Annie Lennox had one of the year’s more interesting holiday albums with her “Christmas Cornucopia.”
Adam Lambert, the gay “Idol” runner-up, stayed busy this year with his first tour, “Glam Nation,” which made a memorable D.C. stop in June at the 9:30 club. A live EP dropped earlier this month. Look for a new studio album next year.
Cyndi Lauper, easily the world’s most gay-friendly straight act, released a blues album, “Memphis Blues,” in June and earned solid reviews and a Grammy nomination. Look for a live DVD from the tour, which came to D.C. last month, in 2011.
It was a great year for Kylie Minogue fans. Her 11th studio album “Aphrodite” was released worldwide in June and this month a Christmas EP was released on iTunes. Single “All the Lovers” topped the U.S. Dance Club chart and, though Minogue has always been more popular abroad, she still managed a decent showing on the album charts with a No. 19 peak, her second-highest charter here.
Gay singer Clay Aiken went retro in June with “Tried and True,” a standards collection. Though the concept has been run into the ground after umpteen releases from Rod Stewart, Aiken’s the kind of singer who, despite his youth, has the vocal oomph to breathe new life into these classics. His covers of “Can’t Take My Eyes Off Of You” and “Mack the Knife” are especially good. He soars on the latter.
One of the year’s biggest disappointments was a dud from Christina Aguilera called “Bionic,” another June release that found the overwrought singer all over the stylistic map with few memorable results. The album bombed — it’s only halfway to gold status in the U.S. six months after its release.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
Music & Concerts
Washington chorale kicks off Christmas with vibrant program
‘Thine Own Sweet Light’ concerts planned
The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).
The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites.
For more details, visit the Washington Master Chorale website.
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