Local
Protesters return to Smithsonian after ban lifted
‘Censored’ video triggered action; ‘Hide/Seek’ closes Sunday
Two activists detained in December after protesting a decision by the Smithsonian Institution to remove a video from the “Hide/Seek” exhibit about gay art in America were officially permitted to return to the National Portrait Gallery, site of the exhibit, for a private tour sponsored by Washington Blade on Feb. 3.
After intervention by the Blade, David Ward, co-curator of the exhibit, agreed to seek an official end of the enforcement of any “ban” by Smithsonian security officials barring the two protesters — videographer/photographer Mike Iacovone, who is straight, and Mike Blasenstein, who is gay — from entering any Smithsonian museum. The two were detained following their protest of a decision in late November by Smithsonian Secretary Wayne Clough to remove a four-minute video, an extract from a longer video by the late gay artist David Wojnarowicz, who died of AIDS in 1993, showing for a few seconds ants crawling on a crucifix, imagery that a right-wing group, the Catholic League, claimed to be anti-Catholic.
They were detained when Blasenstein and Iacavone entered the National Portrait Gallery and Blasenstein displayed the video on an iPad hung around his neck. He was also holding a stack of fliers with text explaining his protest at the video’s removal from the exhibit. Iacaone was then also detained by Smithsonian police for filming Blasenstein’s run-in with security. Each was released but only after being made to sign letters pledging not to return to any Smithsonian facilities.
Explaining his decision to protest, Blasenstein later told the newsletter ArtInfo, that he joined in actions critical of the removal of the video because, he said, “I just felt this was an important issue.”
“I’m not really an artist or an activist,” Blasenstein said, “but when I heard that they took it down, it just seemed to send such a clear negative message. So I thought to myself, I would send my own message and bring this art back into the museum.”
Blasenstein later told the Blade that they were not only banned from the museum but during their detention they were “forcibly stripped of our materials, handcuffed, dragged into a stairwell, and told to sign papers thrust in front of us or be arrested.” They were then escorted from the building, he said, “without being given copies of what we had signed.”
Ward, an historian at the Portrait Gallery and co-curator of the exhibit with Jonathan D. Katz of the State University of New York in Buffalo, told the Blade that the ban was actually “never imposed” by the Smithsonian, but was instead “done by D.C. Metro,” the city’s police force, which was called to the scene, “without our knowledge or acquiescence.”
“They then passed the buck back to us to make us ‘lift’ a ban that wasn’t our doing,” he said. Ward personally welcomed both Iacovone and Blasentein to the exhibit for the private tour on behalf of the Blade, saying, “I hope this is the end of it.” He also stated he wanted to “move on” from the entire controversy over the edited video, one of 105 items in the exhibit, which opened in late November, and closes on Feb. 13.
Blasentein told the Blade that he never felt the ban was purely a paper reprimand, saying, “let me tell you, when everyone around you is wearing guns, nothing about the process feels ‘bureaucratic.'” He said that though “you could spend hours untangling this thing” Ward was correct to insist that the so-called ban was really triggered by the city’s police, but he added that “the sergeant I spoke to at MPD was pretty clear in his opinion that MPD doesn’t ban anybody, but merely enforces a ban on behalf of the property owner.” He also stressed that the Smithsonian management “to the best of our knowledge” never insisted on barring them from the museum. That action, he believes, “was solely a decision of Smithsonian police.”
Blasentein said that “the story here is not primarily our ban,” but rather the act of official censorship itself. However, he insists that “had we been allowed back into the building,” after the incident with the iPad and the leaflets, “our protest would have been a lot different.”
“The only reason a trailer is parked outside the National Portrait Gallery is because that was the closest we were legally allowed to get to the building. If the Smithsonian had let me stand there for seven and a half hours with the iPad, we would have mobilized volunteers to do the same every day until Feb.13,” the day the exhibit closes its doors.
Instead, Iacovone and Blasenstein secured paperwork from the city to park a trailer directly in front of the museum at its entrance in the 700 block of F Street, N.W., where what they call the Museum of Censored Art — to show “the art the Smithsonian won’t,” will remain open until Sunday from 11:30 a.m. to 7 p.m. Even though they can now legally enter the museum, Iacovone said their counter-exhibit in the trailers will continue to remain open, staffed by 12-15 volunteers through Sundayt.
Iacovone said they have spent more than $6,500 so far on trailer and parking space costs and for powering batteries to run the video player. He praised two art galleries — the Hamiltonian and Flashpoint, as well as two others, Transformer and Civilian — for assisting them in various ways. More than 4,000 people have entered the trailers and viewed the video, he said, noting that “our biggest day so far was over 500 people,” and he thinks by the time the Museum of Censored Art shuts down they will reach the 5,000-visitor mark.
The exhibit is the first on the subject of same-sex desire in American art and shows the work of noted artists Thomas Eakins and John Singer Sargent as well as more recent icons such as Jasper Johns, Andy Warhol and Robert Mapplethorpe, the latter a photographer whose photo images showing explicit male sexuality caused the Corcoran Gallery to halt the exhibit planned of his work more than 20 years ago.
Smithsonian secretary G. Wayne Clough, the official responsible for the decision to order removal of the video, part of a larger work in 1987 called “A Fire in My Belly,” meanwhile, has been the target of calls for him to resign in the wake of that decision. Last week, about 30 protesters rallied outside the Smithsonian Castle on the Mall during a quarterly meeting of the Smithsonian Board of Regents, to demand that they fire him.
Organized by Art+ (positive), a New York City-based group that fights censorship and homophobia, and backed also by the activist group, People For the American Way, protesters declared that Clough had given in to right-wing pressures and should step down. They chanted “Hey, hey, ho, ho, Clough must go!” and “Ants in my pants, fire in my belly — Clough has got to go!”
The regents, however, announced after their meeting that they supported Clough, though even he subsequently acknowledged that perhaps it had been made in haste and that he would respond differently in the future.
“I’d like to think I’m a little wiser than I was six months ago or three months ago,” he said at a news conference following the meeting with the regents, which reviewed the entire controversy and then issued a statement backing him. However, a three-member panel reporting to the regents implicitly criticized the way the censorship decision was made and communicated. And regents repeatedly asked by reporters whether Clough had made the right decision refused to answer directly.
Another rebuke, this time more direct, came from the board of a Smithsonian member institution, the Hirshhorn Museum and Sculpture Garden, that met last week and issued an open letter, saying they were “deeply troubled by the precedent” of the November decision to pull the video from the show.
District of Columbia
D.C. police investigating threat of shooting at WorldPride festival
Police chief says weekend was ‘success without incident’
D.C. Police Chief Pamela Smith said at a June 9 press conference that police investigators are looking for a man who reportedly threatened to “shoot up” the WordPride festival on Sunday, June 8, inside the fence-enclosed festival grounds.
Smith, who joined D.C. Mayor Muriel Bowser at the press conference to discuss public safety issues, said aside from the shooting threat, WorldPride events took place “without an incident’ and called WorldPride 2025 D.C. a success.
“I think last evening at the festival footprint there was an individual inside the festival who said there was an individual who was there and that they were going to shoot up the place in some terminology they used,” Smith told news media reporters.
“As you know, the event went off without incident,” she said. “We did have appropriate resources down there to address it. We did put out a photo of the individual – white male. That’s all we have right now. But our team is working very diligently to find out who that individual is.”
Smith added that D.C. police made 15 arrests during the WorldPride weekend with at least 23 violent crimes that occurred across the city but which she said were not related to WorldPride.
“There was a lot going on,” she said. “But I’m so grateful we were able to have a WorldPride 2025 in this city that was very successful.”
In response to reporters’ questions, Bowser said she regretted that an incident of violence took place in Dupont Circle Park shortly after she persuaded the U.S. Park Service to reverse its earlier decision to close Dupont Circle Park during WorldPride weekend.
The mayor was referring to an incident early Saturday evening, June 7, in which two juveniles were stabbed inside the park following a fight, according to D.C. police. Police said the injuries were nonfatal.
Bowser noted that she agreed with community activists and nearby residents that Dupont Circle Park, which has been associated with LGBTQ events for many years, should not be closed during WorldPride.
Park Service officials have said their reason for closing the park was that acts of vandalism and violence had occurred there during past LGBTQ Pride weekends, even though LGBTQ Pride organizers have said the vandalism and violent acts were not associated with Pride events.
“I think if I were standing here this morning and we hadn’t opened up the park you would be asking me were there any requests for not pushing hard to have a D.C. park opened that’s important to the LGBT community during Pride,” Bowser told reporters.
“So, any time that there is harm to someone, and our responsibility, we regard it as our number one responsibility to keep the city safe and keep from harm’s way, certainly I have some regrets,” she said. “But I know I was working very hard to balance what our community was calling for with our preparations. And that was the decision I made,” she said, referring to her call to reopen Dupont Circle Park.
Bowser also noted that the National Park Service would not likely have agreed to reverse its decision to reopen Dupont Circle Park if an event had not been planned to take place there over the WorldPride weekend.
She was referring to a Saturday, June 7, D.C. Department of Parks and Recreation “DISCO” party in Dupont Circle Park, which took place after the decision to reopen the park.
“Step Outside, Feel The Beat, And Shine With Pride,” a flyer announcing the event states.
District of Columbia
WorldPride wraps up after epic weekend of events
Historic LGBTQ celebration brings color, music, activism to nation’s capital
After more than two years of preparation, thousands of volunteers, countless LGBTQ community members and allies, queer celebrities, and hundreds of events across the District, WorldPride in Washington has come to a close.
“It has been an extremely powerful three weeks,” Ryan Bos, executive director of the Capital Pride Alliance, told the Blade on Sunday at the International March on Washington for Freedom. “This weekend has been well above expectations in relation to the energy and the crowds.”
WorldPride celebrations were set to kick off on May 31 with Shakira’s “Las Mujeres Ya No Lloran World Tour,” but following reports of stage issues, the Colombian superstar canceled her D.C. show — and her Boston stop the day prior.
The festivities got into full swing on June 4 with the 2025 Human Rights Conference. Held at the J.W. Marriott, the three-day gathering brought together more than 800 attendees, including Jessica Stern, Spanish Sen. Carla Antonelli, Peruvian Congresswoman Susel Paredes, and Mariann Edgar Budde of the Washington National Cathedral.
Following the conference, Capital Pride hosted the annual Capital Pride Honors and Gala, recognizing outstanding figures in LGBTQ advocacy. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams, and SMYAL.
As the week went on, the tone shifted from formal to festive. Venues across the city filled with partygoers draped in glitter and rainbows, dancing and celebrating love in all forms. From the 17th Street Block Party and Full Bloom celebration to Kinetic’s dance events and the Pride on the Pier boat parade and fireworks (presented by the Washington Blade), nearly every corner of D.C. turned into a dancefloor. The Wharf was transformed into a Pride dance party on both Friday and Saturday nights for the Blade’s annual Pride on the Pier and culminated in the city’s only Pride fireworks display.
The annual Pride Parade was a standout. The nearly six-hour-long march drew hundreds of thousands to 14th Street, stretching toward the Capitol. A 1,000-foot rainbow flag led the way as parade grand marshals Renée Rapp and Laverne Cox waved to cheering crowds. Confetti, beads, condoms, and joy poured from elaborate floats.
The parade fed into the WorldPride Street Festival and Concert, which for the first time spanned two days. The festival featured hundreds of booths — from queer merch and leather vendors to nonprofit fundraisers — and drew thousands of LGBTQ attendees under sunny skies.
Evenings wrapped with free concerts headlined by LGBTQ talent and allies, including Cynthia Erivo and Doechii. Other crowd favorites included Khalid , David Archuleta, and Kristine W.
At the RFK Stadium grounds, the WorldPride Music Festival drew thousands for powerhouse performances by Troye Sivan, RuPaul, Kim Petras, and Renée Rapp. Under glowing rainbow lights, fans danced and sang through the night.
Despite security concerns, no major issues were reported, though a few minor incidents occurred.
One of the biggest pre-event concerns was safety for LGBTQ attendees amid rising anti-LGBTQ rhetoric and anti-trans policies from the Trump administration. Multiple countries issued travel warnings for trans and gender-nonconforming individuals visiting the U.S., but turnout — including trans folks and their allies — remained strong and visible throughout.
Another flashpoint was the temporary closure of Dupont Circle, a cornerstone of D.C.’s — and the nation’s — LGBTQ rights movement. The U.S. Park Service initially closed the park, citing the need to “secure the park, deter potential violence, reduce the risk of destructive acts and decrease the need for extensive law enforcement presence” — despite the MPD chief’s request to keep it open. Strong public backlash led to a reversal, and soon the park was full of rainbow-clad LGBTQ people celebrating freely.
On Saturday night following the parade, two juveniles were stabbed in Dupont Circle. However, MPD later confirmed the incident was unrelated to WorldPride celebrations.
The weekend ended with the International Rally and March on Washington for Freedom. Hundreds of LGBTQ people and allies gathered at the steps of the Lincoln Memorial to hear prominent activists speak on why Pride is still essential in 2025. Speakers called out rising hate and violence — and named Trump directly. As rain began to fall, the crowd only grew, marching from the Memorial to the Capitol, signs raised high, ending WorldPride as the first Pride began — as a protest.
Maryland
FreeState Justice to lose more than $300K in federal funding
DOJ program funded full-time employees, services for 600 Marylanders this year
FreeState Justice on Monday said it will lose more than $300,000 in federal funding on July 1.
The organization in a press release said the funds from the Justice Department’s Office of Justice Program supported LGBTQ survivors of crime in Maryland. FreeState Justice notes this funding “makes up almost 25 percent of the legal aid organization’s overall budget, and 60 percent of its direct service budget.”
FreeState Justice began to receive funds from the program in 2018.
“FreeState Justice is the only organization providing trauma-informed, culturally relevant legal services to LGBTQ+ Marylanders,” said FreeState Justice Executive Director Phillip Westry. “This funding cut is devastating to our community and the clients we serve, and it undermines the promise of equal justice for all.”
Westry noted the funding supported “2.5 full-time employees on our team of seven.” FreeState Justice Legal Director Lauren Pruitt added upwards of 600 people have benefitted from programs this funding supported so far this fiscal year.
“With our help, our clients report escaping violence, gaining housing, accessing documents, and reclaiming their voice,” said Pruitt. “For years, these funds have helped us to support Marylanders who have survived crimes, including about 600 people so far this fiscal year. Our services empower survivors to define and achieve safety, stability, and justice in the ways that matter most to them.”
“We are calling on the community to step up for Maryland’s LGBTQ+ survivors so that we can continue these essential services,” added Westry. “More than ever, we’ll need their support to continue getting our life-saving resources to those who need them most.”
FreeState Justice notes the Trump-Vance administration has cut $50 million “in grants and funding that support organizations that serve victims of crimes.” Westry on Monday in an email to supporters asked for their support to help fill the funding gap.
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