Local
Protesters return to Smithsonian after ban lifted
‘Censored’ video triggered action; ‘Hide/Seek’ closes Sunday

Two activists detained in December after protesting a decision by the Smithsonian Institution to remove a video from the “Hide/Seek” exhibit about gay art in America were officially permitted to return to the National Portrait Gallery, site of the exhibit, for a private tour sponsored by Washington Blade on Feb. 3.
After intervention by the Blade, David Ward, co-curator of the exhibit, agreed to seek an official end of the enforcement of any “ban” by Smithsonian security officials barring the two protesters — videographer/photographer Mike Iacovone, who is straight, and Mike Blasenstein, who is gay — from entering any Smithsonian museum. The two were detained following their protest of a decision in late November by Smithsonian Secretary Wayne Clough to remove a four-minute video, an extract from a longer video by the late gay artist David Wojnarowicz, who died of AIDS in 1993, showing for a few seconds ants crawling on a crucifix, imagery that a right-wing group, the Catholic League, claimed to be anti-Catholic.
They were detained when Blasenstein and Iacavone entered the National Portrait Gallery and Blasenstein displayed the video on an iPad hung around his neck. He was also holding a stack of fliers with text explaining his protest at the video’s removal from the exhibit. Iacaone was then also detained by Smithsonian police for filming Blasenstein’s run-in with security. Each was released but only after being made to sign letters pledging not to return to any Smithsonian facilities.
Explaining his decision to protest, Blasenstein later told the newsletter ArtInfo, that he joined in actions critical of the removal of the video because, he said, “I just felt this was an important issue.”
“I’m not really an artist or an activist,” Blasenstein said, “but when I heard that they took it down, it just seemed to send such a clear negative message. So I thought to myself, I would send my own message and bring this art back into the museum.”
Blasenstein later told the Blade that they were not only banned from the museum but during their detention they were “forcibly stripped of our materials, handcuffed, dragged into a stairwell, and told to sign papers thrust in front of us or be arrested.” They were then escorted from the building, he said, “without being given copies of what we had signed.”
Ward, an historian at the Portrait Gallery and co-curator of the exhibit with Jonathan D. Katz of the State University of New York in Buffalo, told the Blade that the ban was actually “never imposed” by the Smithsonian, but was instead “done by D.C. Metro,” the city’s police force, which was called to the scene, “without our knowledge or acquiescence.”
“They then passed the buck back to us to make us ‘lift’ a ban that wasn’t our doing,” he said. Ward personally welcomed both Iacovone and Blasentein to the exhibit for the private tour on behalf of the Blade, saying, “I hope this is the end of it.” He also stated he wanted to “move on” from the entire controversy over the edited video, one of 105 items in the exhibit, which opened in late November, and closes on Feb. 13.
Blasentein told the Blade that he never felt the ban was purely a paper reprimand, saying, “let me tell you, when everyone around you is wearing guns, nothing about the process feels ‘bureaucratic.'” He said that though “you could spend hours untangling this thing” Ward was correct to insist that the so-called ban was really triggered by the city’s police, but he added that “the sergeant I spoke to at MPD was pretty clear in his opinion that MPD doesn’t ban anybody, but merely enforces a ban on behalf of the property owner.” He also stressed that the Smithsonian management “to the best of our knowledge” never insisted on barring them from the museum. That action, he believes, “was solely a decision of Smithsonian police.”
Blasentein said that “the story here is not primarily our ban,” but rather the act of official censorship itself. However, he insists that “had we been allowed back into the building,” after the incident with the iPad and the leaflets, “our protest would have been a lot different.”
“The only reason a trailer is parked outside the National Portrait Gallery is because that was the closest we were legally allowed to get to the building. If the Smithsonian had let me stand there for seven and a half hours with the iPad, we would have mobilized volunteers to do the same every day until Feb.13,” the day the exhibit closes its doors.
Instead, Iacovone and Blasenstein secured paperwork from the city to park a trailer directly in front of the museum at its entrance in the 700 block of F Street, N.W., where what they call the Museum of Censored Art — to show “the art the Smithsonian won’t,” will remain open until Sunday from 11:30 a.m. to 7 p.m. Even though they can now legally enter the museum, Iacovone said their counter-exhibit in the trailers will continue to remain open, staffed by 12-15 volunteers through Sundayt.
Iacovone said they have spent more than $6,500 so far on trailer and parking space costs and for powering batteries to run the video player. He praised two art galleries — the Hamiltonian and Flashpoint, as well as two others, Transformer and Civilian — for assisting them in various ways. More than 4,000 people have entered the trailers and viewed the video, he said, noting that “our biggest day so far was over 500 people,” and he thinks by the time the Museum of Censored Art shuts down they will reach the 5,000-visitor mark.
The exhibit is the first on the subject of same-sex desire in American art and shows the work of noted artists Thomas Eakins and John Singer Sargent as well as more recent icons such as Jasper Johns, Andy Warhol and Robert Mapplethorpe, the latter a photographer whose photo images showing explicit male sexuality caused the Corcoran Gallery to halt the exhibit planned of his work more than 20 years ago.
Smithsonian secretary G. Wayne Clough, the official responsible for the decision to order removal of the video, part of a larger work in 1987 called “A Fire in My Belly,” meanwhile, has been the target of calls for him to resign in the wake of that decision. Last week, about 30 protesters rallied outside the Smithsonian Castle on the Mall during a quarterly meeting of the Smithsonian Board of Regents, to demand that they fire him.
Organized by Art+ (positive), a New York City-based group that fights censorship and homophobia, and backed also by the activist group, People For the American Way, protesters declared that Clough had given in to right-wing pressures and should step down. They chanted “Hey, hey, ho, ho, Clough must go!” and “Ants in my pants, fire in my belly — Clough has got to go!”
The regents, however, announced after their meeting that they supported Clough, though even he subsequently acknowledged that perhaps it had been made in haste and that he would respond differently in the future.
“I’d like to think I’m a little wiser than I was six months ago or three months ago,” he said at a news conference following the meeting with the regents, which reviewed the entire controversy and then issued a statement backing him. However, a three-member panel reporting to the regents implicitly criticized the way the censorship decision was made and communicated. And regents repeatedly asked by reporters whether Clough had made the right decision refused to answer directly.
Another rebuke, this time more direct, came from the board of a Smithsonian member institution, the Hirshhorn Museum and Sculpture Garden, that met last week and issued an open letter, saying they were “deeply troubled by the precedent” of the November decision to pull the video from the show.
World Pride 2025
Pabllo Vittar to perform at WorldPride
Brazilian drag queen, singer, joined Madonna on stage in 2024 Rio concert

A Brazilian drag queen and singer who performed with Madonna at her 2024 concert on Rio de Janeiro’s Copacabana Beach will perform at WorldPride.
The Capital Pride Alliance on Thursday announced Pabllo Vittar will perform on the Main Stage of the main party that will take place on June 7 at DCBX (1235 W St., N.E.) in Northeast D.C.
Vittar and Anitta, a Brazilian pop star who is bisexual, on May 4, 2024, joined Madonna on stage at her free concert, which was the last one of her Celebration Tour. Authorities estimated 1.6 million people attended.
District of Columbia
$3.7 billion RFK stadium proposal draws support from Team DC
Washington Commanders ‘proud’ to champion LGBTQ community

Miguel Ayala, president of the D.C. LGBTQ sports organization Team D.C., has expressed support for the $3.7 billion deal reached between Mayor Muriel Bowser and the Washington Commanders football team to bring the team back to D.C. in a redeveloped site on the grounds of the city’s long shuttered RFK stadium.
With the deal calling for the city to provide $1 billion in taxpayer funds for infrastructure related costs for the massive redevelopment project — and with the Commanders to provide the remaining $2.7 billion — as of this week the deal did not have majority support on the D.C. Council, which must vote to approve it.
Ayala’s support for the project on behalf of Team D.C. raises the question of whether members of the city’s influential LGBTQ community might play some role in urging the D.C. Council to approve the project.
The proposal comes at a time when the Washington Commanders team includes a message of support for the LGBTQ community on its website. The message follows its hosting last October of its 4th annual LGBTQ Pride Night Out at the Commanders game against the Cleveland Browns.
“The Washington Commanders are proud to champion the LGBTQ+ community and its allies,” the team states on its website. “Through the unifying power of sports, we aim to create a culture where all feel welcome and celebrated.”
In a statement released to the Washington Blade, Ayala points out that the Commanders are among every D.C.-based professional sports team that hosts a Pride Night Out event, which Team DC helps to organize.
“Each year, our events have grown stronger, with vibrant tailgates, on-field celebrations, and powerful moments that shine a spotlight on our community,” Ayala said. “We can’t wait to kick off our first Night Out at the Commanders Stadium in 2030.”
He was referring to plans by the Commanders organization and the D.C. mayor’s office to have the stadium deal approved by the D.C. Council in July, with construction of the new stadium to begin then, and with a planned completion in time for the 2030 professional football season.
Ayala also points out that the RFK stadium grounds currently serve as home to LGBTQ-related sports activity, including the D.C. Gay Flag Football League and the D.C. Front Runners group. He added that the RFK grounds will serve as the playing fields for this year’s WorldPride Capital Cup sports competition, where LGBTQ rugby and soccer teams from around the world will compete.
“This new stadium will be more than just a field – it will be a powerful new addition to the vibrant, diverse, and proud communities we champion every day,” he said in his statement.
At an April 28 news conference, Bowser, Washington Commanders owner Josh Harris and other city officials provided details of the stadium project, noting that it includes a massive development of the new stadium and the surrounding 180 acres of land.
In addition to the 65,000-seat domed stadium, officials said the project would include 5,000 to 6,000 residential housing units, with 30 percent designated as “affordable” for low- and moderate-income residents. They said the project would also include parks and recreation areas, hotels, restaurants, retail, and neighborhood amenities.
“As we focus on the growth of our economy, we’re not only bringing our team home, but we’re also bringing new jobs and new revenue to our city and to Ward 7,” Bowser said in a statement
Opponents of the project, including D.C. Council Chair Phil Mendelson (D-At-Large), have said they don’t believe the city should use its own funds for a stadium and the related development.
So far, just four Council members have expressed support for the project. Mendelson and two other Council members have expressed opposition, and the remaining five have not yet said whether they would vote for or against it. The project needs seven of the current 12-member Council for it to be approved.
Council member Zachary Parker (D-Ward 5), the Council’s only gay member, who initially had not taken a position on the proposal, this week said he was looking at the project more favorably, according to news media reports.
District of Columbia
Welcome home: DC LGBTQ Center opens its doors to healing and hope
The 6,671 square foot DC LGBTQ Center will offer a wide range of resources for LGBTQ individuals in need – including mental health services, job readiness programs, cultural events, and community support groups, all under one roof.

On a sunny spring day in Washington’s Shaw neighborhood, the once empty Holzbeierlein Bakery warehouse now showcases energy, pride, and the sounds of chosen family coming closer together. After years in a less-than-perfect space on 14th Street, the DC LGBTQ community finally has a new home at the DC LGBTQ Center—and Executive Director Kimberley Bush says it’s more than a building. It’s a promise.
That promise, Bush explained to the Washington Blade on April 26—the day of the new LGBTQ Center’s opening—may change depending on who is being uplifted by the DC Center, but at its core remains the same goal: a thriving LGBTQ community in the nation’s capital. The commitment to the DC LGBTQ community is able to grow more connected and stronger, she explained, as more resources, space, and funding become available for the DC Center.
“This is a glorious home,” Bush said, beaming as groups of community members walked in under the giant inflatable rainbow at the Center’s doors. “It’s our new home. Today was a whole day of welcome home. This space has been an amazing endeavor for a long time, one that we’ve always known we’ve needed. This is space that we need for our LGBT siblings in need—and it’s amazing when your intentions match your efforts.”
The DC Center has long worked to “educate, empower, uplift, celebrate, elevate, and connect” the LGBTQ community from its former location at the Reeves Center. But now, in its new space at 1828 Wiltberger St., N.W., these efforts are more visible, accessible, and impactful than ever before.
“This space is a model that is new, that we are creating,” Bush said as groups of DC Center supporters chatted with Etta James’s “At Last” filling the hallways. “There is, I believe, no other LGBTQ+ community center in the country that not only has its own life and supportive services in its building, but is also co-housed with other organizations. A lot of community centers try and do it all, but that’s not what we wanted. We wanted to be able to bring everybody together under one roof, to be able to have that whole life supportive services center like one-stop shopping. We didn’t want to take over anything anyone else did. We don’t want to take away the dollars those organizations have to do what they do for the community. We want us all to be together. So that’s what we are. We’ve been able to now expand into almost 7,000 square feet of space.”

The new DC Center features a variety of functional spaces designed to meet the diverse needs of the LGBTQ community. It includes office space for up to nine additional partner organizations, creating a hub for collaboration and support. Local and integral LGBTQ organizations like SMYAL, Team DC, and HIPS are some of the groups taking advantage of the space.
“People can be spread out,” Bush said about the opportunity for these LGBTQ-specific organizations to have a dedicated office in the Center. “We are on a grander scale, so we have a grander number of individuals that we can positively and effectively take care of. We [as members of the DC LGBTQ Center] can’t provide everything someone needs, but we can be an outpost for other organizations. Because we’ve expanded, we are able to expand the love, kindness, and support we can give our siblings.”
Additional support, Bush explained, is made possible by the intentional design of the new DC Center. Specialized rooms meet critical needs—from an HIV and STI testing room to therapy spaces and a boutique offering professional attire for job interviews. While the DC Center may not provide every service directly, it offers a shared space where partner organizations can step in and support the community—all under one roof.
“Often people are not able to go here, here, and here, to get what those gaps in life are creating,” she said. “To bridge them in one space just gives that person the opportunity to have less on their heart and their mind in regards to what they need to take care of themselves.”
In addition to being able to provide a space for instrumental elements of protecting the safety and well-being of the DC LGBTQ community, the Center also has a food pantry, a boutique with a clothing closet, an ADA-accessible shower, a mailroom to assist those without a permanent address, and a spacious kitchen.
This, she explained, is why this space is so monumental to providing the DC LGBTQ community the resources they need in a succinct and approachable way.

“By bridging those gaps and having as much as we can here means you’re in one space to get your needs met,” she added. “From sexual health needs, in terms of testing, counseling, and what have you, to mental and behavioral health needs. You can get food, you can get clothing, you can shower. You can store some of your things here. That is such an ease off of your mind to where now you can breathe.”
After stepping into the Center’s director role in 2022, Bush said that she often sees her “siblings” within the community make a better life for themselves starting by walking through the front doors. Sometimes the following steps take more time and resources than for others, but regardless of what it takes, Bush emphasized the goal is to alleviate some stress and make tomorrow an approachable reality.
“I have the amazing opportunity to interact with our community members, our siblings, on a regular basis,” she said. “Often I see them when they first walk in our door. Sometimes they walk in unhappy, sometimes devastated, or they walk in not in a good space. When they come in and invite us in to hear their stories, when they want to share what’s going on with them so we can learn how to best care, love, and support them, it’s incredible. We make a POA, a plan of action, outlining how to take care of them and what that’s going to take.”
Walking through the Center, it is hard to not notice the smiles coming from everyone’s faces—from volunteers, board members, community members, and those seeking assistance. The DC Center, with its rainbow murals and shining floors, has become a beacon of hope for many LGBTQ Washingtonian residents in need. For some, Bush explained, that can be as simple as having a space for solace in a city that seems to have no shortage of stressors.
“The space is made for anyone who’s in need, and even if you’re not,” she said. “This is a place for you to come and be peaceful. A place for you to come and have a cup of tea, not to pay a thing, or have to talk to anybody. You can just sit here and have a cup of tea.”
The more she spoke about the space, it became clear that providing a space for LGBTQ people to be is just as important as providing spaces for the services to take place. The DC LGBTQ Center invites people to not only find what they need to make themselves better in a literal sense but also allows them to simply exist. It is rare for a city to provide this kind of refuge from the constant motion that life demands. And that can be life-changing, she says.
“I will say, ‘How are you today? How are you feeling today?’ ‘How are you’ and ‘how are you feeling’ are two different things, but I do want to know how you’re feeling. If you don’t answer me, that’s good. You know? That’s perfect,” Bush said. “This space is built for everyone, especially for trans and non-binary folk, and for our brown and Black folk. It’s a space for those who just need a space to be.”
In a world that often erases or overlooks LGBTQ people, especially trans, non-binary, Black, and brown community members, the simple act of being seen and cared for can be revolutionary. The DC Center aims to be a place for LGBTQ people to be themselves—not to force them to prove anything or lead them to speak, but to truly be themselves. That quiet affirmation of ‘allowing to be’ can plant the seed to a better, more authentic life.

“One thing that I love to hear, and it makes me feel so good, because they say it in a way that’s just like you and I would say it, or anyone would say it, but sometimes they may not have thought they would say it. They would say, ‘See you tomorrow. See you later.’ This is a person who may not have had tomorrow in their mind. Where you and I say that all the time, but for a lot of our people, our siblings, who come to us, that may not be a thing for them. But when they come in our doors, receive the care and the love and the support and kindness, but then they walk out and they say, ‘See you tomorrow,’ and we do see them tomorrow! I can tell you that this response not only drives me to do this work, because this is good work and I’m very fortunate and privileged to be here, but it’s hearing that out of someone’s mouth. That’s it. That’s all I need.”
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