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Calendar: March 25

Parties, exhibits, events and more through March 31

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'Blue, Yellow and Green Grasses' is part of an exhibit called 'Grasses' by artist Mary Ott that will be on display starting Wednesday and throughout April at Touchstone Gallery in Washington. Receptions with the artist are planned for April 1 and 10. (Image courtesy of Touchstone Gallery)

TODAY

Caliente Grande is tonight at Apex (1415 22nd St., N.W.) starting at 9 p.m. DJ Michael Brandon will be spinning the Latin dance party in the main hall. There is a $10 cover charge. Attendees must be 18 to enter, 21 to drink.

Brightest Young Things presents “A Night at the Newseum II: Way Out of Line” at the Newseum (555 Pennsylvania Ave., N.W.) tonight at 8 p.m. with DJs Nickodemus and Ancient Astronauts. Tickets are $15 in advanced and drink tickets are $4. For more information and to purchase tickets, visit brightestyoungthings.com.

The New Gay hosts Beat City at Chief Ike’s Mambo Room (1725 Columbia Rd., N.W.) tonight from 9:30 p.m. to 2:30 a.m. featuring music from artists such as Joan Jett, Le Tigre, Bloc Party and more. There will also be a giveaway and the winner will get a pair of tickets to see The Raveonettes at Black Cat and a copy of their new record, “Raven in the Grave.” For more information, visit, thenewgay.net.

Women in Their Twenties, a social discussion and dinner group, will be meeting tonight from 8 to 9 p.m. at the D.C. Center (1318 U St., N.W.).

Signature Theatre (4200 Campbell Ave.) in Arlington presents “Pride Night” with a performance of “And the Curtain Rises” at 8 p.m. followed by a post-show cocktail and hors d’oeuvres reception.

The Lodge (21614 National Pike) in Boonsoro presents “So You Think You Can Sing!,” a karaoke and dance party, tonight from 9 p.m. to 2 a.m. with DJ Christy. All participants get a free rail or domestic beer with their first performance. There is a $5 cover.

The “1st Friday of the Month,” a professional women for women social group, is meeting tonight at Beacon Bar & Grill (1615 Rhode Island Ave., N.W.) at 7 p.m.

Saturday, March 26

Every fourth Saturday of the month, Green Lantern (1335 Green Court, N.W.) is hosting Jocks vs. Jocks from 10 p.m. to 2 a.m. Cover is $5 if wearing sports attire, $7 if not. There’s a trophy and cash prizes for the winning team.

Busboys & Poets (1025 5th St., N.W.) presents “Wake up and Smell the Coffee!: A Community Gathering on D.C. Voting Rights and Statehood” today at 9 a.m. in the Cullen Room. This is a free event.

The Kennedy Center (2700 F. St., N.W.) presents Bowen McCauley Dance’s 15th anniversary season “Red. Hot. Fabulous.” tonight at 7:30 p.m. in the Terrace Theater. The show is made up of five different pieces, “Haiku Suite,” “World Premiere,” “Time and Clouds,” “Ozone” and “Telemetry.” Tickets are $36 and can be purchased online at kennedy-center.org.

Ultrabar (911 F St., N.W.) hosts Ladies Night: Coyote Ugly Edition tonight from 9 p.m. to 3 a.m. featuring The House Tribe and DJs Tektronics, Mario and Saam and an open bar from 9 to 10 p.m. on the main floor. Get free and reduced admission passes at dcclubbing.com.

“Shear Madness,” a comedy whodunit, will be performed twice tonight at the Kennedy Center Theater Lab (2700 F St., N.W.) at 6 and 9 p.m. “Madness” takes place in present-day Georgetown, in the Shear Madness Hair Styling Salon. Tickets are $42. Visit kennedy-center.org for more information and to purchase tickets.

The Congressional Chorus presents “Stompin’ at the Savoy: A 1930s Cabaret Ballroom” at the Atlas Performing Arts Center (1333 H St., N.E.) tonight at 8 p.m. Tickets are $35 for general admission. Contact Debby McConnell at 202-399-7993, ext. 182 or [email protected] for information.

Sunday, March 27

The D.C. Jazz Jam, a weekly jam free for both musicians and jazz lovers, is tonight from 6:30 to 9:30 p.m. at Dahlak (1771 U St., N.W.).

Busboys & Poets will be showing the film “The Nine Lives of Marion Barry” tonight at 8 p.m. as part of its “Focus-In! Cinema for a Conscious Community,” at the 5th and K location (1025 5th St., N.W.) and the film “Pushing the Elephant” in the Langston Room at 14th and V location (2021 14th St., N.W.).

Monday, March 28

The GLBTA Resource Center at American University is hosting a workshop entitled “Bisexual 101” today from 2 to 5 p.m. in the Mary Graydon Center, Room 247. The workshop will look at issues related to bisexuality as well as bisexuality across cultures and historical epochs and look at some prominent bisexuals. To RSVP, e-mail [email protected] with your name.

SAGE Metro D.C. is holding its monthly meeting tonight from 6:30 to 8 p.m. at the D.C. Center (1318 U St., N.W.).

Professionals in the City and the D.C. Center are hosting a speed dating event for lesbian and bisexual women at Chi-Cha Lounge (1624 U St., N.W.) from 7 to 11 p.m. Attendees will date for about an hour and then be able to mingle with everyone. After the event, matches can be made online. Tickets are $20. For more information, visit prosinthecity.com.

Bears do Yoga at Green Lantern (1335 Green Court N.W.) tonight at 6:30 p.m. Class lasts for an hour and serves as an introduction to yoga for people of all different body types and physical abilities. It’s taught by Michael Brazell. For more information, visit dccenter.org.

Tuesday, March 29

Out musician Kaki King will be performing at the Birchmere (3701 Mt Vernon Ave.) in Alexandria tonight with Joe Robinson. Tickets are $25 and can be purchased online at ticketmaster.com.

Busboys & Poets (2021 14th St., N.W.) is hosting an open mic poetry night tonight at 9 p.m. in the Langston Room. Wristbands will be on sale in the bookstore for $4 starting at 10 a.m. until they are sold out.

Wednesday, March 30

The reality show “Drag City: D.C.” will be taping a drag show on roller skates tonight from 7 to 11 p.m. at the Temple Hills Skating Center (3132 Branch Ave.) in Temple Hills. The show starts at 8. Admission is $15 with a buffet for an additional $5.

Busboys & Poets (4251 South Campbell Ave.) in Arlington is hosting an organic happy hour today at 4 p.m. featuring  Butte Creek IPA Sam Smith Ale cocktails, Eco Mojito Tree-Tini and more.

Thursday, March 31

Adventuring, a D.C. gay and lesbian outdoor group, will be hosting a cherry blossom evening hike. The group will meet at the top of the escalators at Waterfront Metro and leave at 6 p.m. The only required cost if the $2 trip fee. For more information, visit adventuring.org.

Cherry 2011 kicks off tonight at Nellie’s (900 U St., N.W.) with a pre-game and pass pick-up with DJ Nick Centrik Purcell from 6:30 to 9:30 p.m. followed by Ignition with DJs Randy Bettis and Jason Horswill at Cobalt (1639 R St., N.W.) from 10 p.m. to 2:30 a.m.

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HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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Movies

Neo-noir ‘Femme’ offers sexy, intense revenge fantasy

A work of real and thrilling cinematic vision

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George MacKay and Nathan Stewart-Jarrett star in ‘Femme.’ (Photo courtesy of Utopia)

They say “revenge is sweet,” and it must be true. Why else would so many of our popular stories, dating all the way back to “Medea” and beyond, be focused on the idea of getting “even” with the people who have done us wrong?

It’s a concept with obvious appeal for anyone who has felt unjustly used by the world – or, more accurately, by the people in it – but that has particular resonance, perhaps, for modern queer audiences, long used to being relegated to the status of “victim” in the narratives we see on our screens. In “Femme” — the new UK indie thriller helmed by first-time feature directors Sam H. Freeman and Ng Choon Ping, now in limited theatrical release and expanding wider over the next two weeks — it provides the irresistible hook for a gripping tale of calculated vengeance in the face of anti-queer violence. Like the best of such stories, however, it’s as much a cautionary tale as it is a wish-fulfillment fantasy.

Set in London, it centers on Jules (Nathan Stewart-Jarrett), aka Aphrodite Banks, a popular drag performer in the city’s queer club scene who, after a performance one night, steps out in full costume to buy a pack of cigarettes and becomes the victim of a traumatic “gay bashing” incident at the hands of a young man goaded to violence by a thuggish gang of friends. Months later, though he’s recovered from his physical injuries, he is still deeply affected by the inner scars that linger. Robbed of the confidence that allowed him to perform, he’s withdrawn into a reclusive life, until concern from his friends and housemates prompts him to finally venture out into the world for a night of cruising at a gay sauna – where he encounters his bully doing the same thing. 

Unrecognizable and anonymously masculine out of his drag persona, Jules finds himself beginning a dangerous and duplicitous game in which he plans to “out” his former attacker – whose name, as he learns, is Preston (George MacKay) – in the most humiliating way possible. As his scheme begins to play out, however, he encounters an obstacle: in getting to know the closeted Preston, he is surprised to discover not only empathy for someone living their life in terrified camouflage, but a mutual attraction that develops despite the horrific history between them.

Framed as a self-described “neo-noir” story, a designation that implies a certain flavor of moral ambiguity as much as it does a tense and shadowy tale of intrigue or a psychologically complex tone, it’s a movie that relies heavily on style in order to sell its conceptual premise. Realistically, we might question the boldness that permits our protagonist to enact such a potentially hazardous scheme, but in the context of its genre trappings we are lulled into accepting it. And while most of us are likely “jaded” enough to question the possibility of tenderness between its two leading characters, the accepted conceits of the film noir form are enough to sell it to us – or at least allow us to grapple with it alongside Jules, whose righteously Machiavellian master plan is threatened by the feelings he “catches” in spite of himself.

That, of course, is part of the whole point. “Femme,” though it establishes itself by virtue of its very title as a testament to the struggle to “pass” for straight in a world that places a value judgment on perceived adherence to a strict norm for gender and sexuality, hinges on the idea that such things aren’t quite as clear-cut as we want to make them. Despite the black-and-white certainty we cling to when it comes to the subject of abusive or toxic relationships, there’s an emotional component that can only be ignored or dismissed at our peril, and even our most resolute intentions can be undermined by the shades of gray we discover in our hearts. 

Freeman and Ng – who also wrote the screenplay, adapting their own BAFTA-nominated short film from 2021 (starring Harris Dickinson and Paapa Essiedu) into a feature-length expansion – seem bent on challenging our snap judgments, on forcing us to sympathize with our oppressors by showing us the ways in which they, too, are prevented from living a fully authentic life by the expectations of their cultural environment. Even more challenging for many modern audiences, perhaps, may be the unavoidable observation that, in enacting his plan of revenge, Jules crosses the line between being a victim and being a victimizer – a fine point that may trigger uncomfortable implications in a social environment that has become marked by divisive moral constructs and hardline ethical posturing.

Before we scare you off with discussion of high-concept themes and “culture war” rhetoric, however, it’s crucial to bring up the elements that lift “Femme” above and beyond the level of so many such narrative films and makes it a somewhat unexpectedly potent piece of cinematic storytelling – and all of them have to do with the skill and intention behind it.

As to the former, the movie’s first-time directors manage a remarkable debut, steeping their film in moody, genre-appropriate visuals and murky morality. They pave a path beyond the easy assessments proscribed for us by conventional thinking, and force us to follow our sympathies into a disquieting confrontation between what we “know” as right and what we feel as true; at the same time, they push back against any natural sentimentality we might have about the situation, stressing the toxicity of the relationship in the middle of their film, the ironically-reversed insincerity of its dynamic – and, perhaps most importantly, the reality of the defining circumstances around it. While we might find ourselves longing for a happier resolution than the one we expect, the film makes no pretense that these two men might overcome the deep denial and traumatic associations – not to mention the calculated lack of honesty on the side of its de facto protagonist, to achieve some kind of “happy ending” between themselves. Nevertheless, we hope for it, in spite of ourselves.

That delicate dynamic works largely because of the movie’s lead actors. Both Stewart-Jarrett (“Candyman”) and MacKay (“Pride”, “1917”) deliver fully invested, utterly relatable performances, finding the emotional truth behind their interactions with as much palpable authenticity as they bring to the chemistry between them. They force us to abandon our preconceived ideas about each character by finding the human presence behind them, and it makes the story’s final outcome feel as heartbreaking as it does inevitable.

As for intention, “Femme” – which premiered at last year’s Berlin International Film Festival and went on to gather acclaim across the international film fest circuit – might be a little hard to take for the easily triggered, we won’t deny it. Still, it’s a work of real and thrilling cinematic vision that goes beyond easy morality to highlight the tragedy that comes from being forced to live behind a mask for the sake of societal acceptance. It’s also exciting, smart, and unexpectedly sexy – all of which make it a highly- recommended addition to your watchlist.

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Out & About

Trans Day of Visibility is here and here’s how to celebrate

Howard County LGBTQIA Commission to host Columbia event

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Howard County LGBTQIA Commission will host its inaugural event celebrating Trans Day of Visibility on Sunday, March 31 at 4 p.m. at Busboys and Poets in Columbia, Md.

The purpose of this inaugural event is to create a welcoming and inclusive space that celebrates and amplifies the voices of the trans community and its allies, highlights the joy and resilience of trans and non-binary individuals everywhere, and elevates their voices and shares their diverse experiences. 

This event is free and more details are available on Eventbrite

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