Arts & Entertainment
Can’t get her out of our head
Kylie on her new show, love of Britney and passion for pancakes
Kylie Minogue (photo courtesy of EMI)
Some of us have been Kylie Minogue fans for longer than we care to remember, dating back to her days as a soap star on the Australian hit “Neighbours.” Others caught Kylie fever after her first hit single “Locomotion” landed at No. 3 on the U.S. charts in 1988. Still others in the U.S. never heard of her until 2001’s ubiquitous worldwide smash “Can’t Get You Out of My Head.”
There have been movie roles, a cancer scare, 60 million records sold and multiple tours, yet Kylie never quite reached the pop heights of Madonna or Janet in the U.S. But that doesn’t stop her from trying.
On Saturday, Minogue brings her latest show, “Aphrodite — Les Folies Tour,” to the Patriot Center. It’s a scaled back production compared to the over-the-top, Greek-themed, $25 million spectacle complete with “splash zone seating” that she’s delivered to adoring audiences in Europe.
“There are changes for the states,” Minogue said in a recent interview with the Blade. “I would love to bring everything, but that’s not possible so I’m bringing all I can to do a great show.”
Among the props she’s leaving behind are a giant Pegasus statue and fountains designed by the team responsible for the Bellagio’s in Vegas. And even though she’s a much bigger star overseas, Minogue said she enjoys performing in the United States.
“The energy is out of control, the passion of the audience [in the U.S.],” she said, adding that she would make up for the lack of props “with my passion and emotion.”
Of course, Minogue is keenly aware of her gay appeal and fan base and she’s rewarded them by including an entourage of muscled, leather-clad backup dancers in the show.
“Gays are a great influence in my life — I’m surrounded basically,” she said. “There’s a group of supporters who’ve been with me for a long time … but I’m so thrilled to share that history with you. It feels like we’re members of a secret society.”
What does she like best about touring the United States?
“I love really crappy diners in America, bad coffee and a stack of pancakes,” Minogue said. “And I can walk around without being recognized.”
The American artist she’s been listening to lately is Britney Spears. Minogue said she’d welcome the chance to do a duet with her and added that the song she can’t get out of her head right now is Spears’s “He About to Lose Me.”
As for the future, Minogue said she is considering an “anti-tour — no lights, dancers, just music and doing songs that are much loved by super fans but will never be heard anywhere in a live environment. B-sides and covers … it would be really cool to be in a tiny, tiny venue somewhere and just strip everything back and do songs that uber fans would cry for.”
And if that doesn’t pan out, she’d consider something splashier, like a Las Vegas residency.
“A Vegas residency could be out of control,” she said. “Imagine what it would be like if we had the luxury of being in one place … I would be excited to do something like that.”
Minogue will draw from her impressive catalogue of hits for Saturday’s D.C.-area show, including material from 2010’s “Aphrodite.” The show starts at 8 p.m. at the Patriot Center in Fairfax, Va. Tickets are still available at centerboxoffice.org.
The DC Center for the LGBTQ Community, SMYAL and Rainbow Families sponsored Gay Day at the Zoo on Sunday at the Smithsonian National Zoo. The Smithsonian marked International Family Equality Day with special exhibits and an event space.
(Washington Blade photos by Michael Key)
Covering Gay Day at the Zoo for @WashBlade . Here at @NationalZooDC pic.twitter.com/LqgGNOOAiM
— Michael Patrick Key (@MichaelKeyWB) May 5, 2024
Photos
PHOTOS: Taste of Point
Annual fundraiser held for LGBTQ youth scholarship, mentorship organization
The Point Foundation held its annual Taste of Point fundraiser at Room & Board on May 2.
(Washington Blade photos by Michael Key)
Theater
Miss Kitty tackles classical mythology in ‘Metamorphoses’
Folger production seen through the lens of the African diaspora
‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.”
She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.”
Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill.
At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche.
“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.”
The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds.
In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty.
Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue.
“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?
The name “Miss Kitty” was born over a decade ago.
Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”
Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”
Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.
But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her.
“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.”
Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before?
Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger.
Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno.
After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production.
A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor.
“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says.
For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem).
It’s her first time nominated and first time attending. She’s thrilled.
Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz.
Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.”
Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.
“Having an all-Black ensemble opens all new worlds for everyone.”
PHOTOS: Gay Day at the Zoo
PHOTOS: Taste of Point
Miyares joins efforts to fight Title IX changes
US Census Bureau testing survey on LGBTQ households
What property should I purchase if I’m not sure how long I’ll be in D.C.?
Judy Shepard to receive Presidential Medal of Freedom
Pride journey: Las Vegas
United Methodist Church removes 40-year ban on gay clergy
University students have a right to protest
