Arts & Entertainment
Rules of the club
Funny new Arena production explores book group drama
‘The Book Club Play’
Through Nov. 6
Arena Stage
1101 Sixth Street, SW
$45-$85
202-554-9066
arenastage.org

From left, Tom Story, Rachael Holmes, Fred Arsenault, Kate Eastwood, Ashlie Atkinson and Eric Messner in ‘The Book Club Play’ at Arena Stage. (Photo by Scotty Beland; courtesy Arena Stage)
Ana’s book club is very exclusive. For the longest time there were only four members. A fifth was admitted after passing a private vetting process.
The group’s weekly gatherings have remained the same — comfortably social and predictably gratifying. But all that is about to change. When the club becomes the subject of a documentary film and a controversial new member is added to the mix, this cozy little literary haven is ripped apart at its bindings.
Karen Zacarías’ “The Book Club Play” draws from that popular Oprah-approved literary phenomenon where readers gather in private homes to presumably discuss assigned books. Some groups are quite serious while others are thinly veiled excuses for eating, talking and drinking wine. Whatever the case, judging from the audience’s knowing reactions to the comedy at a recent matinee performance in Arena Stage’s intimate Cradle space, many of us have been there.
Set in Ana’s comfortable living room, the action begins with members agreeing to allow their club to be filmed as a highbrow documentarian’s latest project. Pretentious and controlling Ana (Kate Eastwood Norris), a newspaper columnist and clearly the group’s crowned monarch, is all for it. Other members including dramatic bachelor Will (Tom Story), Ana’s mostly easy going husband Ron (Eric M. Messner), and Lily (Rachael Holmes), a young editor and the club’s sole ethnic minority, are equally smitten with the idea. Only Jen (Ashlie Atkinson), a harried paralegal and Bronte sisters fan is hesitant, but the mere thought of absenting herself from book club throughout filming is unthinkable, so she signs off on the release too.
Initially the ever-present camera prompts awkward but humorous responses: Of course, Ana strives (not always successfully) to appear correct – politically and otherwise. Her husband, a former college quarterback, is prone to a bit of preening and sideways glances. But eventually all grow comfortable with being filmed and some hilarious moments spontaneously unfold like when Lily assumes Will is gay, and Ron sadly identifies with discontentedly married Newland in Edith Wharton’s “Age of Innocence.”
There’s a turning point in the play: friendly Jen flouts the rules by inviting a neighbor to book club without first getting members’ approval. Alex (Fred Arsenault), a slightly disheveled (note the mismatched socks) comparative lit professor, is mending a broken heart by rediscovering his passion for books. His evolving theory is that to be a truly culturally conversant person one must read classics and bestsellers alike. This doesn’t go down too well with elitists Ana and Will, but the club goes ahead with the heretofore unthinkable — they read “The Da Vinci Code.”
Incredibly, Will loves the lowbrow novel. In fact, he credits the mega-seller with enabling him to connect with his true sexuality. Suddenly the museum curator who grew up voraciously reading “Winnie the Pooh” and “Paddington Bear” acknowledges his passion for two legged bears — big, strapping, hairy men. (He sees himself as more of an otter than a bear — still hairy but smaller.) Simultaneously, autocratic Ana feels her grasp on the club’s leadership quickly weakening and she’s not quite sure what to do with that.
Between scenes, six filmed bibliophilic vignettes featuring each of the cast members playing varied booklovers (butch beautician, Wal-Mart manager, crass literary agent, shark attack survivor and skydiving granny) completely different from their characters are projected against the back of Donald Eastman’s spare set. Ashlie Atkinson is especially funny as a tough lady inmate who distributes books but doesn’t read. She adheres to that old adage about not dabbling in what you deal.
Yes, the characters are stock — uptight wife, henpecked husband, precious gay guy, etc. — and yes, “The Book Club Play’s” humor can be sitcom caliber. But Arena’s fresh and snappy production with its excellent cast and Molly Smith’s confident staging nicely makes the most of both the play’s more thoughtful and laugh-out-loud moments.
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















