Arts & Entertainment
Crewe club
Gay actor plays fey in long-running ‘Jersey Boys’
Jonathan Hadley as Bob Crewe in ‘Jersey Boys.’ He says the long-running show has been a blessing. (Photo by Joan Marcus; courtesy Center Stage Marketing)
‘Jersey Boys’
Through Jan. 7
National Theatre
1321 Pennsylvania Avenue, NW
$36.50-$151.50
800-447-7400
nationaltheatre.org
After four years playing in the Tony Award-winning musical “Jersey Boys,” gay actor Jonathan Hadley shows no sign of slowing down.
“My entrance line is, ‘Watch your mouth Toto, you’re not in Newark anymore.’ How great is that?”
Based on audience reaction, it’s pretty great and so is Hadley’s performance as Bob Crewe the flamboyant manager of the legendary Frankie Valli and the Four Seasons. Hadley’s is a showy supporting part in a terrific production that follows the professional and personal fortunes of the group’s members over four decades (approximately1963-2003). A little limp-wristed and plenty camp, the Crewe character is an integral part of the dream machine that catapults four streetwise Italians boys from New Jersey to the stratosphere with songs like “Sherry,” “Walk Like a Man” and “Stay.”
“Today we’d identify Bob Crewe as a gay man,” Hadley says. “He dated women but he had boyfriends. What’s extraordinary to me is that these tough straight guys totally click with this sort of Paul Lynde type. They accept him for who he is — a talented and brilliant producer, manager and lyricist.”
Without Crewe, there would not be the mega-success and long careers. In addition to managing the group, Crewe wrote great lyrics, Hadley says. For instance, late one night while admiring his sleeping boyfriend, he jotted down a little something titled “Can’t Take My Eyes Off You.” The song was a huge hit, arguably one of the biggest pop songs ever and unbeknownst to most, it’s basically a gay love song.
Hadley first played Crewe on Broadway, then in Vegas, and for three-and-a-half years he’s been on the road with the national tour.
“It an adjustment. At times [the cast] feels like carnies. But for me it’s been really interesting not only exploring the country but observing how the show plays in different regions. In the Northeast where there are a lot of Italian Americans, audiences totally get the humor. In the South, they sometimes get upset with the language — we’ve had to modify the script in some places. In the Midwest, they respond to the music. They were wild in Omaha. Wherever we are audiences always leap to their feet to applaud at the end.”
He says the music is a guaranteed pick me up.
“Touring can get tiring, but once you’re onstage and the music starts, you get on that train and ride for two-and-a-half hours. Also, it’s easier to remain engaged with ‘Jersey Boys’ because the book is so good. Every night we tell a story about people living their dreams, seeing them fall apart and putting them back together again.”
Hadley has no plans to give up the role anytime soon. On tour breaks back home in New York City, Hadley sometimes stops by Splash for a drink. Out-of-work actors with an eye on playing Crewe will ask if he’s ready to leave the show. He simply says “Not yet” and buys them a drink.
Growing up in Charlotte, N.C., as part of a theatrical family — more academic (instructors and heads of drama departments) than show biz — Hadley began acting in plays as a child. He did a lot of community theater before studying classically at North Carolina School of the Arts. After graduating, Hadley headed to Broadway and began working right away.
His first job was “Into the Woods,” the famous Stephen Sondheim/James Lapine musical.
“I thought, ‘Hey, I can get used to this, and I’ve been doing the New York thing ever since,” he says.
Although Hadley has never met Crewe in person (they’ve exchanged e-mails), he has studied his voice, photos and quotes.
“Crewe started out as a model in L.A., and despite wanting to become a star, he ended up behind the scenes,” Hadley says. “I’ve heard that he’s very pleased with ‘Jersey Boys’ because he’s finally a star. And I like that I play a part in that.”
Photos
Center for Black Equity honors leaders, activists at BE. Gala
Miyake-Mugler, Oakes co-host annual awards ceremony
The Center for Black Equity held its annual BE. Gala at Conrad Washington, D.C. on Saturday, Oct. 5. Lolita Leopard Miyake-Mugler and Anthony Oakes co-hosted the awards ceremony.
Honorees included journalist and producer Justin Stewart; nonprofit leader Nikki Alexander; HIV advocate Marlene McNeese; the nonprofit organization FreeLux Project; actress Monroe Alise; public health advocate Tori Cooper; Manassas Park Vice Mayor Darryl G. Moore; Rev. Dr. Carmarion D. Anderson; Bishop Steven Sawyer; government relations professional Courtney Snowden; Senior Deputy Director of HAHSTA at D.C. Health, Clover Barnes; and Texas state Rep. Venton C. Jones.
The event was sponsored by Gilead.
(Washington Blade photos by Michael Key)
Books
In ‘The Lost Brontë,’ a complicated lie can lead to danger
New book features sweetly romantic girl-meets-girl twist
‘The Lost Brontë’
By Catherine Friend
c.2026, Bywater Books
$22.95/335 pages
Mom always said to tell the truth.
One lie leads to another and another and you have to remember them all until pretty soon, you’re caught. Fibs are hard, mistruths are messy, even little white social lies can destroy trust. Worst of all, as in the new novel, “The Lost Brontë” by Catherine Friend, a complicated lie can lead to danger.
Though Lilianne Loxley was very young when she lost her parents, she understood that her uncle didn’t really want her. As time passed, though, Lily made herself useful to Uncle, writing and signing letters for him and she became a good companion, helping him with his collection of Brontë memorabilia. Uncle was a keen enthusiast.
She had no idea that his obsession was out of control and he was deeply in arrears. The day Lily learned of his debt was the day she learned that he’d agreed to send her to his debtor’s home to work off the money owed.
It was so sudden. One minute, Lily was at Loxley House, happy and loved by Uncle’s staff … and five hours later, she was at Crag Thorn Manor, home of Lord Bexton, who informed her that she’d be working on his ledgers – work that seemed routine, but Lily tackled it.
Uncle always did say she was headstrong.
But would headstrong be enough to survive, when she was restricted from most of the Manor, when she was forced to dine with Brexton and his slimy friend, or – the worst! – when Brexton told Lily that her next task was to forge a letter from Emily Brontë? And then an entire manuscript?
Lily struggled to do what was right. She had to get Uncle out of debt but this last order horrified her. Did she dare refuse Brexton’s orders and commit a crime? It was unthinkable!
The only brightness in the whole situation was Wren, the ladies’ maid assigned to Lily’s room. Wren was adorable with freckles and the sweetest smile. But with everything else happening at Crag Thorn Manner, could Lily act upon her feelings?
This time of year, you may come to crave dark, spooky stories, and “The Last Brontë” fits those needs perfectly with its Gothic deliciousness. Think: Daphne du Maurier-type, stormy-night squirms with a dangerously chaste, sweetly romantic girl-meets-girl twist for fun.
If it’s been awhile since you’ve read a Gothic novel, you’re in for a nice reminder of why you love them here. You can almost tick off the must-haves: a novel like this is nothing without a foreboding stone manor with damp walls; stone steps to a dank basement; a mysterious portrait; and a nearby bog, and author Catherine Friend gives readers every one of them. You’d be disappointed if there was no ghost, wouldn’t you? Ha. You can practically feel the cold blow through the attic, right? Yeah, it’s that kind of book.
If you’re a fan of the Brontës, you’ll like this novel. If you love Gothic mysteries or Victorian romances, ditto. “The Lost Brontë” is good, no lie.
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Out & About
CAMP Rehoboth Block Party returns Oct. 18
Expect performances, vendors and more at annual celebration
CAMP Rehoboth will host its annual Block Party celebration on Sunday, Oct.18 at 11 a.m. on the second block of Baltimore Avenue in downtown Rehoboth Beach.
CAMP Rehoboth invites all community members to join in the festivities and to expect magnificent performances and dozens of vendors, including artists, craftspeople, non-profits, businesses, and more.
The event started in 2015 in celebration of CAMP Rehoboth’s 25th anniversary. This year, attendees can expect to shop sea glass art, pottery, jewelry, Pride merch, body care, clothing, and learn more about local non-profit causes and businesses.
Attendance is free. For more details, visit CAMP Rehoboth’s website.
Center for Black Equity honors leaders, activists at BE. Gala
In ‘The Lost Brontë,’ a complicated lie can lead to danger
CAMP Rehoboth Block Party returns Oct. 18
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