Arts & Entertainment

Calendar: Jan. 6

Parties, club meetings, concerts and more through Jan. 12

Published

12 years ago

January 5, 2012

Juliette Ebner

The D.C. Kings are at Phase 1 Sunday night. (Blade file photo by Michael Key)

TODAY (Friday)

Black Cat (1811 14th St., N.W.) presents “The Workers’ Party,” a night featuring Black Cat staff bands, Mean Season, Booze Riot, The Red Moon Preachers and Raindeer. Tickets are $5 and can be purchased online at blackcatdc.com. Doors open at 9 p.m.

Gilded Lily Burlesque presents “Anything Goes” tonight at Red Palace (1212 H St., N.E.) at 10 p.m. Tickets are $10 and available day of show. Doors open at 9 p.m. and attendees must be 21 or older. For more information, visit redpalacedc.com.

Busboys & Poets presents First Fridays: A Local Arts Exploration today at 5:30 p.m. in the Zinn room at its Hyattsville location (5331 Baltimore Ave., Suite 104). This event combines a reception, artist talk and the opportunity to meet local artists and see their work. This month’s presenters are Hermione Rhones, Joe’s Movement Emporium, Justin Fair, Ilana Silverstein and Lisa K. Rosenstein.

Comedian Tony Woods plays Riot Act Comedy Theater (801 E St., N.W.) tonight at 8 and 10:30 p.m. Tickets are $20 for each performance and available online atriotactcomedy.com. Woods will also have two performances Saturday.

Carbon Leaf, whose live performances have been compared to Dave Matthews Band and R.E.M., play Wolf Trap (1645 Trap Rd.) in Vienna tonight at 8 p.m. Tickets are $25 and available online at wolftrap.org. The band also plays Saturday at 7:30 p.m.

Saturday, Jan. 7

DJ Randy White spins at Town (2009 8th St., N.W.) tonight with music and video downstairs by DJ Wess. There’s an $8 cover before 11 p.m. and $12 afterward. Doors open at 10 p.m.

Code has its monthly installment tonight at Green Lantern (1335 Green Court, N.W.). Gear, rubber, skin, uniform or leather dress code will be strictly enforced. Music provided by DJ Frank Wild. Admission is $10. All attendees must be 18 or older. There will be an open bar from 9 to 10 p.m.

Black Cat’s (1811 14th St., N.W.) weekly Hellmouth Happy Hour will feature a special holiday screening of the “Buffy the Vampire Slayer” movie starring Luke Perry and Kristen Swanson. This is a free event and doors open at 7 p.m.

Glen Echo Park (7300 MacArthur Blvd.) is having its annual holiday art show and sale today featuring glass, ceramics, jewelry and more in the Popcorn Gallery from 11 a.m. to 6 p.m. The show ends Sunday. For more information, visit glenechopark.org.

The Kennedy Center (2700 F St., N.W.) presents its production of “Billy Elliot: The Musical” directed by Stephen Daldry and featuring music by Elton John, today at 1:30 and 7:30 p.m. Tickets range from $25 to $150 and can be purchased online at kennedy-center.org.

MORE IN THE BLADE: M.A.L. WEEKEND COMING TO WASHINGTON

Sunday, Jan. 8

The D.C. Kings perform at Phase 1 (525 8th St., S.E.) tonight at 10 p.m. This show will be ASL interpreted. There is a $10 cover. Doors open at 7 p.m. and all attendees must be 21 or older. For more information, visit dckings.com.

Burgundy Crescent Volunteers will be helping fight hunger in the D.C. area today from 9 a.m. to noon, with D.C. Central Kitchen. Volunteers will help cook, working along chefs who have graduated from the Kitchen’s job training program. No experience is required, just an interest of cooking. The Kitchen provides job skills by using rescued and donated ingredients to teach unemployed and homeless individuals how to cook, then turns this food into free meal services. E-mail [email protected] for more information.

LGBT science fiction, fantasy and horror group Lambda Sci-Fi is having its monthly meeting today, including election of officers and social with annual blind book exchange at 1425 S St., N.W., at 1:30 p.m. Attendees are asked to bring a snack or a non-alcoholic drink to share. For more information contact James at 202-232-3141 or Peter and Rob at 202-483-6369, e-mail: [email protected], or visit the group’s website at lambdascifi.org.

Monday, Jan. 9

WEAVE, a support group for LGBT survivors of intimate partner violence/abuse, meets from 7 to 8 p.m. tonight at the Lighthouse Center for Healing (5321 First Place, N.E.). For more information and to register, call 202-280-6391.

Professionals in the City and the D.C. Center are hosting a speed dating event for lesbian and bisexual women at Chi-Cha Lounge (1624 U St., N.W.) from 7 to 9 p.m. tonight. Attendees will date for about an hour and then be able to mingle with everyone. After the event, matches can be made online. Tickets are $30. For more information, visit thedccenter.org.

Tuesday, Jan. 10

D.C. Bi Women will have its monthly dinner at Dupont Italian Kitchen (1637 17th St., N.W.) tonight from 7 to 9 p.m.

Black Cat (1811 14th St., N.W.) presents Drink and a Movie tonight featuring the films “Can’t Hardly Wait” starring Jennifer Love Hewitt and “Clueless” starring Alicia Silverstone. This is a free event. Doors open at 8 p.m.

MORE IN THE BLADE: A TASTE OF TOKLAS

Wednesday, Jan. 11

Rainbow Response is holding its monthly meeting tonight at the D.C. Center (1318 U St., N.W.) from 7 to 8 p.m.

Kicking off a series of special shows featuring comedians from one state or city, Riot Act Comedy Theater (801 E St., N.W.) presents Maryland Night with Todd Rexx tonight at 8:30 p.m. Tickets are $15 and available online at riotactcomedy.com.

The Lambda Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., SE — across from Marine Barracks) for duplicate bridge. No reservations needed; newcomers welcome. Visit lambdabridge.com if you need a partner.

MORE IN THE BLADE: TASTE OF NEW YORK

Thursday, Jan. 12

Christopher Cross plays Wolf Trap (1645 Trap Rd.) in Vienna tonight at 8 p.m. Cross is the only artist to win Record of the Year, Song of the Year, Album of the Year and Best New Artist Grammys on the same night. Tickets are $45 and available online at wolftrap.org.

Emmy Award-winning actress Holland Taylor comes to the Kennedy Center (2700 F St., N.W.) with her one-woman play “Ann” today at 1:30 and 7:30 p.m. The show tells the story of Ann Richards, the second female governor of Texas. Tickets range from $54 to $95 and can be purchased online at kennedy-center.org.

Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

Published

3 days ago

April 21, 2024

Michael Key

Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

Published

3 days ago

April 21, 2024

Michael Key

Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024

Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

Published

4 days ago

April 20, 2024

Patrick Folliard

Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.

BLADE: Describe your mom.

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality?

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia?

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.

BLADE: What prompted you to lead your creative life in Pittsburgh?

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.

BLADE: What are you trying to achieve with “Amm(i)gone”?

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.

I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.