Arts & Entertainment
Taste of New York
D.C. gay restaurateurs bring Manhattan-style drag shows to their cafe
‘Speakeasy’ at L’Enfant Café & Bar
Beginning Jan. 14
2000 18th Street, NW
lenfantcafe.com
For L’Enfant Café & Bar co-owners Christopher Lynch and Jim Ball, boredom is the mother of invention.
After working all weekend, says Ball, he and Lynch sometimes like to go out on Sunday nights. Increasingly they became uninterested in what was offered so they decided to do something themselves. Together they’ve come up with “Speakeasy” at L’Enfant, a bimonthly supper club and cabaret featuring well-known, downtown New York drag artists.
The likable duo — who long ago switched from being boyfriends to business partners/friends — is recreating a vibe they once knew in Manhattan, where they lived prior to opening L’Enfant in Adams Morgan in 2003. They’re modeling “Speakeasy” on Bar d’O, the storied West Village lounge where legendary performance artist and drag diva Joey Arias headlined a cabaret of talented drag performers throughout most of the ‘90s and early 2000s.
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Initially Lynch and Ball aspired to find a “Joey Arias type” for “Speakeasy.” But then reconsidered and thought why not go for the real thing? In September, the canny partners contacted Arias via Facebook and pitched their plan. To their delight, Arias agreed.
So far, there’ve been two “Speakeasy” test pilots at L’Enfant: In late November, Arias and fellow Bar d’O alumnae Flotilla DeBarge and Sade Pendarvis performed two Sunday night shows of soulful song and hilarious banter for sold-out houses. Outrageous, smart, spontaneous and a tad messy, the evening was a success by all counts.
Then in mid-December, DeBarge (whose vitae includes Broadway and film work) returned with a solo holiday show. “Speakeasy’s” regular bimonthly Sunday night schedule kicks off Jan. 14 with both a 7 p.m. dinner show, and a 10:30 cocktail late show. Reservations are required (go to lenfantcafe.com). In addition to Arias and DeBarge, Lady Bunny of “Wigstock” fame is slated for upcoming appearances.
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Arias’ signature look is black lingerie and Betty Page bangs. He’s widely known for channeling Billie Holiday. His credits include a six-year stint as the Mistress of Seduction in “Cirque du Soleil’s Zumanity” in Las Vegas, and this April he brings his well-received New York show “Arias with a Twist” to D.C.’s Woolly Mammoth Theatre. Rarely does Arias do small “Speakeasy” sort of gigs anymore. But what keeps him interested in coming back, “is the idea of trying new material and experimenting with something new: Looks, jokes, new tunes and to see what works. It’s important to remember where you started and keep your chops up.”
Arias adds, “I’m also interested in [including] D.C. talent. But [they] have to sing live and be witty … not nasty! It’s not a drag show. ‘Speakeasy’ is a real cabaret with first class service and entertainment. No one does this anymore.”
Flotilla DeBarge is equally smitten with “Speakeasy”: “I take a little getting used to. I’m big and brash — a mix of early Bette Midler, Tyler Perry’s Medea and some Louise Jefferson. So far D.C. audiences seem to be embracing me, my humor, my whole persona. I’m very grateful to them and [L’Enfant owners] for giving me free reign with what I do.”
“Speakeasy” isn’t the first time Lynch and Ball have filled idle hours with fun at their intimate venue. When faced with dull Saturday afternoons a year ago, they perked things up with “La Boum” (which in French means “teenage house party”). Once a week, they close the blinds and serve a boozy brunch with loud music and entertainment. As very hands-on hosts, Ball successfully plays the comic to Lynch’s straight man. They appear to enjoy themselves immensely and work hard to ensure that their customers do the same.
ADD THIS EVENT TO YOUR FOURSQUARE TO-DO LIST!
As restaurateurs, Lynch and Ball agree that a lot of what they do is theatrical. They liken opening their café’s doors to raising the curtain. When customers arrive, the owners and staff are on. For them, launching a cabaret at L’Enfant is a natural extension of serving food and drink.
“’La Boum’ is fully booked through April. People love it. Judging from early response, it looks like it will be the same with ‘Speakeasy’,” says Lynch. “We think it’s going to be explosive.”
The weekly drag show “Daddy Issues” was held at Kiki on Wednesday, Aug. 5. Performers included Evry Pleasure, Indiana Bones and Tiara Missou-Sidora.
(Washington Blade photos by Landon Shackelford)









Books
Something’s off about Dad. When is it time to step in?
‘When Memory Fades’ can help when families face dementia
‘When Memory Fades’
By Nathaniel Chin, MD
c.2026, St. Martin’s Essentials
$30/422 pages
Mom called you in a panic the other day.
She’d lost her keys and by the time you arrived to help, she’d found them. In the refrigerator.
These kinds of things keep happening, not often but often enough, and you don’t know quite what to worry about. But in the new book “When Memory Fades” by Nathaniel Chin, MD, you’ll learn about the journey ahead, for both of you.
You can’t remember why you walked into a room. You got lost last week, going to the bank. Popular wisdom says that things like that are normal as we age, but Chin says that’s not true – although the answer may not be a worst-case scenario, either. Yes, memory problems could just be signs of stress, dehydration, or lack of sleep – or is it time to see a doctor?
Chin says maybe, yes.
He was working his way through medical residency when his father, a geriatrician in Madison, Wisc., was diagnosed with Alzheimer’s. Chin, now a geriatrician, was blindsided, but that diagnosis also changed his life.
Here, he writes about the brain, and how Alzheimer’s and dementia are diagnosed, explaining that dementia has many faces and, depending on a doctor’s evaluation, memory problems might be slowed or improved. He shares his father’s illness with readers, but he also writes about his mother, a steadfast, steady caretaker.
Her story reminds reader-guardians to care for themselves, too.
Know how to talk the talk, so that you can have “a more productive” conversation with your doctor. Understand that there’s nothing “normal” about dementia or Alzheimer’s. Know the statistics – African Americans are affected with dementia twice as much as whites – and know how to lower your risks. Learn here what questions to ask, how to break the news to everyone, and any legal matters that will be important soon. And know how to tend to you.
Says Chin, “The best action you can take is to educate yourself… The more you understand, the better equipped you are to make sound judgments.”
Something’s off about Dad, just a lot of little things that don’t add up. When is it time to step in? “When Memory Fades” can help you decide.
Wise, wide-spread, comprehensive, and compassionately helpful, this is a book you can read and then take it to the doctor with your loved one. It’s a book that makes sense when nothing else does, and its biggest feature is that it smoothly transitions from easy-to-grasp science and charts, to gentle coaching for caregivers. Author Nathaniel Chin, MD writes with storytelling, humility, grace, and experience from both sides of the Alzheimer’s/dementia issue, and his words are reassuring but also urgent. Learn, but don’t wait, he says. Know how to safeguard yourself. See your doctor, and don’t fear testing. Watch for signs of depression. And never, ever stop asking for help.
Read those last seven words, and find “When Memory Fades” now. It’s a book to have on your shelf, whether you’re 45 or 95 because, as you’ll see, dementia happens and knowledge is key.
Books
New book chronicles gay man’s life in hippie commune
Vietnam War-era tale a serious, sexy, joyous memoir
‘Qtopia: A Memoir of Love, Land and Liberation’
2026, University of Wisconsin Press
By Juda Bennett
Duffel packed, the new high school graduate could not fall asleep. “On the night before my departure, I stared at the duffel bag as if it were a body bag. We lived close to Dover, where the dead from Vietnam were shipped.”
It is 1971, and Charles was leaving home to join a hippie commune in rural Virginia. “I kept imagining bodies fitting into the bag and popping out in the middle of the night,” Juda Bennett writes in his memoir, “Qtopia: A Memoir of Love, Land and Liberation.” During Bennett’s high school years from 1968-1971 some 35,000 U.S. soldiers were killed in the Vietnam War, the vast majority processed at Dover Air Force Base.
Young Bennett was clueless about what lay ahead but he had a commune’s brochure in his pocket, certain his destiny was not in the military. “My father was a walking recruitment center, and my mother could have worked for the USO. Uncle Sam and the Andrews Sisters had nothing on them.” Inspired to find his way out of suburban Wilmington, Del., he boarded a Greyhound bus to Lexington, Va., and communes yet unknown. “Qtopia” is a serious, sexy and joyous memoir about a young man who knows he’s different in search of chosen family and, over coming decades, his own queer Utopia.
“We are leaving; you don’t need us,” was the popular refrain in the day from the Crosby, Stills & Nash song “Wooden Ships.” Communards like young Charles (going by the moniker C.B. with a full beard covering his handsome, androgynous features) were living it. How far this is from urban queer stories of the ‘70s. For this reason alone, it is marvelous reading about hot naked hippies farming together in the country, living and loving in secluded teepees when everything seemed possible. Novels like “Drop City” by T.C. Boyle (2003) and “Arcadia” (2012) by Lauren Groff set in hippie communes had no gay characters, only free-love for straights. When C.B.’s parents arrive to visit his back-to-the-land commune North Mountain bearing gifts like the orange powder Tang and Frosted Flakes, he “maintained” as the saying went. “It was a great time for visitors to see how hard we had worked—fields of sorghum swaying in the breeze, acres of vegetables in neat rows with beans, tomatoes and peppers hanging down….I was still thin as a matchstick, but I was a strong and muscular matchstick,” he tells the story of his development. By contrast, he had considered suicide before leaving home; this memoir fills in the pain, too.
There are times when C.B.’s voice as a teen communard with a secret is so authentic and rich, it is like reading fictional stories of American innocents on journeys of their own like J.D. Salinger’s character Holden Caulfield or Demon Copperhead from rural Virginia by Barbara Kingsolver. He tells us there was this guy Mark at North Mountain who had been pressuring him to sleep on the mattress next to his. C.B. was known as the only gay at North Mountain. One of the hippie women warned him Mark is “a square, the biggest downer.” Stepping out of the memoir, C.B. directly addresses the reader about the Mark issue, “I don’t want to write about Mark anymore because he’s not important to my story, and I didn’t even like him.” Got it. Hitchhiking with C.B. is like that, too.
“I got my best ride of the whole hike from a truck driver named TJ….If an eighteen wheeler…is willing to stop for you, it is because the driver wants something from you…I will forever remember this trucker as the most beautiful man I could have had sex with if I weren’t so innocent.”
North Mountain required the hippies work one week a month in Richmond to earn cash for the commune. For C.B., this translated into seven communards living in one small apartment on this cultish mission. It was in a Richmond park where he meets a stranger who would sexually abuse him over a month until C.B. ends it. Furious, the man threatens to shut down the commune if he does not obey. In a state of panic, C.B. attempts suicide by overdosing on every pill he can get his hands on. The memoir takes the reader through the author’s horror by deepening the shadows. What was the specific nature of the abuse? How did this stranger have credible power to threaten the commune? Entitled “What It’s Like to Die,” the chapter is a skillfully told, expressionistic turning point from an innocent’s hell to salvation at the intentional queer Lavender Hill commune in Central New York. C.B. desperately needed to “find my people.”
He’s a resilient young man after living in three communes by the time he hit San Francisco. His two gay neighbors on Ashbury Street—Crow and Moonsnake—pressure him to get a new “hippie name.” Walking home from Golden Gate Park he zeroes in on a passing streetcar, “North Judah.” Goodbye “Charles,” Judah will be his new hippie name. Crow and Moonsnake, approve: “If that’s what the Universe called out to you.” If you remember the Sixties…
“Too often,” Bennett writes, “we think of dropouts as withdrawing from life, but in truth, I think they are in a heightened state of seeking their rightful path and purpose. Nothing stays the same.” Juda Bennett remains a believer to this day, “Always putting my faith in my journey to Utopia”.
(Charles Francis is president of the Mattachine Society of Washington, D.C., and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey.”)
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