Arts & Entertainment
Drives and desires
War-injured photojournalist ponders work vs. domesticity in new Studio production
āTime Stands Stillā
Through Feb. 12
The Studio Theatre
1501 14thĀ Ā Street, NW
$35-$69
202-332-3300
In āTime Stands Stillā (now at Studio Theatre) playwright Donald Margulies takes us to war zones without ever leaving his charactersā Brooklyn loft.
After being seriously injured by a roadside bomb in Iraq, photojournalist Sarah (Holly Twyford) goes home to New York to heal. The angry red scars on her face arenāt her main worry. Sheās more concerned about getting back on her feet and returning to the Middle East where she can continue bearing witness with her Nikon. But when Sarahās reporter boyfriend James (Greg McFadden) asks her to join him in a quieter, safer life (a potential novelty for both), she is forced to consider doing things differently.
While Sarah is unparalleled at capturing the difficult images of war, she is less adept at navigating emotional battles on the home front. For years she and James traveled to the worldās most dangerous conflict zones chronicling atrocities, but after James saw one too many civilians blown up in Iraq, he suffered a sort of breakdown and called it quits. Weeks later Sarah was injured.
At home, she resists Jamesā coddling and feels trapped and bored by domesticity. But she loves him and is in her way very invested in the relationship. She owes it to herself to try and make things work despite having never signed on for a normal life.
Like Marguliesā Pulitzer-winning play āDinner with Friends,ā this newer workās cast is also comprised of two straight couples. James and Sarah are visited by their worldly editor Richard (Dan Illian) and his much younger new girlfriend Mandy (a delightful Laura C. Harris) who mistakenly thinks jaded, grouchy Sarah might appreciate a tacky bunch of āget wellā balloons and a barrage of small talk. An unlikely addition to the sophisticated friendsā longtime circle, Mandy acknowledges that sheās an intellectual lightweight while making it clear that sheās a lot more than Richardās mid-life crisis.
Mandy also questions Sarah on the ethics of her profession. How can she stand by and photograph death and destruction without somehow intervening or offering some kind of assistance? Sarah responds rather mechanically that photojournalists are there to record life and not to change it; but later in the play, Sarah reconsiders her reply more emotionally, wondering if itās somehow indecent to make a living from the suffering of others.
Timely, thought provoking and entertaining, Marguliesā nuanced script is wonderfully written. Sarah and Jamesā pitch-perfect dialogue is subtly infused with affecting and sometimes disturbing references to people theyāve encountered in Iraq, most especially Sarahās translator and sometime lover Tarek. The play gives a bit of humanity to the tens of thousands of faceless civilian Iraqi casualties about whom Americans seldom hear anything.
Helmed by New York director Susan Fenichell, the thoughtful production is smartly staged and well acted by a splendid cast. On Broadway, Laura Linney created the part of Sarah. At Studio, Twyford (openly gay) makes the role of the brave, witty, complicated woman her own. Twyfordās approach to Sarahās physicality is particularly memorable ā whether she’s walking tentatively on her painfully broken leg or clenching her good hand from the intense anxiety brought on by being away from the action.
Sarah and Jamesā loft ā realistically rendered by John McDermott from its fully functioning kitchen sink to raindrops hitting the skylight ā serves as both refuge and starting gate. Itās up to Sarah whether to stay or go.
The Gay Men’s Chorus of Washington performed “The Holiday Show” at Lincoln Theatre on Saturday. Future performances of the show are scheduled for Dec. 14-15. For tickets and showtimes, visit gmcw.org.
(Washington Blade photos by Michael Key)
Books
Mother wages fight for trans daughter in new book
āBeautiful Womanā seethes with resentment, rattles bars of injustice
āOne Day I’ll Grow Up and Be a Beautiful Womanā
By Abi Maxwell
c.2024, Knopf
$28/307 pages
“How many times have I told you that…?”
How many times have you heard that? Probably so often that, well, you stopped listening. From your mother, when you were very small. From your teachers in school. From your supervisor, significant other, or best friend. As in the new memoir “One Day I’ll Grow Up and Be a Beautiful Woman” by Abi Maxwell, it came from a daughter.
When she was pregnant, Abi Maxwell took long walks in the New Hampshire woods near her home, rubbing her belly and talking to her unborn baby. She was sure she was going to have a girl but when the sonogram technician said otherwise, that was OK. Maxwell and her husband would have a son.
But almost from birth, their child was angry, fierce, and unhappy. Just getting dressed each morning was a trial. Going outside was often impossible. Autism was a possible diagnosis but more importantly, Maxwell wasn’t listening, and she admits it with some shame.
Her child had been saying, in so many ways, that she was a girl.
Once Maxwell realized it and acted accordingly, her daughter changed almost overnight, from an angry child to a calm one ā though she still, understandably, had outbursts from the bullying behavior of her peers and some adults at school. Nearly every day, Greta (her new name) said she was teased, called by her former name, and told that she was a boy.
Maxwell had fought for special education for Greta, once autism was confirmed. Now she fought for Greta’s rights at school, and sometimes within her own family. The ACLU got involved. State laws were broken. Maxwell reminded anyone who’d listen that the suicide rate for trans kids was frighteningly high. Few in her town seemed to care.
Throughout her life, Maxwell had been in many other states and lived in other cities. New Hampshire used to feel as comforting as a warm blanket but suddenly, she knew they had to get away from it. Her “town that would not protect us.”
When you hold “One Day I’ll Grow Up and Be a Beautiful Woman,” you’ve got more than a memoir in your hands. You’ve also got a white-hot story that seethes with anger and rightful resentment, that wails for a hurt child, and rattles the bars of injustice. And yet, it coos over love of place, but in a confused manner, as if these things don’t belong together.
Author Abi Maxwell is honest with readers, taking full responsibility for not listening to what her preschooler was saying-not-saying, and she lets you see her emotions and her worst points. In the midst of her community-wide fight, she reveals how the discrimination Greta endured affected Maxwell’s marriage and her health ā all of which give a reader the sense that they’re not being sold a tall tale. Read this book, and outrage becomes familiar enough that it’s yours, too. Read “One Day I’ll Grow Up and Be a Beautiful Woman,” and share it. This is a book you’ll tell others about.
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Out & About
Come unleash your inner artist at the DC Center
Watercolor painting class held on Thursday
āWatercolor Painting with Center Agingā will be on Thursday, Dec. 12 at 12 p.m. at the DC Center for the LGBT Community.
In this winter-themed painting class for seniors led by local artist Laya Monarez, guests will learn about watercoloring techniques, be given a demonstration, and allowed to create their own watercolor pieces. There will also be a break for lunch and plenty of snacks throughout. For more details, visit the DC Centerās website.
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