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Knockout theater

Creatively staged Studio production packs a wallop

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ā€˜Sucker Punchā€™
Through April 8
Studio Theatre
1501 14th Street, NW
$35-$60
202-332-3300

 

ā€œSucker Punch,ā€ a British import now making its U.S. premier at Studio Theatre, is the story of two up-and-coming boxers, who despite racism and assorted other adversity, fight their way to the top only to discover success isnā€™t all itā€™s cracked up to be.Ā  And while playwright Roy Williamsā€™ surfacey script covers varied aspects of the young athletesā€™ lives, the productionā€™s best scenes, by far, take place in the ring.

Sheldon Best, left, and Emmanuel Brown in ā€˜Sucker Punch.ā€™ (Photo by Scott Suchman; courtesy Studio)

On the streets of 1980s London, racial tensions run high and riots are breaking out. In a rundown boxing gym, two friends are scrapping over whoā€™s going to clean what. It seems black teens Leon and Troy (excitingly portrayed by charismatic Sheldon Best and Emmanuel Brown respectively) were caught breaking into the gym and rather than have them arrested, its owner Charlie Maggs (Sean Gormley) has opted to let them pay their debt by mopping floors and scrubbing dirty toilets. In time, Charlie, whoā€™s also a trainer, cannot help but notice the pairā€™s raw potential and offers them the opportunity to train.

Leon is a natural. Heā€™s graceful in the ring. His footwork is fast. Soon he begins to win fights. Heā€™s also affable and keeps peace at the gym. Though also talented, Troy is more difficult, angrier. He (understandably) butts heads with the gymā€™s resident racist white boxer Tommy (Lucas Beck) and canā€™t get along with Charlie. Eventually Troy bolts and embarks on a boxing career in the states.

For reasons not clearly explained, Leon remains excessively loyal to his third-rate, casually racist trainer. And while he is lionhearted in the ring, elsewhere Leon proves less confident. Problems arise: His street cred is questioned, black sports fans call him a sellout, his slimy father Squid (Michael Rogers) takes advantage and his strained romantic relationship with Charlieā€™s daughter Becky (Dana Levanovsky) fizzles. But still, Leon does his best to stay focused and keep his eye on the prize. More than once, he says he knows himself and thatā€™s what counts.

Set designer Dan Conway has faithfully recreated a grimy gym with one exception: the ring is a sunken square without ropes. And itā€™s within that ring where the show comes alive. Center stage and spot lit, Leon relays his ascent from popular amateur to Olympic medalist to welterweight champion. Director Leah C. Gardiner and a first rate design team summon the boxing experience. Alone on stage, Leon lands devastating blows, takes hits and responds to cheers and jeers from the crowd.

Both Best and Brown spent weeks physically training for their roles at a boxing gym in New York City and it shows: Theyā€™re both in amazing shape and convincingly move like real boxers. Bestā€™s performance, in particular, is an intense workout. Heā€™s on stage throughout most of the show (100 minutes without intermission) and for much of that time heā€™s skipping rope, shadow boxing, doing crunches or passing a medicine ball.

In the end, Leon and Troy are reunited as opponents in a high stakes title bout. The gymā€™s dirty walls are replaced by murky mirrors, effectively transforming the space into an arena. In a dramatic slugfest (thrillingly choreographed by Rick Sordelet), the onetime best friends settle old scores and seek resolution. And it all happens in the ring.

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PHOTOS: The Holiday Show

The Gay Men’s Chorus of Washington performs at Lincoln Theatre

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The Gay Men's Chorus of Washington perform 'The Holiday Show' at Lincoln Theatre. (Washington Blade photo by Michael Key)

The Gay Men’s Chorus of Washington performed “The Holiday Show” at Lincoln Theatre on Saturday. Future performances of the show are scheduled for Dec. 14-15. For tickets and showtimes, visit gmcw.org.

(Washington Blade photos by Michael Key)

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Books

Mother wages fight for trans daughter in new book

ā€˜Beautiful Womanā€™ seethes with resentment, rattles bars of injustice

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(Book cover image courtesy of Knopf)

ā€˜One Day I’ll Grow Up and Be a Beautiful Womanā€™
By Abi Maxwell
c.2024, Knopf
$28/307 pages

“How many times have I told you that…?”

How many times have you heard that? Probably so often that, well, you stopped listening. From your mother, when you were very small. From your teachers in school. From your supervisor, significant other, or best friend. As in the new memoir “One Day I’ll Grow Up and Be a Beautiful Woman” by Abi Maxwell, it came from a daughter.

When she was pregnant, Abi Maxwell took long walks in the New Hampshire woods near her home, rubbing her belly and talking to her unborn baby. She was sure she was going to have a girl but when the sonogram technician said otherwise, that was OK. Maxwell and her husband would have a son.

But almost from birth, their child was angry, fierce, and unhappy. Just getting dressed each morning was a trial. Going outside was often impossible. Autism was a possible diagnosis but more importantly, Maxwell wasn’t listening, and she admits it with some shame.

Her child had been saying, in so many ways, that she was a girl.

Once Maxwell realized it and acted accordingly, her daughter changed almost overnight, from an angry child to a calm one ā€“ though she still, understandably, had outbursts from the bullying behavior of her peers and some adults at school. Nearly every day, Greta (her new name) said she was teased, called by her former name, and told that she was a boy.

Maxwell had fought for special education for Greta, once autism was confirmed. Now she fought for Greta’s rights at school, and sometimes within her own family. The ACLU got involved. State laws were broken. Maxwell reminded anyone who’d listen that the suicide rate for trans kids was frighteningly high. Few in her town seemed to care.

Throughout her life, Maxwell had been in many other states and lived in other cities. New Hampshire used to feel as comforting as a warm blanket but suddenly, she knew they had to get away from it. Her “town that would not protect us.”

When you hold “One Day I’ll Grow Up and Be a Beautiful Woman,” you’ve got more than a memoir in your hands. You’ve also got a white-hot story that seethes with anger and rightful resentment, that wails for a hurt child, and rattles the bars of injustice. And yet, it coos over love of place, but in a confused manner, as if these things don’t belong together.

Author Abi Maxwell is honest with readers, taking full responsibility for not listening to what her preschooler was saying-not-saying, and she lets you see her emotions and her worst points. In the midst of her community-wide fight, she reveals how the discrimination Greta endured affected Maxwell’s marriage and her health ā€“ all of which give a reader the sense that they’re not being sold a tall tale. Read this book, and outrage becomes familiar enough that it’s yours, too. Read “One Day I’ll Grow Up and Be a Beautiful Woman,” and share it. This is a book you’ll tell others about.

The Blade may receive commissions from qualifying purchases made via this post.

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Out & About

Come unleash your inner artist at the DC Center

Watercolor painting class held on Thursday

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(Photo by ChamilleWhite/Bigstock)

ā€œWatercolor Painting with Center Agingā€ will be on Thursday, Dec. 12 at 12 p.m. at the DC Center for the LGBT Community. 

In this winter-themed painting class for seniors led by local artist Laya Monarez, guests will learn about watercoloring techniques, be given a demonstration, and allowed to create their own watercolor pieces. There will also be a break for lunch and plenty of snacks throughout. For more details, visit the DC Centerā€™s website.

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