Arts & Entertainment
Differing directions
MCC music program adjusting to new leadership, styles
By MALI KRANTZ
The two Sunday morning services held each week at Metropolitan Community Church of Washington have always had slightly different styles, but the distinction has become more pronounced as each has its own choir director now.
In December, Shirli Hughes resigned from her position as minister of music there. After a decade of service at the District’s largest predominantly LGBT church, the lesbian music minister left big shoes to be filled in the church’s music department.
“She had a big job,” says Jeff Herrell who sang in her choir for about 10 years.
Hughes led both Sunday services at 9 and 11 a.m. as well as occasional performances for holidays and special events. She was also a full-time employee.
Her succession came in the form of two interim music ministers, Justin Ritchie, who leads the 9 a.m. Sunday service, and Darius Smith, who leads a more contemporary service at 11. They’ll both be on board for this Sunday’s Easter services, the highest holy day in Christendom. A Good Friday service is tonight at 7. Visit mccdc.com for details.
“It has worked out well to have two of us,” Ritchie says. “Because each service is very different and they play to each of our strengths … the 9 a.m. and 11 a.m. service have always had their own personality.”
Ritchie, whose service is more traditional, came from the MCC choir. In addition to his musical success at MCC, he’s also a featured vocalist with the Gay Men’s Chorus of Washington and a member its 14-person a cappella group, Potomac Fever.
Smith, a graduate of Howard University’s Music Department and New York University’s Graduate Musical Theatre Writing Program is an assistant professor of musical theater at Howard. He has also written original music for a number of plays in the D.C. area including “U.G.L.Y.,” a new musical.
Smith’s service leans toward pop and contemporary styles.
“It’s interesting. It’s fun,” says Herrell of the new musical content.
Both Herrell and Ritchie estimate that the choruses have grown over the past few months.
“I think people are really receptive to Justin’s style of music … and new people want to be a part of Darius’ ministry,” Herrell says. “Yeah it’s cool. It’s different.”
While Rev. Dwayne Johnson, the church’s senior pastor, recognizes that Hughes brought an extraordinary talent to MCC’s music ministry, he’s enthusiastic about the church’s new direction.
“We have a long tradition of excellent music,” Johnson says. “And Justin and Darius are continuing that tradition. It’s an exciting time to see what gifts they have to bring to the table.”
While much of the music is changing, a few traditions remain such as having drums and bass accompany services. Each choir director does his own accompanying.
During the transition period after Hughes left, Acoustic Praise, a subgroup of MCC’s music ministry, stepped up to fill in while they looked for new staff members. Though the church has an organ, it’s rarely used.
“They’ve really worked hard during this transition filling in on Sundays,” says Tommie Adams, Herrell’s partner and an Acoustic Praise member. “It’s still a transitional period. Both people have great musical backgrounds and Darius brings kind of a youthful mood to music too, so it’s a nice variety.”
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)


























