Arts & Entertainment
Pointing the way
Scholarships help LGBT students achieve career and education dreams

Jorge Valencia, director of the Point Foundation, at last year's event. (Blade file photo by Michael Key)
The Point Foundation, with offices in New York and Los Angeles, boasts doctors, lawyers, filmmakers and even the nation’s youngest openly gay mayor as alumni of its scholarship program, which has connected gay college students with millions in financial support and a robust professional network for more than a decade.
Yet organizers say there remain countless LGBT students whose educations are cut short by limited funds and unsupportive families. And even as LGBT youth find more mainstream acceptance, interest in the innovative scholarship program has not dissipated.
In fact it’s growing, say organizers who will host a May 3 fundraiser meant to jumpstart donations and boost financial support for the expanding pool of scholars. The event will take place from 6 to 8 p.m. at the Equality Center (1640 Rhode Island Ave. NW). Tickets are $75.
It will feature remarks from founders Bruce Lindstrom and Carl Strickland, as well as success stories shared by some of the Foundation’s growing crop of alumni.
Organizers are finalizing this year’s recipients from a field of some 2,000 applicants, up about 33 percent from last year. Scholars will be announced in June.
“We’re getting a lot more applications from geographically diverse parts of the country, also people of color and women,” says Jorge Valencia, Point’s executive director and CEO. “We’re very happy with that, a lot of that has to do with our outreach efforts.”
The Washington Cornerstone Society event — named for large gift donors — will be one of eight the foundation plans this year to help support the roughly 75 scholars it sponsors annually.
The amount of each scholarship fluctuates based on the number of scholars, but officials say the funds help cover everything from tuition to living expenses for undergraduates and graduate students at institutions across the country. The competitive qualification process involves a 10-part application and culminates with phone and in-person interviews.
Each year, Valencia said, the pile of applications gets thicker.
“That’s why these Cornerstone events are so important,” he says. “We need to be able to raise more money to support these scholars.”
The scholarship program’s continued success is bittersweet, however. Valencia says it’s evidence that there remains a lot of work to be done in boosting acceptance of LGBT youth.
“I hope one day there isn’t a need for organizations that serve underserved communities,” says Valencia, explaining that though scholarships are not limited to scholars who face rejection from their families, those students still comprise many recipients. “The opposition is fighting even harder to make these young people all over the country and all over the world really feel less than equal, so the need is just as high as ever before.”
For Ashland Johnson, rejection came not from her family, but from her employers.
“I worked at Morehouse School of Medicine, my boss found out I was gay and I was fired,” says Johnson, who channeled the messy experience — which eventually involved the American Civil Liberties Union — into a desire to practice LGBT civil rights law.
Johnson had studied English and planned on being a professor before the 2006 incident but soon found herself looking at law schools — and looking for money. In Point Foundation, she says she found both financial support and a commitment to developing fully rounded students through leadership training.
“I saw they were really more than a paycheck,” says Johnson, who graduated in 2011 and now works as policy counsel for the National Center for Lesbian Rights, in Washington.
Scholars are required to complete community service projects benefiting the LGBT community; in exchange, Valencia says they receive support through the duration of their academic career, training opportunities and mentors in their field.
The latter can be invaluable as young professionals navigate complex fields, says Daniel O’Neill, a 2011-2012 scholarship recipient and aspiring primary care physician. Through his program mentor, O’Neill says he has expanded both his knowledge of HIV treatment and his vision of where medicine can take him. He plans to spend time working in San Francisco this year to learn even more about medical issues largely impacting gay and lesbian patients.
“They’ve accelerated my ability to pay it forward and help the LGBT community,” O’Neill says of the foundation. “They’ve galvanized the passion of mine to affirm that I’m part of this large LGBT community.”
Scholars also gain access to the foundation’s large network of prestigious alumni, including one who epitomizes Point’s growing influence.
Alex Morse, mayor of Holyoke, Mass., is the nation’s youngest openly gay mayor and a Point Foundation scholar.
“The Point Foundation assisted me financially as a student at Brown University,” he said in an email. “But more importantly, it introduced me to an intergenerational network of successful members of the [LGBT] community from all across the country. It helped give me the confidence I needed to achieve my goals and set me on a strong path into the future.”
The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

































































Theater
‘Feeling Afraid’ explores life of a neurotic stand-up comic
Navigating sex, work, and possibly love in London
‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org
Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.
Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.
Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.
At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.
Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.
With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.
The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.
Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.
Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)
Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.
Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.
One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.
They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.
The 2026 Baltimore Pride Festival, “Pride in the Park,” was held at Druid Hill Park on Sunday, June 14.
(Washington Blade photos by Linus Berggren)
















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