Arts & Entertainment
Pointing the way
Scholarships help LGBT students achieve career and education dreams
Jorge Valencia, director of the Point Foundation, at last year's event. (Blade file photo by Michael Key)
The Point Foundation, with offices in New York and Los Angeles, boasts doctors, lawyers, filmmakers and even the nation’s youngest openly gay mayor as alumni of its scholarship program, which has connected gay college students with millions in financial support and a robust professional network for more than a decade.
Yet organizers say there remain countless LGBT students whose educations are cut short by limited funds and unsupportive families. And even as LGBT youth find more mainstream acceptance, interest in the innovative scholarship program has not dissipated.
In fact it’s growing, say organizers who will host a May 3 fundraiser meant to jumpstart donations and boost financial support for the expanding pool of scholars. The event will take place from 6 to 8 p.m. at the Equality Center (1640 Rhode Island Ave. NW). Tickets are $75.
It will feature remarks from founders Bruce Lindstrom and Carl Strickland, as well as success stories shared by some of the Foundation’s growing crop of alumni.
Organizers are finalizing this year’s recipients from a field of some 2,000 applicants, up about 33 percent from last year. Scholars will be announced in June.
“We’re getting a lot more applications from geographically diverse parts of the country, also people of color and women,” says Jorge Valencia, Point’s executive director and CEO. “We’re very happy with that, a lot of that has to do with our outreach efforts.”
The Washington Cornerstone Society event — named for large gift donors — will be one of eight the foundation plans this year to help support the roughly 75 scholars it sponsors annually.
The amount of each scholarship fluctuates based on the number of scholars, but officials say the funds help cover everything from tuition to living expenses for undergraduates and graduate students at institutions across the country. The competitive qualification process involves a 10-part application and culminates with phone and in-person interviews.
Each year, Valencia said, the pile of applications gets thicker.
“That’s why these Cornerstone events are so important,” he says. “We need to be able to raise more money to support these scholars.”
The scholarship program’s continued success is bittersweet, however. Valencia says it’s evidence that there remains a lot of work to be done in boosting acceptance of LGBT youth.
“I hope one day there isn’t a need for organizations that serve underserved communities,” says Valencia, explaining that though scholarships are not limited to scholars who face rejection from their families, those students still comprise many recipients. “The opposition is fighting even harder to make these young people all over the country and all over the world really feel less than equal, so the need is just as high as ever before.”
For Ashland Johnson, rejection came not from her family, but from her employers.
“I worked at Morehouse School of Medicine, my boss found out I was gay and I was fired,” says Johnson, who channeled the messy experience — which eventually involved the American Civil Liberties Union — into a desire to practice LGBT civil rights law.
Johnson had studied English and planned on being a professor before the 2006 incident but soon found herself looking at law schools — and looking for money. In Point Foundation, she says she found both financial support and a commitment to developing fully rounded students through leadership training.
“I saw they were really more than a paycheck,” says Johnson, who graduated in 2011 and now works as policy counsel for the National Center for Lesbian Rights, in Washington.
Scholars are required to complete community service projects benefiting the LGBT community; in exchange, Valencia says they receive support through the duration of their academic career, training opportunities and mentors in their field.
The latter can be invaluable as young professionals navigate complex fields, says Daniel O’Neill, a 2011-2012 scholarship recipient and aspiring primary care physician. Through his program mentor, O’Neill says he has expanded both his knowledge of HIV treatment and his vision of where medicine can take him. He plans to spend time working in San Francisco this year to learn even more about medical issues largely impacting gay and lesbian patients.
“They’ve accelerated my ability to pay it forward and help the LGBT community,” O’Neill says of the foundation. “They’ve galvanized the passion of mine to affirm that I’m part of this large LGBT community.”
Scholars also gain access to the foundation’s large network of prestigious alumni, including one who epitomizes Point’s growing influence.
Alex Morse, mayor of Holyoke, Mass., is the nation’s youngest openly gay mayor and a Point Foundation scholar.
“The Point Foundation assisted me financially as a student at Brown University,” he said in an email. “But more importantly, it introduced me to an intergenerational network of successful members of the [LGBT] community from all across the country. It helped give me the confidence I needed to achieve my goals and set me on a strong path into the future.”
Theater
‘The Inheritance’ is most-nominated at this year’s Helen Hayes Awards
42nd annual celebration of excellence in local theater set for May 18
Helen Hayes Awards 2026
May 18, 2026
For tickets go to theatrewashington.org
Last year, when out director Tom Story took on the daunting task of directing Round House Theatre’s production of “The Inheritance, Parts One and Two,” he knew that casting would be important, maybe even paramount, to the endeavor’s success. So, Story didn’t mess around.
Penned by queer playwright Matthew López, “The Inheritance” (inspired by E.M. Forster’s 1910 novel “Howards End”) is based on gay culture in the wake of the AIDS crisis.
Story looked at actors he knew, and some he didn’t. He wanted low drama and maybe players who could relate to the LGBTQ experience. In the end, the production’s 13-person cast was entirely queer except for brilliant local favorite Nancy Robinette as Margaret, the wise housekeeper.
Clearly, Story’s vision resonated with audiences. Round House’s production of “The Inheritance” is the most-nominated work of this year’s Helen Hayes Awards, earning 14 nominations. It’s also one of Round House’s highest grossing popular successes ever.
The queer cast members whose ages ranged from about 22 to 60, worked hard and enjoyed the process, and along the way garnered an Outstanding Ensemble in a Play (Hayes) nomination for their efforts.
The ensemble included Jamar Jones as Tristan, a brilliant doctor who leaves New York for Canada after deciding there’s no place for a gay, HIV-positive Black man in America. For the experienced actor, being part of “The Inheritance” was profound: “I think it was a divinely orchestrated production.”
He adds “I really feel that it’s so rare that you get to work on a show of that magnitude…size, time, where virtual strangers genuinely fell into rhythm. We became a cohort. I never felt a sense of unease, or reluctance to try things. I could be as big or bold as I wanted to be; or I could be small. Fail, mess up, try again. I didn’t feel judged.”
Jones considers Richmond his home, but says “I’m based where the work is.” Currently, he’s back at Round House rehearsing “Sally & Tom” (May 27-June28), a play within a play/meta exploration of the relationship between Thomas Jefferson and Sally Hemings by Suzan-Lori Parks.
Jones plays both a contemporary violinist and an enslaved fiddler, parts that have required him to learn to “air fiddle.” He’s all over it: “I want to represent the art and to be as precise as possible. Taught by an instructor, I’ve made strides with movement of the bow; next up is finger placement.”
Will he leave the play a violinist? “I’ll report back on closing night. Maybe I will have added something to the special skills list on my resume.”
For about a decade, Jones worked in living history, interpreting, performing, and writing pieces about the enslaved people of Colonial Virginia. Among the many historical characters he portrayed was Jupiter (Thomas Jefferson’s longtime enslaved manservant), an experience that’s proved a connection and preparation for his current role.
The 42nd Helen Hayes Awards celebration recognizing excellence in professional theater in the DMV will be held on Monday, May 18, 2026 at The Anthem on the District Wharf in Washington, D.C. Named for Helen Hayes, the legendary first lady of Broadway, the program consists of the awards presentation hosted by Felicia Curry, Awa Sal Secka, and Derrick Truby, followed by an after-party at nearby Whitlow’s.
With works selected from 149 eligible productions presented in the 2025 calendar year, nominations were made in 41 categories and grouped as either “Helen” (non-Equity/small Equity presence) or “Hayes” (Equity-heavy).
The many nominations are the result of 49 vetted judges considering 1,997 pieces of work, such as design, direction, choreography, performances, and more. The productions under consideration included 42 musicals, 107 plays, and 33 world premieres.
The following are more of this year’s queer nominees.
A past Helen Hayes Award recipient and nominee, Fran Tapia is competing against herself this year in the Outstanding Lead Performer in a Musical (Helen) category. Nominated for her memorable turn as the diva barkeep in GALA Theatre’s “Columbia Heights Bolero Bar,” an immersive musical centered on songs of longing and immigration set in a diverse neighborhood on the eve of a divisive presidential election
“It was a challenging time, because a lot of what was happening in the show was happening in the neighborhood,” says Tapia who lives in Columbia Heights just eight minutes from GALA.
Based in D.C. since 2019, Tapia says “Being recognized in a country that is not my homeland but where I’m building my artistic home, is deeply meaningful. And the variety of roles I have been able to play speaks to the richness of DC theater and the collaborators who trusted me with these roles.”
Her other individual nomination is for the title role in Spooky Action Theater’s “Professor Woland’s Black Magic Rock Show,” a passionately comedic political satire. She approached the mysterious central character as nonbinary.
Tapia (“Chilean, Latina, queer and proud immigrant”) says while very different, both performances involved particularly strong characters. She’s grateful audiences responded positively to her work.
Stanley Bahorek, who moved to D.C. with his husband four years ago, is best known as an accomplished actor with a long list of Broadway and regional credits (including playing Carl, the gay son in Studio Theatre’s recent production of “The Mother Play”). Now, he is nominated for Outstanding Music Direction (Helen) for his work on “A Strange Loop,” a production of D.C.’s Visionaries of the Creative Arts (VOCA) in collaboration with Deaf Austin Theatre. He shares this nomination with Walter “Bobby” McCoy.
Michael R. Jackson’s Tony and Pulitzer wining play “A Strange Loop,” is the story of Usher, a Black, queer theater usher trying to write a musical. VOCA’s take on the work is seen through a deaf BIPOC lens with a deaf Usher played by a deaf actor (out actor Gabriel Silva). Invited by director and longtime friend Alexandria Wailes (who is deaf), Bahorek (who is hearing) joined the creative team as a sort of hybrid associate director/ music supervisor.
“I’m fluent in conversational American Sign Language (ASL),” he says. “I sort of functioned as a sherpa between the hearing and deaf and hard-of-hearing creatives. It’s been a great thrill to be a part of VOCA’s biggest production to date.”
If he and McCoy take home the prize, who makes the acceptance speech? Bahorek takes a beat before replying “That’s something we still need to talk about. And soon.”
A full list of award recipients will be available at theatrewashington.org on Tuesday, May 19, 2026.
Anthony Oakes will host “DC Black Pride Comedy Show” on Thursday, May 21 at 7 p.m.
Oakes will workshop his new hour about addiction, incarceration, recovery, and redemption with special guests.
This event will be hosted by the hilarious Apple Brown Betty with TJ So Silly, Howl Cooper, and featuring Patrice Deveaux. DJ Art.is will be spinning on the 1’s & 2’s. Libations will be provided by Drink Alchy. Images by RGF ENT. Tickets are $28.52 and can be purchased on Eventbrite.
Out & About
United Night Out set for Saturday
Team DC hosts evening of soccer, Pride, music, drag and community
On Saturday, May 16, Team DC is taking over Audi Field for United Night OUT as D.C. United faces St. Louis SC.
Come out for an evening of soccer, Pride, music, drag, and community. The night kicks off with pre-game fun featuring DC Different Drummers, DJ Heat, and a Pride Night OUT Party at the Heineken Rooftop. Then get ready for a 7:30 p.m. match, including the National Anthem sung by Dana Nearing and a halftime drag performance.
After the match, the celebration continues at the Post-Game Rooftop Party with DJ Heat and the After Party at Dacha Navy Yard. Game tickets and after party tickets are available now through Zeffy. After party tickets are $20 and include one drink.
‘The Inheritance’ is most-nominated at this year’s Helen Hayes Awards
HIV Vaccine Awareness Day set for May 18
DC Black Pride is around the corner
United Night Out set for Saturday
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