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Story of slain Ugandan activist among LGBT stories at Silverdocs festival

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David Kato, LGBT rights activist, Uganda, gay news, Washington Blade

Silverdocs Festival
June 18-24
AFI Silver Theatre
8633 Colesville Rd., Silver Spring
‘Call Me Kuchu’ — June 20 at 9:30 p.m. and June 22 at 8:30 p.m.
‘How to Survive a Plague’ — June 20 at 7 p.m.
‘Ray: A Life Underwater’ — June 21 at noon.
Individual tickets cost $12, however Silverdocs is offering various package deals that allow access to multiple screenings and the conference.

A scene from ‘Call Me Kuchu’ showing Uganda activist David Kato in what would end up being the last year of his life. (Still courtesy Silverdocs)

When two filmmakers set out to capture the work of LGBT activist and Uganda’s first openly gay man, they didn’t realize they were also filming the last year of his life.

“It was an incredibly hard thing to go through,” says Malika Zouhali-Worrall of her work with the late David Kato. “We spent a lot of time with him while he was working and during his private time. It came as an awful shock to both of us.”

Worrall and fellow filmmaker Katherine Wright tell Kato’s story in their new documentary “Call Me Kuchu,” which is screening in the upcoming Silverdocs Festival at the AFI Silver Theatre, which kicks off Monday for its 10th year. It’s a seven-day film festival with a five-day conference that promotes documentary film as an art form.

Sky Sitney, festival director of Silverdocs, says the movie will shock those who are largely unaware of what is happening in Uganda while drawing viewers close to the subjects.

“I think it is the way the film takes the topic and weaves it through personal stories, allows intimate access so that you are deeply invested in their lives, that makes it so powerful,” she says.

Worrall is a freelance reporter for CNN and this is her first feature length film. Wright was a film studies and anthropology major at Columbia University and has produced other feature length films including, “Gabi On the Roof in July,” while also directing shorts.

Worrall and Wright began filming in January 2010 after a transgender man named Victor Mukasa won a court case in the high court of Uganda, granting him his right to privacy after it had been violated during a raid. They shot the film with a less than $300,000 budget provided by various backers and a Kickstarter fundraising campaign. The filmmakers chose the term “kuchu” because this is the umbrella term used there for members of the LGBT community.

The film observes Kato and other activists as they fervently try to get Uganda’s homophobic laws repealed while preventing a new anti-homosexuality bill from passing in parliament. The new law would have HIV-positive gay men sentenced to death while others would be sentenced to life imprisonment. Kato was one of the founding members of Sexual Minorities Uganda, an underground movement for LGBT rights. However, Kato’s life abruptly ended when a man named Sidney Nsubuga Enoch, a local gardener and apparently a well-known thief, murdered him in his home.

At the time, Wright and Worrall were in New York planning their next trip to Uganda to shoot. They decided they needed to go back to Uganda immediately — Wright left the next day.

“We realized our film suddenly became about the last year of Kato’s life and added a sense of urgency, it was really intense,” Worrall says.

Though the documentary is LGBT specific, it was not this element that attracted Worrall and Wright to Uganda.

“It wasn’t so much that I was interested in LGBT rights more than any other human rights, but more that these people had these destinies laid out for them by these laws,” Wright says.

To fully depict the causes of these laws and their effect, the filmmakers traveled back and forth between anti-gay community members and LGBT activists. Both Worrall and Wright say it’s important for American audiences to understand what inspired the creation of the new bill.

“Getting all the basic facts is really important,” Worrall says. “Understanding what is happening in Uganda, and that it is very much related to American evangelicals and American foreign policy.”

Specifically, Scott Lively, Caleb Lee Brundidge and Don Schmierer, all American evangelicals, were invited to participate in a workshop in Uganda in 2009 where they spoke about the international “gay agenda.” According to a New York Times article, Lively told attendees that gays sodomize children and would destroy the culture. Soon after the bill was proposed, Worrall says they filmed a scene where a group of evangelicals celebrated and praised the government for proposing it.

Despite the hostility toward the LGBT community, members were still able to find ways to enjoy their lives. Wright says capturing these moments was of special importance to them.

“It was invigorating to see how these people were able to organize themselves despite the persecution,” she says. “It wasn’t the narrative victimization that you might have expected.”

Filming members of the LGBT community could still threaten their security, and some declined to be shown on camera for fear of being outed by local tabloids, which list LGBT people by name under headlines, “Homo Terror! We Name and Shame Top Gays,” according to the movie’s website.

Though Worrall and Wright are straight, they wanted to use the work being done by the LGBT community as a different way to approach Uganda, and by extension Africa.

“It was a way to capture a vivid portrait of people,” Worrall says. “Especially now that David is gone it has become very urgent.”

Worrall will be attending the Silverdocs with one of the film’s protagonists, Long Jones. The U.S. premiere of the film is occurring at the Los Angeles Film Festival on Saturday. The screening at Silverdocs will be the East Coast premiere of the film and will occur on June 20 and June 22 near the end of the festival.

“We are very excited to premiere it in the U.S.,” Worrall says. “It was first premiered in the Berlin Film Festival and the reaction there was incredible.”

Sitney says “Call Me Kuchu” will provide a juxtaposition to another film with LGBT themes, “How to Survive a Plague,” which revisits the 1980s when HIV/AIDS was still greatly feared and effective treatment was largely unavailable.

“One film is showing an injustice that is going on literally today and the act of change in positive and negative ways,” she says. “One is a retrospective look, to see what has changed and what has remained the same.”

“Call Me Kuchu,” which runs 87 minutes, is in the running for a grand jury prize while “How to Survive a Plague,” is one of the centerpieces of the festival.

Another film that doesn’t have prevalent LGBT themes but is directed by lesbian director Amanda Bluglass is “Ray: A Life Underwater,” a 14-minute short provides a portrait of 75-year-old deep-sea diver named Ray Ives who has been exploring the bottom of the ocean for 50 years while wearing a diving suit from the 1900s.

Sitney says that including these films adds to the diversity of the festival, but they do not specifically look for films with LGBT themes, or any specific themes, when reviewing submissions.

“We already make this festival exclusively about documentary films, we don’t want to set too many other boundaries,” she says. “We don’t choose central themes, but some emerge unintentionally.”

Sitney says that each film should be accessible to a non-LGBT audience, by breaking cultural parameters to create a “stunning and beautiful quality of work.”

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Celebrity News

Perez Hilton’s live breakdown reveals social media mental health crisis

Blogger hospitalized after harming himself online

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(Photo by Joe Seer/Bigstock)

Fans were shocked to witness former celebrity blogger Mario Lavandeira, aka Perez Hilton’s, epic crashout on social media. While on TikTok Live, he was harming himself with what appears to be a metal chef-grade spreader. There was blood, gore, and a cry for help that broke the internet. 

Police from Miami-Dade County were called to the scene; he has been hospitalized. The fact that this traumatic incident was broadcast on TikTok brought up the topic of moderation. Hilton’s account has since been banned from TikTok, but by now the cat is out of the bag, and the clip is circulating online. 

It’s hard not to reflect on how Hilton both represents a major turning point in Internet culture, and this incident may be a warning of its potential end. A statement on his blog from his representatives confirms that his family was on the scene minutes before the incident but quickly fled to protect his children and niece from any future trauma. 

Hilton’s agent, Dante Rusciolelli, told Us Weekly in a statement. “Our focus remains on Perez’s health, recovery, and the privacy of both him and his family during this incredibly difficult time … We respectfully ask that everyone continue to honor his privacy while he receives the care he needs.”

A recurring theme on social media is that Hilton, at the height of his fame and media reach, would not respect the privacy of any celebrity. After all, he was one of the regular outlets covering Britney Spears’s famous shaved-head meltdown and part of the “Leave Britney Alone” mythos. 

A bit of background

Before Hilton, there were celebrities famous for being famous like Angelyne and Paris Hilton. However, some may say he was the first to monetize it. From his laptop at a coffee shop, he galvanized the Internet by skewering celebrities. 

Nothing was off limits. He outed celebrities like Neil Patrick Harris, Clay Aiken, and Lance Bass. He spoiled the finale of season 3 of “RuPaul’s Drag Race,” and he posted celebrity nudes, including up-skirt photos of teen starlets like Paris Hilton, Britney Spears, and Lindsay Lohan, the same young women he also cyber-bullied.

Times have changed, and despite his many attempts to rehab his image, including having children, publicly apologizing, and even finding God, nothing brought him back to the public eye. He was recently hospitalized for sepsis and claims to have reflected on his behavior in the past. 

This incident really shines a light on the intersection of mental health and fame in this country. In a post-Kardashian world, being a celebrity is not about talent or professional accolades. It has become about how you can increase your follower count. Whether it is stretching out Marilyn Monroe’s dress, becoming a Black Nazi like Kanye West, or even becoming President, it’s about how you can shock, awe, and find your base. 

Los Angeles is a city that lives and dies by television and movies, but social media has shifted how this business works. People are cast from large social media followings. People who do manage to build a following face some of the darker aspects of fame. Whether it’s Chappell Roan’s beef with paparazzi and fans, or Hudson Williams and Connor Storrie having to ask for privacy and respect for their humanity, even if you reach the level of fame, it’s not all roses. 

Add to this the fact that this is all tied to social media. Your fame is quantified by the number of followers, likes, and page views, while people are found in a negative feedback loop of dopamine addiction, clout chasing, and pushing themselves further to find more followers. 

On Aug. 1, Floridian influencer Whitney Lynn was thrown off a flight claiming spiritual warfare when she was disrupting the flight by proselytizing. Was she doing this for social media follows? The Internet is now rampant with people causing scenes in planes, staging pranks and scenarios, and violating people’s privacy all in the pursuit of attention. 

Hopefully Hilton finds the help he needs. This entire incident has called into question the entirety of internet culture. Who is responsible for the trauma that people inflict on other people? At what point do we intercede in Internet use before people have no other recourse but to harm themselves on live? And at what point does the toxic energy we put onto the net bounce back to us? 

Similar to Hilton, Wendy Williams faced her own crisis, and maybe she put it best: “I would ask you to respect our privacy, but please, I don’t respect people’s privacy; that’s why I do the Hot Topics. So turnabout is fair game.”

If you know anyone struggling with self-harm, text CONNECT to 741741 for free confidential support or dial 988 for the suicide and crisis helpline.

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Out & About

Mr. Henry’s to host 60th anniversary party

Gala scheduled for Aug. 29

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Mr. Henry's (Photo by Lix Stewart)

Mr. Henry’s Victorian Pub will host a gala celebrating its 60th anniversary on Saturday, Aug. 29 at 7 p.m.

There will be signature cocktails, beer and wine; plentiful throwback hors d’oeuvres, three live bands and a cocktail attire red carpet. 

Tickets start at $50 and can be purchased at mrhenrysdc.com

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Calendar

Calendar: August 7-13

LGBTQ events in the days to come

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Friday, August 7

Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Balston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite

Saturday, August 8

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC LGBTQ+ Community Center will host “RA Xtra: Manhood” at 1:30 p.m. “MANHOOD” follows Dallas entrepreneur Bill Moore as he attempts to make penis enlargement as commonplace as Botox. Along the way, an OnlyFans star and a father of five put their bodies—and their insecurities—on the line. Blending dark humor with unexpected empathy, MANHOOD examines shame, addiction, and the fragile myths of American masculinity. More details are available on the DC LGBTQ+ Community Center’s website

Sunday, August 9

“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen at this unforgettable Drag Brunch. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite

Monday, August 10

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook

Tuesday, August 11

Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected]

Wednesday, August 12

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, August 13

The DC LGBTQ+ Community Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC LGBTQ+ Community Center’s website.  

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