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Summer sizzle

Gay pop culture offerings abound in region and beyond

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Dave Koz, Saxophone, Gay News, Washington Blade

Openly gay saxophonist Dave Koz plays Wolf Trap Aug. 22. (Photo by Greg Allen; courtesy Wolf Trap)

Summer has officially started and there is so much to do. Here’s a preview of things to come during these hot months.

MUSIC

July 4th brings the annual National Symphony Orchestra concert “A Capitol Fourth” at 8 p.m. on the West Lawn of the U.S. Capitol. The broadcast will have a new host, Tom Bergeron, and will feature performances by Matthew Broderick, Megan Hilty, Kool & the Gang and more. There will also be a special tribute to Team USA, hosted by Apolo Anton Ohno. Gates open at 3 p.m. for this free event.

The 9:30 Club (815 V St., N.W.) has several concerts coming up this summer. The Scissor Sisters will be there on July 2-3. Tickets are $40. The Mighty Mighty Bosstones will be there on Aug. 7. Tickets are $30. Bob Mould performs on Sep. 8. Tickets are $25. Tickets to all shows are available online at 930.com.

The National Symphony Orchestra has several concerts happening this season at Wolf Trap (1645 Trap Rd., Vienna). On July 6, the Orchestra will be performing “Broadway ROCKS!” at 8:15 p.m. The show will feature Rob Evan, Morgan James, LaKisha Jones and Doug LaBrecque singing Broadway showstoppers from musicals such as “Mamma Mia!,” “Hairspray” and more. Tickets for this concert range from $20 to $52.

On July 14, NSO will be playing the score to “The Wizard of Oz” as the movie is shown on the huge screens in-house and on the lawn. Tickets for this concert range from $20 to $52. On Aug. 3, NSO will be backing of Broadway star Idina Menzel in a one-night-only exclusive performance with Steven Reineke conducting. The show is at 8:15 p.m. and tickets range from $20-$55.

Wolf Trap will be hosting a bevy of other concerts as well.

The B-52s return to the area on July 19 at 8 p.m. Tickets range from $25-$42. Rufus Wainwright and Ingrid Michaelson perform back-to-back on July 24 at 8 p.m. Tickets range from $30-$40. On Aug. 22 at 8 p.m., Dave Koz, who’s openly gay, will be performing with BeBe Winans and special guest Average White Band. Tickets range from $25 to $42.

Tickets for Wolf Trap events are available online at wolftrap.org.

Shawn Colvin plays the Birchmere (3701 Mount Vernon Ave., Alexandria) with Kat Edmonson on July 19 and 20. Ticket are $49.50 and available online at birchmere.com. Kenny Loggins plays there July 26. Tickets are $79.50. Melissa Ferrick will also be playing Birchmere on Sept. 8 with special guest Astra via. Tickets are $25. These concerts are all at 7:30 p.m.

Indie band “Girl in a Coma,” featuring two openly lesbian members, play the Red Palace (1212 H St., N.E.) on July 13 at 8 p.m. Tickets are $10 in advance and $12 day of show. Doors open at 7 p.m.

Don’t forget the pop music icon Madonna is coming to the D.C. area on Sept. 23-24 for two concerts at the Verizon Center (601 F St., N.W.) at 8 p.m. Tickets range from $93-$358 and can be purchased online at ticketmaster.com.

Concerts are always fun, but sometimes its nice to just sit at home and listen to some new music.

Maroon 5’s newest album, “Overexposed,” with the single “Payphone,” is slated to be released June 26.

Chris Brown has a new album, “Fortune,” coming out July 3. Passion Pit’s “Gossamer” is schedule to be released July 24 and Deadmau5’s “The Veldt” will be released July 25.

MOVIES

There are some big movies coming out this summer.

Channing Tatum’s “Magic Mike,” based on his brief stint as a stripper before getting into acting, opens June 29. The movie also stars Matt Bomer, who recently came out.

The Spider-Man series isn’t over yet. “The Amazing Spider-Man,” starring Andrew Garfield and Emma Stone, opens July 3.

Another comic book hero, Batman, also gets another movie with “The Dark Knight Rises,” starring Christian Bale and Anne Hathaway as Catwoman, opening July 20.

August 17 brings the opening of “Sparkle,” starring Jennifer Hudson and the late Whitney Houston.

Ellen DeGeneres may not be getting the sequel to “Finding Nemo” that she wanted, but the film is to be re-released in 3D on Sep. 14.

There’s also the Capital Fringe Festival coming up July 12-29. This year’s festival will feature films such as “Despertar,” “Bareback Ink,” “Stopgap” and more. For a complete list of films, venues and prices, visit capfringe.org.

TELEVISION

A few of the summer series have already started, like ABC Family’s “Pretty Little Liars,” TNT’s reboot of “Dallas” and HBO’s “True Blood,” but there are a few that have yet to premiere.

Eric McCormack of “Will & Grace,” takes on a new role as an eccentric professor helping the FBI in the new TNT series “Perception,” premiering July 9.

Bomer will also be on the small screen when the USA series “White Collar,” premieres July 10 as well as “Covert Affairs” starring Piper Perabo. USA also has a new series “Political Animals,” which premieres July 15 starring Sigourney Weaver playing a former first lady-turned-secretary of state.

Those with DirecTV can watch Chloe Sevigny play a transgender assassin in “Hit and Miss” starting July 11.

For those fans of science fiction, “Warehouse 13” and “Alphas” both premiere their new seasons on SyFy on July 23.

A few reality series also start up over the summer. CBS’s competition “Big Brother” premieres July 12, as does Showtime’s “The Real L Word.”

THEATER

The traveling production of “The Addams Family” comes to D.C. by way of the Kennedy Center (2700 F St., N.W.). The show will run from July 10-29, including a theater look-in on July 17 prior to that days performance. Tickets range from $39 to $115. Tickets are available online at kennedy-center.org.

Keegan Theatre (1742 Church St., N.W.) concludes its 2011-2012 season with “August: Osage County” directed by Mark A. Rhea and starring Stan Shulman, Rena Cherry Brown and more. The show runs from Aug. 3-26.

Signature Theatre (4200 Campbell Ave., Arlington) is putting on its own production of “The Best Little Whorehouse in Texas” opening Aug. 14 and running through Oct. 7.

Kathleen Turner brings her one-woman show “Red Hot Patriot: The Kick-Ass Wit of Molly Ivins” to Arena Stage (1101 6th St., S.W.) starting Aug. 23. The show will run through Oct. 28. This is the first show of Arena’s 2012/13 season. For more information, visit arenastage.org.

OTHERS

The Queer Queens of Qomedy will be at the Birchmere on Aug. 16 at 7:30 p.m. featuring Poppy Champlin, Zoe Lewis and Michele Balan. Tickets are $25 and available online at birchmere.com.

The D.C. Center’s (1318 U St., N.W.) OutWrite LGBT Book Fair will run Aug. 3-4 and will feature reading by Wayne Hoffman, David Pratt, Sampson McCormick and more. There will also be discussions on social justice and intersectional activism and gay pulp fiction. For more information and a complete schedule of events, visit outwritedc.org.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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